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Tokyo Weekender - October 2017

A day in the life of a geisha. Find your perfect Kyushu. Plus Q&A with anime director Keiichi Hara, are robots taking our jobs?, Explore Japanese cuisine at GINZA SIX, and Tsukuda guide

A day in the life of a geisha. Find your perfect Kyushu. Plus Q&A with anime director Keiichi Hara, are robots taking our jobs?, Explore Japanese cuisine at GINZA SIX, and Tsukuda guide

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Japan’s number one English language magazine<br />

A DAY IN<br />

THE LIFE OF<br />

A GEISHA<br />

"It is difficult to have a<br />

truly beautiful life, but<br />

this comes close to it"<br />

FIND YOUR<br />

PERFECT<br />

KYUSHU<br />

Four Trips for<br />

Four Types<br />

PLUS: Q&A with Anime Director Keiichi Hara, Are Robots Taking Our Jobs?, Explore Japanese Cuisine at GINZA SIX, and Tsukuda Guide


Miss Hokusai ©2014-2015 Hinako Sugiura, MS.HS / Sarusuberi Film Partners<br />

28<br />

18 24<br />

26<br />

radar<br />

THIS MONTH’S HEAD TURNERS<br />

8 AREA GUIDE: TSUKUDA<br />

If you don't have time for a proper getaway,<br />

then Tsukuda is ideal as an inner-city escape.<br />

10 STYLE: LEGENDS OF THE FALL<br />

Timeless items for a versatile autumn<br />

wardrobe.<br />

12 TRENDS: EXPLORE JAPANESE<br />

CUISINE AT GINZA SIX<br />

To sample a variety of Japanese dishes<br />

in one place, look no further.<br />

in-depth<br />

COFFEE-BREAK READS<br />

18 FIND YOUR PERFECT KYUSHU<br />

Four trips for four types.<br />

24 A DAY IN THE LIFE OF A GEISHA<br />

We speak with Sayuki, Japan's first foreign<br />

geisha, to find out about her daily life.<br />

26 ARE THE ROBOTS TAKING<br />

OUR JOBS?<br />

Not quite yet, but they are filling in a few<br />

gaps from hotel staff to Buddhist monks.<br />

28 AN INDEPENDENT STREAK<br />

On the eve of the first major retrospective<br />

of his work at this month’s TIFF, anime<br />

director Keiichi Hara talks about why he decided<br />

to set out on his own as a filmmaker.<br />

30 THE FUTURE OF JAPANESE FOOTBALL<br />

Meet the man who believes he can change<br />

the game.<br />

32 DREAM POWDER<br />

Material Matcha Uji is looking to breathe life<br />

into the country's matcha industry.<br />

guide<br />

CULTURE ROUNDUP<br />

34 ART & THEATER<br />

Possibly the most exciting news in <strong>Tokyo</strong> art<br />

circles this month is the opening of the Yayoi<br />

Kusama Museum: get ready to immerse<br />

yourself in polka dots.<br />

40 AGENDA<br />

What's on for Halloween, plus a grand tea<br />

ceremony, the <strong>Tokyo</strong> Ramen Show, and four<br />

reasons to visit Tabisuru Shintora Market's<br />

autumn edition.<br />

38 AUTUMN EDUCATION SPECIAL<br />

Catch up on the latest news and views from<br />

The British School in <strong>Tokyo</strong>, Aoba-Japan<br />

Extension, and more.<br />

42 SOCIETY<br />

<strong>Tokyo</strong>'s longest-running social column.<br />

OCTOBER <strong>2017</strong>


OCTOBER <strong>2017</strong><br />

Publisher<br />

President<br />

Executive Producer<br />

Editor in Chief<br />

Senior Editors<br />

Creative Director<br />

Features Writer<br />

Contributors<br />

Sales Director<br />

Sales Executives<br />

ENGAWA Co., Ltd.<br />

Takanobu Ushiyama<br />

Naoya Takahashi<br />

Annemarie Luck<br />

Alec Jordan<br />

Lisa Wallin<br />

Liam Ramshaw<br />

Matthew Hernon<br />

Vivian Morelli<br />

Bill Hersey<br />

Bunny Bissoux<br />

Carolin Riedhammer<br />

Sabrina Riedhammer<br />

Takaaki Murai<br />

Hirofumi Ohuchi<br />

Kahori Terakawa<br />

Azusa Yoshida<br />

Marketing Director<br />

Media Consultant<br />

Media Producers<br />

Jessica Yumi Idomoto<br />

Mary Rudow<br />

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EST. Corky Alexander, 1970<br />

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Opinions expressed by <strong>Weekender</strong> contributors<br />

are not necessarily those of the publisher<br />

Published by ENGAWA Co., Ltd.<br />

4 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


@mizrama: Alec, are you worried about robots taking<br />

your job [page 26]?<br />

@bapawn: Fortunately, I think that coming up with<br />

witty copy and changing diapers is still at least a<br />

decade away. But I think the rise of robots in different<br />

occupations has the potential to really change the future<br />

“works.” Do you think there’s any kind of job that will<br />

be beyond the capabilities of robots in the future?<br />

@mizrama: That’s difficult to say without properly<br />

understanding the technology. But I did hear that the<br />

robot staff at Henn-na Hotel aren’t able to make up beds<br />

or answer certain questions. So it seems the technology<br />

is still relatively limited, at least in terms of completely<br />

replacing humans. I wonder if they’ll make robot geisha<br />

one day?<br />

@bapawn: Well, I’ve seen Pepper and Asimo put on<br />

some impressive moves, but I don’t think they’ll be able<br />

to rival the aesthetic heights that geisha seem able to<br />

ascend to. And that’s a good thing.<br />

@bapawn: Yes, Keiichi Hara was an interesting<br />

character to interview [page 30]. For a director whose<br />

films often soar into flights of fancy, he was very<br />

serious and thoughtful. I’m glad he’ll be getting some<br />

recognition at this year’s <strong>Tokyo</strong> International Film<br />

Festival.<br />

@mizrama: Getting back to robots … I wonder if<br />

humanoids will ever feel the need to take vacations and<br />

travel? I just spent three days in Kyushu to research this<br />

month’s special feature about the island [page 18], and<br />

now I’m wondering if at some point we’ll be sending<br />

robots on press trips!<br />

@bapawn: Robot or not, I think they’ll be clamoring<br />

to head down to Kyushu. There’s just something about<br />

that part of Japan; everything seems to move a bit more<br />

slowly.<br />

@mizrama: Absolutely. Even though we packed in a<br />

huge amount of activities, it never felt rushed. Both the<br />

food and air somehow seem fresher.<br />

@mizrama: I’m sure Sayuki, the geisha we interviewed<br />

this month, would agree [page 24]. Presumably,<br />

creatives like the anime director you interviewed<br />

would feel the same.<br />

@bapawn: Hmm. Maybe there’s a gap in the market for<br />

a Kyushu <strong>Weekender</strong>...<br />

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TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 5


Where to find<br />

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WANT TO MAKE SURE YOU PICK UP A COPY EVERY MONTH?<br />

HERE’S WHERE TO GET YOUR HANDS ON THE MAG<br />

DOWNLOAD<br />

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SUBSCRIBE<br />

MORE INFORMATION AT WWW.TOKYOWEEKENDER.COM<br />

6 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


WHAT’S ON OUR RADAR THIS MONTH...<br />

The old-school neighborhood of Tsukuda is our new favorite inner-city getaway, while<br />

upmarket department store Ginza Six is titillating our tastebuds with its Japanese cuisine.<br />

TOKYO WEEKENDER | | OCTOBER <strong>2017</strong> | 7


AREA GUIDE<br />

Words by Paul McInnes. Photographs by Stephan Jarvis<br />

If you don’t have time to escape the city to (overrated)<br />

spots such as Enoshima, then Tsukuda is ideal as a<br />

getaway within the metropolis<br />

AN INNER-CITY ESCAPE<br />

Tsukuda isn’t exactly a physical place. It’s<br />

more of an idea, a utopia, an idyll. Separated,<br />

by means of a simple road, from neighboring<br />

Tsukishima – home of the much-loved<br />

monjayaki – Tsukuda is like no other place in<br />

<strong>Tokyo</strong>. Tranquil, relaxed and on the Sumida<br />

River, the tiny island ebbs and flows along<br />

with the nearby water. Five minutes from<br />

Tsukiji and Ginza, which are literally across<br />

the water and a stone’s throw away from<br />

places like Hatchobori and Monzen-<br />

Nakacho, it’s a magical hideaway with<br />

pockets of enchantment.<br />

Tsukuda was originally a natural sandbank<br />

at the mouth of the river. The land was<br />

built upon and expanded, in early Edo times,<br />

by fishermen from Osaka who were invited<br />

to the area by legendary shogun Tokugawa<br />

Ieyasu. The area played host to a famous<br />

ferry service to and from the mainland and<br />

for people coming to pray at the island’s<br />

Sumiyoshi Shrine. The ferry service was<br />

discontinued in 1964 – the year of the first<br />

<strong>Tokyo</strong> Olympics, as Tsukuda Bridge was<br />

finally completed.<br />

TRADITIONAL TASTES<br />

Tsukuda is the birthplace of tsukudani – a<br />

salty, sweet preserve of ingredients such as<br />

fish, shrimp, shellfish and seaweed which<br />

have been simmered in soy sauce, mirin,<br />

sugar, and salt. It’s often accompanied by<br />

rice. There are still a few tsukudani shops<br />

in the area such as oldest, Tenyasu, and<br />

Tsukuda-gen Tanakaya, which both date<br />

back to the early 19th century. There is also<br />

Yamamoto Shouten, a cute, traditional ice<br />

cream and sweet shop as well as a general<br />

store which sells alcoholic and non-alcoholic<br />

treats. Many amateur fisherman in the area,<br />

as well as some domestic tourists, seem to<br />

love nothing more than a strong chu-hi or<br />

beer to accompany them as the scorching<br />

summer heat meets the early evening sunset.<br />

8 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


LADA GAGA HAS SHOPPED HERE<br />

Immediately after crossing the iridescent Tsukuda<br />

Kobashi bridge, visitors are usually confronted by a small<br />

group of people lined up outside Hideyasu Nakajima’s<br />

small, ramshackle store of traditional monozukuri<br />

(artisanship). In this case the monozukuri on display is<br />

Nakajima’s handcrafted and legendary eight-sided chopsticks<br />

and eye-wateringly expensive lacquerware. Lady<br />

Gaga and several other celebs are big fans of this place<br />

and the shokunin (artisan) has been featured in publications<br />

such as GQ and a multitude of respected guidebooks.<br />

One of the charming idiosyncrasies of Tsukuda is the fact<br />

that sometimes the stores there are unmanned. The owners<br />

naturally trust that customers will always do the right<br />

thing and leave payment for anything bought. It’s a legacy<br />

from Japan’s rural and agricultural past and something<br />

not usually associated with the hustle and bustle of 21st<br />

century life in an international city.<br />

SEEK AND YOU SHALL FIND…<br />

In addition to some beautiful and authentic nagaya (wooden<br />

houses), the tiny island has some gems hidden away in its<br />

nooks and crannies. Tucked down a tiny alleyway between<br />

two rows of houses is the Buddhist Tsukuda Tenzai Jizoson,<br />

which is the “Guardian Deity of Children” according to a<br />

posted sign. It’s a tiny dimly lit room with a huge old tree<br />

standing in the middle of it. As you walk down this atmospheric<br />

passageway you are met by the compact Namiyoke<br />

Inari Jinja – devoted to the protection of local fishermen.<br />

Further across the island is Sumiyoshi Shrine, the architectural<br />

highlight of any visit here. The shrine, established in<br />

the 1600s, stands proud across from Tsukuda Park, which<br />

is a few minutes from the calming Sumida riverbank, and<br />

under the apartment buildings that encircle the island.<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 9


STYLE<br />

ALEXANDER WANG BAG<br />

Cross-body bags are the ideal accessory for daily wear,<br />

as you don't need to put a heavy load on one shoulder.<br />

This version from Alexander Wang is big enough to<br />

carry your everyday necessities but small enough to<br />

take to a cocktail party. Made from burgundy quilted<br />

textured leather, this bag is adorned with metal studs<br />

and is fitted with card slots, bill compartments and a<br />

coin pouch so you can just throw everything in.<br />

alexanderwang.com<br />

TIMELESS ITEMS FOR A<br />

VERSATILE AUTUMN<br />

WARDROBE<br />

Compiled by Vivian Morelli<br />

IRO LEATHER SKIRT<br />

We can’t get enough of French brand<br />

IRO, which perfectly combines the cool<br />

effortlessness of street wear with a<br />

quintessential Parisian spirit. This leather<br />

skirt sums up the label’s style pretty well:<br />

edgy yet classic enough that you’ll wear<br />

it for several seasons. You might feel<br />

hesitant about adding a leather skirt to<br />

your wardrobe, but paired with the right<br />

top and accessories, it’s a stylish and<br />

timeless item. We’ll wear ours paired<br />

with a chunky knit jumper, ankle boots<br />

and just a bit of attitude.<br />

iroparis.com


DRIES VAN NOTEN BOOTS<br />

Famed as one of the original Antwerp Six, Dries van Noten is known<br />

for his timeless pieces and avant-garde twist. Each one of his pieces<br />

presents fine details that fashion lovers can truly appreciate, and this<br />

pair of boots is no exception. Crafted in Italy from smooth leather,<br />

these boots are rugged yet stylish. They come with long laces that can<br />

be wrapped around the ankles and give a little bit of a punk rock vibe<br />

while remaining elegant. Bonus: they’ll match pretty much everything<br />

you already own. driesvannoten.com<br />

MONCLER GAMME<br />

BLEU TROUSERS<br />

The Moncler Gamme Bleu Autumn/Winter<br />

<strong>2017</strong> collection was designed by none other<br />

than Thom Browne, so you can expect<br />

tailored pieces with a bit of quirkiness.<br />

Made in Italy from thick navy wool, these<br />

slim-cut trousers will keep you warm all<br />

through winter, just like every other piece<br />

by Moncler. They feature four pockets and<br />

an adjustable tab at the back to get your<br />

preferred fit. This autumn, wear them<br />

rolled up and style them with chunky boots,<br />

a simple T-shirt and a light scarf.<br />

moncler.com<br />

RAG & BONE<br />

DENIM JACKET<br />

Denim jackets have never gone out of style,<br />

and we predict they never will either. You<br />

can also wear them year-round, whether<br />

it’s on a chilly late summer evening or<br />

in winter under your parka. If you don’t<br />

already own one, now is the time to invest,<br />

and this Rag & Bone number will do the<br />

trick. We like the light wash, the fitted<br />

cut and the high-quality denim, which is<br />

sourced from Japan’s Kaihara mill, best<br />

known for its indigo dyeing techniques.<br />

rag-bone.com<br />

STELLA MCCARTNEY<br />

BLAZER<br />

This autumn, if you only choose one staple<br />

item to add to your wardrobe, a classic (and<br />

versatile) blazer should be it. Forget about<br />

boxy, heavily shoulder-padded numbers.<br />

Instead, go for a fitted and structured<br />

blazer – throw it over a casual white tee, or<br />

wear it over a blouse for a more dressed-up<br />

look. This checked wool blazer from British<br />

designer Stella McCartney ticks all the boxes<br />

and it’s a piece you will keep forever. Wear<br />

it with the matching trousers, or with jeans<br />

and a pair of heels. stellamccartney.com


[ PROMOTION ]<br />

TRENDS<br />

EXPLORE<br />

JAPANESE<br />

CUISINE AT<br />

GINZA SIX<br />

When any local or visitor<br />

to <strong>Tokyo</strong> is asked<br />

what they love most<br />

about the city, more<br />

often than not the cuisine makes it<br />

to the top of the list. Plenty of tourists<br />

come here purely for the food,<br />

and chefs around the globe rave<br />

about the quality of the ingredients.<br />

But when time is short, how can you<br />

manage to try out a wide variety<br />

of Japanese cuisine? New luxury<br />

department store GINZA SIX, which<br />

opened its doors in April, has solved<br />

this dilemma by launching an array<br />

of restaurants and shops that pretty<br />

much cover all bases. From yakiniku<br />

and tempura to tea cocktails and<br />

matcha parfaits, the shopping center<br />

is a paradise for foodies. To help<br />

you navigate your way around,<br />

we've selected our top 10 restaurants<br />

serving local dishes. And just in case<br />

you're craving a bottle of red from<br />

Bordeaux or a sweet pie from L.A.,<br />

we've also rounded up five treats for<br />

those with more cosmopolitan tastes.<br />

GINZA GRAND PREMIUM FOOD HALL<br />

To sample a variety of Japanese dishes in one place, head to the Ginza Grand Premium Food Hall on the<br />

6th floor. Counter-seating shops with noren curtains serve cuisine from selected restaraunts and shops<br />

from all over Japan. There are 10 eateries in total, including one tea salon known for its top quality tea.<br />

