Confessional

Christos Hatzis
Confessional
Violoncello and Orchestra
Facsimile Study Score
PROMETHEAN EDITIONS
WELLINGTON

Christos Hatzis
Confessional
Violoncello and Orchestra
Facsimile Study Score
Score version January 2023
Confessional, for orchestra and solo violoncello, was commissioned by
Shauna Rolston with funding support from the Canadian Broadcasting
Corporation (CBC) and the City of Toronto through the Toronto Arts Council.
The work was premiered by Shauna Rolston (vc), CBC Radio Orchestra,
under Mario Bernardi (cond) at the Chan Centre for the Performing Arts,
Vancouver, BC, Canada on 25 October 1998.
This edition is a facsimile of the original score provided by the composer.
PEFCHCO
© 1997 Promethean Editions Limited
PO Box 10143
Wellington
NEW ZEALAND
www.prometheaneditions.com
+64 4 473 5033

Programme Notes
The composer writes:
Confessional is based on the chant “Τον νυμφώνα Σου βλέπω Σωτήρ μου
κεκοσμημένον” (“I behold your bridal chamber my Lord, and I wear not the
proper vestments to enter”) sang in Greek Orthodox churches on the eve
of Palm Sunday. The chant is stated twice in its entirety at the outset by the
cello and reappears in various guises throughout the composition.
While the intervallic and melodic content of this chant and its constant
metamorphosis account for most of the melodic and harmonic material,
it is the literal and metaphorical content of the text, which has been the
driving force for the formal unfolding of the composition. The soloist leads
the orchestra away from the stability of the home environment symbolized
by the chant and its supporting drone into an adventure full of unexpected
turns. The original language of the chant—the musical language, that
is—is being constantly translated and modified to ascribe meaning to, and
become meaningful within, the newly discovered and increasingly bizarre
soundscapes, as the voyaging soloist and the orchestra constantly distance
themselves from home.
At the same time, the chant acts like a compass, an inner voice, always
pointing the way back. The voyage itself is full of contradictions; there is
transcendence and banality, forward drive and nostalgia (particularly at the
point where the chant morphs into the well-known theme from Brahms’
Third Symphony) complexity and utter simplicity, usually all within a few
measures from each other. The deeper meaning of the text, the ability to
see, feel and desire transcendence pitted against a sense of impotence in
realizing such lofty a pursuit, gives the body of the composition its necessary
psychological truth, which over the years has become the only means of
establishing musical continuity in my work.
This entrenchment between opposites reaches its climax at the very end of
the work. The cello soloist and some other solo instruments of the orchestra
literally ride on top of a long slow fugal exposition of the chant by the
strings in independent rhythmic and melodic configurations. The tension is
eventually resolved by the soloist who literally ‘shuts-off’ the orchestra at the
point where in a textbook concerto situation the cadenza would normally
take place. Instead of a candenza, the soloist reinstates in resignation the
first phrase of the chant, this time without the accompanying drone. The
safety and stability of the drone, the dogma or backbone of a certain belief
system, has now been abandoned in favour of personal communion and the
contrition and humility that come with it.
The reinstatement of the chant by the soloist is no longer a credo as in
the beginning. It is a confessional, singing to the words “I see your bridal
chamber my lord....” with no proper vestments to conclude the musical
undertaking.

Instrumentation
Cello Solo
2 Flutes
2 Oboes (2nd doubling English Horn)
2 Clarinets in BÏ (1st doubling on EÏ)
2 Bassoons
4 Horns in F
2 Trumpets in BÏ
2 Trombones
Tuba
Harp
Percussion (2 Players)
Celesta, Marimba, Vibraphone, 2 Timpani, Bass Drum,
Orch. Cymbals, Suspended Cymbals, Gong in low A, Tam-tam,
Temple Blocks.
Strings
SCORE IN C

Programme Notes
To achieve a satisfactory balance between the soloist and the ensemble, it
may be necessary to amplify the solo cello slightly (it should not be perceived
by the audience as being amplified) with a single speaker located close or
behind the soloist.
Pitch bends are an important aspect of the composition and are notated in
the following manner:
(1) as a quick bend to the upper neighbour note and back—that would be
the upper neighbour in the scale or mode in use at the time—notated as:
(2) as a quick bend to the lower neighbour and back, notated as:
(3) as a written out glissando. The beginnings and endings of the glissandi
are precisely notated. The instrumentalists and particularly the soloist should
make sure that the beginning and ending pitches of each glissando are
clearly heard. In all cases, pitch bends should be reminiscent of bending
techniques employed in the performance of middle-eastern and/or fareastern
music.
The cello soloist is frequently asked to play pitch bends on two strings
simultaneously with a note held on one string while gliding on the other
either towards or away from the held pitch. In such cases the soloist should
invariably apply heavier pressure on the string with the glissando. Again,
the overall effect should be reminiscent of similar practices in jazz, pop and
world music.
Acknowledgments
I would like to thank Shauna Rolston, to whose uncommon artistry
Confessional is dedicated, for her support and encouragement. I would
also like to thank Erik Ross, my former student, colleague and friend for
the innumerable hours he has spent proofreading, editing, copying and
extracting parts. Also thanks to the Canadian Broadcasting Corporation
and the Toronto Arts Council for generously providing the funds for the
commission.
– Christos Hatzis.

