The Journal of Australian Ceramics Vol 52 No 1 April 2013
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Contributors<br />
Dr. Terry Davies was born in Wales. He graduated with a BA<br />
Hons in Art and Design and by 1980 had moved to Australia.<br />
Terry gained an MA from Flinders. and in 2002 a PhD from<br />
Monash University. He is a practising artist. researcher and writer<br />
based in Adelaide.<br />
www.terrydaviesceramics.com<br />
David Eggleton lives in Dunedin, New Zealand, where he is a<br />
poet, writer and arts journalist whose articles, reviews, pr<strong>of</strong>iles<br />
and essays have appeared in the Listener, Art New Zealand,<br />
New Zealand Books, Art News, Architecture New Zealand,<br />
Urbis, Landfall and many other publications. His books include<br />
Towards Aotearoa: A Short History <strong>of</strong> Twentieth Century<br />
New Zealand Art, (Reed Publishing/Raupo Books, 2007).<br />
<strong>The</strong>se days Moyra Elliott spends much <strong>of</strong> her time writing. If it 's<br />
not a rant or a review for her Kiwi-clay blog, it's prep for a paper<br />
at some conference somewhere or it might even be something<br />
towards her second book on the history <strong>of</strong> New Zealand ceramics.<br />
http://conetenanddescending.wordpress.com<br />
Richard Fahey is a Senior Lecturer in the Department <strong>of</strong> Design<br />
and Visual Arts, Unitec, Auckland. He writes regularly on the New<br />
Zealand studio pottery movement. In 20 11 he was curator <strong>of</strong><br />
the exhibition, Richard Parker: Master <strong>of</strong> Craft, (Objectspace,<br />
Auckland). Other curated exhibitions include Peter Hawkesby<br />
(Gus Fisher Gallery, University <strong>of</strong> Auckland, 2011 ), and Clay<br />
Economies (Objectspace, 2008).<br />
E: rfahey@unitec.ac.nz<br />
http://pinterest.com/richardfahey<br />
Anna Miles has a background as an art critic, curator and<br />
lecturer. She established Anna Miles Gallery in 2003, and<br />
lectures part-time in the School <strong>of</strong> Art and DeSign at AUT<br />
University. Recent curaled exhibitions include Bespoke: <strong>The</strong><br />
Pervasiveness <strong>of</strong> the Handmade (Objectspace, Auckland,<br />
2006), and A Lace Life: <strong>The</strong> Alwynne Crowsen Collection<br />
(Objerupace, 2008).<br />
www.annamilesgallery.com<br />
http://pinterest.com/amilesgallery<br />
THE JOURNAL OF AUSTRALIAN CERAMICS APRIL <strong>2013</strong> 3
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