HOKKAIDO UEDAGUMI<br />

While you can find exceptionally fresh fish<br />

pretty much anywhere in Japan, Hokkaido is<br />

particularly known for its high quality seafood.<br />

It's also known for a dish called kaisendon, a<br />

seafood bowl that includes rice topped with<br />

sashimi and other ingredients. You can sample<br />

several varieties of this dish at Uedagumi,<br />

which only serves fish from Shibetsu, a city in<br />

Hokkaido that's known for its excellent salmon,<br />

scallops, trout and shellfish. You're in good hands<br />

with regards to the sushi chef too – Katsuharu<br />

Takano earned his stripes at Ginza Kyubey, often<br />

considered one of <strong>Tokyo</strong>'s top sushi restaurants.<br />

TSUKIJI BAR WITH UORIKI<br />

If you choose just one of the 10 eateries<br />

at Ginza Grand Premium Food<br />

Hall, we recommend Tsukiji Bar with<br />

Uoriki, where you can enjoy a classic<br />

ceviche created by renowned pioneer<br />

of molecular gastronomy Chikara<br />

Yamada. The menu is designed to be<br />

enjoyed with a glass of champagne.<br />

Also, on the last Friday of every<br />

month from 3pm to 9pm, they<br />

host a Japanese sake-tasting event<br />

where you can sample renowned<br />

sake brands from around the<br />

country.<br />

12 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


[ PROMOTION ]<br />

MIXOLOGY SALON<br />

Founded by master mixologist Shuzo Nagumo,<br />

Mixology Salon's speciality is the "teatail":<br />

cocktails made with high quality Japanese<br />

green tea leaves. First-timers should try the<br />

Gyokuro Cocktail Course, which includes<br />

three infusions of gyokuro (the highest quality<br />

green tea in Japan) to allow you to experience<br />

different flavor strengths. At the end, you get<br />

to eat the remaining tea leaves with smoked<br />

oyster soy sauce, and you'll also be treated<br />

to homemade gyokuro vodka. Those who're<br />

looking for an autumn seasonal offering<br />

should go for the Pear and Taiwan Oolong<br />

Cocktail.<br />

THE GRAND GINZA<br />

Occupying 1,500m² on the top floor<br />

of GINZA SIX, this luxury space<br />

features a lounge, restaurant, bar,<br />

and teahouse all designed to stimulate<br />

the six senses and let visitors<br />

enjoy a sensual dining experience.<br />

Be sure to stop by THE GRAND<br />

VIP, which boasts extraordinarily<br />

beautiful Japanese décor with a<br />

contemporary touch – the folding<br />

screen, for example, is handpainted<br />

by kimono designer Jotaro Saito<br />

– and an exquisite tea ceremony<br />

room (reservations required via<br />

www.grandginza.com/vip).<br />

TEMPURA YAMANOUE GINZA<br />

TEPPANYAKI 10 GINZA<br />

One of the most-loved cuisines in<br />

Japan, teppanyaki refers to food that is<br />

cooked on an iron griddle. If you're in<br />

the mood for an extravagant meal, go<br />

for the lunch course at Teppanyaki 10<br />

Ginza and enjoy specialties such as sea<br />

urchin, wagyu steak, and abalone. For<br />

autumn <strong>2017</strong>, they're serving a limitededition<br />

champagne cocktail featuring<br />

ingredients such as orange, cinnamon<br />

and cherry.<br />

Even if this is your first time in Japan, you've most<br />

likely already heard of, and tasted, tempura. But<br />

don't underestimate the ability of Japanese chefs to<br />

make everything taste – and look – better. At Tempura<br />

Yamanoue Ginza, the Ai dinner course highlights the<br />

senses of each season and the richness of Japanese<br />

ingredients. The tempura batter is silky and light,<br />

and you'll be treated to a performance by culinary<br />

artisans to demonstrate the deep-frying process.<br />

To top off the experience, your meal is served in<br />

custom-made traditional Japanese lacquerware.<br />

Private dining rooms are available.<br />

GINZA SIX<br />

Address: 6-10-1 Ginza, Chuo-ku<br />

Web: https://ginza6.tokyo<br />

Restaurant opening hours: 11am-11:30pm<br />

Store opening hours: 10:30am-8:30pm<br />

(Subject to change for certain restaurants and stores)<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 13


[ PROMOTION ]<br />

IMADEYA GINZA<br />

Founded in 1962, Imadeya<br />

Ginza stocks around 1,000<br />

varieties of local sake,<br />

shochu and wine. Believing<br />

that "you can tell a story<br />

with each bottle of liquor,"<br />

Imadeya works closely with<br />

artisans around Japan to<br />

learn about their sophisticated<br />

brewing techniques and<br />

understand the back stories<br />

of each brand. If you're<br />

looking for a souvenir or<br />

gift, consider the Imadeya<br />

original Ryujo Sherry, a<br />

blend of four different rice<br />

shochu aged for 11 years in a<br />

sherry cask.<br />

YAKINIKU SANSUI<br />

Imagine an indoor barbecue, with<br />

beef and pork sliced into bite-sized<br />

pieces, cooked on a miniature<br />

grill that sits in the center of your<br />

dinner table, and eaten with<br />

chopsticks. This is yakiniku: a very<br />

civilized yet no less entertaining<br />

version of the Western barbecue.<br />

At Yakiniku Sansui, the experience<br />

is taken to the next level with<br />

a selection of only the best<br />

quality kuroge wagyu, which is<br />

considered Japan's highest grade<br />

of beef. It's fatty and succulent<br />

and full of flavor. The chef here<br />

carefully selects the best parts of<br />

the meat each day, and insists that<br />

it is served without cold storage so<br />

as to preserve its fine taste.<br />

NAKAMURA TOKICHI<br />

Originally founded in 1854, Nakamura Tokichi<br />

uses a selection of precious Japanese teas to<br />

develop unique desserts. Definitely try their<br />

custom-made matcha parfait which lets you<br />

choose different ingredients such as kuri<br />

(Japanese chestnuts), raspberries, and arare<br />

(roasted rice crackers). From <strong>October</strong> 1 to<br />

November 30, you can enjoy a special autumn<br />

afternoon tea set including a variety of cakes and<br />

two types of tea.<br />

GINZA SENNENKOUJIYA<br />

If you can't make it all the way to Japan's Niigata Prefecture<br />

to visit the Hakkaisan sake brewery, you'll be pleased<br />

to know you can browse almost the entire Hakkaisan<br />

lineup right here at Ginza Sennenkoujiya. For a truly<br />

unique sake, we suggest picking up a bottle of snow-aged<br />

Junmai Ginjo, which is matured for three years in a store<br />

room that's naturally chilled by an abundance of snow.<br />

The snow acts as a refrigerator, keeping the temperature<br />

at three degrees Celsius.<br />

14 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


[ PROMOTION ]<br />

5 TREATS<br />

FOR GLOBAL<br />

FOODIE FANS<br />

THE PIE HOLE LOS ANGELES<br />

First opened in Los Angeles in 2011,<br />

The Pie Hole is a family-run business<br />

known for their unique sweet pies.<br />

Their branch in GINZA SIX sells all the<br />

firm favorites from L.A. along with a<br />

few extra Japanese flavors. For a taste<br />

of everything, the Sweet Assort Box is<br />

ideal as it's "a pie made up of different<br />

pies" (think apple crumble, matcha,<br />

pecan pie and more). For fall, try their<br />

Chestnut Mont Blanc (until <strong>October</strong> 31).<br />

WINE SHOP ENOTECA<br />

Incorporating a wine shop and cellar, a<br />

café and bar, and an art corner, Enoteca<br />

caters to the wine connoisseur's every<br />

need. You'll find more than 1,600 varieties<br />

on offer, from easy drinking daily wines<br />

to renowned premium brands. One of<br />

their newest products is Rose Del Borro<br />

2016, produced by Il Borro winery, which<br />

is based in Tuscany, Italy, and owned by<br />

fashion designer Salvatore Ferragamo. If<br />

you have time to linger longer, Enoteca sells<br />

wine by the glass for just ¥500 each, giving<br />

you the chance to sample before you buy<br />

(be sure to try one of their wine cocktails).<br />

JASMINE WASHINKANSAI<br />

The philosophy of this restaurant<br />

is reflected in the store name, as<br />

washinkansai means "Chinese cooking with<br />

a Japanese spirit." Essentially, they seek<br />

to merge traditional Chinese cuisine with<br />

the Japanese sensibility of wa (harmony).<br />

The speciality is their mouth-watering<br />

chicken dish that's flavored with 15 spices,<br />

and served in a bowl of original black<br />

vinegar and chili oil sauce. Also highly<br />

recommended is the spicy Sichuan-style<br />

sukiyaki (hot pot) dish featuring roast beef,<br />

negi mochi (sticky rice cake with spring<br />

onions), edible chrysanthemums, and tofu.<br />

SALT GRILL & TAPAS BAR<br />

BY LUKE MANGAN<br />

This is the first grill and tapas concept<br />

restaurant by Australian star chef Luke<br />

Mangan, who now runs a total of 21<br />

restaurants around the world. Settle<br />

into the modern rustic atmosphere and<br />

prepare to relish premium-grade Aussie<br />

beef, which you'll find on the a la carte<br />

menu in the main dining room. For a<br />

more casual affair, relax in the bar and<br />

lounge area while tucking into tapas<br />

paired with handcrafted cocktails – we<br />

love their quirky names such as Flying<br />

Kangaroo and Office Romance.<br />

IL CARDINALE<br />

Love Italian food? Il Cardinale is<br />

afiliated with the long-standing<br />

Ristorante Sabatini di Firenze, which<br />

is legendary in Florence, Italy, so you<br />

know you'll be getting the real deal<br />

here. Focusing on genuine Italian<br />

cooking and traditional Tuscan cuisine,<br />

Il Cardinale serves a superb Bistecca<br />

alla Fiorentina. The thick slab of T-bone<br />

steak is roasted at a high temperature<br />

so it's perfectly charred on the outside<br />

but still soft and succulent on the<br />

inside. For a fall treat, they'll be serving<br />

a special grilled lamb and porcini<br />

mushroom dish, designed to be enjoyed<br />

by two people (available from <strong>October</strong>).<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 15


Looking for a great place to eat, shop, sleep or play in <strong>Tokyo</strong>? Welcome to <strong>Weekender</strong>'s<br />

roundup of recommended restaurants, hotels, stores, salons and more. Here, we share<br />

this month's editor's picks, but for the full lineup – as well as reader discounts and<br />

special offers – simply head to www.tokyoweekender.com/the-concierge<br />

Elana Jade Club 360<br />

In need of some pampering? Elana Jade offers a range of deluxe<br />

beauty treatments that will have you looking beautiful from<br />

head to toe. All products used in our organic skincare lines are<br />

delivered by internationally trained and experienced therapists.<br />

Special offer: Enjoy our 60-minute Organic Conditioning Facial<br />

for only ¥10,000 (normal price ¥13,000), valid until <strong>October</strong> 31.<br />

Club 360 is <strong>Tokyo</strong>’s premier fitness and rehabilitation<br />

center, offering personal training, physiotherapy, sports<br />

massage, exercise classes, boxing and various classes for<br />

children. Whilst getting in shape, make sure you recover<br />

with a sports massage from one of Club 360’s highly qualified therapists.<br />

Special offer: Mention <strong>Tokyo</strong> <strong>Weekender</strong> and receive your<br />

first personal training session for just ¥5,400.<br />

HEALTH, BEAUTY & FITNESS | EDITORS CHOICE HOTELS ABOUT TOWN | EDITORS | EDITORS CHOICE CHOICE<br />

www.elanajade.com<br />

03-6453-9319<br />

4F NS Azabu Juban Building, 3-6-2 Azabu Juban, Minato-ku<br />

www.club360.jp<br />

03-6434-9667<br />

B1 Cma3 Building, 3-1-35 Motoazabu, Minato-ku<br />

Owl Café Search<br />

Japan is famed for its wide<br />

variety of animal cafés, with<br />

owl cafés being one of the<br />

latest to join the lineup. This<br />

new website provides all the infor-<br />

HEALTH, BEAUTY & FITNESS | EDITORS CHOICE<br />

mation you need on where to find<br />

one of these feathery creatures to pet<br />

while sipping on a cuppa. Launching<br />

their English site this month, Owl<br />

Café Search lets you search by area,<br />

and includes details such as price,<br />

opening hours, and contact info for<br />

each café listed.<br />

www.owlcafe-search.com<br />

16 | SEPTEMBER OCTOBER <strong>2017</strong> <strong>2017</strong> | TOKYO | TOKYO WEEKENDER


HOW THE LIGHT GETS IN<br />

There are many ways to feed one's soul: this month, we offer an escape to calm Kyushu,<br />

inspiration from the woman who found her niche as Japan's first foreign geisha, and insight<br />

into how anime director Keiichi Hara hopes his art will help people face their problems.<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 17


[ PROMOTION ]<br />

FIND YOUR<br />

Trip 1:<br />

FOR CITY FOODIES & ONSEN LOVERS<br />

Fukuoka and Oita Prefectures<br />

PERFECT<br />

KYUSHU<br />

Four trips, four types – pick your<br />

favorite or combine them all into<br />

one big Kyushu adventure<br />

Words by Annemarie Luck & Matt Schley<br />

HOW TO GET THERE Flights from <strong>Tokyo</strong> take<br />

approximately two hours, while the Tokaido or<br />

Sanyo Shinkansen can get you from <strong>Tokyo</strong> to<br />

Hakata Station in about five hours.<br />

WHERE TO STAY Urbanites will love the<br />

modern rooms at First Cabin Hakata. Think of it<br />

as a luxury capsule hotel, and book the Premium<br />

Class Cabin for a comfy double bed and wooden<br />

finishings. www.first-cabin.jp<br />

FUKUOKA’S NIGHTLIFE AND RAMEN<br />

Kyushu’s largest city, Fukuoka has skyscraper energy but is friendlier than <strong>Tokyo</strong> and<br />

offers escape in the form of green spaces and even beaches. It’s known for nightlife<br />

and ramen, but it also has plenty for shoppers, art lovers and culture hunters.<br />

Hipsters should head straight for the Daimyo district, where you’ll find vintage stores<br />

and streetside cafés. When we visited, we only had eyes for Hakata ramen – which<br />

is often cited as the best tonkotsu (pork bone broth) ramen in Japan – so we made a<br />

beeline for the city’s yatai (street-side food stalls) that come alive at night just next to<br />

the river in Nakasu. Packed with casual diners every evening, this is the ideal spot to<br />

chat to locals while slurping up noodles and sipping on sake or shochu. Also try the<br />

udon, which has its origins in Fukuoka, and motsu nabe if you're feeling adventurous<br />

(motsu means "innards") .<br />

DAY 1<br />

DAY 2<br />

OITA’S BEPPU ONSEN<br />

After a night on the town in Hakata,<br />

best thing for you is a day spent<br />

dipping in and out of onsen. Oita Prefecture<br />

is home to Beppu, the famous<br />

onsen town where the springs are so<br />

hot that the city itself looks like it’s<br />

perpetually steaming. There are eight<br />

onsen areas in the city, but the most<br />

exciting hot springs are grouped together<br />

in the Kannawa area under the<br />

name The 7 Hells of Beppu. These are<br />

for viewing, not soaking, and include<br />

the cobalt-blue Umi-jigoku (sea hell)<br />

and the red clay-colored Chi-no-ikejigoku<br />

(blood pond hell). To see them<br />

all, take the Beppu Jigoku Meguri (Hell<br />

Tour) from Beppu Station (¥3,650, 2.5<br />

hours). For bathing, visit Takegawara<br />

Onsen, which opened in 1879 and is<br />

the oldest onsen in Beppu. Also be<br />

sure to try a beach sand bath at Beppu<br />

Kaihin Suna-yu, which is a five-minute<br />

walk from Beppu Daigaku Station.<br />

HOW<br />

TO GET<br />

THERE<br />

From Hakata<br />

to Beppu<br />

Station, it<br />

takes approximately 2 hours on JR<br />

Kyushu’s Limited Express Sonic.<br />

WHERE TO STAY Balance out<br />

your Fukuoka capsule confinement<br />

with a luxurious stay at<br />

Beppu Sennari Ryokan.<br />

beppu-sennari.com


DAY 1<br />

[ PROMOTION ]<br />

Trip 2:<br />

FOR FANTASY FANS & NATURE ENTHUSIASTS<br />

Miyazaki Prefecture<br />

TAKACHIHO GORGE, AOSHIMA BEACH & UDO SHRINE<br />

Miyazaki’s nature and spiritual spots bowled us over. To recreate our pilgrimage, make your<br />

first destination Takachiho, home to shrines related to sun goddess Amaterasu, and Takachiho<br />

Gorge, a chasm created by the flow of a river through volcanic rock. Either walk a trail<br />

that runs alongside the gorge or rent a boat and row down it. Next, take a bus to Aoshima.<br />

No, this isn’t the Aoshima full of cats – that’s the one in Ehime – but this Aoshima features<br />

a beach, botanic gardens, and a shrine set under a jungle canopy. Swing by Aoshima Beach<br />

Park (open spring through summer), a hip pop-up eatery collective, but don’t forget the<br />

mom-and-pop food stands (try the nikumakionigiri, rice balls wrapped in meat). Finally, take<br />

a bus to Udo Shrine. A 20-minute walk from the closest bus stop, Udo is inside a cave that faces<br />

the ocean, and will make you feel like you’ve reached the shrine at the end of the world.<br />