nena
e and ea
Solo Cello
q = 55
F
.
,
a
.
Vc.
1-3
4-6
∑
∑
∑
∑
∑
∑
∑
∑
.
π
.
π
( )
ª ª
Solo Vc.
5
- -
6
.
.
( F)
Vla.
Vc.
D.B.
∑
.
() >
P p
.
p
∑
.
.
∑
∑
.
.
∑
∑
.
.
∑
∑
sul tasto
. .
P
.
.
.
p
∑
.
sul tasto
. .
P
.
1997 a ()
eeed

-2-
Solo Vc.
11
(
> ) ( >
)
()
. >
.
(
>
) ( . > )
.
¯
- -
.
3
Vla.
∑
∑
sul tasto
. .
.
.
Vc.
D.B.
.
p
.
naturale
.
.
ª ª
Solo Vc.
15
- - -
F
> .
Vla.
.
∑
.
∑
.
∑
.
∑
. .
P
.
Vc.
D.B.
P
sul tasto
.
naturale
.
p
.
.
.
.
.
.
.

-3-
Solo Vc.
20
∑
( >
)
F
(
> ) (
> )
.
Vln. 2
Vla.
1-4
5-7
1-3
4-6
∑
∑
∑
∑
sul tasto
P
sul tasto
p
sul tasto
∑
P
1-3
.
∑
Vc.
D.B.
4-6
sul tasto
.
P
.
.
∑
∑
ª ª
Solo Vc.
22
Vln. 2
. .
.
..
.
.
.
.
p
Vla.
...
∑
.
∑
.
p
sul tasto
.
p

-4-
Solo Vc.
25
- -
F
-
.
-
.
Vc.
D.B.
p
1-3
naturale
4-6
P
∑
.
p
∑
.
.
∑
div.
sul tasto
.
.
.
. .
P
ª ª
Bn. 1
29
∑
P
P
Solo Vc.
F
.
.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
con sordina
unis.
con sordina
..
∑
. .
p
p
.
pizz.
∑
. .
p
pizz.
. .
p
unis.
pizz.
. .
∏
div.
∑
. .
. .
. .
naturale
unis.
con sordina
P
.
.
.
div.
.
p P
∑
∑
∑

-5-
Bn. 1
34
P
,
.
p
∑
∑
Solo Vc.
- - -
.
,
.
p
Vln. 1
Vln. 2
Vla.
.
∑
-
unis.
-
-
-
-
.
.
.
unis.
.
π
< < < <
<
<
π <
∑
Vc.
D.B.
∑
∑
unis.
p
π
∑
∑
∑
∑
∑
∑
ª ª
Bn. 1
Solo Vc.
39
P
F
( >
)
()
>
3
()
>
. ()
> (
.
> ) .
P
3
Vln. 1
Vln. 2
Vla.
p
.
p
∑
div.
∑
∑
∑
Vc.
D.B.
. .
p
. .
∏
. .
. .
.
.

-6-
Bn. 1
42
3
3
P
Solo Vc.
- -
.
- - -
Vln. 1
Vln. 2
Vla.
p
p
div.
.
.
unis.
3
3
∑
3
P
3
P
Vc.
D.B.
∑
∑
∑
∑
p
p
P
P
ª ª
Bn. 1
45
∑
∑
p
3
3
F
Solo Vc.
> .
.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
unis.
∑
∑
∑
π
π
3
3
P
3
p
p 3
p 3
3
3
3
F f
f
f
f
F

-7-
Fl. 1
Fl. 2
Cl. 1
Cl. 2
Perc. 1
48
p
∑
∑
π
p
π
∑
o
p
o
p
Susp. Cymbal
Very Soft Mallets
.
æ
∏
∑
∑
o
o
o
.
æ
o
o ∑
∑
o
o
o
Perc. 2
Celesta
P
p
Harp
Solo Vc.
F
() >
() >
() > .
f
.
π
o .
F
∑
∑
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
.
p
.
p
.
p
.
p
1
o o o o
F
2
o o o
F o
∏
o o o
o
o
o o o
o o o o
o o o
o
o
o
o o o o o
o
.
o
p
o
p
∑
∑
∑
.
∑
∑
∑
∑
∑

-8-
Fl. 1
51 o
o 3
∑
∑
Fl. 2
o 3
o
∑
∑
Cl. 1
Cl. 2
∑
∑
∑
∑
6
6
.
.
.
p
.
3
6
.
p
3
.
. .
1 & 2
Hn.
3 & 4
∑
∑
.
P
.
P
.
.
Tuba
∑
p
-
Perc. 1
.
æ
∑
∑
Perc. 2
∑
low gong in
π
∑
Solo Vc.
- - -
F
.
-
Vln. 1
.
∑
P

