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Hindmarsh Prize 2017

The Hindmarsh Prize recognises and promotes excellence and appreciation of the world-class artists working in glass who live and practice in the ACT and region

The Hindmarsh Prize recognises and promotes excellence and appreciation of the world-class artists working in glass who live and practice in the ACT and region

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BRIAN CORR LUX MANDALA<br />

... my work seeks to embody a sense of the<br />

profound and the transcendent.<br />

Brian Corr creates sculpture and large-scale<br />

installations, facilitating contemplation through<br />

explorations of perception, activations of light and<br />

shadow, volume and void. Lux Mandala explores<br />

the translation of a rare optical phenomenon into<br />

a mechanism for contemplative experience. What<br />

follows is an evolution from the application of glass<br />

to create an aesthetic object to the application of<br />

glass to serve purely as a vehicle for the transmission<br />

of light, embodying a sense of the profound and the<br />

transcendent.<br />

Originally from Colorado, USA, Brian received his<br />

degree from Hastings College, majoring in Studio<br />

Arts with an emphasis in glass. He subsequently<br />

worked, studied and taught throughout the US<br />

and abroad, including three years at the Corning<br />

Museum of Glass.<br />

He moved to Australia in 2005 to pursue his<br />

Masters degree from the ANU School of Art &<br />

Design in Canberra. Since completing his Masters<br />

in 2007, Brian has exhibited nationally and<br />

internationally, and was recently included in the<br />

Modern Masters exhibition in Munich.<br />

Brian’s work has been included in numerous public<br />

and private collections throughout the world,<br />

including the National Gallery of Australia and the<br />

Toledo Museum of Art. Brian was also awarded the<br />

prestigious Tom Malone <strong>Prize</strong> by the Art Gallery of<br />

Western Australia in 2012. He has recently been<br />

an instructor at the Pilchuck Glass School and the<br />

Penland School of Crafts in America.<br />

This new work represents a significant advancement<br />

in Corr’s studio practice and PhD research, which<br />

investigates the elements of contemplative space<br />

and experience in Japanese architecture.<br />

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