HOW TO GET THERE<br />

Takachiho is located between<br />

Oita, Miyazaki and Kumamoto,<br />

and can be reached via bus<br />

from each city. Aoshima and<br />

Udo lie just south of Miyazaki;<br />

both can be reached on the<br />

same bus line, which runs<br />

about once per hour.<br />

WHERE TO STAY To visit<br />

all three, make your base<br />

Miyazaki. If beach-going is<br />

your main goal, there are<br />

several hotel and guesthouse<br />

options right in Aoshima.<br />

GETTING<br />

TO AND<br />

AROUND<br />

KYUSHU<br />

The third<br />

biggest island<br />

of Japan,<br />

Kyushu<br />

has seven<br />

prefectures.<br />

Domestic flights from <strong>Tokyo</strong>’s Narita or<br />

Haneda airports take about two hours<br />

to any of Kyushu’s airports, but it’s also<br />

possible to travel by Shinkansen. Within<br />

Kyushu, car rental is best if you’re planning<br />

to explore more remote areas, but<br />

for the four trips we’ve planned here,<br />

you’ll be able to get around mainly on<br />

the Kyushu Shinkansen and local trains.<br />

In fact, traveling on JR Kyushu<br />

trains is one of the highlights of visiting<br />

the island as the company has invested<br />

heavily in designing unique and luxurious<br />

trains, making the journey between<br />

prefectures a real pleasure. Aside from<br />

hopping on the Shinkansen, you might<br />

also want to take a look at some of<br />

the resort trains on offer, such as the<br />

Yufuin no Mori, which boasts a lounge<br />

with wooden interior, and the A-TRAIN,<br />

which features wood and stained glass<br />

décor. For more information about the<br />

JR Kyushu Rail Pass, and the different<br />

trains, visit www.jrkyushu.co.jp/english/.<br />

DAY 2<br />

KIRISHIMA<br />

The Kirishima mountain range is an<br />

important spot in Japanese folklore<br />

and great for hiking. The range<br />

includes active volcanoes and is<br />

said to be where Ninigi-no-Mikoto,<br />

grandson of goddess Amaterasu,<br />

descended to earth (though Miyazaki’s<br />

Takachiho makes the same claim).<br />

Regardless, Kirishima Shrine, devoted<br />

to Ninigi-no-Mikoto, is an impressive<br />

complex (be sure to try the hoko mochi<br />

cinnamon sweets). From the shrine,<br />

make your way to the Takachiho-gawara<br />

Visitor's Center, from where you<br />

can embark on one of several hikes.<br />

Kirishima is famous for its crater<br />

lakes, but volcanic activity means the<br />

trails are often off-limits, so check in<br />

with the Visitor's Center first. One of<br />

the safest bets is the hike to Mount<br />

Takachiho-no-mine, said to be the spot<br />

where Ninigi-no-Mikoto descended.<br />

HOW<br />

TO GET<br />

THERE<br />

Kirishima<br />

is roughly<br />

equidistant<br />

from Kagoshima and Miyazaki.<br />

From either city, jump on the dark<br />

grey JR Kyushu's Limited Express<br />

Kirishima train that looks like it<br />

was designed by Darth Vader and<br />

enjoy some incredible scenery.<br />

WHERE TO STAY Shinyu<br />

Onsen Ryokan (tel: 099-578-2255)<br />

for its milky-white, sulfur baths,<br />

or Kirishima Hotel (www.kirishima-hotel.jp)<br />

for a Western-style<br />

facility.<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 19


[ PROMOTION ]<br />

Trip 3:<br />

FOR ADVENTURE SEEKERS<br />

Kagoshima Prefecture<br />

SAKURAJIMA VOLCANO<br />

As we stepped off the train at Kagoshima, it took us a moment to realize why there<br />

was a tinge of smoke in the air – then we remembered our destination, Sakurajima,<br />

is an active volcano. Erupting (harmlessly) hundreds of times a year, Sakurajima is<br />

one of Kyushu’s most unique destinations, with volcano-related attractions like a hot<br />

spring filled with dark, volcanic mineral-infused water. Skeptical? Give it a try at the<br />

free footbaths, where you can take in a view of the city and volcano across the bay.<br />

To get closer to said volcano, hop on a local bus (one leaves every hour for the volcano)<br />

or the Island View Bus – this bus only covers a portion of the island, so travelers<br />

interested in farther-flung sights, such as a shrine gate almost buried by an eruption<br />

in 1914, should rent a car or bicycle. Hungry? Thanks to its nutrient-rich volcanic soil,<br />

Sakurajima boasts record-sized daikon and delicious miniature mikan oranges.<br />

DAY 1<br />

HOW TO GET THERE If you’re coming from<br />

Kirishima (Trip 2), of then our take itinerary), JR Kyushu's then take Limited the<br />

JR Express Kyushu Kirishima limited express from Kirishima from Kokuba Jingu Station<br />

to Kagoshima-Chuo Station Station (about (about 30 minutes). 30 minutes). Sakura-<br />

Sakurajima is a 15-minute is a 15-minute ferry ride ferry from ride Kagoshima from<br />

city. Kagoshima Those in city. for Cyclists a day of can cycling ride from can ride Kirishima from<br />

Kirishima – the 70km – course the 70km takes course you by takes an art you museum, by an art a<br />

museum, kurozu black a kurozu vinegar black factory, vinegar volcano factory, observa-<br />

volcano<br />

observation points and points more. and more.<br />

WHERE TO STAY Ferries run 24/7, so travelers<br />

can easily stay on mainland Kagoshima – but<br />

those looking to stay on the island itself should<br />

check out hotel Rainbow (www.qkamura-s.com/<br />

sakurajima), which has a an hot attached spring. hot If you're spring. on<br />

If a budget, you're on peek a budget, the Sakurajima peek the Sakurajima Youth Hostel. Youth<br />

DAY 2<br />

YAKUSHIMA ISLAND<br />

Studio Ghibli’s 1997 epic Princess Mononoke takes place in a forest so lush and out of this<br />

world we’d always assumed it came straight from director Hayao Miyazaki’s imagination.<br />

As it turns out, Mononoke’s forest had a real-life model – the island of Yakushima, south of<br />

Kagoshima. For fans of that film – or nature enthusiasts in general – Yakushima’s biggest<br />

draw will be Shiratani Unsuikyo, a relatively easily accessible nature park filled with hiking<br />

trails and footpaths. Look out for the forest’s yakusugi cedar trees, some of which are literally<br />

thousands of years old. Aside from its special brand of trees, Yakushima also has yaku<br />

monkeys and yaku deer, both of which are smaller than their mainland brethren, and can be<br />

regularly spotted while walking the forests. Said forests aren't Yakushima's only attraction,<br />

though: the island also features activities like snorkeling, scuba diving and paddleboarding.<br />

Whatever you do, pack a raincoat: Yakushima is famed for its high levels of precipitation.<br />

HOW TO GET THERE Getting to Yakushima<br />

is part of the adventure. The island<br />

has its own airport, but we recommend<br />

grabbing the high-speed jetfoil from Kagoshima<br />

(how often, after all, do you get<br />

to ride on something called a “jetfoil”?).<br />

The journey takes between two and three<br />

hours and costs ¥15,000 for a round-trip.<br />

WHERE TO STAY Yakushima features<br />

a number of hotels, guesthouses and<br />

rentable cottages, many of which are near<br />

the jetfoil port. Blow all your money just<br />

getting here? Try out one of the island's<br />

six mountain huts, which are entirely<br />

free, as long as you arrive early enough to<br />

snag a spot.<br />

20 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


[ PROMOTION ]<br />

DAY 1<br />

Trip 4:<br />

FOR HISTORY BUFFS<br />

Kumamoto, Saga, Nagasaki Prefectures<br />

KUMAMOTO CASTLE<br />

Although you’ll be missing out on actually<br />

seeing its impressive facade, which<br />

is covered in scaffolding as they rebuild<br />

after the 2016 Kumamoto earthquakes,<br />

now is an enlightening time to visit<br />

Kumamoto Castle. It’s one of the few<br />

places in Japan that you can currently<br />

examine the extensive damage and<br />

restoration efforts necessary after an<br />

earthquake hits such a historically<br />

important structure. Built in 1607, the<br />

castle is scheduled to reopen to the<br />

public in early 2019, but the entire<br />

recovery process is expected to take two<br />

decades, mainly because consideration<br />

must be taken to maintain the traditional<br />

structure – for example, every stone<br />

that fell from the massive walls during<br />

the earthquake must be put back into<br />

its original position. When we visited,<br />

we were entranced by the watchtower<br />

alone, which stands tall and proud and<br />

largely intact. We were also astounded<br />

by one huge stone on display, which<br />

was discovered after the earthquake<br />

and features an ancient stone carving of<br />

a Bodhisattva figure.<br />

DAY 2<br />

SAGA'S YOSHINOGARI HISTORICAL PARK<br />

There’s plenty to do and see in Saga Prefecture (see page 22), but for some fascinating insight<br />

into one of Japan’s oldest periods, we recommend visiting Yoshinogari Historical Park<br />

(www.yoshinogari.jp/en). This archeological site features ancient ruins of a king’s village<br />

dating back to the Yayoi period (300BCE-300ACE), with reconstructed huts showing how<br />

people lived and the clothes they wore. Aside from simply trying to imagine what it must<br />

have been like to live in that era, the most intriguing part of our visit was inspecting the<br />

excavated burial jars and the various artifacts that were found inside them such as bronze<br />

swords and glass jewelry.<br />

HOW TO GET THERE If you<br />

stayed at Satsuki Besso ryokan<br />

as recommended for Day 1, then<br />

take the Kyushu Shinkansen from<br />

Shin-Tamana Station to Shin-Tosu<br />

Station (about 25 minutes).<br />

Change to the JR Nagasaki Line<br />

and travel for 10 minutes to<br />

Yoshinogari-Koen Station.<br />

WHERE TO STAY End your day<br />

in Saga’s famous Ureshino onsen<br />

town. We stayed at Warakuen<br />

(www.warakuen.co.jp/english.<br />

html), which has a unique "tea<br />

hot spring." To get here, take the<br />

JR Kyushu Nagasaki Line from<br />

Yoshinogari-Koen Station to<br />

Hizen-Kashima Station, and then<br />

a short taxi ride.<br />

NAGASAKI ATOMIC BOMB MUSEUM & GLOVER GARDEN<br />

The Nagasaki Atomic Bomb Museum is a sobering start to the day, but it’s also thoroughly<br />

educational and an important reminder of the horror and devastation endured by the city<br />

and its people. For a completely different side to Nagasaki’s history, hop on the city tram<br />

to Glover Garden, where you can see the house built by Thomas Blake in 1863. Originally<br />

from Scotland, Glover contributed to the modernization of Japan through shipbuilding, coal<br />

mining and the tea trade. Those who’ve recently watched Martin Scorcese’s film Silence<br />

might be interested in reading about the “hidden Christian sites” in the region, one of<br />

which, Oura Cathedral, is just down the road from Glover’s home. Also, don’t leave without<br />

chowing down on Nagasaki’s popular champon noodles.<br />

DAY 3<br />

HOW TO GET THERE You can fly<br />

from <strong>Tokyo</strong> to Kumamoto in about<br />

two hours, but if you’re traveling from<br />

Kagoshima (following on from Trip 3),<br />

then take the Kyushu Shinkansen from<br />

Kagoshima-Chuo Station to Kumamoto<br />

Station (about one hour).<br />

WHERE TO STAY Since Day 2 of our<br />

History Buff trip starts with a relatively<br />

long journey, we’d recommend getting<br />

part of the train ride under your belt by<br />

staying at Satsuki Besso ryokan, which is<br />

about 30 minutes out of the city towards<br />

Saga Prefecture. Take the Kyushu<br />

Shinkansen from Kumamoto Station to<br />

Shin-Tamana Station, and then walk for<br />

25 minutes or hop in a taxi.<br />

HOW TO<br />

GET THERE<br />

If you’re<br />

coming from<br />

Ureshino, take<br />

JR Kyushu's<br />

Limited Express Kamome train from<br />

Hizen-Kashima Station to Nagasaki<br />

Station, and then navigate your way<br />

around the city on the adorable<br />

tramway, founded in 1915.<br />

WHERE TO STAY Huis Ten Bosch<br />

theme park is modeled on what<br />

the Netherlands looked like in the<br />

Middle Ages. There are four hotels,<br />

with Henn-na Hotel being the<br />

world’s first hotel to feature robot<br />

staff. english.huistenbosch.co.jp<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 21


[ PROMOTION ]<br />

6 WAYS TO<br />

ENJOY FALL<br />

IN SAGA<br />

If you enjoyed our<br />

recommended itinerary<br />

for finding your<br />

perfect Kyushu, you<br />

might decide you<br />

want to extend your<br />

trip by a few days to<br />

delve a little deeper<br />

into what’s on offer.<br />

If you happen to be<br />

planning your getaway<br />

for autumn,<br />

here are a few more<br />

things to do and see<br />

while you’re in Saga<br />

Prefecture<br />

DAIKOZEN-JI TEMPLE<br />

Not only revered for its autumn allure, this mountaintop<br />

temple in Kiyama was built in the early 800s, giving you<br />

the chance to view some of Japan’s oldest architecture<br />

including its reed thatched roof. Situated halfway up Mt.<br />

Chigiriyama, it’s surrounded by a forest of cedar, gingko,<br />

and maple trees, which are the leading ladies come<br />

mid-November. (It’s also become famous for its 50,000-<br />

odd azalea bushes, which are the main attraction during<br />

spring and have led to the temple being nicknamed Tsutsuji<br />

Tera, or Azalea Temple.) You’ll need to brave a long, steep<br />

stairway to reach the top, but the feeling of being inside<br />

a picturesque oil painting is worth the effort. 3628 Oaza<br />

Sonobe, Kiyama-Machi, Miyaki-Gun, Saga. ¥500 entrance fee<br />

in autumn (November and December). www.daikouzenji.com<br />

KUNENAN<br />

There are several reasons to visit this<br />

former residence of Saga businessman<br />

Yataro Itami, but the mansion and its expansive<br />

gardens are probably most wellknown<br />

for being one of the prefecture’s<br />

most exclusive momijigari (autumn leaves<br />

viewing) spots. As such, it’s only open for<br />

nine days at the peak of the fall foliage<br />

beauty: from November 15 to 23, 8:30am<br />

to 4pm. (It also opens for a limited time<br />

during spring.) The name Kunenan<br />

means “Nine-year House,” and refers to<br />

the fact that its garden took nine years<br />

to build, with construction beginning in<br />

1900 and supervised by a Zen Buddhist<br />

priest. The architecture follows the traditional<br />

tea house style, while the garden<br />

shows off the art of shakkei – a style of<br />

gardening that “borrows” scenery from<br />

nearby landmarks and incorporates them<br />

into the design. Stroll amongst the azaleas<br />

and maple trees for an elegant autumn<br />

afternoon. 1696 Ikuwa, Kanzaki-machi,<br />

Kanzaki-shi, Saga. ¥300 entrance fee.<br />

22 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


[ PROMOTION ]<br />

YOU’LL NEED TO BRAVE A STEEP STAIRWAY TO<br />

REACH THE TOP, BUT THE FEELING OF BEING INSIDE A<br />

PICTURESQUE OIL PAINTING IS WORTH THE EFFORT<br />

SAGA BEEF<br />

Known for being one of the best wagyu beef<br />

brands in Japan, Saga Beef benefits from the<br />

prefecture’s mild climate, pure water, and<br />

clean air. The Japanese Black cows are raised<br />

using expert breeding techniques, ensuring<br />

they do not experience any major stress. To<br />

taste this deliciously sweet and rich marbled<br />

beef, we recommend Kira, a renowned<br />

restaurant in central Saga that’s run by Japan<br />

Agricultural Cooperatives. We stopped by for<br />

lunch and ordered thin strips of Saga gyu,<br />

which we cooked ourselves on the iron plate<br />

grill in the center of the table, served with a<br />

large bowl of vegetables, salad, miso soup,<br />

rice, and pickles. Undoubtedly one of the most<br />

succulent beef dishes we’ve ever tasted. You<br />

can also order it as steak, or take a seat at the<br />

teppanyaki counter to watch the chef at work.<br />

(If you can’t make it all the way to Saga, note<br />

they also have a branch in Ginza, <strong>Tokyo</strong>.) 3-9-<br />

16 Otakara, Saga-shi, Saga. kira.saga-ja.jp/en<br />

IKIZUKURI SQUID<br />

Of course Japan in its entirety is famed for having the freshest, most delicious seafood, but if you<br />

want to experience local cuisine at its source, it’s best to visit a port town and try their speciality.<br />

In Saga, there’s one such city called Karatsu, which is famed for its port area called Yobuko. Here<br />

you should order ikizukuri – live squid that’s so live it squirms on your plate. Early risers will<br />

enjoy visiting the Yobuko Morning Market, where you can opt for dried squid should the live<br />

version be a tad too much for you. This market dates back to the early 1900s, and is considered<br />

one of the three biggest fish markets of Japan.<br />

KARATSU KUNCHI FESTIVAL<br />

This autumn matsuri is held at Karatsu Shrine<br />

and is one of Kyushu’s major festivals, dating<br />

back about 400 years and attracting 500,000<br />

visitors. What makes this festival particularly<br />

interesting is its unique hikiyama (giant floats).<br />

The first in the series of 14 was made by a<br />

woodcarving craftsman in 1819 and is called<br />

Akajishi (Red Lion float). The other 13 were all<br />

produced over the next 60 years, and feature<br />

awe-inspiring designs – probably the most<br />

unusual one is The Red Snapper, which literally<br />

looks like a fish and is meant to represent the<br />

fish markets from the old days. The floats each<br />

weigh two to five tons, and measure 4.5 to 6.8<br />

meters in height. If you can’t make it in time to<br />

see the floats being hauled along the street, or<br />

through the sand on Nishinohama Beach, you<br />

can still see them on display at the Hikiyama<br />

Exhibition Hall (6-33 Nishi-Jonai, Karatsu-shi,<br />

Saga). November 2-4, beginning at Karatsu<br />

Shrine, 3-13 Minami-Jonai, Karatsu-shi, Saga.<br />

SAGA INTERNATIONAL BALLOON FIESTA<br />

Held annually at the beginning of November, along the Kase River, this international hot air<br />

balloon competition is the largest of its kind in Asia. Boasting over 800,000 visitors every year,<br />

the event sees around 100 colorful balloons gathering and taking flight before landing several<br />

kilometers away from the fiesta grounds. There are competitive flights, which are held twice a<br />

day; the official balloons, which fly just before the main competition begins; and the Fantasia<br />

balloons, which are shaped to look like animals and cartoon characters, and are inflated every<br />

morning although they don’t actually lift off the ground. November 1-5, <strong>2017</strong>. www.sibf.jp/en<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 23


