Viva Brighton Issue #60 February 2018
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THIS MONTH’S COVER ARTIST<br />
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“I get asked a lot if my work’s science-fiction<br />
based,” says this month’s cover artist Mark<br />
Charlton. “It is and it isn’t. I love science fiction,<br />
2001: A Space Odyssey, things like that, but that’s<br />
not necessarily what inspires my work. It’s more<br />
to do with man’s enthusiasm to go out into the<br />
galaxy. I absolutely adore mid-century design and<br />
that whole era of science and mankind coming<br />
together. There was a famous comic in the 50s and<br />
60s called The Eagle, which was very much aimed at<br />
getting young boys into engineering, and they had<br />
articles in there about mankind living on the moon<br />
in, like, 50 years’ time. It was just an idea, but I get<br />
excited about that idea, about a 50s perspective<br />
on man jetting off into space, so my work sort of<br />
stems from that feeling.”<br />
Mark’s background is actually in animation,<br />
rather than print design. For years he worked as<br />
a freelance animator, creating music videos and<br />
projections, before taking a change of direction.<br />
“I’d always wanted to try screen printing, so I<br />
bought some bits off eBay and learnt from videos<br />
on YouTube. I then started experimenting with<br />
screen printing onto different materials – onto<br />
wood and mixed media pieces – and that was the<br />
really early beginnings of trying to find my style.<br />
Now I have stacks of different paper sources in my<br />
studio and over time they age and discolour, so I<br />
have a whole bank of this material, which produces<br />
these really lovely textures.<br />
“When you see my pieces up close, you can see<br />
that they’re quite decayed and weathered. I like to<br />
destroy what I’ve made, and I find the inner beauty<br />
within the destruction of it. I build the composition<br />
up over several weeks. In order to see the previous<br />
layers I have to really weather the piece, so I might<br />
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