-9-
Solo Vc.
54
.
.
U
.
"
f
U
Vln. 1
,
.
. .
.
U
Vln. 2
Vla.
,
.
p
π
,
. .
.
. . U
.
U
U
ª ª
Solo Vc.
q = 120
57
. . .
3
.
.
.
. . .
.
Vln. 1
Vln. 2
senza sordina
.
3
. 3
f
3
senza sordina
pizz.
f
.
3
3
.
.
3
3
3
.
3
.
div.
.
∑
.
.
.
Vla.
Vc.
∑
∑
∑
∑
pizz.
f
f
3
3
. 3
3
3
.
.
3
D.B.
∑
∑
∑

-10-
60
Fl. 1
∑
∑
Fl. 2
∑
∑
Cl. 1
∑
∑
Cl. 2
∑
∑
Solo Vc.
. .
. .
.
.
.
.
. > . > . >
Vln. 1
. . .
.
∑
Vln. 2
Vla.
arco
. .
.
3
. 3
.
3
.
unis.
.
pizz.
.
.
>
Vc.
.
3
.
.
3
.
. 3
3
3
3
D.B.
∑
∑

-11-
Fl. 1
Fl. 2
Cl. 1
Cl. 2
62
∑
∑
∑
∑
.
p
p
p
p
Solo Vc.
. . .
.
.
>
p
Vln. 1
.
. .
.
.
.
Vln. 2
.
∑
Vla.
∑
Vc.
.
. 3
.
3
.
.
3
3
3
3
D.B.
∑
∑

-12-
Perc. 2
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
64
∑
∑
∑
∑
∑
∑
∑
>
>
f
∑
( pizz. )
.
f
( pizz. )
f
pizz.
senza sordina
g
f
p
∑
. .
f
3
. 3
f
∑
∑
Marimba
æ
>
. . .
3
.
div.
3
p
3
3
3
.
∑
∑
f
3

-13-
Ob. 1
Cl. 1
68
∑
∑
>
æ
f p f
.
.
f
- .
.
æ
p
>
f
Tbn. 1
∑
∑
.
p
Perc. 2
. æ
π
>
f
æ
π
.
æ
p
f
Solo Vc.
.
.
>
.
>
.
.
.
>
g
Vln. 1
Vln. 2
3
3
. . .
div.
3
3
unis.
.
3
unis.
. .
3
3
.
3
.
3
Vla.
∑
∑
∑
Vc.
∑
∑
∑
D.B.

-14-
Bn. 1
71
.
>
F f
∑
∑
Tbn. 1
f
>
P f
>
f
∑
Solo Vc.
>
.
g
f
>
g
>
.
.
Vln. 1
∑
∑
∑
Vln. 2
∑
∑
∑
Vla.
∑
∑
∑
Vc.
D.B.
pizz.
.
f
..
∑

-15-
Oboe 1
74
∑
.
.
æ . .
F
æ
>
f
1 & 2
Hn.
3 & 4
Tpt. 1 & 2
Tbn. 1
∑
∑
∑
>
F
F
.
..
F
. .
∑
æ
æ
F
f
.
f
æ æ
∑
Perc. 1
Timpani
..
. .
F
∑
∑
Perc. 2
Solo Vc.
.
∑
.
.
f
ƒ
∑
.
. . .
>
Temple Bloc
æ
p
Vln. 1
∑
∑
∑
Vln. 2
∑
∑
∑
Vla.
∑
∑
∑
Vc.
D.B.
arco
pizz.
.
>
F ƒ f
∑
∑

-16-
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
77
∑
∑
f
.
f
∑
∑
∑
∑
.
æ >
ƒ
.
æ >
ƒ
∑
∑
.
f
.
f
∑
∑
f
.
f
1 & 2
Hn.
3 & 4
Tpt. 1 & 2
.
f
.
f
>
>
f
.
æ >
ƒ
.
æ >
ƒ
.
æ >
ƒ
∑
∑
∑
Perc. 1
Perc. 2
Solo Vc.
>
æ
f
P
∑
∑
∑
. >
æ
∑
ƒ
Bass Drum
F
.
f
.
∑
ƒ
.
.
Vc.
D.B.
. .
∑
∑
∑
ƒ
p

Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Bn. 1 & 2
1 & 2
Hn.
3 & 4
Perc. 1
Perc. 2
Harp
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
80
..
Susp. Cymbal
(soft mallets)
> .
1-4
5-8
1-4
5-7
1-3
4-6
ƒ
æ
p
æ
p
∑
∑
∑
∑
æ
∑
π
∑
sul ponticello
∑
∑
∑
∑
∑
∑
∑
6
6
6
6
()
6
()
6
.
æ
f
æ
.
f
()
6
()
6
6
∑
∑
∑
6
f
3
.
.
fi F
.
∑
æ
fi
pres la table
∑
pres la table
P
∑
F
fi
3
.
.
f
.
.
. . > . > . >
()
.
∑
π
ƒ
(
) .
∑
π
ƒ
(
) .
∑
π
ƒ
(
) .
∑
π
ƒ
()
.
∑
π
ƒ
(
) .
∑
π
ƒ
.
arco
-17-
a2
f
3
.
.
∑
∑
∑
∑
∑
∑
∑
.
.
Bass Drum
(soft beater)
∑
.
F
F