A DAY IN<br />

THE LIFE<br />

OF A<br />

GEISHA<br />

Interview by Bunny Bissoux<br />

Geisha are some of the most iconic figures of<br />

traditional Japanese culture and yet remain<br />

cloaked in a veil of mystery and strict etiquette.<br />

We spoke with Sayuki, Japan’s first foreign<br />

geisha, to find out about her daily life and learn<br />

more about her unique profession<br />

WHAT IS YOUR TYPICAL<br />

DAY LIKE?<br />

Normally, I correspond with customers<br />

in the morning, practice<br />

or do classes in the afternoon,<br />

and do banquets when I have<br />

bookings in the evening. I am a<br />

flute specialist and do classes at<br />

different times of the year for<br />

flute: in nagauta music from the<br />

kabuki theatre, hauta and kouta<br />

– “little songs” that are like haiku<br />

set to music (and are the most<br />

common type of geisha music) –<br />

festival music, lion dance music,<br />

and minyo folk music. I also take<br />

lessons in singing and shamisen.<br />

WHY DID YOU CHOOSE<br />

THIS JOB?<br />

I was working previously on<br />

documentaries for NHK, the BBC,<br />

National Geographic Channel and<br />

other broadcasters. While I was<br />

trying to sell the idea of a behindthe-scenes<br />

geisha documentary,<br />

I suggested that I be the geisha<br />

being trained and filmed over<br />

a year. After my initial planned<br />

year was up I had only just<br />

debuted – and wanted to learn<br />

so much more – so I asked and<br />

got permission from the Asakusa<br />

Geisha Association to continue<br />

as a geisha. I would still love to<br />

make my own program, about<br />

how I am currently helping the<br />

Photo by Saskia Wesserling<br />

Fukagawa geisha to revive<br />

their district.<br />

HOW DO YOU BECOME<br />

A GEISHA?<br />

You train by being accepted into<br />

a geisha house, most often in a<br />

recognized geisha district. All<br />

the training is done by following<br />

one’s geisha mother around<br />

in her everyday activities and<br />

learning by example, and by<br />

24 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


Photo by Saskia Wesserling<br />

taking lessons in music and/or dance. Once<br />

the new geisha can perform well enough to<br />

attend banquets she learns how to entertain<br />

by watching her older sisters work. How long<br />

this takes depends on how strict the district<br />

is. Some Kyoto maiko debut in as little as<br />

three months, but in conservative Asakusa, I<br />

did a very long apprenticeship for 11 months.<br />

As does any trainee who is past her early<br />

twenties, I debuted directly as a geisha rather<br />

than as a maiko or hangyoku as they are<br />

called in <strong>Tokyo</strong>.<br />

WHAT IS THE MOST IMPORTANT<br />

ASPECT OF BEING A GEISHA?<br />

Geisha need to be everything to everyone. A<br />

banquet with Japanese guests who have been<br />

commuting to the geisha world for decades<br />

is different to a banquet for first-time foreign<br />

tourists, and different again to an expat<br />

family party with kids. We always need to be<br />

aware of how we can cater best to our customers<br />

and make sure they have a wonderful<br />

time. It takes time to learn<br />

to be very sensitive and always aware of our<br />

customers’ needs. In the end, though, if a geisha<br />

does not love her art, then it doesn’t last.<br />

WHAT’S THE BEST PART OF THE JOB?<br />

To be a geisha is to be in a very beautiful<br />

world, surrounded by beautiful women, and<br />

beautiful things, and entertaining in beautiful<br />

places. It is difficult to have a truly beautiful<br />

WHAT’S THE MOST UNEXPECTED<br />

PART OF JOB?<br />

Many people think that a banquet is a very<br />

stiff formal occasion, but depending on<br />

what the customers want, banquets can be<br />

very raucous! The older Fukagawa geisha<br />

have some great drinking games and<br />

Japanese really love to get into the swing<br />

of things. At a recent banquet things got<br />

so wild that we had to keep covering the<br />

trainee geisha’s eyes!<br />

WHY WOULD YOU RECOMMEND<br />

PEOPLE TRY THE GEISHA<br />

EXPERIENCE?<br />

To attend a genuine geisha banquet<br />

is to see the most beautiful of traditional<br />

Japanese architecture in the teahouses,<br />

the most precious artworks, and<br />

calligraphy and pottery in the interiors<br />

of the teahouses, the best of Japanese<br />

kimono in the geisha’s attire, and the<br />

best of Japanese cuisine and sake, and of<br />

course, an introduction to Japanese music<br />

and dance. There is no other single experience<br />

or occasion in which you can get<br />

such a completely comprehensive cultural<br />

experience.<br />

AT A RECENT BANQUET THINGS GOT SO WILD THAT WE<br />

HAD TO KEEP COVERING THE TRAINEE GEISHA’S EYES!<br />

life, but this comes close to it. Now we are<br />

in the first days of autumn, for my next<br />

banquet I will choose a single-layered silk<br />

kimono, with a design predicting the autumn<br />

soon to come. I have hundreds of kimono<br />

now, but a geisha can never have enough!<br />

There is a lot of giving and receiving of kimono<br />

in the geisha world: the geisha mother<br />

I had when I was in Asakusa called me out<br />

just recently to give me another of hers: a<br />

beautiful dark blue banquet kimono with<br />

fine gold patterns.<br />

WHAT KIND OF EVENT WOULD YOU<br />

RECOMMEND HIRING A GEISHA FOR?<br />

Every occasion! Apart from the normal banquet,<br />

geisha have always been hired for celebratory<br />

occasions of any kind. Geisha appear<br />

at the openings of new shops, or on the first<br />

day of the sumo or theatre. In modern times,<br />

we have danced at Narita Airport for the<br />

opening of new flights, danced at Frankfurt<br />

Messe trade show, attended parties at private<br />

homes, gone out on boats in <strong>Tokyo</strong> Bay or even<br />

entertained on the ski slopes in Niseko. Geisha<br />

can be called anywhere in the world too.<br />

I very much welcome any ideas to connect<br />

with new audiences.<br />

IS IT EXPENSIVE TO CALL A GEISHA,<br />

AND WHAT ARE SOME OF THE<br />

OPTIONS?<br />

It is the ratio of geisha to customers that<br />

decides the price, so if you want to make<br />

it cheaper, get some friends together and<br />

organize a larger group. Our most exciting<br />

new project for the Fukagawa geisha is our<br />

Geisha School. We have opened up the lessons<br />

of the little geisha for the very first time, so<br />

that anyone can come and watch a dance or<br />

music lesson by the older geisha. This is a very<br />

cheap way to meet geisha, and a great way to<br />

support the geisha world, as all proceeds will<br />

go directly to the training of the young geisha.<br />

If you would like to visit a teahouse, just email<br />

me and let me know how many people you<br />

are, and what your maximum budget is per<br />

person, then I can make all the arrangements<br />

for you. Recently I have been given the use<br />

of a beautiful 100-year-old house in Kamakura.<br />

We can arrange private parties there, or<br />

customers can use the house for the weekend<br />

with a banquet on a Friday or Saturday. We<br />

are happy to cater for a range of budgets.<br />

WHAT OTHER SERVICES DO YOU<br />

OFFER?<br />

Apart from banquets, I offer a number of other<br />

activities including “lunch with Sayuki” (a<br />

lunch with me to talk about the geisha world),<br />

geisha shopping (visiting the beautiful little<br />

shops and craftsmen making the products<br />

that geisha use), kimono shopping (a complete<br />

introduction to kimono by visiting the best<br />

recycled kimono shops), antique market<br />

shopping (finding genuine samurai armour<br />

or geisha pillows, antique pottery and ukiyo-e<br />

paintings, all at rock bottom prices), kabuki<br />

viewing (offering extra commentary while<br />

watching kabuki).<br />

CALL SAYUKI<br />

You can contact Sayuki directly at<br />

sayuki.geisha@gmail.com for all enquiries,<br />

and to call her and her geisha sisters<br />

to events across <strong>Tokyo</strong> and beyond.<br />

Find out more at www.sayuki.net<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 25


Not quite yet, but they are filling<br />

in a few gaps, from hotel staff to<br />

Buddhist monks. We take a look<br />

at some of the positions currently<br />

held by humanoids in Japan<br />

Words by Matthew Hernon<br />

In 1970 Japanese robotics professor Masahiro Mori identified<br />

the concept of “Bukimi no Tani Gensho,” which became<br />

known in English as "The Uncanny Valley." His hypothesis<br />

stated that the anthropomorphism of robots was appealing<br />

up to the point where they become too human-like, at<br />

which stage our feelings change to those of revulsion.<br />

Osaka University professor and roboticist Hiroshi<br />

Ishiguro's 2015 creation Erica could be cited as an example.<br />

The incredibly realistic-looking humanoid – which has sat<br />

through numerous press conferences answering journalists’<br />

questions, and can simulate human expressions – has been<br />

described as the "most beautiful," and "the creepiest," robot<br />

ever made.<br />

Whichever side of the fence you sit on, there is no doubt<br />

that for some people Mori's theory rings true. Another issue<br />

is the fear that robots could make people redundant in the<br />

future. According to studies by data analysis firm Nomura<br />

Research Institute (NRI), around half of the jobs in Japan<br />

could be done by artificial intelligence within 20 years.<br />

While that may sound unnerving, in a country with an aging<br />

population and a shrinking workforce would it really be<br />

such a terrible thing?<br />

The government here certainly doesn't think so. In<br />

2015 the Robot Revolution Initiative Council was set up in<br />

an effort to take robotics to another level. Since then we've<br />

seen a growing number of Japanese robots making headlines<br />

for their contributions to the service industry. In many<br />

cases companies are using them more as public relations<br />

tools than anything else, but it's still interesting to see the<br />

progress that's being made. So what kind of jobs are they<br />

currently doing? Here's a look at a few of the more intriguing<br />

ones, some more useful than others.<br />

HOTEL STAFF<br />

A couple of months after the Robot Initiative Council was<br />

launched, Henn-na (Weird) Hotel opened to much fanfare<br />

in Nagasaki. It is the world's first hotel to be staffed mostly<br />

by robots. On the reception desk, there are two multilingual<br />

dinosaurs and a realistic-looking female humanoid with<br />

eyelashes to greet customers and confirm bookings<br />

(pictured right). If you are in the luxury wing an<br />

incredibly slow-moving porter robot will then<br />

carry your bags to the room while playing mu-


sic. Next to the bed you'll find a cute electronic<br />

creature called Churi-chan who can change<br />

the room temperature, turn on the lights and<br />

arrange a wake-up call, but only in Japanese.<br />

Other robots in the hotel include a foot-high<br />

concierge and a mechanical arm that will<br />

store your luggage. There are some humans<br />

working there because robots can't make<br />

beds or take care of security. They also aren't<br />

good at finding lost keys, so facial recognition<br />

technology is used instead. Earlier this year a<br />

second Henn-na Hotel was opened in Maihama,<br />

Chiba, near <strong>Tokyo</strong> Disney Resort.<br />

PAROLEE MENTORS<br />

While recidivism rates are relatively low in<br />

Japan, the number of repeat offenders among<br />

the elderly remains a real cause for concern.<br />

Many ex-cons are poor and lonely with no<br />

guarantors to check on them, so some might<br />

feel they'd be better off back inside where<br />

they'd be fed and surrounded by people.<br />

There aren't enough social workers to deter<br />

them from committing petty crimes, so last<br />

year the Ministry of Justice turned to Pepper,<br />

the four-foot robot that can analyze body<br />

language and read a person's emotions. It was<br />

placed in a <strong>Tokyo</strong> halfway house in the hope<br />

that former criminals would share things<br />

with the humanoid that they wouldn't with<br />

humans. It's more cost-effective than employing<br />

regular staff and robots can do 24-hour<br />

shifts without breaks. The problem is that the<br />

parolees are unlikely to ever fully develop an<br />

emotional attachment with the robot.<br />

CARE WORKERS AND COMPANIONS<br />

FOR THE ELDERLY<br />

Japan is experiencing population aging at a<br />

globally unprecedented pace. Around 26 percent<br />

of the nation's citizens are 65 or above,<br />

which is by far the highest proportion in the<br />

world, and by 2025 it's estimated that the<br />

country will face a shortage of around 380,000<br />

caregivers. An influx of foreign workers could<br />

help, but it's still unlikely to be enough. Carebots<br />

are, therefore, seen as a logical solution.<br />

They can provide physical therapy, assist with<br />

bathing, lifting and mobility, and monitor the<br />

whereabouts of the elderly through sensors.<br />

Communication is another particularly<br />

useful tool. Earlier this year a nursing home<br />

in Natori, Miyagi Prefecture began using a<br />

toddler-sized humanoid known as Telenoid<br />

that can capture the voice and movements of<br />

a loved one thousands of miles away using a<br />

microphone and camera. It then replicates<br />

those actions for the person in possession of<br />

the robot. Staff at the facility have noticed<br />

that elderly people, especially those with<br />

dementia, have become more positive and<br />

active when communicating with Telenoid.<br />

BUDDHIST MONKS<br />

Funerals in Japan certainly don't come<br />

cheap. There are all kinds of charges to<br />

factor in, including the price of a Buddhist<br />

priest whose services will usually<br />

cost around ¥240,000. Earlier this year<br />

plastic mold-making company Nissei Eco<br />

Ltd. attempted to create a much cheaper<br />

alternative by charging around ¥50,000 for<br />

Softbank's robot Pepper, which they programmed<br />

to chant sutras from four Buddhist<br />

sects in a computerized voice while tapping<br />

on a drum. It is reminiscent of the German<br />

robot BlessU-2, which can deliver blessings<br />

in five different languages and beams light<br />

from its hands. However, while BlessU-2 was<br />

designed to trigger debate about the future<br />

of the church and the potential of artificial<br />

intelligence, Pepper Priests have been introduced<br />

more as a matter of necessity. The<br />

traditional danka system, in which parishioners<br />

support temples through donations, is<br />

not as stable as it once was, so many monks<br />

are looking for part-time work away from<br />

their usual duties. Pepper is seen as a viable<br />

substitute while they are away, though many<br />

have questioned whether a robot can properly<br />

fulfil religious duties.<br />

THE ACTROID<br />

From Maria in Fritz Lang’s 1928 expressionist<br />

science-fiction drama Metropolis to<br />

C-3PO in Star Wars, robots have performed<br />

prominent roles in movies for decades. Yet,<br />

up to 2015 they have always either been<br />

played by humans or brought to life with<br />

motion capture technology. Things changed<br />

two years ago when Geminoid F co-starred<br />

in Koji Fukada’s flick Sayonara as Leona<br />

(pictured top right), becoming the first actor<br />

humanoid (called an “actroid”) to appear in<br />

a feature-length film. Equipped with motorized<br />

actuators enabling it to copy human expressions,<br />

the wheelchair-bound Leona stays<br />

loyal to its owner Tania, played by American<br />

actress Bryerly Long, following a lethal<br />

nuclear power plant meltdown in Japan. The<br />

robot is controlled by a computer owned<br />

by creator Hiroshi Ishiguro. The story was<br />

adapted from a play by Oriza Hirata, which<br />

also starred Geminoid F and Long. Other<br />

robots to have made a splash in the entertainment<br />

industry include Otonaroid (resembling<br />

a woman) and Kodomoroid (resembling a<br />

child), the world's first android newscasters,<br />

and DMM's Premaid AI robots that dance on<br />

table-tops like J-Pop stars.<br />

FOOT SNIFFERS<br />

Okay, so it's not what you would call a typical<br />

job, but Japan's latest innovative robot<br />

deserves a mention. Hana-chan, a play on<br />

the Japanese word for nose, is a cute robot<br />

dog equipped with an odor detection sensor<br />

for a nose. If your feet don't smell then<br />

Hana will wag its tail; it will bark if they are<br />

slightly malodorous; and if things are really<br />

bad it will keel over. The dog was created by<br />

manufacturers Next Technology, who were<br />

responding to a request from a man desperate<br />

to know if he had a smelly problem. Other<br />

scent-related tech that has recently gone on<br />

the market includes Panasonic's deodorizing<br />

coat hangers, which automatically eliminate<br />

odors and pollen from clothing, and a clip-on<br />

armpit fan devised by gadget maker Thanko.<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 27


Words by Alec Jordan<br />

On the eve of his first ever major retrospective of his work at this month’s<br />

