The Journal of Australian Ceramics Vol 52 No 1 April 2013
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Tribute to Janet Mansfield<br />
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1997 Janet Mansfield enjoying lunch at the home <strong>of</strong> Shiro Tsujimura in Nara. Japan<br />
the food or sauce, well savoured with the best sake until we could eat or drink no more. In his desire<br />
to keep us entertained, he made noodles on a large wooden board. Later he led us to his workshop<br />
and threw pots for us to see his relaxed technique throwing <strong>of</strong>f the hump. Still on the entertainment<br />
bent, he showed us his ancient tea house whence followed a hilarious demonstration <strong>of</strong> his version <strong>of</strong><br />
the tea ceremony only to be saved by the appearance <strong>of</strong> a traditionally dressed Japanese woman, a tea<br />
ceremony master who <strong>of</strong>fered a dignified performance <strong>of</strong> the honoured ritual. All stops were out ...<br />
what a never-to-be-forgotten day.<br />
Another <strong>of</strong> our ventures was a little house in Gulgong which we bought with Karen Wells, one <strong>of</strong><br />
Janet's apprentices. We called it 'Three Ways' . We thought it would be great to <strong>of</strong>fer it to potters to<br />
establish themselves in this clay-rich town. <strong>The</strong> bicentennial year 1988 seemed a good omen and with<br />
our <strong>Australian</strong> fervour we found a newly graduated ceramics couple to live and work there (one still lives<br />
in the district and practices as a potter). Next to occupy the house were Mary and Duncan Ratcliffe who<br />
lived there happily for several years, moving on to Dubbo to take charge <strong>of</strong> the ceramics department at<br />
the Technical College. Chester Nealie and his partner Jan lived there for several years, establishing their<br />
presence in Gulgong (they still live nearby). About this time Janet and I were developing an <strong>Australian</strong><br />
porcelain made <strong>of</strong> all <strong>Australian</strong> materials from the Gulgong district. We tested batches <strong>of</strong> clay until we<br />
were satisfied with the product. It was good clay and it was popular with the woodfirers as it produced<br />
a warm pink blush. We thought the cottage would be ideal as an outlet for our product which was<br />
being made up by the local clay maker ... all good on paper but unfortunately the owner <strong>of</strong> the pit was<br />
not able to commit to a regular supply <strong>of</strong> the important white clay. We still have ingredients enough for<br />
ourselves but not for commercial production.<br />
We had other trips together. After sailing with friends on the coast <strong>of</strong> Turkey, Janet and I arranged<br />
to meet in Istanbul where we were assailed by the vastness <strong>of</strong> the Topkapi Palace collection - shelves,<br />
tables and cupboards full to overflowing with ceramics. We enjoyed the pleasures <strong>of</strong> the bathhouse,<br />
the arcades, the markets, the fantastic tiles <strong>of</strong> Ayas<strong>of</strong>ya and the splendid architecture <strong>of</strong> the old city.<br />
<strong>The</strong>n went on to Italy where we called in to Grottaglie to pay a visit to Greg Daly's show for the 2nd<br />
Biennale Internazionale di Ceramica, up north to Faenza to visit Carlo Zauli who greeted Janet like a<br />
long lost lover, then by train to stay with Claude Presset in Switzerland, who joined us on our way to<br />
10 THE 10URNAL OF AUSTRALIAN CERAMI CS APRIL 201)