The Journal of Australian Ceramics Vol 49 No 3 November 2010
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Australia Wide<br />
<strong>The</strong>re are many people to thank, including <strong>The</strong><br />
<strong>Australian</strong> <strong>Ceramics</strong> Association for making<br />
it possible to reach potters via their Email<br />
Discussion list. We achieved sales <strong>of</strong> over $1200<br />
in the silent auction <strong>of</strong> donated pots, with $4800<br />
being handed over to the Anglicare Crisis Centre.<br />
Following this was the GCPA Annual Members'<br />
Exh ibition on 14 August, which was opened by<br />
John Walsh, Director <strong>of</strong> the Gold Coast City Art<br />
Gallery, and judged by the esteemed ceramic<br />
artist Kevin Grealy. <strong>The</strong> overall winner <strong>of</strong> the<br />
GCPA Award was Megan Puis for Obsidian a<br />
group <strong>of</strong> six tall bottle forms which reflected the<br />
meaning <strong>of</strong> obsidian perfectly, " ... a jet-black<br />
volcanic glass, chemically similar to granite and<br />
formed by the rapid cooling <strong>of</strong> molten lava, that<br />
was used by early civilisations for manufacturing<br />
tools and ceremonial objects". <strong>The</strong> themed<br />
section for Bush to the Beach was awarded<br />
to Nanette Hall for Handbuilt Porcelain with<br />
found object. Anne Mossman took out two<br />
awards: the Ruth Lyon's Encouragement<br />
Award and the Heather Wilton Memorial<br />
A ward. Andrew Smigrod's Vase was also<br />
awarded the Heather Wilton Memorial Award<br />
and works by both Anne and Andrew will sit well<br />
in our historical collection. <strong>The</strong> judges choice for<br />
a Complementary Group <strong>of</strong> Pots was awarded<br />
to Shirley Battrick's <strong>The</strong>n and <strong>No</strong>w (Set 1),<br />
which used decals to convey messages about<br />
domestic violence. <strong>The</strong> Willy Toomey Memorial<br />
Award for a Student Handbuilt Work was<br />
awarded to Lyn Reeves for Serenity, a strong<br />
monumental work.<br />
<strong>The</strong> 27th Gold Coast International Ceramic Art<br />
Award opened on 21 August and was judged by<br />
Stephen Benwell. <strong>The</strong> winning entry was Tree<br />
with Busted Guts and Galahs 2009, by Peter<br />
Cooley from the Blue Mountains in NSW.<br />
Clay Art Benowa, a cooperative group from the<br />
GCPA re-opened their gallery on 2 October. It will<br />
be open every Saturday and Sunday.<br />
If any groups in SEQ have news they would like<br />
to include in the first issue for 2011 please email<br />
me.<br />
Happy potting,<br />
Lyn Rogers<br />
E: romeo-whisky@bigpond.com<br />
www.goldcoastpotters.com<br />
5<br />
JamFactory Contemporary Craft and Design<br />
welcomed Prue Venables as the new Creative<br />
Director <strong>of</strong> the <strong>Ceramics</strong> Studio. Prue Venables'<br />
appointment is very exciting for both the<br />
JamFactory and the local ceramics community,<br />
as she brings with her more than 25 years <strong>of</strong><br />
experience as an internationally renowned<br />
artist and designer. JamFactory recently hosted<br />
Tea w ares in Gallery 1, a national survey <strong>of</strong><br />
ceramic and metal artists including Bruce Nuske,<br />
Patsy Hely, Prue Venables, Jane Robertson and<br />
Mel Robson; and, as part <strong>of</strong> the South <strong>Australian</strong><br />
Living Artist Festival (SALA), Liz Williams' finely<br />
constructed figurative works Virgin Saints and<br />
other Paraphernalia were shown in Gallery 2.<br />
We are looking forward to Patsy Hely's upcoming<br />
solo exhibition in Gallery 2, from 29 October-<br />
5 December. Currently in JamFactory's <strong>Ceramics</strong><br />
Studio a skills and pr<strong>of</strong>essional development<br />
program is taking place featuring two Indigenous<br />
artists, Daisy Bell Virgin and Christina Gollan,<br />
working alongside Sylvia Stansfield. Expressions<br />
<strong>of</strong> interest are being sought from those<br />
interested in hiring studio space in the Ceramic<br />
Studio at JamFactory for 2011;<br />
E: contact@jamfactory.com.au.<br />
Congratulations to Gerry Wedd who was<br />
awarded the Hobart Art Prize in the <strong>Ceramics</strong><br />
category. Gerry's Silent Spring comprised 55<br />
hand-modelled porcela in dead birds, a poignant<br />
reminder <strong>of</strong> environmental degradation. Gerry<br />
was also part <strong>of</strong> an exhibition Come on Spring<br />
with Philip Hart and Lesa Farrant at Dog Dragon<br />
in Port Elliot. Aptos Cruz featured the detailed<br />
works <strong>of</strong> Avital Sheffer for the first time in<br />
Adelaide in <strong>The</strong> Space Between, where she<br />
explored themes <strong>of</strong> cross-cultural aesthetics,<br />
ideologies and traditions. Bruce Nuske, Gwyn<br />
Hanssen Pigott, Prue Venables and Kirsten<br />
Coelho were co-collaborators in the exhibition<br />
Collectors, held at Khai Liew Design in <strong>No</strong>rwood<br />
to mark the publication <strong>of</strong> the SALA Monograph<br />
on furniture designer Khai Liew. SALA week also<br />
featured exhibitions by Tamara Hahn at One<br />
Small Room, Colour and Clay at the Adelaide<br />
Potters, and a ceramics conference at Studio<br />
Potters in Klemzig featuring Jeff Mincham and<br />
Paul Macdonald. Jane Robertson, Gerry Wedd,<br />
THE JOURNAL Of AUSTRALIAN CERAMICS NOVEMBER <strong>2010</strong> 103