<strong>Tokyo</strong> International Film Festival, anime director Keiichi Hara talks about why<br />

he decided to set out on his own as a filmmaker<br />

After graduating<br />

from <strong>Tokyo</strong><br />

Designer Gakuin<br />

College, director<br />

Keiichi Hara was<br />

taking a tour of the animation<br />

studio <strong>Tokyo</strong> Movie, when he<br />

decided to take his fate – and his<br />

future employment – into his<br />

own hands. He left the tour and<br />

found Kyosuke Miyoshi, who<br />

had directed some of the famous<br />

Lupin the Third anime series, and<br />

begged him for a job. Apparently<br />

impressed with the young man’s<br />

ardor, the artistic director asked<br />

for Hara to come back after a<br />

week or so with a script and a<br />

storyboard for an episode of the<br />

show. His creative abilities proved<br />

a match for his initiative, and Miyoshi<br />

got him a job at a company<br />

that made commercials.<br />

To say that he’s come a<br />

long way since then would be<br />

something of an understatement.<br />

After more than 20 years working<br />

as a director for commercially<br />

successful and critically acclaimed<br />

projects such as movies in the<br />

Doraemon and Crayon Shin-chan<br />

series, Hara decided to launch<br />

his career as an independent<br />

filmmaker, and has been able to<br />

combine the singular vision of an auteur with the ability to bring audiences<br />

into the theaters.<br />

His first film as an independent director was Summer Days with<br />

Coo, a film that depicts the adventures of an elementary school boy<br />

who befriends a kappa, a supernatural water spirit. This was followed<br />

by Colorful, an adaptation of a novel that retells the aftermath of a<br />

junior high school boy’s suicide attempt. Hara turned his hand towards<br />

live action film with Dawn of a Filmmaker: The Keisuke Kinoshita Story,<br />

a biopic about the legendary film director Keisuke Kinoshita. (Hara<br />

may have recognized something of a kindred spirit in Kinoshita, who<br />

ran away from home when he was in high school in his first bid at a<br />

career in cinema.) Finally, he took on the subject of Edo period painters<br />

and printmakers in Miss Hokusai, which was adapted from the manga,<br />

Colorful, ©2010 ETO MORI / FUJI TELEVISION<br />

NETWORK, SUNRISE, DENTSU, Aniplex, Sony Music<br />

Entertainment (Japan), TOHO All Rights Reserved.<br />

Sarusuberi. This movie<br />

focuses on O-Ei, one<br />

of the daughters of the<br />

great Edo period artist,<br />

Hokusai, a young woman<br />

whose talent and temper rivals that of her father.<br />

Hara’s independent movies have drawn attention both in Japan<br />

and overseas: Summer Days with Coo won the Grand Prize for Animation<br />

at the 11th Japan Media Arts Festival and the Best Animation Film<br />

award at the Mainichi Film Awards; Colorful took home the Excellent<br />

Animation of the Year award at the Japan Academy Awards, the Best<br />

Animation Film award at the Mainichi Film Awards, and the Audience<br />

and Special Distinction prizes at the Annecy International Animated<br />

Film Festival; and Miss Hokusai won the Jury Award at Annecy, as well<br />

28 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


as the Best Animation Film Award at the 70th<br />

Mainichi Film Awards. This year, in recognition<br />

of the director’s body of work, the <strong>Tokyo</strong><br />

International Film Festival, which kicks off<br />

on <strong>October</strong> 25, has dedicated its animation<br />

section to his creative output.<br />

<strong>Weekender</strong> recently dropped by Hara’s<br />

studio in Nakano to talk with him about…<br />

THE CHALLENGE OF BRINGING<br />

COLORFUL TO LIFE:<br />

With Colorful, it was a client who asked me<br />

to make that film. I didn't know the original<br />

novel, but when I read it, at first I didn't think<br />

Miss Hokusai, ©2014-2015 Hinako<br />

Sugiura MS.HS / Sarusuberi Film Partners<br />

Mami the Psychic: Dancing Dolls in a Starry Sky, ©Fujikopro,<br />

Shogakukan, TV-Asahi, Shin-ei, and ADK 1988<br />

nese people feel that aspect of things strongly;<br />

even though we are a developed country, we<br />

still believe in connections with dead people,<br />

and gods dwelling in nature. So I want to honor<br />

that part of Japanese people's hearts, and<br />

continue to reflect that in my films to come.<br />

THE IMPORTANCE OF THE SUPER-<br />

NATURAL IN HIS FILMS:<br />

I haven't experienced anything like that<br />

myself, but I feel like there is some kind of<br />

supernatural influence in our world, in the<br />

form of certain phenomenon, or in the case<br />

of things like fate or destiny. I think Japathat<br />

it was great material for an anime. But<br />

the producer was intent on making it into<br />

an anime, and requested that I do it. I took<br />

it up as a challenge to turn the story into an<br />

animated film.<br />

THE SERIOUS TOPICS LYING AT<br />

THE HEART OF A FILM DIRECTED AT<br />

JUNIOR HIGH SCHOOL STUDENTS:<br />

[This film] tells the story of a junior high<br />

school student who commits suicide, one<br />

whose mother is having an affair, and<br />

another who is prostituting herself to buy<br />

the things she wants. These are heavy topics.<br />

These things are really happening now in<br />

Japan. I didn't want people to look away<br />

from these problems, but face them head on.<br />

There are young people who are struggling<br />

with those problems, so I made this film for<br />

those people.<br />

WHAT DREW HIM TO THE STORY<br />

BEHIND MISS HOKUSAI:<br />

I really loved Hinako Sugiura's manga, and I<br />

knew that I wanted to make an anime from<br />

her work at some time. So when I had the<br />

opportunity to collaborate with Production<br />

I.G, I was very happy to be able to bring this<br />

piece to life. It was really like a dream come<br />

true.<br />

THE UNIQUE APPEARANCE OF MISS<br />

HOKUSAI’S LEADING LADY:<br />

In the original story, O-Ei is not a beautiful<br />

I DIDN'T WANT PEOPLE<br />

TO LOOK AWAY FROM<br />

THESE PROBLEMS, BUT<br />

FACE THEM HEAD ON<br />

woman, and from the historical records that<br />

remain, it was very certain that O-Ei was<br />

not a beautiful woman. But because she is<br />

the protagonist, I thought it was a good idea<br />

to make her beautiful, but not completely<br />

gorgeous. So I made her attractive, but I<br />

made her eyebrows very thick and gave her<br />

other striking features. She’s pretty, but she<br />

has a unique appearance that will make an<br />

impression on the audience.<br />

Dawn of a Filmmaker: The Keisuke Kinoshita Story,<br />

©2013 "Dawn of a Filmmaker" Partners<br />

WHY HE DECIDED TO GO IT ALONE<br />

AFTER DECADES OF SUCCESS:<br />

I had a long part of my career directing as an<br />

employee, and during that time, I wasn't making<br />

films for myself, but doing what I was being<br />

told by the company. Within those limitations,<br />

I tried to maximize my freedom. Finally,<br />

I felt like I had achieved a certain measure of<br />

success, but I was aware of the limitations. So<br />

I decided to launch myself on my own. However,<br />

not many people get to spend most of their<br />

career making only movies! I have been able<br />

to make only films up until now, so I feel very<br />

lucky to be able to do this work. I also think<br />

that it's not easy to keep making only movies,<br />

but if possible, I want to keep making them for<br />

the rest of my career.<br />

THE 30TH TOKYO<br />

INTERNATIONAL FILM FESTIVAL<br />

PUTS A SPOTLIGHT ON THE<br />

WORLD OF KEIICHI HARA<br />

This year marks the fourth year since<br />

the <strong>Tokyo</strong> International Film Festival<br />

revived its Special Focus on Japanese<br />

Animation, and <strong>2017</strong> also marks the<br />

100th anniversary of the institution of<br />

Japanese animation itself. In honor of<br />

this historic occasion, TIFF is focusing<br />

on the work and worlds of Keiichi<br />

Hara. This is the first ever major<br />

retrospective of the director’s work,<br />

and will feature movies in the Shinchan<br />

series as well as his more recent<br />

independent films.<br />

TIFF will take place between <strong>October</strong><br />

25 and November 3, <strong>2017</strong>. Full details<br />

about screenings are available at<br />

<strong>2017</strong>.tiff-jp.net


The Future<br />

of Japanese<br />

Football<br />

Meet the man who believes he can transform the game<br />

Words by Matthew Hernon<br />

It's been almost a quarter of a century<br />

since the launch of the J-league and<br />

though not as glamorous as it once was,<br />

it's arguably in a better place now than it<br />

has ever has been. Like the current Chinese<br />

Super League, the early initiative was to<br />

bring in an array of high-profile players such<br />

as Zico, Gary Lineker, and Hristo Stoichkov<br />

to entice large crowds. For a brief time, it<br />

worked, but in a struggling economy it was<br />

unsustainable and the novelty began to wear<br />

off in the mid-Nineties.<br />

With the big names departing, attendances<br />

plummeting and clubs’ sponsors pulling<br />

the plug on their investments, the League<br />

decided to change its approach. The focus<br />

switched from the superstar individuals and<br />

became more about the teams, who were<br />

encouraged to build close ties with their local<br />

communities.<br />

It was all part of the 100 Year Vision project<br />

that was announced towards the end of<br />

the 20th century aimed at making 100 professional<br />

teams by 2092. At the time, many saw<br />

it as overly ambitious; however, with 54 sides<br />

currently spread out over three divisions,<br />

the plan looks like it could come to fruition<br />

sooner than expected.<br />

When viewing the League from a domestic<br />

perspective, there's a lot to be positive<br />

about. Attendances have been steadily<br />

increasing (the J1 average this season is, at<br />

the time of writing 1,000 higher than the last<br />

campaign), title races are often unpredictable,<br />

and exciting young players are emerging<br />

all the time. Japanese football is popular in<br />

certain Asian countries and does have something<br />

of a cult following elsewhere, but could<br />

it be doing more to attract greater interest<br />

from the rest of the world?<br />

Takehiko Nakamura certainly thinks<br />

so. The New York-based president, CEO and<br />

founder of sports management consulting<br />

firm Blue United Corporation has a wealth<br />

of experience in the game, having worked in<br />

management roles for Major League Soccer<br />

in the US and FC Barcelona. The man chiefly<br />

responsible for bringing former Italian World<br />

30 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


Cup-winning striker Alessandro Del Piero to<br />

Japan for a charity match to raise funds for<br />

those affected by the 2011 earthquake, he<br />

has spent his most of his career attempting<br />

to import foreign football to Japan. Now his<br />

main goal is to export the Japanese game to<br />

the world.<br />

"In terms of what's happening on<br />

the pitch, great strides are being made<br />

in Japanese football," Nakamura tells us.<br />

"You see [Gaku] Shibasaki settling in Spain,<br />

[Shinji] Kagawa regularly playing Champions<br />

League football, multiple players in the<br />

Bundesliga: there are plenty of good things<br />

happening. I just feel that the business side<br />

needs to catch up.<br />

"Of course, the funds aren't there to be<br />

able to compete with European leagues,<br />

yet the J-League could be more creative in<br />

terms of promoting its product globally.<br />

Everything is run pretty well and things are<br />

stable, but you see the press releases only in<br />

Japanese, and I sometimes wonder if there is<br />

any desire at all to have a presence outside<br />

the country. I spoke to some clubs and had<br />

casual conversations with the league about<br />

the possibility of an international office,<br />

but they didn't move. Fortunately, Kashima<br />

Antlers did."<br />

The most successful professional club in<br />

Japanese history and current J-League champions,<br />

Kashima, in cooperation with Blue<br />

United Corporation, became the country’s<br />

first team to set up an office overseas when<br />

they opened in New York earlier this year.<br />

International interest in the Ibaraki-based<br />

side has risen over the past few months after<br />

reaching the 2016 FIFA Club World Cup final<br />

and then taking the mighty Real Madrid to<br />

extra time. They’re now looking to build<br />

on that success by making a splash beyond<br />

these shores.<br />

"Kashima are a club with an understanding<br />

of what it means to go global," says<br />

Nakamura. "They're one of three sides in the<br />

country with an English-language Twitter<br />

account and have staff in their office who've<br />

worked abroad. They've stepped into the digital<br />

age and are prepared to learn from the<br />

marketing strategies of clubs in other countries.<br />

Added to all that, their profile was at<br />

THE REALITY HIT HOME ONE DAY WHEN HE WAS<br />

CRUSHED AGAINST A WINDOW ON A CROWDED TRAIN<br />

AND SAW A NEWSPAPER FEATURING ICHIRO SUZUKI<br />

AND HIDETOSHI NAKATA<br />

an all-time high because of the performance<br />

against Madrid, so the timing was perfect."<br />

It was a fantastic opportunity for Blue<br />

United as well, who are helping Kashima<br />

with their digital planning and selling sponsorship<br />

for them outside of Japan. They’re<br />

also working with various footballers, eSports<br />

players and four other J-League teams on<br />

a variety of projects including scouting in<br />

the US and arranging youth competitions.<br />

Right now, the business is purely focused on<br />

consulting, but in the near future Nakamura<br />

wants the organization to be more than<br />

just a middle man and to own something<br />

concrete. Reviving an international club<br />

tournament involving Asian, North American<br />

and Oceanic teams is his immediate<br />

goal. He came up with the idea during his<br />

university days and the concept became a<br />

reality in 2008. The inaugural competition<br />

of the Pan Pacific Championship, as it was<br />

known, featured LA Galaxy and their star<br />

performer, David Beckham.<br />

“That was quite a boost in terms of<br />

promotion,” Nakamura says with a smile.<br />

“Seeing the crowds and media coverage<br />

it attracted was very exciting for me as it<br />

was basically just an idea I'd written about<br />

for my master's thesis three years earlier.<br />

I felt that it would give Japanese players,<br />

who only played domestically, a chance to<br />

test themselves against footballers from<br />

outside of Asia. Hawaii seemed like the best<br />

destination to host it as it's situated between<br />

the different continents. Locals there rarely<br />

got to see big football tournaments so that<br />

was a plus point and of course, the fantastic<br />

weather was another factor. It did well, but<br />

was moved to Los Angeles a year later.<br />

"The tournament returned to Hawaii<br />

in 2012 and we want to bring it back there<br />

again this coming February. Another of<br />

our objectives is to launch a soccer school<br />

in New York. I think owning what I call<br />

'properties' gives a company more of an<br />

established feel and that can help us when<br />

negotiating with prospective clients. Ultimately<br />

our goal is to make a big impression<br />

internationally.”<br />

A man with lofty ambitions, Nakamura<br />

believes he can help to transform the<br />

game in Japan. He started out working as a<br />

businessman for NEC, yet while the job was<br />

stable, meetings about optical fiber cables<br />

didn't particularly captivate him. The reality<br />

hit home one day when he was crushed<br />

against a window on a crowded train and<br />

saw a newspaper featuring baseball star<br />

Ichiro Suzuki and leading Asian footballer<br />

Hidetoshi Nakata. The latter was just 24, yet<br />

had already achieved so much doing something<br />

he loved, while Nakamura, who was<br />

the same age, had simply been surviving in<br />

an industry he cared little for.<br />

The likelihood of making it as an athlete<br />

had passed, but Nakamura could at least<br />

pursue his passion of football through<br />

business. In 2004, he decided to move to the<br />

States, where he also grew up, to do a master’s<br />

in Sports Management at the University<br />

of Massachusetts Amherst. After graduating<br />

he worked as an intern for the MLS before<br />

persuading Arsenal’s current chief executive,<br />

Ivan Gazidis, and the general manager<br />

of Chicago Fire, Nelson Rodriguez, to give<br />

him a full-time job there. Over a decade on<br />

and Nakamura has now established himself<br />

as a key figure in both US and Japanese<br />

football. He believes it’s important that they<br />

keep learning from each other as there are<br />

many similarities between the leagues in the<br />

two countries.<br />

“Both the North American Soccer League<br />

(1968-84) and the J-League ran into trouble<br />

because they invested everything in big<br />

names and hoped that would be enough,”<br />

says Nakamura. “A coffee shop isn’t going<br />

thrive just because it has the best beans. You<br />

need to first lay the foundations. I think now<br />

when you look at football in America and Japan<br />

you can see that many clubs have done<br />

that. They both have fairly strong domestic<br />

divisions; however, Japan has room to grow<br />

in terms of its global strategy. That’s something<br />

that we at Blue United are determined<br />

to help improve.”<br />

To find out more about Blue United, visit<br />

www.blueutd.com/en.<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 31


Dream<br />

Powder<br />

Words by Alec Jordan<br />

Born out of a “crazy ambition,” new company Material<br />

Matcha Uji is looking to breathe life into the country’s matcha<br />

industry, and take the high quality tea beyond Japan’s shores<br />

Creating high quality matcha<br />

(powdered green tea) is no easy<br />

task. It demands an encyclopedic<br />

knowledge of the land where the<br />

tea is grown, an understanding of<br />

the wide variety of tea plants and their individual<br />

characteristics, and a deep sense of the<br />

tradition of tea making itself, all coupled with<br />

the fine nose and palate of a true connoisseur.<br />

They’re not the qualities that you’d expect<br />

to find in a former trader in the derivatives<br />

market and an expert in machine translation<br />

and speech recognition algorithms, but<br />

Morgan Josset and Etienne Denoual are full of<br />

surprises. The two Frenchmen have recently<br />

launched the company Material Matcha Uji<br />

宇 治 (MMU for short),<br />

and have dedicated<br />

themselves to bringing<br />

a new level of<br />

matcha to customers<br />

overseas.<br />

Between<br />

the two of them,<br />

Josset and Denoual<br />

have some 25 years<br />

of experience in<br />

Japan. But as Josset<br />

explained, they’d<br />

spent almost all of<br />

it in the corporate<br />

world, and after<br />

a shared period<br />

of soul searching,<br />

they knew that they<br />

wanted to do something<br />

concrete, something tangible.<br />

They just weren’t quite sure what that<br />

something was until they visited a friend in<br />

Uji, a famed tea growing region just outside<br />

of Kyoto, who took them to the oldest tea<br />

house in the world, had them drink a superb<br />

matcha, and explained to them that the<br />

tradition behind the beverage that they had<br />

just enjoyed was in danger.<br />

High quality matcha usually doesn’t<br />

make it out of Japan, their friend explained,<br />

and the plants that are used to make it are<br />

rapidly being replaced by high-intensity,<br />

low-quality agricultural products. Furthermore,<br />

the average age of a Japanese tea<br />

farmer is about 65, and many of them are<br />

finding it increasingly difficult to find someone<br />

who is willing to follow in their footsteps.<br />

And it’s not easy work. The tea plants<br />

need to be shaded during part of the growing<br />

period in order to ensure that they are of<br />

the fullest flavor, and the exact timing of this<br />

process is the sort of thing that can only be<br />

learned from years of experience. For the finest<br />

flavored tea, only the first flush, or harvest<br />

of leaves are used. Many farmers are forced<br />

to base their entire year’s earnings – and their<br />

financial stability – on the harvest that they<br />

bring to market, usually in May.<br />

All of a sudden, Josset and Denoual’s<br />

purpose became clear: they would help in<br />

their own small way to breathe life into the<br />

matcha industry and bring high quality tea<br />

to customers outside of Japan. Throwing<br />

themselves into their quest, they would spend<br />

time with tea farmers learning about what it<br />

takes to bring a harvest together, refine their<br />

understanding of tea while spending time<br />

with master matcha blenders, and come to a<br />

deeper understanding of both the tea ceremony<br />

and Japanese business practices.<br />

As the first result of their labors, they<br />

have created three varieties of matcha, each<br />

with a unique flavor profile: MMU01, MMU02,<br />

and MMU03, all of which are on sale on the<br />

company’s website. But their project doesn’t<br />

just end with the creation of a product.<br />

They’ve launched a Kickstarter project to secure<br />

a year’s worth of tea leaf harvest, which<br />

will not only allow MMU to create a large<br />

amount of matcha, but assure the tea farmers’<br />

peace of mind, allowing them to focus on<br />

what they do best: growing high quality tea.<br />

Josset explains, the project is a product of<br />

crazy ambition, but launching the new business<br />

has pushed the two of them to reach new<br />

heights that they wouldn’t have imagined<br />

before: “With a lot of passion, will and work,<br />

you get to surpass yourself and do things that<br />

you thought were impossible. You have to<br />

listen to your dreams and believe in yourself.”<br />

To find out more about Material Matcha Uji<br />

宇 治 , go to materialmatcha.com.<br />

32 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


Yayoi Kusama, Flowering New York, 2005, silk screen on canvas, ©Yayoi Kusama<br />