-18-
Ob. 1 & 2
83
a2
> .
æ
f
æ .
æ
.
>
ƒ
∑
1 & 2
Hn.
3 & 4
Tpt. 1 & 2
Solo Vc.
..
..
> . .
ƒ
æ æ æ
æ
P
a2
12
o o o
o
o
o
o
o o
f
F
a2
6
+
o
p
>
.
>
f
>
6
>
6,
>
.
∑
∑
∑
> .
Vln. 1
∑
∑
∑
Vln. 2
∑
∑
∑
Vla.
∑
∑
∑
Vc.
∑
∑
∑
D.B.
.
∑

-19-
86
Cl. 1
Bn. 1
Bn. 2
∑
∑
∑
∑
-
P
.
P
∑
π
sempre
∑
∑
∑
∑
Hn. 1
∑
∑ -
P
∑
∑
Tbn. 1
∑
P
3
∑
∑
Tam tam
Perc. 1
∑
∑
(timpani stics)
æ
∑
∏
æ fi
P
Solo Vc.
.
-
∑
.
. .
F
Vla.
Vc.
1-2
3-4
5-6
1-2
3-4
5
6
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
æ
∏
æ
∏
æ
∏
æ æ æ æ
∏
æ æ æ
∏
.
æ
æ
∏
æ
∏
æ æ
æ
nat.
æ
F
æ æ
nat.
. æ
F
æ
nat.
æ
F
nat.
æ æ
F
nat.
æ æ F
nat.
æ æ
F
nat.
æ æ
F

-20-
Fl. 1
Fl. 2
Perc. 1
Perc. 2
Harp
Solo Vc.
90
..
. > .
∑
∑
Timpani
(wooden bac of stics)
Vibraphone
(fast vib.)
∑
∑
∑
.
F
æ
π
æ
π
.
.
p
3
π
-
3
o
π
.
3
o
. .
3
æ .
P
æ .
P
.. .
.
o .
> . .
.
∑
1-2
∑
∑
∑
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
3-4
5-6
7-8
1-3
4-5
6-7
1-3
sul tasto
4-6
æ
π
..
sul tasto
∑
∑
∑
∑
∑
∑
æ
π
∑
pizz.
F
sul tasto
sul tasto
sul tasto
3
π
æ
æ
π
æ
π
æ æ æ
π
æ
π
æ
π
æ
æ
unis.
pizz.
F
3
æ
∑
æ
æ
æ
æ
æ
æ .
æ
æ
æ æ .
æ æ
F
æ æ
F
æ
F
æ
F
æ æ æ
F
æ æ æ æ
F
æ æ æ æ
F
æ æ æ æ
F
∑
. .
F

Fl. 1
Fl. 2
93
.
.
3
3
æ
π
æ
π
-21-
æ
æ æ
æ
P
æ æ
æ
P
∑
∑
Perc. 1
Perc. 2
Harp
Solo Vc.
.
∑
3
π
3
o
o
π
p
F
.
. . .
. .
g 3
3
∑
∑
o o
o
Timpani
Bass Drum
p
∑
∑ ∑ ∑ ∑ ∑
3
3
∑ ∑
3
p
.
P
.
P
fi
.
.
p
3
∑
. .
.
3
3
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
.
.
.
æ
π
æ
π
æ
æ æ
π
.
æ æ .
div.
arco π
sul tasto
.
.
πæ
.
∑
∑
∑
3
3
æ
π
æ
π
æ
sul tasto
æ .
p
.
æ
æ .
æ
p
æ æ
æ
p
æ
F
æ æ
æ
F
æ æ æ
F
æ
æ æ
F
æ æ
æ
F
æ æ æ
æ æ
F
æ
æ æ æ
F
æ æ æ
F
æ æ æ
F
∑
∑
unis.
pizz.
.
F
(
.
)
F
∑
∑
∑
∑
∑
∑
∑
∑
∑

-22-
Fl. 1
Fl. 2
Perc. 1
Perc. 2
Harp
96
∑
.
æ
π
∑
π
o
π
∑
o
æ
π
æ æ æ
æ æ æ
æ
∑
o o
o
∑
æ
o
P
æ .
F
æ .
F
Timpani
.
fi F
.
P
.
∑
Solo Vc.
..
> .
. . . . .
.
.
> .
.
,
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
∑
∑
∑
∑
∑
.
æ
p
.
æ
æ
π
.
π
æ
π
∑
∑
æ
æ æ
æ
P
æ
æ
æ æ
P
.
æ
æ æ
æ
p
æ æ
.
æ æ æ
p
æ æ
. æ
æ æ
p
æ æ
.
æ æ
æ
æ æ .
æ æ .
æ æ .
∑
∑
æ
æ
æ
æ
æ .
F
æ .
F
æ . .
F
æ .
F
æ
F
.
æ .
F
æ .
F
æ
.
F
æ
.
F
.
F
∑

