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The Journal of Australian Ceramics Vol 49 No 3 November 2010

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Editorial<br />

Aftpr a wonderful two·week<br />

Culinary Clay workshop at<br />

Gaya <strong>Ceramics</strong> Design In 8ali<br />

in July <strong>2010</strong>, we gathered In<br />

Gaya Art Space to exhibIt the<br />

work we had made.<br />

Left to right: Sue Buckle,<br />

Julie Shepherd, Judy Boydell,<br />

Carleen Devine, Hillary Kane<br />

(from Gaya), Vicki Grima, Jan<br />

Gardner and Marian Howell;<br />

kneeling, Andrea VinkovlC.<br />

See pages 110 and 119 for<br />

details <strong>of</strong> similar workshops In<br />

Bali in 2011 .<br />

As this issue goes to print I am heading to<br />

Fuping, China, to participate in the 3rd ICMEA<br />

Conference <strong>2010</strong>. This (International Ceramic<br />

Magazine Editors Association) gathering <strong>of</strong><br />

editors, together with speakers and artists from<br />

around the world, will attend the opening <strong>of</strong><br />

the East European Ceramic Art Museum, the<br />

award ceremony <strong>of</strong> the Emerging Ceramic Artist<br />

Competition, in which generous prizes are given,<br />

as well as a lecture series and accompanying<br />

tours to museums and potteries. Congratulations<br />

to the eighteen ceramicists from Australia chosen<br />

to enter the final round <strong>of</strong> the competition. It will<br />

be good to see some <strong>of</strong> them in Fuping.<br />

Also as I write this, Charlie Schneider is<br />

creating another work for Bondi 's Sculpture by<br />

the Sea. After talking to Charlie at Clay Energy<br />

in Gulgong, I was reminded <strong>of</strong> Christo wrapping<br />

up my local beach, Little Bay, in 1968. Keen to<br />

share his interesting work, this issue features<br />

recent installations created during his stay in<br />

Australia earlier this year, in which he painted<br />

and stencilled ephemeral. clay slip-decorated<br />

wallpaper onto an assortment <strong>of</strong> surfaces.<br />

Historical references to common pests and<br />

invasive species <strong>of</strong> Australia in the stencilled<br />

silhouettes, his use <strong>of</strong> otherwise ignored<br />

architectural structures such as dam walls, and<br />

the transient nature <strong>of</strong> the wallpaper designs<br />

give Charlie's work an exciting edge.<br />

See pages 22 - 28.<br />

And speaking <strong>of</strong> Gulgong, I hope you'll be<br />

able to enjoy a trip to Gulgong over the summer<br />

holidays to view TIME + PLACE: <strong>Australian</strong><br />

studio ceramics <strong>2010</strong> at Cudgegong Gallery.<br />

As curator, I have gathered together thirteen<br />

ceramic artists who, in their work, reflect the<br />

physical and the intangible spaces, the minutes,<br />

hours and the years in which we live and work.<br />

Opening on Saturday afternoon 11 December,<br />

the exhibition will continue through January<br />

2011. Perhaps I'll see you there ...<br />

~.

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