Viva Brighton Issue #59 January 2018
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COLUMN<br />
...........................................<br />
John Helmer<br />
Gimmick<br />
Illustration by Chris Riddell<br />
I’m at the private view of an exhibition of <strong>Viva</strong><br />
covers with my brother-in-law, who has featured in<br />
this column before.<br />
“Why does John call you Foghorn Leghorn?”<br />
someone asks.<br />
“BECAUSE I TALK IN A VERY LOUD VOICE,”<br />
he bellows. The level of conversation dips in the<br />
room. People look round. “It’s my gimmick,” he<br />
stage-whispers.<br />
Somehow we get onto the subject of height, and I<br />
start telling Foghorn about some research I read that<br />
shows tall males are disproportionately represented<br />
in executive boardrooms.<br />
“We’re all just animals really, aren’t we?” says<br />
Foghorn, and starts doing his impression of a gorilla.<br />
“LOOK, I’M A SILVERBACK,” he calls to Kate<br />
and Siobhan, our respective wives.<br />
“Oh God,” they groan, turning away.<br />
“We’ve run out of drinks tokens,” I point out. On<br />
entry we were each issued with<br />
two, which<br />
predictably<br />
we’ve got<br />
through too<br />
quickly.<br />
“Don’t<br />
worry,” says<br />
Foghorn, who<br />
has a plan. He<br />
points to one<br />
of the staff manning<br />
the makeshift bar.<br />
“That is Medieval<br />
Tom: he’s a<br />
friend of my<br />
son’s.”<br />
“Doesn’t look<br />
very medieval<br />
to me,” I say,<br />
clocking his<br />
horn-rimmed spectacles; “more 1950s.”<br />
“You know these kids today, a bit hazy on historical<br />
periods.” He hurries off to the bar and, sure enough,<br />
returns a few minutes later with a fresh round.<br />
Meanwhile I’ve fallen into conversation with an<br />
editor who works for the famous book publisher<br />
Bloomsbury. He is scanning one of my <strong>Viva</strong> columns.<br />
“I can see it’s got a beginning a middle and an end,”<br />
he says, “that’s not always the case.”<br />
“Thank you,” I say, trying not to let this go to my<br />
head.<br />
“Do you get much fan mail?”<br />
“None.”<br />
“Well I suspect that’s the end of our conversation.”<br />
I notice the glasses have become empty.<br />
“Medieval Tom?” I say to Foghorn.<br />
“He’s your man.”<br />
I slope over to the bar. “Could you manage a few<br />
extra drinks for Charlie’s dad?” I ask Medieval Tom.<br />
“I like the way you’re using code words to blag<br />
drinks,” Tom says.<br />
“It’s my gimmick.”<br />
At this point Kate and Siobhan decide it is time to<br />
go. There is a lot to do in the morning. But then the<br />
book editor, who is not drinking, donates his tokens<br />
and we have another round.<br />
Time passes, and suddenly people are getting their<br />
coats.<br />
“It’s definitely time to go home,” says Kate, looking<br />
round at the thinning crowd. Apart from all the<br />
stuff there is to do in the morning, she is sensitive to<br />
another danger. What remaining lustre there might<br />
be to the never-exactly gleaming name of Helmer<br />
threatens further diminution from my persistent<br />
tendency to be the last to leave.<br />
At which point Medieval Tom and his cohorts<br />
advance, bottles in hand. “Look, we’ve got all this<br />
booze to get rid of: everybody has to have another<br />
drink.”<br />
With resignation, we proffer our glasses.<br />
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