-23-
Fl. 1
Fl. 2
Perc. 1
Perc. 2
Harp
Solo Vc.
99
p
.
.
..
3
.
∑
∑
∑
.
.
3
π
. .
3
æ
æ æ
æ
p
æ æ æ
æ
p
.
.
F
o o o o
o
π
.
> .
.
æ æ æ æ
f
æ
æ
f
.
.
o
p
3
.
o
P
P
.
.
3
. .
3
Vln. 1
Vln. 2
Vla.
∑
∑
∑
∑
∑
∑
.
æ
p
∑
æ æ æ
æ æ
P
æ
P
.
æ
P
æ
P
æ æ
p
æ æ æ
æ
æ
æ æ æ
æ
æ
æ æ
æ
p
æ æ
æ
∑
æ æ
æ
æ
æ æ
æ
æ
f
æ
f
æ æ
æ æ
f
æ
æ
f
æ æ
f
æ
f
æ
f
∑
Vc.
D.B.
( )
F
.
.
.
F
∑
( )
f

-24-
102
Fl. 1
F. 2
∑
∑
∑
∑
æ æ æ
æ
p
æ
æ æ
æ
p
Perc. 1
Perc. 2
Harp
. .
F
∑
∑
∑
...
.
∑
p
o
p
.
F
.
.
o o o
o
∑
Solo Vc.
>
.. .
>
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
unis.
(sul tasto)
. .
F
() .
F
∑
∑
∑
∑
∑
∑
∑
æ æ .
p
∑
∑
∑
∑
∑
..
æ
p
æ
æ
p
æ æ
æ æ
P
. .
F
∑
æ
p
æ
æ
()
f
.
æ
p
æ
P
æ .
P
æ .
P
æ æ
æ æ
P
æ æ
æ
æ
æ
æ
æ
æ æ æ

-25-
Fl. 1
Fl. 2
Perc. 1
Perc. 2
Harp
105
æ
æ
æ æ æ
...
o
.
æ
.
æ
f
f
o P
o .
∑
F
.
f
fi
meno mosso (q = 100)
∑
∑
.
.
∑
∑
∑
rit............molto.......... (q = 40)
∑
∑
∑
∑
∑
∑
,
Solo Vc.
.. .
>
ƒ
.. .
U
,
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
æ æ
æ æ .
æ
æ
æ æ
æ
æ
.
æ æ
æ
æ .
æ
æ
æ .
æ
f
æ
æ
f
æ
f
æ
æ .
f
f
æ
f
æ
æ
F
f
. .
f
∑
ƒ
∑
∑
∑
∑
∑
∑
∑
æ .
P
∑
∑
∑
∑
∑
∑
∑
,
æ æ
æ æ .
æ
F p P p
∑
∑

-26-
Fl. 1
Fl. 2
Ob. 1 & 2
Cl. 1
Cl. 2
Bn. 1 & 2
1 & 2
Hn.
3 & 4
Tpt. 1 & 2
Tbn. 1 & 2
Tuba
Perc. 1
Harp
108
π
π
q = 86
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
.
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
(timpani)
f
a2
fl
6
fl
6
>
>
f
6
6
>
>
f
a2
fl
f
f fl˘
f
fl
f
˘
f
fl
f
fl
fl˘
fl
˘
fl
>
>
6
f
˘
6
6
6
>
6
>
˘
fl˘
fl
˘
fl
f
>
f
hard stics
g
>
g
Piccolo
f
>
g
>
˘
6
>
6
6
>
˘
fl˘
fl
˘
fl
>
g
fi
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
3
p
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
naturale
non div.
naturale
non div.
naturale
non div.
arco
div.
arco
f
.
˘
f
fl
˘
f
fl
f
fl
f
˘
fl
˘
fl
fl
˘
fl
˘
fl
fl
π
˘
fl
˘
fl
fl

-27-
Solo Vc.
111
.
q = 120
. . .
3
f
.
Vln. 1
Vln. 2
∑
∑
f
. 3
3
pizz.
f
.
3
.
3
3
.
.
3
3
3
.
Vla.
∑
∑
∑
Vc.
∑
∑
∑
ª ª
Solo Vc.
114
. >
. > . > .
6
>
. >
. > . > .
6
f
Vln. 1
3
. .
∑
Vln. 2
∑
∑
Vla.
Vc.
unis.
pizz.
.
f
f
3
. .
. .
> .
f
> .
f

Fl 1
fl2
ob 1 & 2
cl 1
cl 2
bn 1 & 2
1 & 2
HN
3 & 4
TpT 1 & 2
TB 1 & 2
Tuba
perc 1
harp
116
q = 86
Piccolo
a2
a2
>
>
6
6
6
f
>
f
˘
f
6
˘
6
6
6
>
f
6
6
>
f
˘
f
ffl
˘
f
f
fl
˘
f
6
. . .
> 6
> 6
˘
fl
˘
fl
˘
˘
fl
˘
fl
˘
fl fl fl
f
f
>
>
>
f
gg
gg
gg
6
-28-
q = 120
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
solo vc.
vln 1
vln. 2
Vla.
Vc.
DB
. > .
3
˘
non div.
arco f
non div.
f
fl
arco ˘
non div.
˘ f
div.
ffl
f fl
˘
fl˘
fl
fl
p
˘
fl˘
fl
fl
.
∑
∑
∑
∑
∑
unis.
.
f
.
3
.
∑
∑
∑
3 3
. .
F
f
∑
3
.
∑
∑
∑
∑
∑

