The Journal of Australian Ceramics Vol 49 No 3 November 2010

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Vipoo Srivilasa Left: Lion. Wizard of Oz Series, 2010, ceramic, multi-fired glazes
Right: Tin M an, Wizard of Oz Series. 2010, ceramiC, multi-fired glazes; photos: Andrew Bareham
light-hearted approach. The oddness of his figures and his choices of adaptations, as in the Wizard
of Oz charaders, most certainly enthral, but the surface appearances can, for some, overpower or
detract from the deeper purpose and significance. Giving the scarecrow a super-brain inspired by his
favourite TV show Dr Who, is one example of this packing-in of personal idiosyncrasies amidst broader
undertones.
Still, f or capturing some themes relevant to earlier stages of his life, the loudness of the art is what
achieves the clarity. Vipoo aptly draws a parallel between the braveness desired by the lion and the
often courageous decision to declare homosexuality. Lion shouts openly to announce coming out of the
closet, with huge signs on his hands broadcasting it in a mardi gras-like fashion .
While the ceramic pieces aim to be provocative, they also project a strong sense of humour and
fun to appeal to a wide audience across cultural boundaries. "The fun element is more from my own
personality and my attitude to life," says Vipoo. "I also find that I am bombarded with a lot of serious
issues around the world so I want to make work that makes people happy and feel good when they
experience it"
Ultimately, it's rare for imagery to connote a singular or uniform message. This artwork succeeds in
instilling a lasting impression, much like the environmental concerns it references.
www.vipoo.com
THE JOURNAL OF AUSTRALIAN CERAMICS NOVEMBER 2010 67