DOTTY FOR YAYOI KUSAMA<br />

Probably the most exciting news in art circles this month is the launch of the Yayoi<br />

Kusama Museum: be prepared to immerse yourself in dots.<br />

TOKYO TOKYO WEEKENDER | | DECEMBER OCTOBER | MARCH <strong>2017</strong> 2016 | | 33


ART & THEATER<br />

“CREATION IS A SOLITARY PURSUIT, LOVE IS WHAT BRINGS YOU CLOSER TO ART”<br />

Fans of the work of Yayoi Kusama, rejoice: a museum dedicated to the artist’s work opened this month. Along with a store<br />

selling articles that feature Kusama’s well known polka dots and other visual hallmarks and a floor dedicated to large-scale<br />

installation pieces, the inaugural exhibition at the Yayoi Kusama Museum will highlight the artist’s latest series of paintings,<br />

“My Eternal Soul.” However, fans be warned: due to the museum’s popularity, tickets are sold two months in advance, and<br />

they sell out very quickly. Yayoi Kusama Museum Until February 25, 2018 yayoikusamamuseum.jp<br />

Yayoi Kusama, Pumpkins Screaming about Love Beyond Infinity, <strong>2017</strong>, mixed media, variable size, ©Yayoi Kusama<br />

THE ART WORLD<br />

OUR PICK OF THE CITY’S BEST EXHIBITIONS<br />

Compiled by Alec Jordan<br />

Metalwork, Kengo Takahashi, origin as a human, 2015<br />

AMAZING CRAFTSMANSHIP!<br />

– FROM MEIJI KOGEI TO<br />

CONTEMPORARY ART<br />

When it comes to craftsmanship, Japan<br />

exists on a plane of its own. Over the<br />

centuries, artisans who work with metal,<br />

wood, ceramics, and other materials have<br />

collectively refined their techniques and<br />

redefined the boundaries of the possible.<br />

This exhibition looks at the fine line<br />

between craft and fine art, with colorful<br />

examples of Meiji period objects drawn<br />

from a variety of different disciplines and<br />

meticulously crafted pieces of modern art<br />

that are made with a skill and an attention<br />

to detail that would have made artisans<br />

of generations proud. Mitsui Memorial<br />

Museum Until December 3<br />

www.mitsui-museum.jp/english/english.html<br />

34 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


German Von Bohn, The Death of Cleopatra, 1841, oil painting, Musee des<br />

Beaux-Arts, Nantes, France ©RMN-Grand Palais / Gérard Blot / distributed<br />

by AMF<br />

Portrait of Tadao Ando (Photo: Nobuyoshi Araki)<br />

FEAR IN PAINTING<br />

An exhibition that’s timed nicely for the spookiest time of year, this collection of<br />

paintings is inspired by a best-selling book, Kowai-e (Scary Paintings), which was<br />

penned by the art historian Kyoko Nakano. By and large, it’s a collection of modern<br />

European paintings and prints, which are arranged in thematic groupings such as<br />

myth, reality, and history. In some cases, the imagery of the works is enough to give<br />

you the shivers, while other pieces require a bit of a back story to send a chill up<br />

your spine. The Ueno Royal Museum Until December 17 www.kowaie.com<br />

T<br />

THEATER<br />

Held yearly, Festival/<strong>Tokyo</strong> is Japan’s<br />

leading performing arts festival<br />

and runs until November 12. The<br />

event hosts everything from outdoor<br />

performances to in-depth plays that<br />

probe pressing social issues. Here are<br />

three performances from the event that<br />

theater fans shouldn’t miss.<br />

CABARET<br />

CRUSADES<br />

Don’t let the<br />

fact that this is<br />

a puppet show<br />

fool you: this<br />

work uses the<br />

subject of the<br />

European military campaigns into the Holy Land<br />

centuries ago as a vehicle for understanding the<br />

tensions that are currently playing out in the Arab<br />

world today. Features a cast of traditional Arabic<br />

puppets, marionettes, and glass-blown models.<br />

GORILLA:<br />

WHAT IS<br />

HUMAN?<br />

Conceived by<br />

the theater<br />

group FAIFAI,<br />

this performance<br />

is filled<br />

with equal doses of humor and social consciousness.<br />

This work takes place at Ikebukuro Nishiguchi<br />

Park, and the star of the show is a man dressed<br />

in a gorilla suit, who is dancing to live music.<br />

Despite the seemingly silly setup, there’s more to<br />

the show than meets the eye, and must be seen to<br />

be understood.<br />

TADAO ANDO: ENDEAVORS<br />

Self-taught architect and former boxer Tadao Ando is a legend in the world of architecture,<br />

and his projects can be found around the world. Part of the 10th anniversary<br />

celebrations of The National Art Center, <strong>Tokyo</strong>, this exhibition gives visitors the<br />

opportunity to experience the imaginative power of this architectural heavyweight<br />

by looking at his early residential projects, his use of light and fascination with “void<br />

spaces,” some of his most ambitious creations, and many other facets of his work.<br />

Also on display will be a full-scale replica of Ando’s celebrated Church of the Light in<br />

Osaka. The National Art Center, <strong>Tokyo</strong> Until December 18 www.tadao-ando.com/<br />

exhibition<strong>2017</strong><br />

IN OUR<br />

DISTANCE,<br />

THERE IS<br />

NO SOR-<br />

ROW<br />

This work is actually<br />

two plays<br />

in one, which are performed simultaneously in<br />

adjacent theaters. Taking the events of 3/11 as<br />

a basis, the linked plays are a meditation on the<br />

mental divides brought about by distance. A special<br />

ticket is available that allows two people to<br />

see both plays at the same time, or one person<br />

to see the two plays at separate times.<br />

More information at www.festival-tokyo.jp/en<br />

Photo Credits: Cabaret Crusades, ©Wael Shawky; Courtesy<br />

the Artist and Lisson Gallery. Gorilla: What is Human? Photo:<br />

Kazuya Kato. In our distance, there is no sorrow, Photo:<br />

Hideaki Hamada, Ivy Chen<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 35


1<br />

3<br />

2<br />

4<br />

7<br />

8<br />

5 6<br />

AGENDA: THE WEEKENDER ROUNDUP OF WHAT’S HAPPENING IN OCTOBER<br />

1<br />

OCT 28-29<br />

2<br />

OCT 8<br />

3<br />

OCT 21-22<br />

4<br />

OCT 26-31<br />

KAWASAKI HALLOWEEN<br />

PARADE<br />

One of Japan's most famous<br />

Halloween events with amazing<br />

costumes now features a<br />

Halloween Pride Parade.<br />

Where: Kawasaki Station<br />

How much: Free<br />

More info: tokyoweekender.com<br />

TAISHO JIDAI MATSURI<br />

Travel back in time to early 20th<br />

century Japan in this festival of<br />

costumes and nostalgic festival<br />

games.<br />

Where: Around Yono Station<br />

How much: Free<br />

More info: tokyoweekender.com<br />

TOKYO GRAND TEA<br />

CEREMONY <strong>2017</strong><br />

A variety of events, including<br />

tea ceremonies in English and<br />

traditional performances, will<br />

take place during the weekend's<br />

festivities.<br />

Where: Hamarikyu Gardens<br />

How much: ¥700<br />

More info: tokyoweekender.com<br />

TOKYO RAMEN SHOW<br />

Ramen shops from all over the<br />

country tout their wares. You'll find<br />

regional rarities as well as wellknown<br />

favorites here.<br />

Where: Komazawa Olympic Park<br />

How much: ¥850<br />

More info: www.ramenshow.com<br />

OCT 1-31<br />

SEA PARA HALLOWEEN<br />

Amusement park-meets-aquarium<br />

Sea Para pulls out all the stops with<br />

Halloween decorations, events,<br />

fireworks, and food.<br />

Where: Sea Paradise Hakkejima<br />

How much: ¥2,500-5,050<br />

More info: www.seaparadise.co.jp<br />

6 OCT 11-13<br />

OESHIKI FESTIVAL<br />

A festival of 10,000 lanterns<br />

commemorating the Nichiren<br />

Buddhist sect founder lights up the<br />

night at this famous temple.<br />

Where: Ikegami Honmonji<br />

How much: Free<br />

More info: tokyoweekender.com<br />

5 7<br />

OCT 27-31<br />

KANDA USED BOOK<br />

FESTIVAL<br />

Secondhand bookstores create<br />

a corridor of bookshelves on the<br />

sidewalk for this unique book<br />

lovers' event.<br />

Where: Jimbocho area<br />

How much: Free<br />

More info: jimbou.info<br />

8 OCT 28-31<br />

THE NUTCRACKER AND<br />

THE MOUSE KING<br />

The classic fairytale ballet loved by<br />

audiences all over the world tells<br />

the fantastical story of a girl and her<br />

nutcracker toy.<br />

Where: New National Theatre, <strong>Tokyo</strong><br />

How much: ¥3,240-¥12,960<br />

More info: nntt.jac.go.jp/english<br />

36 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 37


[ PROMOTION ]<br />

Six new cities, towns, and<br />

villages from around Japan<br />

take over the Tabisuru<br />

Shintora Market<br />

As the seasons change, so do the<br />

stands at <strong>Tokyo</strong>’s Tabisuru Shintora<br />

Market, an ongoing event<br />

just outside Toranomon Hills<br />

that promotes local regions<br />

from across Japan. This time, inspired by<br />

the theme "Craftsmanship nurtured by<br />

nature and gentle breezes," six regions<br />

showcase their specialties. Komono and<br />

Suzuka in Mie, Hioki in Kagoshima, and<br />

Awashimaura, Yahiko, and Izumozaki in<br />

Niigata will host the four stands. Each area<br />

is known for their abundance of natural<br />

resources and the crafts and foods that<br />

make the most of them. Here are our top<br />

recommendations of what to do at the<br />

market….<br />

travelers for over 1,300 years thanks to its<br />

onsen, clean water, clear air and great food.<br />

It is also home to Komono Banko ware, a<br />

type of pottery favored among tea ceremony<br />

practitioners for its elegant simplicity<br />

and light weight.<br />

SHOP FOR HANDMADE CRAFTS<br />

From Japan's southernmost main island<br />

to the icy winds of the west coast, the new<br />

tenants of the Tabisuru Shintora Market<br />

stands are a varied bunch:<br />

Stand 1 is home to Komono, located in<br />

Mie Prefecture. It has been popular with<br />

38 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


[ PROMOTION ]<br />

Stand 2 houses Hioki, a city on the west<br />

coast of Kagoshima, known as the birthplace<br />

of Satsuma pottery. Brought over from<br />

the Korean peninsula over 400 years ago, this<br />

craft is part of an industry known worldwide.<br />

Many craftsmen still use over 400-year-old<br />

kilns to fire their kama-style ceramics.<br />

Stand 3 belongs to Suzuka city, which has<br />

a long history of craftsmanship. Suzuka<br />

Sumi ink sticks are made from pine tree<br />

soot and oils and were first produced in the<br />

Heian period (710-784). These ink sticks are<br />

sought after by calligraphy artists nationwide.<br />

Today, only two artisans have inherited this<br />

traditional craft. Suzuka is also known for its<br />

Ise Katagami Stencil paper, which has over<br />

1,000 years of history behind it. The stencil<br />

is used to create designs for kimono dyeing.<br />

Planned patterns are painstakingly carved out<br />

of the paper, which requires the utmost skill<br />

and patience.<br />

Sharing Stand 4 are Awashimaura, Yahiko,<br />

and Izumozaki – all of which are in Niigata<br />

Prefecture. Awashimaura is a green and lush<br />

island, rich in natural resources despite its<br />

small size. Yahiko is home to Yahiko Shrine,<br />

a centuries-old pilgrimage destination and<br />

home to ancient Echigo (old Niigata) culture.<br />

Japan's largest chrysanthemum festival is held<br />

here every year in November. Izumozaki is<br />

as known for its fishing as it’s known for its<br />

waxed paper balloon making. The city boasts<br />

100 years in the paper balloon business and<br />

is the number one paper balloon purveyor in<br />

Japan. Together, these three areas represent<br />

Niigata's finest features of sea, mountains,<br />

and abundant greenery.<br />

SIP RARE SAKE<br />

As the evening breeze begins to cool, a sip of<br />

something stronger can help keep you warm.<br />

Find hard-to-get sake and shochu at the market<br />

stands from the various regions. Komono's<br />

Hayakawa Shuzo gives visitors a choice of<br />

three different Tabika sake so they can taste<br />

the difference between sake types within the<br />

same company. As Hioki is in shochu country,<br />

offers bargain sips of imo (sweet potato)<br />

shochu instead of sake. Seikai no Kaori has a<br />

rich and sweet flavor, while Haraguchi Shuzo<br />

offers a round, rich mouthfeel with earthy<br />

tones. Both come at an affordable ¥300 a<br />

glass. Suzuka's Zaku Ho no Tomo sake has<br />

received international recognition for its mellow<br />

and slightly sweet, but balanced flavor.<br />

Niigata touts its Koshi no Hakusetsu from<br />

Yahiko Shuzo, which is has a clear sharpness<br />

to it and is the brewery's standard. For those<br />

interested in purchasing sake by the bottle,<br />

the Tabisuru Store has a wide range of sake<br />

for all tastes.<br />

TASTE REGIONAL, SEASONAL NABE<br />

Just as every season has its own charm,<br />

every region has its own take on autumnal<br />

delicacies. As temperatures cool, the hotpots<br />

come out and, here, each region uses its own<br />

distinctive ingredients and cooking methods.<br />

Komono's souhei motsu nabe (literally priest<br />

soldier offal hot pot), contains a variety of<br />

local specialty meats and serves two to three<br />

people. Kagoshima prides itself on its black<br />

pork, chicken, and seafood – and Hinoki's<br />

barley miso nabe makes the most of these,<br />

creating a bowl of umami deliciousness.<br />

Suzuka's delightful take on shabu shabu<br />

features sakura pork and a delicious tea soup<br />

base (serves two to three people). For those<br />

wanting something a little bit heartier, the<br />

Niigata trio have come up with an omusubi<br />

lunchbox coupled with miso soup. Omusubi<br />

is another word for rice ball, but the verb<br />

musubu means to tie together or unite –<br />

which is what the dish does for these<br />

Niigata towns.<br />

WEAR SAMURAI ARMOR AT THE<br />

POP-UP MARKET<br />

In mid-<strong>October</strong>, there will be a special twoday<br />

event featuring fresh vegetables, crafts,<br />

and workshops. Visitors can wear samurai<br />

armor from Kagoshima, try their hand at<br />

making their own Ise katagami stencil paper,<br />

and write with Suzuka Sumi ink. It will be a<br />

rare chance to buy crafts from each of the regions,<br />

as well as sample vegetables and local<br />

dishes. This is a unique chance to get a true,<br />

in-depth experience of these regions.<br />

Oct 13, 3-8pm, Oct 14, 11am-5pm.<br />

TABISURU SHINTORA<br />

MARKET AUTUMN EDITION<br />

Market: Oct 4-Dec 27.<br />

Address: 2-16 Nishi-Shinbashi, Minato-ku.<br />

Web: www.tabisuru-market.jp<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 39


