Gabriel Jackson Catalogue
Discover music by Gabriel Jackson
Discover music by Gabriel Jackson
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Choral Works Secular<br />
According to Seneca<br />
SATB (with divisions) unaccompanied<br />
Vocal score 9780193379756<br />
According to Seneca is a substantial work for<br />
unaccompanied choir setting a poem of the same name<br />
by the American poet Gustaf Sobin. <strong>Jackson</strong> effectively<br />
intersperses sonorous polyphonic passages for full choir<br />
with spoken text and murmuring ostinato motifs in free<br />
time.<br />
10 minutes<br />
Airplane Cantata<br />
SATB and pianola<br />
Scores and pianola piano roll on hire 9780193382688<br />
Using texts from a variety of sources (poems, eye witness<br />
accounts, musings, and factual statements), this unique<br />
work is a true celebration of the pioneering years of<br />
aviation. The pianola, with its almost limitless capabilities,<br />
creates a flurry of multi-textured layers which weave<br />
around the choral parts to create complex rhythmical<br />
patterns, typical of <strong>Jackson</strong>’s compositional style.<br />
15 minutes<br />
Cantus Maris Baltici<br />
SATB (with divisions) unaccompanied<br />
Vocal score 9780193377530<br />
<strong>Jackson</strong>’s Cantus Maris Baltici (‘Songs of the Baltic Sea’) is<br />
a rich and imaginative setting of poems from each of the<br />
three Baltic countries. It displays innovative choral textures<br />
and is a rewarding work for any advanced choir. It was<br />
commissioned by the National Youth Choir of Great Britain<br />
and premiered in California in the summer of 2009.<br />
10 minutes<br />
Choral Works Secular<br />
Choral Symphony<br />
24-part unaccompanied SATB<br />
Vocal scores on hire 9780193394681<br />
A choral celebration of London, written for The BBC<br />
Singers, Choral Symphony explores all sides of this city,<br />
from the grandiose architecture and the bustling life<br />
of Fleet Street, to the darker aspects of today’s poorer<br />
neighbourhoods. <strong>Jackson</strong> takes his texts from a wide range<br />
of poets, from Oscar Wilde to contemporary street rapper,<br />
George the Poet.<br />
Exile Meditations<br />
SATB soloists or choir unaccompanied<br />
Vocal score 9780193521933<br />
This powerful work is a sequence of meditations on loss<br />
and longing, of fear and of hope, by turns contemplative<br />
and dramatic. The narrative is made up of a selection<br />
of poems by four exiled Latvian writers from the group<br />
known as the Hell’s Kitchen Poets and present-day<br />
displaced persons from Palestine and Syria. The text is in<br />
Latvian and English, and a pronunciation guide for the<br />
Latvian text is included in the vocal score. <strong>Jackson</strong> also<br />
employs percussion for dramatic effect, with three singers<br />
required to play brake drum, railway man’s whistle, and<br />
claves. With all of the trademarks of <strong>Jackson</strong>’s compelling<br />
musical style, this piece will be an exciting challenge for<br />
choirs looking to explore universal themes.<br />
29 minutes<br />
In Nomine Domini<br />
SATB and ensemble<br />
perc, hp, str quartet<br />
Vocal and instrumental scores on hire 9780193373556<br />
This work is a setting of a wonderfully mysterious poem by<br />
John Bradburne, ‘In Nomine’. The choir is accompanied by<br />
harp and percussion, apart from one heightened moment<br />
of ‘ecstasy’ when all forces sing/play together. Interpolated<br />
in the piece are four ‘In nomines’ for string quartet alone.<br />
10 minutes<br />
La musique<br />
Solo soprano and SATB unaccompanied<br />
Vocal score 9780193395725<br />
Ever-changing in mood and pace, La Musique is a setting<br />
of poems by Elizabeth Bishop and Charles Baudelaire on<br />
the transformative power of music. <strong>Jackson</strong> musically<br />
represents the complex psychological shifts contained in<br />
the texts’ powerful metaphors through alternating fully<br />
notated and indeterminate passages in different keys and<br />
