The Journal of Australian Ceramics Vol 52 No 1 April 2013
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Promotion<br />
A testimonial from one <strong>of</strong> our happy clients<br />
My Woodrow kiln is the first kiln I have confidently used where the heat is intense<br />
and consistent. As a result, I do not need to guess or over-compensate the<br />
temperatures or saturations. This ca n be seen in the clarity and brilliance <strong>of</strong> the f ired<br />
lustres I used on my award-winning vase featured below. I was presented with two<br />
awards for my porcelain paintings from the representative <strong>of</strong> HRH Queen Sirikit <strong>of</strong><br />
Thailand, HE <strong>The</strong> Privy Councillor, at the Tha iland International Porcelain Painting<br />
Convention (TIPP) 2012.<br />
Award~winning vase by Ingrid Lee, Orchids - Purity <strong>of</strong> Lo ve, 2012, Platinum lust re, paste work,<br />
burnishing gold. hAD.6em<br />
This vase took nine firings to complete. <strong>The</strong> design represents the complex message<br />
<strong>of</strong> the language <strong>of</strong> flowers; in general, the orchid is a symbol <strong>of</strong> luxury, sensuality,<br />
mystery and passion represented by the gold paste work used throughout the<br />
painting.<br />
Ingrid Lee is a pr<strong>of</strong>essional, international award winning artist in modern<br />
porcelain painting, abstract expressionist acrylic painting, mixed media and<br />
fabric art. She teaches master classes and creates collaborative art projects<br />
with public and corporate sectors to share creativity and inspire art enthusiasts<br />
in Australia and overseas.<br />
For information about Ingrid's exhibitions, master classes, art projects<br />
and commissions, please visit http://ingridleeart.com, or email ingridlee@<br />
ingridleeart.com<br />
78 THE JOURNAL OF AUSTRALIAN CERAMICS APRIL 201)
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