tracing mobility: cartography and migration in ... - Trampoline
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Jennifer Davy<br />
Based <strong>in</strong> situ, Jennifer Davy is an artist, writer<br />
<strong>and</strong> sometimes curator primarily focused on<br />
performative media <strong>in</strong> contemporary art. She is<br />
particularly <strong>in</strong>terested <strong>in</strong> apparatuses of mobil-<br />
ity with<strong>in</strong> aporetic junctures, the aesthetics of<br />
failure <strong>and</strong> the lack of an orig<strong>in</strong>ary fem<strong>in</strong><strong>in</strong>e.<br />
She studied F<strong>in</strong>e Arts at the San Francisco<br />
Art Institute, art history at the University of<br />
Texas, <strong>and</strong> recently received her PhD from<br />
the European Graduate School, , <strong>in</strong> media<br />
studies. Her work, Stag<strong>in</strong>g Aporetic Potential,<br />
will be published <strong>in</strong> 2012 by Atropos Press.<br />
Simon Faithfull<br />
Simon Faithfull, based <strong>in</strong> Berl<strong>in</strong> <strong>and</strong> London,<br />
is a contemporary artist whose work has been<br />
exhibited extensively around the world. His<br />
work has been described as an attempt to<br />
underst<strong>and</strong> <strong>and</strong> explore the planet as a sculptural<br />
object: to test its limits <strong>and</strong> report back from its<br />
extremities, to connect <strong>and</strong> collapse space <strong>and</strong> to<br />
underst<strong>and</strong> how the far <strong>and</strong> mysterious relate to<br />
the everyday <strong>and</strong> mundane. Recent exhibitions<br />
have <strong>in</strong>cluded solo shows at the British Film<br />
Institute (London), Harris Museum (Preston),<br />
Galerie Polaris (Paris), Parker’s Box (New York),<br />
Stills (Ed<strong>in</strong>burgh) <strong>and</strong> Cell (London).<br />
www.simonfaithfull.org<br />
Yol<strong>and</strong>e Harris<br />
Based <strong>in</strong> Amsterdam, Yol<strong>and</strong>e Harris is a com-<br />
poser <strong>and</strong> artist engaged with sound <strong>and</strong> image<br />
<strong>in</strong> environmental <strong>and</strong> architectural space. Her<br />
most recent artistic research projects explore<br />
sound, its image <strong>and</strong> its role <strong>in</strong> relat<strong>in</strong>g humans<br />
<strong>and</strong> their technologies to the environment.<br />
These works consider techniques of navigation,<br />
sound worlds outside the human hear<strong>in</strong>g range,<br />
underwater bioacoustics <strong>and</strong> the sonification<br />
of data. They take the form of audio-visual<br />
<strong>in</strong>stallations <strong>and</strong> performances, <strong>in</strong>struments,<br />
walks, performative lectures <strong>and</strong> writ<strong>in</strong>gs.<br />
Her work is presented <strong>in</strong>ternationally <strong>in</strong> the<br />
context of visual art exhibitions, music venues<br />
<strong>and</strong> media art festivals.<br />
www.yol<strong>and</strong>eharris.net<br />
Folke Köbberl<strong>in</strong>g <strong>and</strong><br />
Mart<strong>in</strong> Kaltwasser<br />
Com<strong>in</strong>g from a background of F<strong>in</strong>e Arts (Folke<br />
Köbberl<strong>in</strong>g <strong>and</strong> Mart<strong>in</strong> Kaltwasser) <strong>and</strong> archi-<br />
tecture (Mart<strong>in</strong> Kaltwasser) the Berl<strong>in</strong> based duo<br />
has collaborated s<strong>in</strong>ce 2002. They have exhibited<br />
extensively <strong>in</strong> Germany as well as <strong>in</strong>ternationally<br />
with recent solo exhibitions <strong>in</strong>clud<strong>in</strong>g Jack<br />
Hanley Gallery, (2011), Power Plant/Ch<strong>in</strong>ati<br />
Foundation, Marfa/ (2010), Galerie Anselm<br />
