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Viva Brighton Issue #59 January 2018

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COLUMN<br />

...........................................<br />

John Helmer<br />

Gimmick<br />

Illustration by Chris Riddell<br />

I’m at the private view of an exhibition of <strong>Viva</strong><br />

covers with my brother-in-law, who has featured in<br />

this column before.<br />

“Why does John call you Foghorn Leghorn?”<br />

someone asks.<br />

“BECAUSE I TALK IN A VERY LOUD VOICE,”<br />

he bellows. The level of conversation dips in the<br />

room. People look round. “It’s my gimmick,” he<br />

stage-whispers.<br />

Somehow we get onto the subject of height, and I<br />

start telling Foghorn about some research I read that<br />

shows tall males are disproportionately represented<br />

in executive boardrooms.<br />

“We’re all just animals really, aren’t we?” says<br />

Foghorn, and starts doing his impression of a gorilla.<br />

“LOOK, I’M A SILVERBACK,” he calls to Kate<br />

and Siobhan, our respective wives.<br />

“Oh God,” they groan, turning away.<br />

“We’ve run out of drinks tokens,” I point out. On<br />

entry we were each issued with<br />

two, which<br />

predictably<br />

we’ve got<br />

through too<br />

quickly.<br />

“Don’t<br />

worry,” says<br />

Foghorn, who<br />

has a plan. He<br />

points to one<br />

of the staff manning<br />

the makeshift bar.<br />

“That is Medieval<br />

Tom: he’s a<br />

friend of my<br />

son’s.”<br />

“Doesn’t look<br />

very medieval<br />

to me,” I say,<br />

clocking his<br />

horn-rimmed spectacles; “more 1950s.”<br />

“You know these kids today, a bit hazy on historical<br />

periods.” He hurries off to the bar and, sure enough,<br />

returns a few minutes later with a fresh round.<br />

Meanwhile I’ve fallen into conversation with an<br />

editor who works for the famous book publisher<br />

Bloomsbury. He is scanning one of my <strong>Viva</strong> columns.<br />

“I can see it’s got a beginning a middle and an end,”<br />

he says, “that’s not always the case.”<br />

“Thank you,” I say, trying not to let this go to my<br />

head.<br />

“Do you get much fan mail?”<br />

“None.”<br />

“Well I suspect that’s the end of our conversation.”<br />

I notice the glasses have become empty.<br />

“Medieval Tom?” I say to Foghorn.<br />

“He’s your man.”<br />

I slope over to the bar. “Could you manage a few<br />

extra drinks for Charlie’s dad?” I ask Medieval Tom.<br />

“I like the way you’re using code words to blag<br />

drinks,” Tom says.<br />

“It’s my gimmick.”<br />

At this point Kate and Siobhan decide it is time to<br />

go. There is a lot to do in the morning. But then the<br />

book editor, who is not drinking, donates his tokens<br />

and we have another round.<br />

Time passes, and suddenly people are getting their<br />

coats.<br />

“It’s definitely time to go home,” says Kate, looking<br />

round at the thinning crowd. Apart from all the<br />

stuff there is to do in the morning, she is sensitive to<br />

another danger. What remaining lustre there might<br />

be to the never-exactly gleaming name of Helmer<br />

threatens further diminution from my persistent<br />

tendency to be the last to leave.<br />

At which point Medieval Tom and his cohorts<br />

advance, bottles in hand. “Look, we’ve got all this<br />

booze to get rid of: everybody has to have another<br />

drink.”<br />

With resignation, we proffer our glasses.<br />

....41....

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