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44 Melinda Harper [HARPER, Melinda]. # 2213 Brisbane : David Pestorious Gallery, 2nd June - 1st July 1995. Octavo, printed wrappers, 12 pp., illustrated in colour, essay by Sue Cramer, biography. Limited to 250 copies. Scarce early exhibition catalogue by Melinda Harper, now one of Australia’s leading contemporary abstract painters. Recorded in three Australian collections (all in Queensland). $ 55 The Yabby Eater PRO HART # 1443 Etching. Edition : 100. Measures 59 x 49cm (plate line). Signed lower right and also in image. Framed. A spectacular large format etching by Pro Hart from his Mask series. $ 2,750
A bookplate by Pro Hart MARLING, Karal Ann # 1590 Stoke-on-Trent : The Lytlewode Press, 2011. Octavo, orange cloth in matching slipcase, spine lettered in gilt, yellow endpapers, 12 pp., two photographs of Pro Hart and publisher Robert C. Littlewood, both signed by Littlewood, original etched bookplate by Pro Hart tipped in. Limited to 275 copies signed and numbered by the publisher. A fine contemporary study of an Australian bookplate by noted American academic Karal Ann Marling, Associate Professor of <strong>Art</strong> History at the University of Minnesota. $ 220 Waltzing Matilda LITTLEWOOD, Robert C. # 94 A poem by Andrew Barton ‘Banjo’ Paterson, etchings by Kevin Charles ‘Pro’ Hart. Stoke-on-Trent [U.K.]: The Lytlewode Press, 2007. Large folio bound in goatskin, gilt-lettering to spine, in a gilt-lettered and felt-lined clamshell box, 42pp. text, plus seven tipped-in original hand-coloured Pro Hart etchings, each signed by Pro Hart. This is the publisher’s special edition of ‘Waltzing Matilda’. It is limited to 25 copies plus hors d’commerce, and signed and numbered by Robert Littlewood. Robert Littlewood first published ‘Waltzing Matilda in 1995 while Pro Hart was still alive. The 1995 edition was limited to 100 copies, and contained a copy of the poem, plus seven signed Pro Hart etchings printed in the chine colle method. There was no additional text. This 2007 edition is a different and superior publication. The etchings are intaglio impressions on the rag paper, and then hand-coloured according to Pro Hart’s direction. It contains 20 pages of original research by Littlewood on the story of ‘Waltzing Matilda’ and the social and political context of the story. The essay researches the powerful union movement, the shearers’ strikes and the social circumstance of the squatters in regional New South Wales, examining how these influenced Lawson’s writings and also the naive artworks of Pro Hart. $ 3,300 45
Page 1 and 2: ooks DOUGLAS STEWART FINE BOOKS PTY
Page 3 and 4: Seeing ANDREWS, Gordon. # 126 A pho
Page 5 and 6: Hiroshige BARNETT, P. Neville # 241
Page 7 and 8: Charles Blackman (signed) [BLACKMAN
Page 9 and 10: St Clare of Assisi BLACKMAN, Charle
Page 11 and 12: David Boyd’s Reconciliation : An
Page 13 and 14: A Hand with the Etruscans BRACK, Jo
Page 15 and 16: Judy Cassab : Places, Faces and Fan
Page 17 and 18: Ola Cohn : a holograph note COHN, O
Page 19 and 20: Gossip CONDER, Charles # 200 Lithog
Page 21 and 22: [RAY CROOKE] Quinkan country, Cape
Page 23 and 24: The Pink Chair DEL-MACE, Jill (1947
Page 25 and 26: In focus : Australia’s heritage i
Page 27 and 28: Russell Drysdale # 2162 Melbourne :
Page 29 and 30: Photographic portrait of Will Dyson
Page 31 and 32: The Dawn Maiden and Dione’s Visit
Page 33 and 34: Howard & Ken were a double act. FRA
Page 35 and 36: Bumbooziana FRIEND, Donald # 2767 S
Page 37 and 38: Peregian Codex [GLEESON]. KLEPAC, L
Page 39 and 40: Gumnuts GIBBS, May # 1072 Sydney :
Page 41 and 42: A group of seventeen limited editio
Page 43: Bill Henson Photographs 1974 - 1984
Page 47 and 48: Broken Hill & Beyond [HART]. LITTLE
Page 49 and 50: Exhibition of water colours, pencil
Page 51 and 52: The Contemporary Art Society Annual
Page 53 and 54: Robert Jacks. Past unfolded. McGREG
Page 55 and 56: Various Texas Sketch Book Etchings
Page 57 and 58: Red Diagonals Robert Jacks # 191 Ne
Page 59 and 60: Robert Jacks. Twelve drawings 1970
Page 61 and 62: The Field Robert Jacks # 207 Melbou
Page 63 and 64: A poem. Inscribed with all due reve
Page 65 and 66: Bruno Leti : the market drawings 19
Page 67 and 68: “The art of Sara Levi” Edward A
Page 69 and 70: The Littlewood Press SIMITIAN, Kath
Page 71 and 72: The complete works of Gaius Petroni
Page 73 and 74: Fauns and Ladies LINDSAY, Jack # 21
Page 75 and 76: Sir Lionel Lindsay MACQUARIE GALLER
Page 77 and 78: Handwritten speech by Lionel Lindsa
Page 79 and 80: [NORMAN LINDSAY] Belinda’s suitor
Page 81 and 82: Elegy for an airman. With decoratio
Page 83 and 84: Norman Lindsay Exhibition of Oils,
Page 85 and 86: Norman Lindsay. Paintings in oil. [
Page 87 and 88: Norman Lindsay: Oil Paintings 1889-
Page 89 and 90: The work of Eileen McGrath HOFF, Ra
Page 91 and 92: An Australian Bird Calendar LINDSAY
Page 93 and 94: Norman Lindsay’s Ship Models. LIN
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The scribblings of an idle mind (de
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A letter from Sydney LINDSAY, Ray #
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Untitled pen and ink drawing by Reg
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Views from the Mountain LYSSIOTIS,
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A Gardener at midnight LYSSIOTIS, P
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Circe at the Paris Salon, 1893 Phot
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Sketches in the environs of Sydney.
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The first Australian sculpture trie
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Childhood in Bud and Blossom. A sou
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Red and Green McIntyre, Alan # 1643
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European Images 1936 MORRIS, George
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Night Flight and Sunrise. [NOLAN].
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A Second Summary. [NOLAN]. ROSKOLEN
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Unfinished Journey McGREGOR, Ken #
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Teeming with Life. His complete gra
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Margaret Preston Recent Paintings 1
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A suite of screenprints by seven ar
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A Heart’s Verse RICARDO, Geoffrey
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Australia suite. Drawings by Garry
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Cross the border [SHEAD, Garry, ill
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Self-Portrait of the Artist’s Wif
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Luminance STRASSER, Theo # 158 Melb
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Holograph letter to Charles Lloyd J
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Drift [TUCKER]. COWAN, Peter # 2202
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Art in Australia Sydney Ure Smith #
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Contemporary Australian Drawing [wi
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WHITELEY]. Platypus WHITELEY, Brett
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Shop Assistant, Bombay WHITELEY, Br
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Waves WHITELEY, Brett (1939 - 1992)
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Flower study WHITELEY, Brett (1939
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Sydney Harbour. WHITELEY, Brett (19
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Books + Art - Douglas Stewart Fine Books

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