The Journal of Australian Ceramics Vol 49 No 3 November 2010
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Editorial<br />
Aftpr a wonderful two·week<br />
Culinary Clay workshop at<br />
Gaya <strong>Ceramics</strong> Design In 8ali<br />
in July <strong>2010</strong>, we gathered In<br />
Gaya Art Space to exhibIt the<br />
work we had made.<br />
Left to right: Sue Buckle,<br />
Julie Shepherd, Judy Boydell,<br />
Carleen Devine, Hillary Kane<br />
(from Gaya), Vicki Grima, Jan<br />
Gardner and Marian Howell;<br />
kneeling, Andrea VinkovlC.<br />
See pages 110 and 119 for<br />
details <strong>of</strong> similar workshops In<br />
Bali in 2011 .<br />
As this issue goes to print I am heading to<br />
Fuping, China, to participate in the 3rd ICMEA<br />
Conference <strong>2010</strong>. This (International Ceramic<br />
Magazine Editors Association) gathering <strong>of</strong><br />
editors, together with speakers and artists from<br />
around the world, will attend the opening <strong>of</strong><br />
the East European Ceramic Art Museum, the<br />
award ceremony <strong>of</strong> the Emerging Ceramic Artist<br />
Competition, in which generous prizes are given,<br />
as well as a lecture series and accompanying<br />
tours to museums and potteries. Congratulations<br />
to the eighteen ceramicists from Australia chosen<br />
to enter the final round <strong>of</strong> the competition. It will<br />
be good to see some <strong>of</strong> them in Fuping.<br />
Also as I write this, Charlie Schneider is<br />
creating another work for Bondi 's Sculpture by<br />
the Sea. After talking to Charlie at Clay Energy<br />
in Gulgong, I was reminded <strong>of</strong> Christo wrapping<br />
up my local beach, Little Bay, in 1968. Keen to<br />
share his interesting work, this issue features<br />
recent installations created during his stay in<br />
Australia earlier this year, in which he painted<br />
and stencilled ephemeral. clay slip-decorated<br />
wallpaper onto an assortment <strong>of</strong> surfaces.<br />
Historical references to common pests and<br />
invasive species <strong>of</strong> Australia in the stencilled<br />
silhouettes, his use <strong>of</strong> otherwise ignored<br />
architectural structures such as dam walls, and<br />
the transient nature <strong>of</strong> the wallpaper designs<br />
give Charlie's work an exciting edge.<br />
See pages 22 - 28.<br />
And speaking <strong>of</strong> Gulgong, I hope you'll be<br />
able to enjoy a trip to Gulgong over the summer<br />
holidays to view TIME + PLACE: <strong>Australian</strong><br />
studio ceramics <strong>2010</strong> at Cudgegong Gallery.<br />
As curator, I have gathered together thirteen<br />
ceramic artists who, in their work, reflect the<br />
physical and the intangible spaces, the minutes,<br />
hours and the years in which we live and work.<br />
Opening on Saturday afternoon 11 December,<br />
the exhibition will continue through January<br />
2011. Perhaps I'll see you there ...<br />
~.