Hindmarsh Prize 2017
The Hindmarsh Prize recognises and promotes excellence and appreciation of the world-class artists working in glass who live and practice in the ACT and region
The Hindmarsh Prize recognises and promotes excellence and appreciation of the world-class artists working in glass who live and practice in the ACT and region
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BRIAN CORR LUX MANDALA<br />
... my work seeks to embody a sense of the<br />
profound and the transcendent.<br />
Brian Corr creates sculpture and large-scale<br />
installations, facilitating contemplation through<br />
explorations of perception, activations of light and<br />
shadow, volume and void. Lux Mandala explores<br />
the translation of a rare optical phenomenon into<br />
a mechanism for contemplative experience. What<br />
follows is an evolution from the application of glass<br />
to create an aesthetic object to the application of<br />
glass to serve purely as a vehicle for the transmission<br />
of light, embodying a sense of the profound and the<br />
transcendent.<br />
Originally from Colorado, USA, Brian received his<br />
degree from Hastings College, majoring in Studio<br />
Arts with an emphasis in glass. He subsequently<br />
worked, studied and taught throughout the US<br />
and abroad, including three years at the Corning<br />
Museum of Glass.<br />
He moved to Australia in 2005 to pursue his<br />
Masters degree from the ANU School of Art &<br />
Design in Canberra. Since completing his Masters<br />
in 2007, Brian has exhibited nationally and<br />
internationally, and was recently included in the<br />
Modern Masters exhibition in Munich.<br />
Brian’s work has been included in numerous public<br />
and private collections throughout the world,<br />
including the National Gallery of Australia and the<br />
Toledo Museum of Art. Brian was also awarded the<br />
prestigious Tom Malone <strong>Prize</strong> by the Art Gallery of<br />
Western Australia in 2012. He has recently been<br />
an instructor at the Pilchuck Glass School and the<br />
Penland School of Crafts in America.<br />
This new work represents a significant advancement<br />
in Corr’s studio practice and PhD research, which<br />
investigates the elements of contemplative space<br />
and experience in Japanese architecture.<br />
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