05.10.2017 Views

The Journal of Australian Ceramics Vol 49 No 3 November 2010

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Australia Wide<br />

<strong>The</strong>re are many people to thank, including <strong>The</strong><br />

<strong>Australian</strong> <strong>Ceramics</strong> Association for making<br />

it possible to reach potters via their Email<br />

Discussion list. We achieved sales <strong>of</strong> over $1200<br />

in the silent auction <strong>of</strong> donated pots, with $4800<br />

being handed over to the Anglicare Crisis Centre.<br />

Following this was the GCPA Annual Members'<br />

Exh ibition on 14 August, which was opened by<br />

John Walsh, Director <strong>of</strong> the Gold Coast City Art<br />

Gallery, and judged by the esteemed ceramic<br />

artist Kevin Grealy. <strong>The</strong> overall winner <strong>of</strong> the<br />

GCPA Award was Megan Puis for Obsidian a<br />

group <strong>of</strong> six tall bottle forms which reflected the<br />

meaning <strong>of</strong> obsidian perfectly, " ... a jet-black<br />

volcanic glass, chemically similar to granite and<br />

formed by the rapid cooling <strong>of</strong> molten lava, that<br />

was used by early civilisations for manufacturing<br />

tools and ceremonial objects". <strong>The</strong> themed<br />

section for Bush to the Beach was awarded<br />

to Nanette Hall for Handbuilt Porcelain with<br />

found object. Anne Mossman took out two<br />

awards: the Ruth Lyon's Encouragement<br />

Award and the Heather Wilton Memorial<br />

A ward. Andrew Smigrod's Vase was also<br />

awarded the Heather Wilton Memorial Award<br />

and works by both Anne and Andrew will sit well<br />

in our historical collection. <strong>The</strong> judges choice for<br />

a Complementary Group <strong>of</strong> Pots was awarded<br />

to Shirley Battrick's <strong>The</strong>n and <strong>No</strong>w (Set 1),<br />

which used decals to convey messages about<br />

domestic violence. <strong>The</strong> Willy Toomey Memorial<br />

Award for a Student Handbuilt Work was<br />

awarded to Lyn Reeves for Serenity, a strong<br />

monumental work.<br />

<strong>The</strong> 27th Gold Coast International Ceramic Art<br />

Award opened on 21 August and was judged by<br />

Stephen Benwell. <strong>The</strong> winning entry was Tree<br />

with Busted Guts and Galahs 2009, by Peter<br />

Cooley from the Blue Mountains in NSW.<br />

Clay Art Benowa, a cooperative group from the<br />

GCPA re-opened their gallery on 2 October. It will<br />

be open every Saturday and Sunday.<br />

If any groups in SEQ have news they would like<br />

to include in the first issue for 2011 please email<br />

me.<br />

Happy potting,<br />

Lyn Rogers<br />

E: romeo-whisky@bigpond.com<br />

www.goldcoastpotters.com<br />

5<br />

JamFactory Contemporary Craft and Design<br />

welcomed Prue Venables as the new Creative<br />

Director <strong>of</strong> the <strong>Ceramics</strong> Studio. Prue Venables'<br />

appointment is very exciting for both the<br />

JamFactory and the local ceramics community,<br />

as she brings with her more than 25 years <strong>of</strong><br />

experience as an internationally renowned<br />

artist and designer. JamFactory recently hosted<br />

Tea w ares in Gallery 1, a national survey <strong>of</strong><br />

ceramic and metal artists including Bruce Nuske,<br />

Patsy Hely, Prue Venables, Jane Robertson and<br />

Mel Robson; and, as part <strong>of</strong> the South <strong>Australian</strong><br />

Living Artist Festival (SALA), Liz Williams' finely<br />

constructed figurative works Virgin Saints and<br />

other Paraphernalia were shown in Gallery 2.<br />

We are looking forward to Patsy Hely's upcoming<br />

solo exhibition in Gallery 2, from 29 October-<br />

5 December. Currently in JamFactory's <strong>Ceramics</strong><br />

Studio a skills and pr<strong>of</strong>essional development<br />

program is taking place featuring two Indigenous<br />

artists, Daisy Bell Virgin and Christina Gollan,<br />

working alongside Sylvia Stansfield. Expressions<br />

<strong>of</strong> interest are being sought from those<br />

interested in hiring studio space in the Ceramic<br />

Studio at JamFactory for 2011;<br />

E: contact@jamfactory.com.au.<br />

Congratulations to Gerry Wedd who was<br />

awarded the Hobart Art Prize in the <strong>Ceramics</strong><br />

category. Gerry's Silent Spring comprised 55<br />

hand-modelled porcela in dead birds, a poignant<br />

reminder <strong>of</strong> environmental degradation. Gerry<br />

was also part <strong>of</strong> an exhibition Come on Spring<br />

with Philip Hart and Lesa Farrant at Dog Dragon<br />

in Port Elliot. Aptos Cruz featured the detailed<br />

works <strong>of</strong> Avital Sheffer for the first time in<br />

Adelaide in <strong>The</strong> Space Between, where she<br />

explored themes <strong>of</strong> cross-cultural aesthetics,<br />

ideologies and traditions. Bruce Nuske, Gwyn<br />

Hanssen Pigott, Prue Venables and Kirsten<br />

Coelho were co-collaborators in the exhibition<br />

Collectors, held at Khai Liew Design in <strong>No</strong>rwood<br />

to mark the publication <strong>of</strong> the SALA Monograph<br />

on furniture designer Khai Liew. SALA week also<br />

featured exhibitions by Tamara Hahn at One<br />

Small Room, Colour and Clay at the Adelaide<br />

Potters, and a ceramics conference at Studio<br />

Potters in Klemzig featuring Jeff Mincham and<br />

Paul Macdonald. Jane Robertson, Gerry Wedd,<br />

THE JOURNAL Of AUSTRALIAN CERAMICS NOVEMBER <strong>2010</strong> 103

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!