Dreher, Berl<strong>in</strong> (2009), Ujazdowski Castle ,<br />
Warsaw/ (2009). Residency programs are an<br />
<strong>in</strong>tegral part of the artists’ praxis, most recent<br />
residences <strong>in</strong>clude: <strong>in</strong> Warsaw/; Villa<br />
Serpentara/; <strong>and</strong> the Ch<strong>in</strong>ati Foundation <strong>in</strong><br />
Marfa/.<br />
www.koebberl<strong>in</strong>gkaltwasser.de<br />
L<strong>and</strong>on Mackenzie<br />
L<strong>and</strong>on Mackenzie is one of Canada’s lead<strong>in</strong>g<br />
pa<strong>in</strong>ters. She has had an <strong>in</strong>fluence on a genera-<br />
tion of artists through her twenty five years<br />
teach<strong>in</strong>g at Emily Carr University of Art <strong>and</strong><br />
Design <strong>in</strong> Vancouver. Start<strong>in</strong>g as a student of<br />
Conceptual Art at <strong>in</strong> Halifax <strong>in</strong> 1972,<br />
she turned to pa<strong>in</strong>t<strong>in</strong>g <strong>in</strong> the late seventies <strong>and</strong><br />
has widely exhibited her large format canvases<br />
for 30 years. Her works are <strong>in</strong> many collections<br />
<strong>in</strong>clud<strong>in</strong>g the National Gallery of Canada.<br />
www.l<strong>and</strong>onmackenzie.com<br />
Open_Sail<strong>in</strong>g / Protei<br />
Protei is developed by an open community<br />
of eng<strong>in</strong>eers, designers, sailors, <strong>and</strong> scientists<br />
from the , , France, Netherl<strong>and</strong>s, Korea,<br />
Germany, Mexico, Chile, Ch<strong>in</strong>a, Korea, El<br />
Salvador, Australia, New Zeal<strong>and</strong>, Germany,<br />
Denmark, Norway <strong>and</strong> many more. Led by<br />
Inventor Cesar Harada (, ) the grow<strong>in</strong>g<br />
Protei community is grounded <strong>in</strong> academia as<br />
well as <strong>in</strong> the non-profit, profit <strong>and</strong> open hard-<br />
ware community enabl<strong>in</strong>g a rapid development<br />
of science, technology <strong>and</strong> fabrication. Anyone<br />
can jo<strong>in</strong> Open_Sail<strong>in</strong>g <strong>and</strong> contribute to Protei<br />
<strong>and</strong> other Ocean technology projects.<br />
www.protei.org<br />
plan b (Sophia New <strong>and</strong><br />
Daniel Belasco Rogers)<br />
S<strong>in</strong>ce 2002 Sophia <strong>and</strong> Dan, based <strong>in</strong> Berl<strong>in</strong>,<br />
have been mak<strong>in</strong>g work together collaboratively<br />
as well as pursu<strong>in</strong>g solo projects. Their work is<br />
site-specific <strong>and</strong> relationship-specific. Alongside<br />
performances made for a particular context or<br />
place, they make animations based on their <br />
traces, works on paper, durational performances,<br />
locative media projects, pieces situated <strong>in</strong> a stair-<br />
well, domestic <strong>in</strong>terior, hotel bedroom, shop w<strong>in</strong>-<br />
dow, airport, galleries, city squares, open fields<br />
<strong>and</strong> on bicycles. This year they have been guest<br />
lecturers at Hafen City University, Hamburg, <strong>and</strong><br />
the Metropolitan Cultures BA. Daniel is artist <strong>in</strong><br />
residence at the Mixed Reality Lab, Nott<strong>in</strong>gham<br />
University.<br />
www.planbperformance.net<br />
Esther Polak <strong>and</strong><br />
Ivar van Bekkum<br />
Esther Polak studied graphic art <strong>and</strong> mixed<br />
media <strong>and</strong> is <strong>in</strong>terested <strong>in</strong> how technology<br />
determ<strong>in</strong>es (visual) perception. Ivar van Bekkum<br />
studied journalism <strong>and</strong> worked as (graphic)<br />
designer. He is <strong>in</strong>terested <strong>in</strong> how technological<br />
art can function <strong>in</strong> an autonomous-art historical<br />
