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The Inkling Volume 3

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<strong>The</strong> Greatest Showman is a family film, designed for the holiday season. It’s a film about<br />

friendship, individuality and bravery. What really impressed me was that director Michael<br />

Gracey managed to get all of this across without making it fake or cringeworthy. Its rare to<br />

find a book or film or anything else about love and family that doesn’t make me feel mildly ill,<br />

but <strong>The</strong> Greatest Showman does it all. I’ve been told by many people, however, that the film<br />

disregards the true history of P.T. Barnum, which is arguably more interesting and better<br />

material. While I partly agree with this, I also think the plot of <strong>The</strong> Greatest Showman was<br />

created to serve a very specific purpose, and it does this perfectly. It was written to be a holiday<br />

family blockbuster, engaging but easy to follow, and that’s exactly what it is.<br />

On the whole, the film’s plot was excellent. It had everything needed for a superb motion picture,<br />

from life-threatening situations to uplifting moments and complicated relationships.<br />

<strong>The</strong>re was love, envy and ambition. What did disappoint me plot-wise was that the passing of<br />

time sometimes didn’t quite add up; sometimes I was left wondering when and how the plot<br />

got to the point it was at.<br />

Even though I know very little about it, I could tell that the cinematography of <strong>The</strong> Greatest<br />

Showman was brilliant. A scene that stands out to me particularly is when Barnum creates an<br />

invention that sends light spinning around, much like a disco ball, and shows it to his daughters<br />

at night. It really is shot to be a moment of magic. Similarly, the dance and acrobatic sequences<br />

are all filmed masterfully: we are never lost in a maze of limbs, every movement is<br />

captured memorably, in an explosion of colour.<br />

Many film reviewers critiqued <strong>The</strong> Greatest Showman’s intentions, calling it ‘misguided’.<br />

<strong>The</strong>y said that what the film was meant to be got lost among the big names and big songs.<br />

While I can understand where they’re coming from, I think they’re missing the point. <strong>The</strong><br />

Greatest Showman isn’t supposed to be revolutionary or deeply philosophical; it’s not supposed<br />

to change the world. It is supposed to be entertaining. <strong>The</strong> film is entertainment at its<br />

very best, and I dare anyone to walk out of the cinema not feeling happier than when they<br />

walked in.<br />

In conclusion, I believe <strong>The</strong> Greatest Showman is an excellent movie musical. It creates happiness,<br />

and is perfect for this time of year. While the actors, cinematography, costumes and<br />

plot are wonderful, it is the music that truly makes the film what it is: a celebration of good<br />

musical theatre. I urge you, see this film: it might just be one of the greatest shows I’ve ever<br />

seen.

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