Fl 1
Fl 2
oB 1 & 2
cl 1
Cl 2
Bn 1 & 2
1 & 2
HN
3 & 4
TPT 1 & 2
TB 1 & 2
tuba
120 >
>
6
6
6
f
>
> . . .
6
6
6
f
˘
˘
˘
f
6
6
>
f
6
6
> . .
.
f
˘
˘
˘
f
f fl fl fl
˘
˘ ˘
f
fl fl fl
f
˘
˘
˘
f
fl fl fl
f
-29-
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
q = 86
>
6
6
>
f
>
>
6
6
f
˘
˘
f
6
>
>
f
6
6
>
f
˘
f
f fl
˘
f
fl
f
˘
f
fl
f
6
>
˘
fl
˘
fl
˘
fl
q =60
ritard........
∑
(to flute)
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Perc. 1
Harp
f
>
>
>
f
gg
gg
gg
∑
∑
∑
f
>
>
f
gg
gg
∑
∑
∑
solo vc
vln. 1
vln. 2
vla.
vc
D B.
˘
f
f
fl
˘
f
div.
fl
f
fl
f
˘
fl
˘
fl
fl
˘
fl
˘
fl
fl
∑
∑
∑
∑
∑
.
ƒ
˘
f
f
fl
˘
f
fl
f
fl
f
˘ p
fl
˘
fl
fl
.
∑
∑
∑
∑
∑
ƒ

-30-
Fl. 1
124
= 43
p
Fl. 2
Ob. 1
Eng. Hn.
espressivo
P
p ,
Cl. 1
p
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
p ∏
unis.
con sordina
Ø
con sordina
( )
Ø
π
π
con sordina
con sordina
con sordina
espressivo
π
π
P
,

-31-
Fl. 1
129
π
Fl. 2
Ob. 1
Eng. Hn.
Cl. 1
π
p
π
Cl. 2
π
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
∏
∏
π
p

-32-
Fl. 1
133
p
Fl. 2
Ob. 1
Cl. 1
Cl. 2
3
p
P
p
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
,
π
π
P
π
()
π
,

-33-
Fl. 1 & 2
137
p
p
Ob. 1
Cl. 1 & 2
Bn. 1 & 2
p
π
1
p
Hn. 1
P
Solo Vc.
espressivo
π
P
F
7
p
P
Vln. 1
Vln. 2
Vla.
Vc.
senza sordina
senza sordina
senza sordina
senza sordina
3
3
π
π
3
p
p
D.B.
senza sordina
pizz.
p

-34-
Fl. 1 & 2
141
p
Ob. 1
Cl. 1
p
Bn. 1
Hn. 1
,
P
P
Solo Vc.
6
7
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
3
3
3
π
3
π
p
p
p

-35-
Fl. 1 & 2
Ob. 1
Cl. 1
Bn. 1
143
F
π
7
p
1
P
P
Solo Vc.
Vln. 1
Vln. 2
3
3
3
. -
-
p
.
- .
3
- .
-
Vla.
Vc.
D.B.

-36-
Fl. 1
146
Œ = 86 (‰=Œ)
,
Ob. 1
,
Cl. 1
Bn. 1 & 2
P
3 3
,
6
. .
.
. .
.
p
Solo Vc.
∑∑∑∑∑∑
6
F
∑∑∑∑ ∑∑
6
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
3
3
3
p
π
p
3
arco
3
3
p
p
p
3
. . . .
P

-37-
Fl. 1
149
P
Ob. 1
Cl. 1
Bn. 1 & 2
6
.
.
P
P
3
3
Solo Vc.
∑∑∑∑∑∑
6
6
7
f
p
Vln. 1
Vln. 2
6
6
. . . .
. .
. . . . . .
3
3
Vla.
Vc.
π
p
D.B.

-38-
Fl. 1
151
,
Ob. 1
,
Cl. 1
Bn. 1 & 2
3
3
.
6
. .
.
.
.
p
Solo Vc.
Vln. 1
Vln. 2
3
3
p
3
,
∑ ∑ ∑ ∑ ∑ ∑
6
F
∑ ∑ ∑ ∑ ∑ ∑
. .
.
6
6
Vla.
Vc.
D.B.
3
p
P
p

-39-
Fl. 1
153
P
Ob. 1
Cl. 1
Bn. 1 & 2
3
.
P
P
Solo Vc.
∑∑∑ ∑∑ ∑
6
6
7
f
p
Vln. 1
Vln. 2
6
6
. . . .
.
. . . . . .
3
3
Vla.
Vc.
D.B.
π
p

-40-
Fl. 1 & 2
Ob. 1 & 2
Cl. 1
Bn. 1 & 2
(1)
155
,
,
p
p
. < < <
p
. < < <
p
6
3
. . .
F
.
.
. - - -
.
- - -
3
.
.
Solo Vc.
6
, ∑
∑ ∑ ∑
∑
∑ ∑∑ ∑∑∑
6
P
∑ ∑∑∑∑∑
6
6
7
Vln. 1
Vln. 2
3
p
3
3
Vla.
Vc.
D.B.
3
p
pizz.
p
pizz.
p
pizz.
p

-41-
Fl. 1 & 2
158
Ob. 1 & 2
Cl. 1
Bn. 1 & 2
π
P
p
6
Harp
p
Solo Vc.
F
,
,
P
6
6
3
3
Vln. 1
Vln. 2
Vla.
Vc.
D.B.

