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BeatRoute Magazine [AB] print e-edition - [September 2017]

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

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THE MAD CADDIES<br />

hustling horns on the Prairies<br />

California Ska punks The Mad Caddies tease new self-produced album.<br />

The Mad Caddies have been tooting their ska<br />

horns over the world since their inception<br />

in 1995.<br />

The Caddies’ sound is a feast for the ears; it’s thirdwave<br />

ska influenced by their punk predecessors with<br />

dominating guitar riffs. Infused with a mix of reggae<br />

and calypso beats, the band tops it off with jazzy<br />

horns and heavier vocals on a pop-backbone. Combining<br />

these styles gave The Caddies their own brand<br />

of madness, which they’ve maintained and delivered<br />

across numerous releases and tours worldwide.<br />

The Mad Caddies’ last album, Dirty Rice, was<br />

released in 2014 and although new music is in the<br />

works, the guys are keeping the details tightly under<br />

wraps. Vocalist and guitarist Chuck Robertson, who<br />

helped form the band while in high school, reveals<br />

what he can.<br />

“We are recording it on our own, we love our<br />

family at Fat [Wreck Chords] but have decided<br />

to try something different this time around.<br />

Todd [Rosenberg, drums] handles a lot of the<br />

by Sarah Mac<br />

production aspect, and we’ve recently built<br />

a studio in our hometown in the Santa Ynez<br />

Valley in California.”<br />

This may come as a surprise to some since The<br />

Caddies have released all their records, except for<br />

their debut, on Fat Wreck Chords.<br />

“As for musical style, we think our fans will<br />

be very pleased! We’re experimenting with<br />

some new sounds, but it’s definitely still very<br />

Caddies-esque. The creative process is still what<br />

we love about our jobs. And it’s been pretty<br />

collaborative the past few years. One of us may<br />

have an idea, sometimes complete, sometimes<br />

in the early stages and we’ll finish and arrange it<br />

together as a band.”<br />

But, as for the release date, “it’s sort of a surprise.”<br />

Robertson adds.<br />

Fortunately for us Albertans, we’ve been<br />

graced with a second set of shows from The Caddies;<br />

the first set was during a small tour in July<br />

with the Offspring.<br />

“Well, The Offspring tour came up last minute<br />

and we were happy to be a part of it,” says Robertson,<br />

the concludes, “But we’ve always felt a strong connection<br />

with our Canadian fans. So, we love heading<br />

up North for shows. Plus, we are all still really good<br />

friends. So, it’s fun to get out on the road together<br />

whenever we can.”<br />

Don’t miss The Mad Caddies at The Needle Vinyl<br />

Tavern on <strong>September</strong> 14 (Edmonton) and at Dicken’s<br />

Pub on <strong>September</strong> 15 (Calgary).<br />

THE VOODOO GLOW SKULLS<br />

packing in the California street music<br />

This past summer, the news coming from the camp<br />

of legendary ska-core band The Voodoo Glow Skulls<br />

was hard to swallow.<br />

But first, some context. Hailing from Riverside, California<br />

and formed by brothers Frank, Eddie and Jorge Casillas in ‘88,<br />

The Voodoo Glow Skulls combine the elements of ska with<br />

traditional punk and hardcore style, and douse it with Mexican<br />

flare and rhythm; they’ve released nine full-length albums,<br />

around a half-dozen EPs and have contributed to well over 30<br />

different compilations. The Glow Skulls’ rowdy and rambunctious<br />

feel, alongside blazing horns and bi-lingual lyrics, have<br />

hooked a legion of fans and given them a distinctive sound<br />

that couldn’t be matched.<br />

Recently though, the Glow Skulls have fallen on hard<br />

times. This past June, lead singer and eldest brother Frank<br />

unexpectedly announced that he was leaving the band,<br />

leaving the remaining Glow Skulls shocked and shaken.<br />

Heartbroken, we chatted with Eddie to discuss the future.<br />

“In hindsight, we might have seen it coming over<br />

the course of a few years, but it wasn’t so clear or evident.<br />

Really, this has a lot to do with personal family business rather<br />

than the band not getting along, there’s a lot more to it that I<br />

won’t get into. But, he [Frank] moved away, to Arizona, about<br />

15 years or so ago and that was the beginning of him distancing<br />

himself from the band. It took a while for things to really<br />

change, but apparently, they did. So, it’s still shocking.”<br />

Pausing for a moment, he resumes.<br />

“And now, we’re about to do a full tour without our<br />

older brother and lead singer of the band. So, it’s an uphill<br />

battle and it’s hard. When you’re used to one guy being the<br />

front man and he’s not there and worse, he’s not coming -<br />

it’s weird. So, we’re in a weird place, but we’re working our<br />

way through it and we’re still thinking positive. So, we just<br />

want to play well and make it a rad show; hopefully people<br />

will respect that.”<br />

There’s a deep appreciation for the members of the Glow<br />

Skulls who are continuing this tour for their fans. Efrem Martinez<br />

Shulz of Manic Hispanic and Death By Stereo fame has<br />

stepped up to front the Glow Skulls for their upcoming tour.<br />

“He’s a hardcore singer in a great band of his own. So, we’re<br />

just glad he can tour, he can help us save face and not cancel<br />

on our fans, which is the most important thing. And also, not<br />

cancel on us. But, he isn’t a permeant member of the band.”<br />

Solemnly, Casillas continues, “we’ve had a career for 29<br />

years now and we’re not sure if we want to stop, but we want<br />

the option. But, to be fair with you, we’re really close to not<br />

doing this again and we might just stop. It’s hard, but we’re<br />

trying not to bum anyone out and fulfill these commitments<br />

to our fans.”<br />

He pauses, and continues.<br />

“The fact that I still get to go on stage and perform these<br />

songs I wrote over the last almost 30 years, that’s a big deal<br />

and I wouldn’t take it for granted. Because it’s all about the<br />

band and all about the music, we’re gonna be at these shows<br />

with a band that’s still functioning 100 per cent. And we’re<br />

not taking it lightly. We’re practicing more than ever, which<br />

makes us tighter than ever.”<br />

So, come ‘on Canada, let’s do Voodoo (hopefully not) one<br />

last time.<br />

Come celebrate 29 years of music with the Voodoo Glow<br />

Skulls at the Windsor Tavern on <strong>September</strong> 20 (Winnipeg),<br />

at the Exchange on <strong>September</strong> 21 (Regina), at Dicken’s Pub<br />

on <strong>September</strong> 22 (Calgary), at the Needle Vinyl Tavern on<br />

<strong>September</strong> 23 (Edmonton), and at the International Beer Haus<br />

on <strong>September</strong> 24 (Red Deer).<br />

Wherein we hear sombre news from the long-running ska band.<br />

by Sarah Mac<br />

24 | SEPTEMBER <strong>2017</strong> • BEATROUTE ROCKPILE

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