The Journal of Australian Ceramics Vol 49 No 3 November 2010
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hinting towards an animated wallpaper. Similarly,<br />
by working on glass, the viewer experiences the<br />
pedestrians' silhouettes as they pass behind the<br />
piece and the light reveals the natural texture <strong>of</strong><br />
the clay slip, this further animates the work and<br />
highlights the interrelated themes <strong>of</strong> nature and<br />
man.<br />
In contrast, Schneider's commission Vessels<br />
<strong>of</strong> Smoke and Flowers, completed in June for<br />
the Hunter Institute TAFE in Newcastle, inscribed<br />
the exterior brick wall <strong>of</strong> the institute's gallery<br />
entrance with a fleet <strong>of</strong> stencilled grey coal ships.<br />
Unlike the majority <strong>of</strong> his other works that take<br />
their inspiration from organic forms, Schneider<br />
designed this motif to reflect Newcastle's<br />
relationship to coal, it being one <strong>of</strong> the major<br />
exporters to the Asian market. <strong>The</strong> coal ship<br />
THE 10URNAL OF AUSTRALIAN CERAMI CS NOVEMBER <strong>2010</strong> 2S
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