-42-
Fl. 1 & 2
160
a2
f
3
6
Cl. 1 & 2
Bn. 1 & 2
1 & 2
Hn.
3 & 4
Tpt. 1 & 2
(1)
F
a2
a2
F
F
. < <
<
f
7
7
a2
6
f
. <
<
f
. <
<
f
. ¯
¯
f
6
Perc. 1
Harp
Bass Drum
F
f
fi
Solo Vc.
. . .
F
. <
f
Vln. 1
Vln. 2
Vla.
7:3
F
7:3
F
div.
div.
˘ < < <
f
fl ¯ ¯
¯
f
Vc.
D.B.
(pizz.)
f
(pizz.)
f

Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
Bn. 1 & 2
. < < < <
163
f P
.
< <
< <
P
1
6
3
.
. .
f
-43-
. < < <
.
.
< < < .
3
Harp
Solo Vc.
.
∑ ∑ ∑ ∑ ∑ ∑
3
3
∑∑∑∑∑
6
6
Vln. 1
Vln. 2
Vla.
(pizz.)
Vc.
D.B.
P
P

Fl. 1 & 2
Ob. 1 & 2
Cl. 1
Cl. 2
Bn. 1 & 2
. < <
<
. < < <
165
a2
.
.
3
F
. < < <
. < < <
3
-44-
3
1
<
f
6
.
f.
f
6
f
Harp
F
Solo Vc.
.
3
∑∑
3
∑ ∑ ∑ ∑ ∑ ∑
6
6
6
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
unis.
6
. .
f
unis.
6
. .
f
arco
f
arco
f
3
.
.
3
.
3
.
3
3
∑∑
∑∑
3
3
3
6
∑ ∑ ∑ ∑ ∑ ∑
∑ ∑ ∑ ∑ ∑ ∑
6
,
6
6
6
6

-45-
Cl. 1
Cl. 2
BN. 1
1 & 2
Hn.
3 & 4
Tpt. 1 & 2
Tbn. 1
Tuba
Perc. 1
Perc. 2
Harp
Solo Vc.
Vln. 1
Vln. 2
Vla.
167
. . . .
> . . . >
. . . >
3
3
3
6
6
3
6
3
6
>
f
.
.
p
. . . . . . . . . . . . . .
. . . . . . .
. . . . . . .
p
. . . . . . .
. . . .
. . .
p
. . . . . . . . . . . . . .
. . . . . . . . . . . . . .
p.
. . . . . . . . . . . . .
p F
p F
.
. .
. . .
p
Bass
.
Drum
. . . . . .
p
Orch. Cymbals
. . . . . .
p
fi
ƒ
>
ƒ
>
ƒ
ƒ
>
ƒ

-46-
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
170
.
.
P
.
.
P
.
.
.
.
.
.
.
.
.
.
.
.
. .
. .
.
.
.
.
.
.
.
.
.
.
.
.
. .
. .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Bn. 1
P
Solo Vc.
f
.
6
. .
.
. .
6
.
6
3
6
Vln. 1
Vln. 2
6
P
3
6
Vla.
P
3
6
Vc.
D.B.

-47-
Cl. 1
Cl. 2
Bn. 1
172
F
. . . . >
3
3
6
.
f p
. .
6
6
. . . . . . . . .
3 6
-
3
. .
F
.
1 & 2
Hn.
3 & 4
. . . . . . .
p.
. . . . . .
. . . . . . .
.
. . . . . .
p
. . . . . . .
.
.
.
.
.
.
.
.
.
.
.
.
.
.
. . . . . . .
Tpt. 1 & 2
Tbn. 1
Tuba
. . . . . . .
p . . . . . . .
p F
.
. .
p
. . . . . . .
. . . . . . .
p F
.
.
.
Perc. 1
Bass Drum
.
p
. . .
.
. .
Perc. 2
Orch. Cymbals
.
p
.
.
.
.
.
Solo Vc.
.
3
ƒ p π
3
Vln. 1
Vln. 2
p
p

-48-
Harp
175
pres la table
πo o o o o o o o o
Solo Vc.
F
.
.
6
-
. .
.
.
6
-
. .
.
6
6
. .
. .
.
Vln. 1
Vln. 2
Vla.
non div.
pizz.
col legno battuto
. . . . . . .
p
col legno battuto
.
.
.
. . . .
p
g g
g
p
. . . . . . .
.
.
.
. . . .
g
g
g
. . . . . . .
.
.
.
.
.
.
.
g
g
g
ª ª
Harp
178
o o o
o o
Solo Vc.
6
.
. .
p
.
6
6
. .
. .
.
6
f
Vln. 1
. . . . . . .
. . . . .
.
Vln. 2
. . .
. . .
.
.
.
.
. .
.
Vla.
g
g
g
g
g

