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Sarah Quartel Catalogue

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Choral Leaflets/Octavos Christmas<br />

Snow Angel<br />

SATB or SSAA, solo cello, djembe, and piano<br />

SATB Vocal score 9780193512290<br />

SSAA Vocal score 9780193512283<br />

Cello part 9780193514515<br />

Snow Angel is an evocative five-movement choral work,<br />

for either SATB or SSAA choir, that explores themes of<br />

love, rebirth, and beauty through the eyes of children<br />

and the heavenly army of angels that watch over them,<br />

yearning to make a difference to their lives. The work<br />

may be performed with narration, in which three angels<br />

present their perspectives on their earthly charges. <strong>Quartel</strong><br />

weaves a haunting and poignant cello line throughout the<br />

work, with a vibrant part for djembe in movement four.<br />

The musical language is emotive and pictorial, allowing<br />

performers to play an active role in the storytelling.<br />

20 minutes<br />

Choral Works Christmas<br />

Choral Leaflets/Octavos Christmas<br />

Silent Night<br />

Soprano duet and SATB (with divisions)<br />

unaccompanied<br />

Vocal score 9780193526433<br />

Digital 9780193538764<br />

In this beautiful, atmospheric arrangement of Franz<br />

Gruber’s ‘Silent night’, <strong>Sarah</strong> <strong>Quartel</strong> employs choral divisi<br />

and unexpected harmonies to create a lush bed of sound<br />

over which the soprano duet soars.<br />

3 minutes<br />

This endris night<br />

SSAA or SATB unaccompanied or with handbells/<br />

percussion/organ<br />

SSAA Vocal score 9780193529144<br />

SSAA Digital 9780193531703<br />

SATB Vocal score 9780193531987<br />

SATB Digital 9780193539648<br />

<strong>Sarah</strong> <strong>Quartel</strong> brings a fresh take on a familiar fifteenthcentury<br />

text in this carol for upper voices. The dialogue<br />

between Mary and the infant Jesus is woven to a beguiling<br />

folk-like melody, in 6/8 metre, through each of the voice<br />

parts, with each verse ending in the lilting refrain ‘Lully, by<br />

by, lullay’.<br />

3 minutes<br />

Wexford Carol<br />

SATB and piano<br />

Vocal score 9780193551244<br />

Digital 9780193551251<br />

<strong>Quartel</strong>’s arrangement of this well-known Irish carol is<br />

distinctly refreshing, characterized in part by its charming<br />

and sparkling piano part. The middle section offers<br />

an opportunity for both the choir and pianist to shine<br />

individually, and explores further the beautiful modal<br />

harmonies of the original melody.<br />

4 minutes<br />

Solo Voice<br />

All the Way Home<br />

Solo voice and piano<br />

High voice Digital 9780193547421<br />

Low voice Digital 9780193547438<br />

This work was inspired by the Radcliffe Ladies’ Choir and<br />

their motto: “Friendship through singing.” The lilting vocal<br />

lines are underpinned by a delicate piano part, and the<br />

opening performance direction “contentedly rocking”<br />

describes the overall nature of the piece: easygoing,<br />

peaceful, and content. Popular as an SSA and SATB choral<br />

piece, it has now been skillfully adapted as a vocal solo<br />

with piano accompaniment for high or low voice.<br />

3.5 minutes<br />

Blow, blow, thou winter wind<br />

Solo voice and piano<br />

High voice Digital 9780193547445<br />

Low voice Digital 9780193547452<br />

This atmospheric setting of words from Shakespeare’s As<br />

You Like It is sprightly and uplifting, with the singer being<br />

asked to perform with “a bit of frost and a knowing smile.”<br />

Musically it includes mixed meters and great voice leading.<br />

This unique and meaningful winter feature for SSA and<br />

SATB choirs has now been skillfully adapted as a vocal solo<br />

with piano accompaniment for high or low voice.<br />

2.5 minutes<br />

I remember<br />

Solo voice and piano<br />

High voice Digital 9780193549524<br />

Low voice Digital 9780193549531<br />

Here is a lyric beauty with lovely legato lines, a gorgeous<br />

piano part, and a picturesque text. “In my song there’s a<br />

race through a wild green meadow, the sunshine so bright<br />

in my eyes...” Popular as an SSA and SATB choral piece, it<br />

has now been skillfully adapted as a vocal solo with piano<br />

accompaniment for high or low voice.<br />

3.5 minutes<br />

In Time of Silver Rain<br />

Lux Aeterna<br />

Solo voice and piano<br />

High voice Digital 9780193547742<br />

Low voice Digital 9780193547759<br />

Taken from Sanctum, a setting of the Requiem text for<br />

upper voices, Lux aeterna features a simple and gentle<br />

melody supported by a new piano part in this arrangement<br />

for high or low solo voice with piano accompaniment.<br />

2 minutes<br />

Snow Angel<br />

Solo voice and piano<br />

High voice Digital 9780193558885<br />

Low voice Digital 9780193558892<br />

With words by the composer, this mesmerising piece<br />

comes from the large-scale work, Snow Angel, and<br />

celebrates the coming of winter and the everlasting nature<br />

of music. Includes an optional cello part. Also published in<br />

Oxford Solo Songs: Christmas.<br />

3 minutes<br />

This endris night<br />

Solo voice and piano<br />

High voice Digital 9780193558953<br />

Low voice Digital 9780193558960<br />

<strong>Sarah</strong> <strong>Quartel</strong> brings a fresh take on a familiar fifteenthcentury<br />

text in this enchanting carol. Also published in<br />

Oxford Solo Songs: Christmas.<br />

3 minutes<br />

Solo Voice<br />

Solo voice and piano<br />

High voice Digital 9780193549548<br />

Low voice Digital 9780193549555<br />

<strong>Quartel</strong>’s lyrical setting of a Langston Hughes poem has<br />

a lilting melodic line and an effective piano part. Popular<br />

as an SSA and SATB choral piece, it has now been skillfully<br />

adapted as a vocal solo with piano accompaniment for<br />

high or low voice.<br />

2.5 minutes<br />

10<br />

11

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