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Friday <strong>09</strong> <strong>Feb</strong>ruary <strong>2018</strong><br />

30 BUSINESS DAY<br />

C002D5556<br />

Goodbye Hugh Masekela, legendary<br />

South African jazz maestro<br />

OBINNA EMELIKE<br />

In 1968, music industry observers<br />

and critics in the<br />

United States of America<br />

where amazed by the impressive<br />

performance of<br />

Hugh Masekela’s Grazing in the<br />

Grass, which maintained number<br />

1 US pop hit in the larger part of<br />

that year.<br />

The intrigue then was how an<br />

African musician sustained such<br />

a feat outside the shores of his<br />

continent.<br />

Of course, Hugh Masekela,<br />

foremost South African jazz maestro,<br />

continued showing strength,<br />

creative ingenuity and influence<br />

in global music scene until his<br />

death on January 23, <strong>2018</strong> at 78<br />

years.<br />

The musician, who started his<br />

musical education at the age of<br />

five with piano, grew up becoming<br />

a master of many trades and<br />

master of many as well. He was<br />

a composer, singer, trumpeter,<br />

flugelhorn player, and mentor<br />

among others.<br />

However, Masekela was notable<br />

for his activism against the<br />

then apartheid regime in South<br />

Africa, a noble cause he deployed<br />

his music as veritable tool to create<br />

awareness abroad and offer<br />

support to the fight back home.<br />

He was instrumental in the<br />

forming of The Jazz Epistles,<br />

the first African jazz group to<br />

record an LP, aside performing<br />

to record-breaking audiences in<br />

Johannesburg and Cape Town<br />

through late 1959 to early 1960.<br />

His marriage to Mariam Makeba,<br />

a singer and activist, in 1964<br />

boosted his activism ad popularity<br />

while at home, though the<br />

marriage did not last.<br />

In 1987, he composed and released<br />

a hit titled, “Bring Him Back<br />

Home”. The song was a further<br />

call for the liberation of Nelson<br />

Mandela, and it became an antiapartheid<br />

anthem for the freedom<br />

fighters in his country of birth.<br />

Masekela was in exile while<br />

still present and reigning at home<br />

through his music, though he<br />

was offered citizenship by several<br />

other nations. His love for a<br />

librated South Africa someday,<br />

kept his hope alive, and was manifested<br />

in 1990 when he returned<br />

after almost 30 years in exile on<br />

the occasion of the release of<br />

Nelson Mandela, the political<br />

prisoner and freedom fighter for<br />

the black people in South Africa.<br />

With three Grammy Award<br />

nominations, over 40 albums,<br />

and seven singles that maintained<br />

top chart positions in the<br />

United States of America and<br />

Canada, aside many live concerts<br />

and remarkable music campaigns;<br />

Masekela has a successful<br />

music career that spanned his<br />

lifetime.<br />

From Trumpet Africaine, his<br />

first album in 1962 to No Borders,<br />

his last work in 2016, Maskela was<br />

truly an African music maestro as<br />

he kept the tempo and creativity<br />

high even in his old age.<br />

Some of his notable singles include;<br />

“Up-Up and Away”, “Grazing<br />

in the Grass”, “Puffin’ On<br />

Down the Track”, “Riot”, “Skokiaan”,<br />

and “Don’t Go Lose It Baby”.<br />

The legend waxed strong till<br />

his last breadth. In 2016, Hugh<br />

Masekela gave a superlative<br />

performance at the Safaricom<br />

International Jazz Festival in<br />

Nairobi. He was billed to perform<br />

at AFRIMA Awards 2017 in Lagos<br />

where he was nominated for<br />

three awards in the categories of<br />

‘Best Male Artiste in Southern Africa’<br />

for his recent single ‘Shango’,<br />

‘Album of the Year’ for his recent<br />

album ‘No Borders’ and for the<br />

‘Best Artiste in African Jazz’.<br />

It is obvious that Masekela’s<br />

death is a huge loss to African<br />

music. If you want to listen to<br />

music that has depth, good lyrics<br />

and matching instrumentation,<br />

Masekela’s brand of jazz infused<br />

with African themes and sound,<br />

used to be the answer. With his<br />

demise, the search for talents that<br />

will fit into his big shoe is one hard<br />

task because Masekela’s definitive<br />

signature of African sound is rare.<br />

The music icon will be greatly<br />

missed but his music and struggle<br />

for free and prosperous Africa<br />

will always be in the hearts his<br />

followers.<br />

Masakela is survived by<br />

Selema ‘Sal’ Masekela, a television<br />

presenter (son) and Pula<br />

Twala (a daughter).<br />

Movie stars grace new Nollywood classic<br />

From the best selling<br />

cinema movies to the<br />

low selling ones, Nollywood<br />

movies are<br />

often said to feature poor storylines.<br />

However, ‘Just Before<br />

I Do’ out, a new Nollywood<br />

classic, is set to change the<br />

narrative with a unique storyline,<br />

plot twist, suspense and<br />

effective characterisation.<br />

The movie captures how a<br />

conniving mother in-law becomes<br />

the brain behind all<br />

the mayhem an unmarried<br />

couple experience and leaving<br />

no trace whatsoever.<br />

The movie is produced by<br />

Omilani Oluyinka, new filmmaker.<br />

Production has just been<br />

concluded while post-production<br />

is ongoing to ensure<br />

that ‘Just Before I Do’ becomes<br />

a blockbuster whose<br />

narrative will continue to be<br />

told for a long time.<br />

The romantic drama stars<br />

some of the brightest stars in<br />

Nollywood like Judith Audu,<br />

Omowunmi Dada, Prince Jide<br />

Kosoko, Eddie Watson, Kalu<br />

Ikeagwu, Shaffy Bello, Afeez<br />

Oyetoro (Saka) and Omilani<br />

Oluyinka himself among others.<br />

The filmmaker who has<br />

been directing stage plays at<br />

Muson Center and other locations<br />

across the country<br />

decided to go beyond stage<br />

and move into screens with<br />

this new blockbuster. Having<br />

directed many stage plays<br />

with limited audience, it became<br />

imperative for Oluyinka<br />

to reach a larger base with a<br />

message on the screen.<br />

The behind the scenes pictures<br />

from the just concluded<br />

production has just been released<br />

online while the teaser,<br />

trailer, movie poster and<br />

more will follow shortly.<br />

The movie is set to be in<br />

the cinemas soon.

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