context. S<strong>in</strong>ce the beg<strong>in</strong>n<strong>in</strong>g of 2010 Esther<br />
Polak <strong>and</strong> Ivar van Bekkum collaborate full-time<br />
<strong>in</strong> the development of their artistic projects<br />
based <strong>in</strong> Amsterdam.<br />
www.polakvanbekkum.nl<br />
www.abstractview.tv<br />
Gordan Savicic<br />
Gordan Savicic, based <strong>in</strong> Rotterdam <strong>and</strong> Vienna,<br />
is an artist who plays with software algorithms,<br />
experimental media <strong>and</strong> f<strong>in</strong>e art. His works<br />
<strong>in</strong>clude game art, <strong>in</strong>teractive/passive <strong>in</strong>stallations<br />
<strong>and</strong> speculative hardware. His participation <strong>in</strong><br />
collaborative projects <strong>and</strong> performances have<br />
been shown <strong>in</strong> several countries, such as Japan<br />
(dis-locate), Germany (Transmediale), Spa<strong>in</strong> (Arco<br />
Madrid), France () <strong>and</strong> the Netherl<strong>and</strong>s<br />
(V2_), among others.<br />
www.yugo.at/process<strong>in</strong>g/<br />
58 59<br />
Anette Schäfer<br />
Anette Schäfer is a curator, producer <strong>and</strong> Berl<strong>in</strong><br />
based director of Trampol<strong>in</strong>e – Agency for<br />
Art <strong>and</strong> Media. As one of the founders of<br />
Nott<strong>in</strong>gham’s () Radiator Festival her special<br />
<strong>in</strong>terest lies <strong>in</strong> the live aspect of (media) art. She<br />
has curated <strong>and</strong> commissioned artists’ projects<br />
explor<strong>in</strong>g live-stream<strong>in</strong>g <strong>and</strong> locative media<br />
where issues of presence, <strong>in</strong>teractivity <strong>and</strong> par-<br />
ticipation <strong>in</strong> urban space are most current.<br />
Mark Selby<br />
Mark Selby is an <strong>in</strong>teraction designer <strong>and</strong> PhD<br />
student at Nott<strong>in</strong>gham University’s Mixed<br />
Reality Lab. He is also a co-founder of the<br />
Institute for Boundary Interactions, an <strong>in</strong>ter-<br />
discipl<strong>in</strong>ary research collective work<strong>in</strong>g across<br />
science, art <strong>and</strong> technology. Hav<strong>in</strong>g tra<strong>in</strong>ed<br />
<strong>in</strong> product design, his practice based research<br />
focuses on the ways that emergent technologies<br />
mediate our <strong>in</strong>dividual <strong>and</strong> collective experi-<br />
ences. These speculative prototypes are tools to<br />
<strong>in</strong>vestigate ways that we might escape current<br />
technological trajectories <strong>in</strong> order to enable more<br />
mean<strong>in</strong>gful everyday <strong>in</strong>teractions.<br />
http://markmakedo.co.uk/<br />
Michelle Teran<br />
Canadian artist Michelle Teran, based <strong>in</strong> Berl<strong>in</strong><br />
<strong>and</strong> Bergen (as Norwegian Artistic Research<br />
Fellow), explores the <strong>in</strong>teraction between media<br />
<strong>and</strong> social networks <strong>in</strong> urban environments. In<br />
her work she looks at different aspects of how<br />
urban space is def<strong>in</strong>ed, occupied <strong>and</strong> mediatised,<br />
focus<strong>in</strong>g on the stag<strong>in</strong>g of urban <strong>in</strong>terventions<br />
<strong>and</strong> performances, such as guided tours, discus-<br />
sions, walks <strong>and</strong> open-air projections as well as<br />
participatory <strong>in</strong>stallations <strong>and</strong> happen<strong>in</strong>gs. She<br />
is the w<strong>in</strong>ner of the Transmediale Award, the<br />
Turku2011 Gr<strong>and</strong> Prix Award, the Vida 8.0 Award<br />
<strong>and</strong> Prix Ars Electronica honorary mention<br />
(2005, 2010).<br />
www.ubermatic.org