Analysis of Ancient Mosaic Images for Dedicated ... - Institut Fresnel
Analysis of Ancient Mosaic Images for Dedicated ... - Institut Fresnel
Analysis of Ancient Mosaic Images for Dedicated ... - Institut Fresnel
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518 Digital Imaging <strong>for</strong> Cultural Heritage Preservation<br />
<strong>Analysis</strong>, 395, 396, 412<br />
Error, 383<br />
Photogrammetry, 45, 52, 55, 74, 79, 95, 111, 140,<br />
142, 250, 384<br />
Photographic Prints, 282, 285, 293<br />
Pictorial matching, 253<br />
Pinprick hole evidence, 392<br />
Pisanello, 387<br />
Poisson Reconstruction, 181<br />
Polizzello Mountain, 6<br />
Porta, Giambattista della, 389, 398<br />
Portaels, Jean-François, 386<br />
Private techniques, 489<br />
Public techniques, 489<br />
Queuing system, 172<br />
Radial distortion, 83<br />
Range map, 108, 109, 111, 113–115, 117, 123–125,<br />
368<br />
Alignment, 109, 111, 113<br />
Automatic alignment, 113<br />
Global registration, 111<br />
Local registration, 111<br />
Merge, 110, 112<br />
Reconstruction, 112<br />
Reconstruction from, 110<br />
Raphael, 387<br />
Rapid prototyping, 52<br />
Rational filter, 288, 302, 303<br />
Re-ordering, 498<br />
Re-triangulation, 497<br />
Reconstruction pipeline, 169<br />
Red chrominance matrix, 285, 287<br />
Reducing compass, 385, 392<br />
Refinement, 326, 327, 385, 499<br />
Relative alignment, 238, 257, 263, 264<br />
Relative <strong>of</strong>fset evidence, 391<br />
Rembrandt, 400<br />
Remeshing, 497, 499, 501, 506, 507<br />
Rendering, 6, 40, 42, 47, 55, 77, 92, 111, 117, 124,<br />
125, 138, 140, 144, 147, 152, 156, 159, 193,<br />
200, 246, 365, 368, 394, 431, 439, 496<br />
Restoration, 3, 5, 12, 20, 22, 25, 40, 43, 46, 57–60,<br />
62, 63, 65, 74, 78, 93, 95, 117, 138, 218,<br />
246, 248, 274, 282, 284, 289, 292–296, 299,<br />
300, 302, 303, 306, 314, 321, 322, 325, 327,<br />
329, 331, 335, 338, 340, 348, 368, 369, 454,<br />
457, 459<br />
Reversibility, 491<br />
Reynolds, Joshua, 397<br />
Robustness, 116, 169, 223, 231, 237, 309, 350, 464,<br />
479, 485, 487, 502<br />
Rock Art, 193<br />
Rock art, 191, 192, 194, 198, 200, 202, 205, 208<br />
ROD, 324, 325<br />
Roman de la Rose, 398<br />
Roto-translation, 65, 114, 296<br />
Sampling, 64, 77, 90, 106, 108, 116, 123, 129, 143,<br />
156, 171, 349, 350, 354, 361, 436, 499<br />
Scaling, 65, 85, 141, 172, 198, 248, 266, 385, 457,<br />
488, 497<br />
Scratch, 333<br />
SDI, 324<br />
Segmentation, 127, 231, 235, 257, 288, 436, 448, 457,<br />
459, 460, 462, 464–466, 473<br />
Self-calibration, 173<br />
Sepia, 285, 288, 289<br />
Sfumato, 400<br />
Shadow, 87, 116, 139, 152, 181, 193, 250, 367, 393,<br />
394, 412, 457, 465<br />
Shake, 322, 336, 341<br />
Similarity, 48, 89, 117, 119, 200, 223, 250, 255, 261,<br />
432, 440, 459, 499<br />
Simplification, 77, 93, 110, 123, 124, 129, 164, 230,<br />
497, 506<br />
simplification, 499<br />
Smith Waterman algorithm, 261<br />
Spanning tree, 266, 269–272, 274<br />
Sparkle, 322–324, 433, 454<br />
Spectacle, 381, 382, 399, 400<br />
Spectral, 77, 80, 92, 140, 146, 156, 300, 348–350,<br />
353–366, 368, 369, 506<br />
Stelae, 183<br />
Structure from motion, 80, 82<br />
Structure-from-motion, 164<br />
Surface reflection properties, 112, 116, 120, 128<br />
Surveying, 74–76, 78, 80, 93, 200, 382<br />
Tessera, 454, 455, 457, 460–466, 468–471, 473, 474<br />
Altered, 456<br />
Disaggregated, 456<br />
Extraction, 460
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