Viva Brighton Issue #60 February 2018
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MUSIC<br />
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Ben Bailey rounds up the local music scene<br />
Photo by Annick Wolfers<br />
TOM<br />
Tue 6, Bom-Bane’s, 8pm, £15/5<br />
A band that’s impossible to Google comprises two<br />
guys, neither of whom is called Tom. Whatever the<br />
reason for the misleading name, at least the music<br />
made by this acoustic duo is accessible and upfront.<br />
Sussex songwriters Colin and Lance mix comedy<br />
ditties about politics and vegetables with rambling<br />
banter and the odd melancholic folk ballad. There<br />
are echoes of Dylan in the stripped-back guitar style,<br />
but it’s the gentle humour of the doubled-up vocals<br />
that make Tom’s tunes worth a listen. After playing<br />
in far-flung places like Peacehaven and Piddinghoe<br />
the guys are celebrating their first anniversary in a<br />
Kemptown restaurant. The £15 ticket includes a meal<br />
prepared by everyone’s favourite chef, singer and<br />
novelty hat-maker Jane Bom-Bane.<br />
THE GO! TEAM<br />
Sun 11, Concorde<br />
2, 7pm, £16<br />
The Go! Team are<br />
back in the ring.<br />
Last month saw the<br />
release of their fifth<br />
album, Semicircle, and it’s their most compelling for<br />
a while. The result of a wildly inventive collision of<br />
sounds and styles, the album sees original vocalist<br />
Ninja return to the fold to lay down some urgent<br />
and old-school rap over the top of songwriter Ian<br />
Parton’s meticulously layered samples. The band<br />
are currently touring as an eight-piece, which<br />
suggests the shows will be as energetic and diverse<br />
as ever. Parton enlisted a Detroit youth choir for the<br />
album, alongside what sounds like a wayward and<br />
hyperactive marching band. How they’ll pull that<br />
off on stage is anyone’s guess, but that’s possibly part<br />
of the appeal.<br />
Photo by Mayumi Hirata<br />
BRITISH SEA POWER<br />
Tue 20, Concorde 2, 7.30pm, £16<br />
Like many bands<br />
that put out records<br />
last year, British Sea<br />
Power’s latest material<br />
was informed by a definite<br />
sense of political<br />
unease. While the lyrics on Let the Dancers Inherit<br />
the Party may have been inspired by the era of dread<br />
inaugurated by the ‘bare-faced liar in the White<br />
House’, the musical tone of their crowd-funded<br />
album took a strangely upbeat turn. After a four-year<br />
hiatus and a slew of sombre film soundtracks, the<br />
band returned in rude health, issuing a positive<br />
affirmation in the face of uncertainty and fear.<br />
This <strong>Brighton</strong> date, which ends a month-long UK<br />
tour, will be a glorious get-together for those lucky<br />
enough to bag a ticket.<br />
SQUID<br />
Fri 23, Green Door Store, 7pm, £3<br />
Atmospheric post-rock jams don’t usually get much<br />
traction on the radio, but Squid’s single Liquid Light<br />
nevertheless found its way onto BBC Introducing and<br />
Tom Robinson’s 6 Music show last year. The song<br />
has a motorik pulse compelling enough to carry the<br />
swirling krautrock soundscape; it’s also about half<br />
the length of the band’s other tracks, which surely<br />
helped. The <strong>Brighton</strong> five-piece, who met and<br />
started playing while at university here, channel the<br />
hypnotic sounds of My Bloody Valentine and Stereolab,<br />
but probably owe more to modern torchbearers<br />
like Flamingods and Floating Points. If you get<br />
there early you’ll also hear the lo-fi saxophone songs<br />
of Leatherhead, some shoegazing post-punk from<br />
Red Deer People and a set of ‘sadcore alt-country’<br />
courtesy of M Butterfly.<br />
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