Looking for your next job in Japan?<br />

<strong>Weekender</strong> has teamed up with<br />

Sunny Side Up Career and<br />

Coto Work to bring you<br />

the latest professional<br />

opportunities<br />

WEB ENGINEER<br />

A <strong>Tokyo</strong>-based IT company is looking for a Web Engineer to join<br />

their growing team. Engineers make up 40% of the company and<br />

they all work in-house. The company is proactive about using new<br />

technologies such as Scala, Node.js, Elixer and more. The main duties<br />

include development of digital marketing tools and new products.<br />

Requirements:<br />

- Java, JavaScript, Ruby, C#, Scala, Elixer<br />

- DB: MySQL, Oracle<br />

- OS: iOS, Windows<br />

- General development and operational experience in web services<br />

- Experience in programming or development of websites<br />

Location: Central <strong>Tokyo</strong><br />

Salary: Competitive (based on experience)<br />

TRANSLATION AND<br />

COMMUNICATIONS MANAGER<br />

Our company provides a member service that enables our<br />

members to get up-to-date information about automobile products,<br />

innovations and services. We are looking for a candidate to<br />

manage the content translation (Japanese to English), information<br />

updates and editing of our website. This position requires previous<br />

management experience to support and train a team of translators.<br />

Requirements:<br />

- Excel, Power Point, Office proficiency<br />

- Strong written English skills<br />

- Languages: native English and near native Japanese (N2/N1 level)<br />

Location: Central <strong>Tokyo</strong><br />

Salary: Competitive (based on experience)<br />

CREATIVE DESIGNER<br />

Triumph International is seeking a designer to deliver an ongoing<br />

collection of product designs, in line with seasonal trends, our<br />

global creative vision, and our design DNA principles. The ideal<br />

candidate will be a team player, be able to travel frequently, have<br />

strong communication skills, and possess exceptional consumer<br />

and competitor understanding. .<br />

Requirements:<br />

- 2/3+ years’ experience in intimate/apparel/fashion industries<br />

- Trend researching experience<br />

- Design tech packing experience<br />

- PLM system knowledge<br />

- Fashion market knowledge<br />

- CAD design skills: Photoshop/Illustrator<br />

- University degree<br />

- Languages: business-level English and Japanese<br />

Location: Triumph <strong>Tokyo</strong> office<br />

Salary: Competitive (based on experience)<br />

BRAND COMMUNICATION ASSISTANT<br />

Sloggi Japan is looking for a brand communication expert to lead and<br />

develop regional marketing programs. The role includes managing<br />

the advertising and promotion budget, assisting with studying and<br />

analyzing consumer trends, and activities such as digital marketing,<br />

brand communication, retail marketing, brand merchandising, and<br />

store design.<br />

Requirements:<br />

- 3+ years’ work experience<br />

- 3+ years’ brand or communication experience in apparel, retail, or<br />

related industries is preferred<br />

- Experience with products targeting age group 20s to 30s is<br />

preferable<br />

- Analysis and proposal creation experience<br />

- University degree<br />

- Language: Japanese and basic English<br />

Location: <strong>Tokyo</strong><br />

Salary: Competitive (based on experience<br />

To apply for these jobs and view more opportunities, visit<br />

40 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER<br />

www.tokyoweekender.com/careers


LIFE LESSONS<br />

The latest news and views from two of <strong>Tokyo</strong>'s most prominent schools, and what<br />

we can learn from the Japanese custom of autumn moon viewing.<br />

TOKYO TOKYO WEEKENDER | | DECEMBER OCTOBER | MARCH <strong>2017</strong> 2016 | | 41


ONLY THE<br />

BEST WILL DO<br />

HOW THE BRITISH SCHOOL IN TOKYO<br />

NURTURES ITS STUDENTS TO ENSURE<br />

THE BRIGHTEST FUTURE<br />

The British School in <strong>Tokyo</strong> has enjoyed<br />

an enviable reputation for the provision<br />

of high quality education since<br />

first opening its doors in the heart of<br />

the city in 1989. Almost without exception,<br />

we recruit our teachers from the best schools<br />

in the UK or from other highly rated British<br />

international schools around the world.<br />

Uniquely, because we know that finding the<br />

right people is crucial to our future (and to<br />

that of our students) we insist on seeing each<br />

one of them teach in their own schools before<br />

confirming any appointment. Only the best<br />

will do.<br />

The recent acquisition of additional<br />

space and the completion of major refurbishment<br />

work on our Showa<br />

campus has extended our learning<br />

facilities and accommodated<br />

the introduction of a range<br />

of exciting new A Level study<br />

options, including Computer Science,<br />

Economics, Photography<br />

and Theatre Studies.<br />

Following the achievements<br />

of last year’s graduates and their<br />

YOUNG PEOPLE<br />

TODAY SEE<br />

THEMSELVES<br />

AS GLOBAL<br />

CITIZENS<br />

success in winning acceptance at some of the<br />

top universities around the world, the Class<br />

of <strong>2017</strong> were keen to emulate their predecessors<br />

and this year’s group has certainly set<br />

the bar high for those who will follow them.<br />

Remarkably, 45% of all entries were graded<br />

A*/A, and over 70% were awarded a B grade<br />

or better. These results are well above the UK<br />

national average, where just 26% of entries<br />

attained the top two grades. It is no surprise<br />

then to see so many of our students being<br />

offered places on extremely competitive<br />

degree courses at prestigious UK Russell<br />

Group universities, including Cambridge,<br />

Edinburgh, Imperial and UCL. In keeping<br />

with our international outlook, BST students<br />

will also be taking up places<br />

at universities as far afield as<br />

Canada, the Netherlands and<br />

the USA and, closer to home, at<br />

Keio University here in Japan.<br />

The success of our oldest<br />

students in recent years has led<br />

to a dramatic increase in applications<br />

from ambitious young<br />

men and women of all nationalities<br />

who are keen to give themselves<br />

the best chance of going<br />

on to study at the university of<br />

their choice. Young people today see themselves<br />

as global citizens and they recognise<br />

that UK A levels offer an academic passport<br />

that can take them almost anywhere. Most<br />

universities worldwide are very familiar<br />

with Britain’s public examination system and<br />

are more than happy to accept students with<br />

A levels or their equivalent.<br />

Of course, there is much more to life<br />

at BST than preparation for examinations.<br />

While parents are impressed by the academic<br />

rigour and structured progression of our<br />

particular brand of British education, students<br />

here learn so much more than how to<br />

achieve top grades. Sport, music and drama<br />

are woven into the fabric of school life from<br />

the very start, and both community service<br />

and adventurous activity are real strengths.<br />

We firmly believe that real education<br />

should extend well beyond the four walls<br />

of the classroom and we recognise that in<br />

today’s world so-called “soft skills” are every<br />

bit as important as paper qualifications. BST<br />

students are encouraged to explore and to<br />

take risks, to express their opinions and to<br />

listen to the ideas of others, to discover the<br />

joy of exceeding even their own expectations<br />

of themselves. From their early years in our<br />

Nursery and Reception classes, our children<br />

are given countless opportunities to develop<br />

the independence and resilience that will<br />

enable them to take the next step in their education<br />

– wherever it might take them – with<br />

confidence and a smile.<br />

To find out more about joining The British<br />

School in <strong>Tokyo</strong>, please contact our experienced<br />

admissions team via admissions@bst.ac.jp<br />

BST IN NUMBERS<br />

There's no doubt that all good schools are<br />

built on the vision, commitment and talent<br />

of good people. Here’s a quick snapshot of<br />

The British School in <strong>Tokyo</strong>'s impressive<br />

resumé…<br />

28<br />

1,050<br />

The number of years BST has been<br />

open in <strong>Tokyo</strong>.<br />

The number of students at<br />

BST. Growth has been so<br />

steady that the school now has two sites,<br />

one in Shibuya and another in Sangenjaya.<br />

3 to 18<br />

60<br />

The wide age range of<br />

students.<br />

The number of different nationalities<br />

represented at BST.<br />

42 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


EXPERIENCES THAT<br />

LAST A LIFETIME<br />

TEACHING KIDS TO BECOME PART<br />

OF A COMMUNITY OF DIVERSITY<br />

IS ALL IN A DAY’S WORK FOR<br />

AOBA-JAPAN EXTENSION<br />

Aoba-Japan's Expansion (AJE) program,<br />

initially featuring only camps, expanded<br />

in April this year to include<br />

continuing programs. These classes<br />

take place on Saturdays and weekday evenings<br />

and are open to the public. Their popularity has<br />

skyrocketed over the past few months as AJE is<br />

working to meet demand.<br />

AJE's first continuing program, “Action Saturdays,"<br />

began at the school's Waseda campus<br />

this past April. Their plan is to open in two or<br />

more new locations in central <strong>Tokyo</strong> by April<br />

2018. AJE Director Greg Culos explains further,<br />

“Our Saturday and evening programs are based<br />

on the same philosophies and approaches as our<br />

camp programs. They have proven so successful<br />

that we're expanding rapidly. We realized there<br />

THERE ARE MANY PEOPLE<br />

WHO MAY NOT NECESSARILY<br />

WANT THEIR KIDS TO GO TO<br />

AN INTERNATIONAL SCHOOL,<br />

BUT DO WANT THEM TO GROW<br />

UP IN AN INTERNATIONAL<br />

ENVIRONMENT<br />

SIGN UP FOR AJE'S<br />

WINTER DISCOVERY<br />

CAMP 2018<br />

AJE's next Winter Discovery<br />

Camp will be held in Iwate, over<br />

five days from January 2 to<br />

January 6, 2018<br />

P<br />

articipants will get the chance to<br />

immerse themselves in Tohoku's<br />

rich culture of old and new, as<br />

well as rediscover winter through a<br />

number of unique activities, including<br />

staying overnight in a Mongolian<br />

Ger, learning curling from Olympians,<br />

bathing in a barrel onsen, and<br />

riding a kotatsu train along the coast.<br />

Other activities include skiing, and<br />

making mochi and soba with locals<br />

from Iwate.<br />

It's a fantastic opportunity for<br />

young people to communicate with<br />

people from all over the world and to<br />

become part of a community of diversity.<br />

On a more serious note, children<br />

will also learn about the 2011 Great<br />

Tohoku Earthquake directly from the<br />

people most affected by the disaster.<br />

For more information and to sign up<br />

for AJE’s Winter Discovery Camp 2018,<br />

visit www.campsinjapan.com<br />

are many people who may not necessarily<br />

want their kids to go to an international<br />

school, but do want them to grow up in an<br />

international environment."<br />

When asked about the differing English<br />

levels of students in one class, Culos<br />

emphasizes that successful learning is<br />

a factor of encouragement and inclusivity.<br />

Though kids with similar abilities are generally<br />

grouped together, AJE does sometimes<br />

mix it up a little. The reason for this, in part,<br />

is that the children can teach and learn<br />

from each other. There is no "English only"<br />

policy since Culos believes restrictions are<br />

counterproductive to learning. Instead, he<br />

believes children learn more when allowed<br />

to process new information naturally. “Usually<br />

kids who switch to their native language<br />

are asking for confirmation and making sure<br />

they understand. They're not talking about<br />

unrelated things," Culos says.<br />

The Mommy and Me Saturday class has<br />

proven especially popular and gives parents<br />

a chance to learn, too. Greg Culos says,<br />

“The parents get right into it. It's a lot of<br />

fun and effective too. When these toddlers<br />

move up to higher level classes, the transitions<br />

become easier since they have begun<br />

to develop the mindsets key to independent<br />

learning and collaboration."<br />

The goal for both camps and continuing<br />

programs alike is to create an environment<br />

where children can feel excited about<br />

learning and confident to use their new<br />

skills to help them grow.<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 43


The Moon<br />

and Beyond<br />

First on the scene was a monkey, curious to<br />

Brian Christian reflects<br />

find out where this strange old beggar had<br />

sprung from, closely followed by an equally<br />

on the Japanese custom of inquisitive fox and a rather nervous rabbit<br />

autumn moon viewing<br />

(most rabbits are nervous when there’s a fox<br />

about).<br />

“Please help me,” begged the old man.<br />

“I’m starving. Is there any food to be found<br />

round here?” To be honest he was putting<br />

it on a bit but, as any guest in this country<br />

learns very quickly, there is no more distressing<br />

sight to a Japanese host than a hungry<br />

visitor. The monkey immediately dashed off<br />

through the trees and soon returned with an<br />

armful of looted fruit and the wily fox was<br />

just as quick to snaffle a fine fish from a nearby<br />

stream.<br />

The people of Japan have an intriguing<br />

affinity with the natural world.<br />

Perhaps an acute awareness of<br />

Mother Nature’s potential for savage<br />

violence encourages an appreciation<br />

of her more forgiving moods. Whatever the<br />

reason, this is a country where the everyday<br />

wonders of the fields, forests and mountains,<br />

and of the changing seasons are often a cause<br />

for celebration. Think of the springtime hanami<br />

parties to welcome the cherry blossom<br />

and later in the year, as the temperatures<br />

fall and the leaves begin to turn, all those<br />

weekend pilgrimages to marvel at the reds<br />

and golds of autumn.<br />

The Japanese fascination with sakura<br />

and koyo is well known but at this time of<br />

year another long-established custom comes<br />

to the fore. Tsukimi or “moon-gazing” may<br />

be associated with occasional special lunar<br />

events but in this country we don’t have to<br />

wait for an eclipse to turn our attention to<br />

our extra-terrestrial neighbour. A full moon<br />

in any month is worthy of our appreciation<br />

and at this time of the year the Harvest Moon<br />

is always a special cause for celebration. Children<br />

all over Japan will enjoy eating sweet<br />

tsukimi dango (white rice dumplings) and<br />

singing their jugoya songs to the rabbit in the<br />

moon. That’s right, the rabbit in the moon.<br />

Once upon a long time ago, so the story<br />

goes, the old man of the moon crossed the<br />

sky to explore the big blue world below.<br />

The journey was long and tiring – he was a<br />

very old man after all – and when he finally<br />

arrived he was famished and desperately in<br />

need of sustenance. Luckily for him, he had<br />

made landfall in Japan where they happen<br />

to know a thing or two about hospitality and<br />

good food, so help was not long in coming.<br />

CHILDREN ALL OVER<br />

JAPAN WILL ENJOY<br />

EATING TSUKIMI DANGO<br />

AND SINGING THEIR<br />

JUGOYA SONGS TO THE<br />

RABBIT IN THE MOON<br />

The rabbit however, though just as eager to<br />

please, could only hop round and round in a<br />

state of bewildered panic: “What can I give<br />

him? He can’t eat grass, the owl café isn’t<br />

open yet and the nearest vegetable patch is<br />

miles away…” Eventually, he came up with a<br />

not-so-bright and rather macabre, idea: “Dear<br />

old fellow,” he said. “A persimmon or two and<br />

a few slices of fresh sashimi are all very well<br />

but you need something more substantial to<br />

warm you up. If you could light a fire, I would<br />

be honoured to provide you with a tasty roasted<br />

rabbit.”<br />

Now if this had been just any hungry traveller<br />

the story might have had a very different<br />

ending but it all worked out well in the end.<br />

Surprised and strangely moved by the suicidal<br />

generosity of his new-found furry friend,<br />

instead of reaching for a box of matches and<br />

his chopsticks, the grateful old man gathered<br />

him up in his arms and flew back home to the<br />

moon where, as every Japanese child knows,<br />

they both lived happily ever after – as enthusiastic<br />

vegetarians.<br />

This year the Harvest Moon rises on <strong>October</strong><br />

4 in the Japanese micro-season (there are<br />

72 of them!) of mizu hajimete karuru (when<br />

farmers drain the fields). It won’t quite be<br />

a full moon – that comes two days later on<br />

the sixth – but the rabbit will still be clearly<br />

visible to anyone who chooses to look heavenwards<br />

and as the children sing their songs<br />

many adults will raise a cup of sake and give<br />

thanks for nature’s bounty.<br />

It seems to me that a folk-tale about<br />

generosity and selflessness and kindness<br />

to strangers is one worth thinking about in<br />

these uncertain times. Too often our daily<br />

news is dominated by stories of blind nationalism,<br />

narrow self-interest and a blatant<br />

disregard for the needs of our neighbours<br />

or of the generations to come. It may be no<br />

more than a child’s fairy-story but perhaps<br />

we should all look up at the moon tonight and<br />

remember the rabbit…<br />

Usagi usagi<br />

Nani mite haneru<br />

Juugoya o-tsuki-sama<br />

Mite haneru<br />

(Oh, rabbit on the moon,<br />

What are you leaping for?<br />

I shall leap, I shall leap soon<br />

At the large full moon!)<br />

Brian Christian is the Principal of the British<br />

School in <strong>Tokyo</strong>.<br />

44 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 44


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TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 45


