tracing mobility: cartography and migration in ... - Trampoline
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Constra<strong>in</strong>t City – The pa<strong>in</strong> of everyday life, 2007<br />
mixed media, circuitry & found objects,<br />
40 × 50 cm<br />
The urban environment, <strong>in</strong> particular, of<br />
the 21st Century is overlaid with an <strong>in</strong>visible<br />
architecture; it is an architectonic l<strong>and</strong>scape<br />
composed of electromagnetic waves <strong>and</strong> as<br />
such one does not have any real sense of it,<br />
<strong>in</strong> the sense of a direct physical relation to<br />
an architecture while mov<strong>in</strong>g about the city.<br />
This underly<strong>in</strong>g, or overlay<strong>in</strong>g, fact of the<br />
electromagnetic environment, its architec-<br />
tonics, is the orig<strong>in</strong> as well as the material<br />
for Gordan Savicic’s project, Constra<strong>in</strong>t City<br />
– The pa<strong>in</strong> of everyday life (2007).<br />
The piece is a digital art performance<br />
<strong>and</strong> a city-<strong>in</strong>tervention that addresses both<br />
public <strong>and</strong> private space with<strong>in</strong> the realm<br />
of everyday ‘constra<strong>in</strong>ts’. A chest strap<br />
(corset) with high torque servo-motors <strong>and</strong><br />
a -enabled game-console is worn as a<br />
fetish object. The higher the wireless signal<br />
strength of enclosed encrypted networks,<br />
the tighter the corset becomes. Closed<br />
network po<strong>in</strong>ts improve the ‘pleasurable<br />
play’ of tight lac<strong>in</strong>g the performer’s bustier.<br />
In this way, the “ether” constitutes an always<br />
possible pregnant space, a new take on<br />
the art historical notion of the “pregnant<br />
moment” as the space is filled with poten-<br />
tial access-po<strong>in</strong>ts to various networks of<br />
communication.<br />
The project began <strong>in</strong> Vienna, where the<br />
artist recorded his daily journeys over several<br />
hours on a mobile device, wear<strong>in</strong>g the corset.<br />
The collected data was recompiled <strong>in</strong>to<br />
what could be called a schizo-geographic<br />
pa<strong>in</strong>-map which is retrieved from Google<br />
Map servers with automated scripts. In this<br />
way, the artist — <strong>in</strong> a straightjacket — is<br />
able to write <strong>and</strong> read the city code forc<strong>in</strong>g<br />
him to develop a modified underst<strong>and</strong><strong>in</strong>g<br />
<strong>and</strong> perception of the city he negotiates.<br />
Furthermore, this writ<strong>in</strong>g <strong>and</strong> read<strong>in</strong>g comes<br />
about through literally ‘sens<strong>in</strong>g’ the data,<br />
Gordan Savicic<br />
which is then plotted <strong>and</strong> visualised <strong>in</strong> the<br />
form of a map.<br />
For the artist, the work resembles an<br />
urban <strong>in</strong>terface for an <strong>in</strong>visible city, an archi-<br />
tecture that is subconsciously perceived <strong>and</strong><br />
which is constantly oscillat<strong>in</strong>g as a resonant<br />
l<strong>and</strong>scape of electromagnetic waves. Wireless<br />
networks are the backbone of contemporary<br />
data communications <strong>and</strong> have enabled the<br />
Internet to become (almost) ubiquitous such<br />
that the borders between private <strong>and</strong> public<br />
become <strong>in</strong>creas<strong>in</strong>gly disparate. Rather, these<br />
spaces co-exist <strong>in</strong> a parallel space, which may<br />
not be visible, per-se, but is certa<strong>in</strong>ly “felt”,<br />
<strong>and</strong> to vary<strong>in</strong>g extremes.<br />
50<br />
fetish object<br />
chest strap with high torque servo<br />
motors (muy fuerte mi amigo!)<br />
wifi-enabled gam<strong>in</strong>g console<br />
(N<strong>in</strong>tendo DS lite)<br />
Constra<strong>in</strong>t City – The pa<strong>in</strong> of everyday life, 2007