tempi. The resulting effect makes this piece a fascinating<br />
musical journey to the depths of the human soul.<br />
10 minutes<br />
Nightingale Fragments<br />
SATB (with divisions) unaccompanied<br />
Vocal score 9780193512061<br />
Digital 9780193537804<br />
The text for this vibrant part-song is a deftly chosen<br />
selection of lines from Keats’ ‘Ode to a Nightingale’.<br />
<strong>Jackson</strong>’s setting features many of the composer’s stylistic<br />
hallmarks: glissandi, decorative melismas, aleatoric<br />
patterns, and solo lines that float above the texture.<br />
10 minutes<br />
Not no faceless Angel<br />
SATB, cello, and flute<br />
Vocal score 9780193365995<br />
Cello part 9780193412514<br />
Not no faceless Angel is a beautifully reflective work. The<br />
work is a sensitive setting of words by Tanya Lake with<br />
themes of loss and love articulated through expressive<br />
melodic lines and touching imagery. A recording by<br />
Polyphony and Stephen Layton is available on Hyperion<br />
CDA67708.<br />
9 minutes<br />
Rigwreck<br />
SATB (with multiple divisions: 6, 3, 3, 3)<br />
unaccompanied<br />
Vocal score 9780193397828<br />
Rigwreck sets a text by poet Pierre Joris on the 2010<br />
Deepwater Horizon oil spill in the Gulf of Mexico. Frequent<br />
vocal divisions into multiple parts, a wide range of<br />
dynamic expression, spoken lines, and powerful wordpainting<br />
highlight the poem’s emphasis on humanity’s<br />
responsibility for the natural world.<br />
15 minutes<br />
Ruchill Linn<br />
SATB (with divisions) unaccompanied<br />
Vocal score 9780193379749<br />
Ruchill Linn sets a text by the Perthshire poet Robin Bell.<br />
‘Linn’ means waterfall and the poem meditates on a still<br />
spring evening at dusk. The piece is illustrative, with<br />
aqueous, tumbling vocal figuration, and plaintive bird<br />
song.<br />
9 minutes<br />
Spring Rounds<br />
Solo soprano, SATB and orchestra<br />
picc, fl, ob, c.a., cl, b. cl, bsn, contra bsn, 4hn, 2tpt, tba, perc<br />
(1 player), str<br />
Vocal score 9780193418967<br />
Vocal score on hire 9780193408203<br />
Conductor’s score and parts on hire 9780193410787<br />
Described by Latvian newspaper Diena as ‘the most<br />
carefully developed orchestral party’, Spring Rounds is<br />
a significant work that is rich in variety and orchestral<br />
colours. <strong>Jackson</strong> has selected texts by a multiplicity of<br />
authors, from the seventeenth-century poet Thomas Carew<br />
to contemporary writer Billy Collins, to create a profound<br />
and interesting reflection on the titular season.<br />
30 minutes<br />
Three Shakespeare Songs<br />
SATB (with divisions) unaccompanied<br />
Vocal score 9780193413474<br />
This setting of texts from Cymbeline, The Merchant of Venice,<br />
and Sonnet 98, is characterized by inventive textures and<br />
vibrant word-setting. The harmonic language is for the<br />
most part diatonic, but never plain, and there are some<br />
pungent dissonances, as the contrasts between and within<br />
the texts are laid bare in music of evocative power.<br />
8 minutes<br />
The World Imagined<br />
Solo tenor, SATB (with divisions), and orchestra<br />
picc. 2fl, 2ob, c.a., 2cl, bass cl, 2bsn, contrabsn, 4hn, 3tpt, 2tbn,<br />
bass tbn, tba, perc(3 players), hp, str<br />
Vocal score 9780193540200<br />
Conductor’s score and parts on hire 9780193543652<br />
The World Imagined explores themes around the smallness<br />
of man, the apprehension of the divine in everything<br />
around us, and our ecstatic communion within that<br />
vastness. The powerfully evocative texts invite deep<br />
spiritual contemplation, and are drawn from diverse<br />
sources ranging from an early Latin hymn by St Ambrose to<br />
contemporary poems by Doris Kareva and Kenneth White.<br />
NB: This work can be performed in a secular or sacred<br />
context. Movement 4 contains some short Latin text of St<br />
Ambrose.<br />
43 minutes<br />
Choral Works Secular<br />
24 minutes<br />
12<br />
13