Society<br />

TOKYO’S LONGEST RUNNING SOCIAL COLUMN WITH BILL HERSEY<br />

Exile’s Iwata Takanori and director Christopher Nolan at<br />

Warner Brothers’ press conference for Dunkirk<br />

Maybe I’m wrong but looking back it seems August<br />

even with the heat was busier than ever, and from<br />

the looks of happenings coming up, <strong>October</strong> and the<br />

rest of <strong>2017</strong> will be even busier. That’s the way I and<br />

I know many of you like it.<br />

I’m so happy the Japanese seem to be getting back into the Broadway<br />

show and international musical scene. I really enjoyed the international<br />

production of one of my all-time favorite musicals, West<br />

Side Story, this summer. If you’re into Broadway, ballet, and showbiz<br />

you have a lot of things to choose from this fall and winter. I can’t list<br />

them all here, but will list a few I’ve<br />

seen and really enjoyed. The Argentine<br />

show Fuerza Bruta is back with<br />

an exciting new production titled<br />

Beyond the Next Level, which runs<br />

through December 10. I saw it two<br />

years ago, and like Cirque du Soleil,<br />

it really is mind-boggling. My French<br />

Canadian friend Guy Laliberté who,<br />

along with another street performer,<br />

created the always sold out Cirque<br />

du Soleil shows, is bringing one in<br />

that I hadn’t heard of. It’s titled Kurios:<br />

Cabinet of Curiosities and it will<br />

run from February 7 until April 8<br />

next year at Odaiba Big Top. I was<br />

surprised to see that there’s a Japanese<br />

version of the off-Broadway<br />

play Hedwig and the Angry Inch. The<br />

off-the-wall production is being promoted<br />

as a special show and will just<br />

have two days of performances in<br />

<strong>Tokyo</strong> on <strong>October</strong> 14 and 15, and one<br />

in Osaka on <strong>October</strong> 17. If you see it<br />

you’ll understand why they label it<br />

very special.<br />

I’ve seen the off-Broadway award<br />

winner Blast endless times and had<br />

many parties for their cast over the<br />

years in Roppongi. The show is an<br />

exciting combo of percussion instruments,<br />

dance and endless energy. I went to their last show in <strong>Tokyo</strong><br />

before they toured all over Japan. Since I last saw the show years ago,<br />

the producers have tied up with Disney. This, of course, means money,<br />

and the talent, the sets, and the choreography add up to a real winner.<br />

The 2,000 seats at Shibuya’s ORB Theatre were sold out, and the show<br />

got several standing ovations. I just learned that ORB is bringing in<br />

a production of another of my favorites, Evita, for their fifth anniversary<br />

early next year. There’ll also be a Japanese co-production of<br />

the Rocky Horror Picture Show at Zepp Theater 11/7–11/12, and Parco<br />

11/16–12/3.<br />

Thanks to Junko Koshino. I had the privilege of seeing the latest<br />

Drum Tao show before they went to Paris and Singapore. The awesome<br />

drumming, the shamisen and koto playing, the choreography,<br />

the high-tech stage sets, and Junko’s costumes added up to entertainment<br />

at its very best. After the show I met a host of interesting people<br />

at a party Junko and her husband Hiroyuki Suzuki hosted at Vanity,<br />

a popular club in Roppongi. These included the new French Ambassador<br />

Laurent Pic, Mikawa Kenichi, and actor Tatsumi Takuro. Mikawa-san<br />

will be performing at Dewi Sukarno’s 20th Annual Imperial<br />

Banquet at Meguro Gajoen on <strong>October</strong> 14. The Tao drummers will be<br />

back in <strong>Tokyo</strong> by then and they have shows at the Shinagawa Prince<br />

Hotel from September 16 to <strong>October</strong> 29.<br />

As they say, “there’s no business like show business,” but I feel that<br />

there’s probably been enough of it in this month's column. It’s time to<br />

move onto the social scene...<br />

WARNER BROTHERS<br />

PRESS CONFERENCE FOR<br />

CHRISTOPHER NOLAN<br />

The big Academy Hills room on the<br />

49th floor of the Mori Tower was wallto-wall<br />

enthusiastic journalists, as the<br />

special guest that day was Christopher<br />

Nolan whose film Dunkirk has been a<br />

huge box office hit wherever it’s been<br />

shown. The crowd’s feeling about the<br />

film and Christopher was great, and<br />

I appreciated the way he handled all<br />

the questions. As he explained a few<br />

times, “We interviewed men who had<br />

actually been there.” He wanted to<br />

create suspense and the idea of survival,<br />

and he wanted the film to have<br />

the power to shock. In order to appeal<br />

to young people, he visited drama<br />

schools and looked to use acting students<br />

who hadn’t been in films before.<br />

As a director, he feels like an architect<br />

or conductor (he really likes to work<br />

with sounds) who is bringing many<br />

different elements together.<br />

Warner Brothers had brought<br />

in Exile’s star member Iwata Takanori<br />

as a guest for the second half of the<br />

conference. It was a good choice as the<br />

actor-musician is a big fan of Nolan, and so knew what he was talking<br />

about. At the end of the interview, he was really happy when Nolan presented<br />

him with an autographed copy of the Dunkirk screenplay. Don’t<br />

miss this film – and try to see it in an IMAX theater.<br />

FORSYTH’S PERUVIAN NATIONAL<br />

DAY AT WESTIN HOTEL<br />

Peruvian Ambassador Harold W. Forsyth and his wife Veronica were<br />

only here a short time before they hosted the reception to celebrate<br />

the 196th anniversary of Peru’s Independence Day. For the event,<br />

they chose the elegant Kaede Room in the European-influenced Westin<br />

Hotel. It was packed with people and I was surprised at the number<br />

of VIPs whom I thought were out of Japan for the holidays but<br />

were there that evening. Familiar faces in the crowd included top<br />

46 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


JAMAICA NATIONAL DAY<br />

AT THE OKURA<br />

1. Jamaican Amb. Clement Allicock and<br />

guest speaker Shunsuke Takei 2. Amb.<br />

Allicock, Takei-san, Ota Mayor Tadayoshi<br />

Matsubara, Material Co. Pres. Junichi<br />

Hosogai (Sponsor of Jamaica Bobsled<br />

Team) 3. Victoria Allicock, Amb. and Mrs.<br />

Allicock, Nicaraguan Amb. Saul Arana 4.<br />

Kyoko Spector and Liberian Amb. Yongor<br />

Telewoda 5. Kyoko with Monique Dehaney<br />

(left) and Jhana Graham (right)<br />

1<br />

2<br />

3<br />

4<br />

5<br />

7<br />

6<br />

8<br />

9<br />

11<br />

10<br />

WINE NIGHT<br />

– OAKWOOD<br />

PREMIERE<br />

6. Hiroku Sakura,<br />

showbiz agent Keisuke<br />

Yasuda, Oakwood’s Amy<br />

Hanashiro<br />

7. Oakwood’s man in<br />

Japan, Martin Fluck,<br />

James Moynihan,<br />

architect Seiji Sato<br />

8. Oakwood’s staff<br />

members: Kenta, Akbar,<br />

and Ayaka<br />

12<br />

13<br />

JUNKO KOSHINO PARTY<br />

– TAO & VANITY<br />

9. Takarazuka girl/TV star Miki<br />

Maya, designer Junko Koshino, and<br />

Tao drummers 10. Actor Tatsumi<br />

Takuro, his daughter soprano opera<br />

singer Marie, and one of Marie’s<br />

fans 11. Akihiko Kanamaru, Junko,<br />

retired military general Toshiya<br />

Okabe, Junko’s photographer husband<br />

Hiroyuki Suzuki 12. Junko, former<br />

Japan Amb. to France Saito-san,<br />

popular singer and showbiz celeb<br />

Mikawa Kenichi 13. French Amb.<br />

Laurent Pic, a Tao star, Azerbaijan<br />

Amb. Gursel Ismayilzade<br />

TOKYO WEEKENDER | | OCTOBER <strong>2017</strong> | 47


FORSYTH’S PERUVIAN<br />

NATIONAL DAY<br />

AT WESTIN HOTEL<br />

1. Our new Peruvian Amb. Harold Forsyth,<br />

his wife Veronica, and politician Hirotaka<br />

Ishihara 2. Hisanaga and Takako Shimazu<br />

congratulate the hosting couple 3. El<br />

Salvador Amb. Martha Zelayandia and<br />

Israel Amb. Ruth Kahanoff 4. Members<br />

of the Metropolitan police force 5. Kyoko<br />

Spector and Croatian Amb. Drazea Hrastic 6.<br />

Moldovan Amb. and Mrs. Vasile Bumacov<br />

1<br />

2<br />

7<br />

3<br />

4<br />

5<br />

9<br />

6<br />

8<br />

11<br />

10<br />

12<br />

NATIONAL AZABU<br />

BARBECUE<br />

7. Mexican counsellor Armando<br />

Arriaga, his wife Serok, their daughter<br />

Antonia 8. Nomura Securities’ Gary<br />

Hyman, his wife Efrot 9. Healthy <strong>Tokyo</strong>’s<br />

Michael Bobrove with staff member<br />

Aki Asama (left) and project manager<br />

David Israelsson (right) 10. Akari<br />

Yamamoto, her daughters, Momoe and<br />

Anri 11. Tohokushinsha Pres. Tetsu<br />

Uemura, Fuji TV & Fuji Holdings Pres.<br />

and Mrs. Masaki Miyauchi 12. Tetsu,<br />

Nisshin Noodles Pres. Tohru and Mrs.<br />

Horinouchi, Armando<br />

48 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


lawyer Toshihiro Matsumaru. It was, as always, wonderful talking<br />

with Hisanaga and (sister of the emperor) Takako Shimazu as well as<br />

Kazuko Ito, the new president of Soka Gakkai’s Min-On Concert Association,<br />

and Hirotaka Ishihara, son of the former governor of <strong>Tokyo</strong><br />

and Diet Member. If you’re into ethnic food, as I am, you'll know that<br />

Peruvian food has recently gained international popularity – and the<br />

Peruvian Embassy and Westin worked together on a bountiful, beautiful,<br />

delicious, and healthy buffet of Peruvian specialties. Healthaddict<br />

friends have introduced me to goji berries from China, chia<br />

seeds, and the grain quinoa which was used in a delicious Peruvian<br />

dessert that night. The hosting couple, Ambassador and Señora<br />

Forsyth, are a very international, sophisticated, outgoing couple. I’m<br />

sure they’ll like Japan, and Japan will like them. Our congratulations<br />

on their super celebration, and we wish them a long, happy, and successful<br />

posting here.<br />

JAMAICA 55TH ANNIVERSARY<br />

RECEPTION AT THE OKURA<br />

Jamaican Ambassador Clement Allicock, his wife Suzanne, and their<br />

family and staff hosted a reception at the Okura Hotel. The occasion<br />

was to celebrate Jamaica’s Independence Day. Thanks to Bob Marley’s<br />

music, the fastest man in the world Usain Bolt, the Jamaican bobsled<br />

team, the people of Jamaica, and their laid-back way of life, it’s a very<br />

popular country in Japan, especially with the younger generation. As<br />

you can see from the photos, they’re good-looking people and appreciate<br />

chic fashion. They’re also very talented, and I was thrilled to see<br />

two professional singers who know how to belt out pop music. One of<br />

them, Jhana Graham, opened the program with her renditions of the<br />

Jamaican and Japanese anthems. The other, Monique Dehaney, didn’t<br />

sing at the reception, but I’ve seen her perform before, and believe me<br />

she’s excellent.<br />

Ambassador Allicock is a great speaker and he had plenty of interesting<br />

things to say about his country in his welcome speech. I was also<br />

impressed with the Vice Minister of Foreign Affairs Shunsuke Takei’s<br />

speech and toast. The buffet was first class with a variety of healthy<br />

salads, great curry, and of course, Jamaica’s famous jerk chicken.<br />

Ambassador Allicock is super busy with all kinds of colorful promos,<br />

and interesting people. These, of course, included a lot of cheering<br />

for Bolt who ran the day after the celebration. I had the pleasure of<br />

meeting and talking with the sports legend a couple of years ago when<br />

he was with former Jamaican Ambassador Claudia Barnes when she<br />

was posted here.<br />

Hopefully we’ll continue to see a lot of him in the ad campaigns he<br />

does for ANA and Nissan. I’m sure that like another Jamaican legend –<br />

musician Bob Marley – he will continue to be a star as well. I enjoyed<br />

talking with Takei, the young and dynamic Japanese politician, as well<br />

as Junichi Hosogai, who’s one of the sponsors of the Jamaican bobsled<br />

team. Our congratulations on all the Jamaican events to celebrate<br />

many things Jamaican.<br />

NATIONAL AZABU CUSTOMER<br />

APPRECIATION BARBECUE<br />

One of the many special things that National Azabu does to get<br />

involved in the community is their popular barbecues. These are<br />

complimentary for VIP customers and are held in the supermarket’s<br />

parking lot several times a year. Mother Nature was kind on<br />

Sunday, September 10, and it was a beautiful day for the afternoon/<br />

evening event and was crowded with a variety of guests. Healthy<br />

<strong>Tokyo</strong> had a booth and was giving out samples of energy bars, and<br />

Matcha Miracle Drink and Honest Bee staff kept busy explaining<br />

their grocery delivery services. Great food included Benito’s<br />

paella, barbecued steak, super sandwiches, and a salad bar. Kids<br />

had plenty to do with micro-scooters, catching noodles from a<br />

long bamboo shoot (nagashi somen), and trying games of chance.<br />

Entertainment included music by a New Orleans-style band, several<br />

vocalists, and a clown. For those looking for luxury, there was a<br />

beautiful Lamborghini on display. The party ended with several<br />

chefs working on a 60kg tuna – and there was delicious sashimi for<br />

everyone. It was a great get-together in every way. Congratulations<br />

to the Uemura family, the owners of National Azabu, and all of<br />

the great staff. And if you want to check a really great Halloween<br />

display that’s full of spooky good fun for kids and adults alike, drop<br />

by at National Azabu. They’ve gone all out this year.<br />

THIS & THAT<br />

<strong>October</strong> comes to an end with Halloween, which has become a major<br />

celebration here in <strong>Tokyo</strong> and beyond. But how did a custom<br />

brought to America by Irish immigrants get to Omotesando? The story<br />

goes back to the late 1970s, when one of the big American donut<br />

chains ran a Halloween promotion, giving a saucer decorated with<br />

trick-or-treaters to anyone who bought a dozen donuts. The chain’s<br />

Japanese stores had the same promotion, but had to come up with<br />

some explanation. So, Halloween was billed as a day to buy and eat<br />

donuts. And that's what it was for several years until marketers saw<br />

the possibility of expanding beyond donuts to candy, costumes and<br />

decorations. Now, Halloween is on its way to joining Christmas as a<br />

major Japanese commercial and social event. Keep an eye out for the<br />

Easter Bunny, who is likely to hop up soon to join Santa Claus and<br />

Jack-o’-Lantern.<br />

This year, <strong>October</strong> 31 has extra significance. It is the 500th anniversary<br />

of the Reformation, which is being commemorated worldwide<br />

not only by Protestants, but even by Catholics and people with<br />

no connection to those religions. Because Japan is so close to the International<br />

Date Line, among the world’s first events to mark the day<br />

will be here in <strong>Tokyo</strong>, when Maestro Robert Rÿker of the <strong>Tokyo</strong> Sinfonia<br />

will lead some 250 artists in a performance of Brahms’ German<br />

Requiem at the <strong>Tokyo</strong> Metropolitan Theater. Visit www.r500.co for<br />

information and tickets.<br />

Father Grimm, Bill, Bill Ireton, Shiga, and Dale Toriumi<br />

gathered to celebrate Bill’s birthday<br />

Marty Kuehnert, Horst, Hiroshi, and baseball great<br />

Randy Bass at the Ex<br />

Charo, Bill, Roberta, and Matthew Ireton with Keanu<br />

Reeves and Chad Stahelski, who were in <strong>Tokyo</strong><br />

recently to promote John Wick 2<br />

TOKYO WEEKENDER | OCTOBER <strong>2017</strong> | 49


[ PROMOTION ]<br />

Whether you’re just visiting Japan or<br />

you’ve been here for a while, here are<br />

a few tips that will help you on your<br />

travels in <strong>Tokyo</strong> and beyond<br />

GET TO GRIPS WITH THE<br />

NO-NAME STREETS<br />

Trying to figure out a<br />

Japanese address? It starts<br />

with prefecture, then the<br />

city or the ward, and then<br />

the neighborhood. After<br />

this, the subdivisions are<br />

districts, blocks, and building<br />

numbers. Districts and blocks<br />

are usually numbered by how<br />

close they are to the center<br />

of a neighborhood or ward.<br />

Finally the building number<br />

comes next. This number is<br />

assigned either in clockwise<br />

order around a block, or according<br />

to the order in which<br />

the buildings were built.<br />

Confused yet? Don’t worry,<br />

you’re not alone.<br />

CHARGE A CARD<br />

Buy a Suica or Pasmo card as soon as you can. It’ll<br />

save you money, it’s easy to charge, and it’ll get you<br />

through the turnstiles faster. Now, more and more<br />

cities will let you use a Suica or Pasmo card on their<br />

public transportation. You can buy them at any<br />

train station, and all machines offer English service.<br />

APP IT UP<br />

For good information about<br />

locations and directions<br />

in Japan, Google Maps<br />

still beats out Apple Maps<br />

if you’re on an iPhone. If<br />

you really want detailed<br />

information about train<br />

and bus routes while you’re<br />

traveling, apps like and<br />

Hyperdia and Navitime are<br />

your best bet.<br />

DON'T DISMISS THE BUSES<br />

Limousine buses take you to and from<br />

the airports, are cheaper than trains, and<br />

go directly to some hotels. Even if you’re<br />

not staying at one of the larger hotels,<br />

they can get you closer to where you<br />

need to go, without having to lug bags<br />

through crowded train stations. You can<br />

get information about bus lines at the<br />

arrivals terminal at Narita and Haneda.<br />

SHIP IT<br />

If you’re getting loaded down with souvenirs or<br />

have an extra bag you won’t need until you’re back<br />

at the airport, Japanese companies like Yamato<br />

offer a great service: you can just ship your bags or<br />

packages to hotels or to the airport. You’ll need to<br />

plan ahead though, as it can take a day or two for<br />

your package to arrive. You can find out more about<br />

Yamato TA-Q-BIN service at www.kuronekoyamato.<br />

co.jp/en/tourist/.<br />

PICK UP MOBILE WIFI<br />

No matter where your travels take you, you don’t<br />

want to miss out on uploading your pictures and<br />

posts, finding your way around, and staying in<br />

touch with your friends while you’re on the go.<br />

With Pocket WiFi from SoftBank offered through<br />

Global Mobile, you can be online all the time,<br />

with blazing fast LTE. Service is available for as<br />

little as ¥200 a day. For more details, visit<br />

www.gmobile.biz/softbank/inbound.<br />

50 | OCTOBER <strong>2017</strong> | TOKYO WEEKENDER


To all investors and customers of The Parkhouse series:<br />

The Mitsubishi Jisho Residence overseas<br />

sales team is on hand for all your needs<br />

For the most up-to-date information about Mitsubishi Jisho<br />

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English website at www.mecsumai.com/international/en<br />

For inquiries, please email mjrtph@mec-r.com<br />

Live in a Home for Life. The Parkhouse

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