tracing mobility: cartography and migration in ... - Trampoline
tracing mobility: cartography and migration in ... - Trampoline
tracing mobility: cartography and migration in ... - Trampoline
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Limbo, An exp<strong>and</strong><strong>in</strong>g Atlas of<br />
Subjectivity, 2011<br />
live digital draw<strong>in</strong>gs, pr<strong>in</strong>ter, wall-map<br />
Essentially, one could say that Limbo, An<br />
exp<strong>and</strong><strong>in</strong>g Atlas of Subjectivity (2011), is the<br />
artist’s, Simon Faithfull, live digital draw<strong>in</strong>g<br />
feed. It is a web-based artwork, <strong>and</strong> iPhone<br />
App, that delivers real-time digital draw-<br />
<strong>in</strong>gs the artist makes en route on any given<br />
day, whether it be a trip to the corner store<br />
or a trip to Antarctica. Faithfull has been<br />
w<strong>and</strong>er<strong>in</strong>g the globe for the past ten years <strong>in</strong><br />
which he has consistently made draw<strong>in</strong>gs on<br />
an electronic device to record his presence<br />
<strong>in</strong> a particular place, at a particular moment<br />
— somewhere, sometime, on the surface of<br />
the planet.<br />
To date, there are over seven hundred<br />
observational sketches that have recorded<br />
what the artist saw, <strong>and</strong> chose to represent,<br />
<strong>in</strong> each of these places. Such details of one’s<br />
everyday life have over time become an<br />
archive of the artist’s <strong>mobility</strong>, from his daily<br />
w<strong>and</strong>er<strong>in</strong>gs <strong>in</strong> his Berl<strong>in</strong> neighborhood <strong>in</strong><br />
Kreuzberg to far reach<strong>in</strong>g dest<strong>in</strong>ations like<br />
Antarctica, <strong>and</strong> back. Limbo is this complete<br />
<strong>and</strong> liv<strong>in</strong>g archive of draw<strong>in</strong>gs made available<br />
to any connected user, who can as well stay<br />
<strong>in</strong>-sync with the artist’s movement as they<br />
are <strong>in</strong>termittently uploaded as drawn. The<br />
digital <strong>in</strong>stantaneity of the platform thus<br />
mirrors the process by which Faithfull makes<br />
his delicate draw<strong>in</strong>gs.<br />
Dur<strong>in</strong>g the course of the exhibition,<br />
Faithfull cont<strong>in</strong>ues this project mak<strong>in</strong>g,<br />
<strong>and</strong> mak<strong>in</strong>g available, daily draw<strong>in</strong>gs <strong>in</strong> <strong>and</strong><br />
around Berl<strong>in</strong>. Through the Limbo iPhone<br />
App, Twitter, Facebook or , these<br />
draw<strong>in</strong>gs will be implicitly explicit, direct<br />
to the onl<strong>in</strong>e world. As well, <strong>in</strong> Haus Der<br />
Kulturen der Welt a domestic pr<strong>in</strong>ter will<br />
be <strong>in</strong>stalled to automatically pr<strong>in</strong>t out each<br />
draw<strong>in</strong>g as it is made. These draw<strong>in</strong>gs will<br />
cumulatively be p<strong>in</strong>ned to a large wall map<br />
of Berl<strong>in</strong> re-<strong>in</strong>scrib<strong>in</strong>g the artist’s time <strong>and</strong><br />
place of draw<strong>in</strong>g. Limbo, An exp<strong>and</strong><strong>in</strong>g Atlas of<br />
Subjectivity is the artist’s subjective, personal<br />
atlas of be<strong>in</strong>g <strong>in</strong> the world — the mapp<strong>in</strong>g<br />
of time <strong>and</strong> space, as experienced by one<br />
<strong>in</strong>dividual, ongo<strong>in</strong>gly.<br />
32<br />
If a man can run <strong>in</strong> snow at 4 mph<br />
then theoretically <strong>in</strong> 24 hours he<br />
would cover 96 miles. Us<strong>in</strong>g Pi, at<br />
a distance of 30.5 miles from the<br />
pole a complete circular journey<br />
around of the globe would be 96<br />
miles long. At this distance from<br />
the pole, therefore, runn<strong>in</strong>g at<br />
4mph <strong>in</strong> a westerly direction would<br />
exactly equal the speed of the<br />
sp<strong>in</strong>n<strong>in</strong>g globe<br />
Limbo, An exp<strong>and</strong><strong>in</strong>g Atlas of Subjectivity, 2011