-49-
Perc. 2
Harp
181
Marimba
(soft mallets)
æ
π
æ
π
o o o o o
æ
æ
Solo Vc.
+ +
P
+ + +
F
.
.
6
-
. .
.
P
. . .
6
6
. .
Vln. 1
Vln. 2
Vla.
p
. . . . . . .
. . . . . . .
p
gg g g
p
. .
. .
g
.
.
g
ª ª
Harp
186
p
Solo Vc.
6
6
f
F
,
+
P
+
+

-50-
Perc. 2
190
æ
π
Harp
æ
o
Solo Vc.
.
. .
.
6
6
. .
6
6
3
f
gg
3
gg
Vln. 1
Vln. 2
Vla.
. .
p
.
.
p
g
p
. .
.
.
g
non div.
pizz.
non div.
pizz.
3
3
P
g g
3
3
g g
P
Solo Vc.
ª ª
194
3
gg
. .
ƒ
6
. .
6
. .
-
. .
F
+ + + +
.
. .
+ +
.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
g
g
3
gg
f
3
gg
f
non div.
pizz.
div.
pizz.
g >
f
g >
f
>
ƒ
(pizz.)
p
(pizz.)
p
>
F
>
F
.
.
. .
.
.

-51-
Hn. 1 & 2
198
a2
-
π
-
-
Solo Vc.
Vln. 1
+
+
.
.
π F
6
.
. .
P
. . . . . . .
6
.
. .
. . . . . . .
Vln. 2
Vla.
.
.
.
. . . .
.
.
.
. . . .
. . .
p
.
. . . .
p
ª ª
Bn. 1
Hn. 1 & 2
Tuba
Solo Vc.
Vln. 2
Vla.
Vc.
202
-
. . . .
. . . .
-
p
. . . .
π
. . . .
-
π
π
. . . .
π
pizz.
. . . .
π
-
-
. . . . . .
. . . . . . . .
-
. . . .
π
. . . .

-52-
Bn. 1
208
Bn. 2
.
.
.
p
.
.
.
Hn 1 & 2
-
-
p
Tbn. 1 & 2
Tuba
-
¯
p
a2
¯
¯
.
.
¯
¯
¯
.
Solo Vc.
-
-
.
F
Vln. 2
vla
vc
d.b.
unis.
arco
. .
. .
π
-
π
. . .
π
. . .
. . .
p
. . .
p
arco
pizz.
¯
p
P
¯
¯
.
.
¯
¯
¯
.

-53-
Bn. 1
BN. 2
213
.
.
.
<
p
<
.
< .
.
.
Tbn. 1 & 2
.
¯
¯
¯
.
.
Solo Vc.
. .
Vla.
Vc.
D.B.
.
¯
¯
¯
.
arco
p
3
¯
¯
¯
.
ª ª
Bn. 1
217
. <
<
< .
. <
<
< .
. . . .
. . . .
Bn. 2
.
.
.
.
.
.
Solo Vc.
. .
Vla.
. ¯
¯
< .
. <
< < .
.
. .
.
.
.
.
Vc.
.
D.B.

-54-
Bn. 1
Bn. 2
Hn. 1 - 4
221
F
<
p
a4
.
p
<
.
.
< .
. <
.
<
.
.
< .
.
. <
.
<
.
< .
Solo Vc.
f
.
() > . () >
,
(
> )
.
Vln. 2
Vc.
D.B.
arco
¯
¯
¯ .
p
F
P
. ¯
¯ ¯ .
. ¯
¯
¯
.
ª ª
Bn. 1
224
Bn. 2
.
.
.
.
.
.
Hn. 1 - 4
<
<
< .
. <
<
< .
Solo Vc.
. .
.
.
.
. >
Vln. 2
Vc.
IV
¯
¯
¯ .
. ¯
¯ ¯ .
D.B.

-55-
Bn 1
Bn. 2
228
(1)
.
.
.
.
p
.
.
.
.
.
Hn. 1 - 4
. .
.
. .
Solo Vc.
. .
.
.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
.
¯
¯
¯
.
P
P
P
P
arco
ª ª
Bn. 1 & 2
232
a2
.
.
.
.
.
.
.
.
2
.
.
.
.
Solo Vc.
.
(Bb bend)
. . . . >
ƒ
.
Vln. 1
Vln. 2
p
π
Vla.
Vc.
. ¯
. <
¯
<
¯
.
< .
. < < < .
. <
< < .
.
.
. . .
.
.
.
.
.
D.B.

-56-
Bn. 1
Bn. 2
236
F
. . .
p
.
.
.
.
.
.
Hn. 1 - 4
¯
p
¯
¯
.
. ¯
¯
¯
.
.
¯
¯
¯
.
Solo Vc.
. >
. > () ()
()
> .
.
Vla.
Vc.
D.B.
¯
p
¯
¯
.
F
P
. ¯
¯
<
.
. <
< < .
Fl. 1 & 2
Cl. 1 & 2
Bn. 1
Bn. 2
ª ª
239
q»¢§
p
p
rit.
q»•§
p
F
.
.
.
Hn. 1 - 4
Perc. 2
Solo Vc.
Vla.
Vc.
D.B.
. . .
Marimba
æ
Ø
(almost inaudible)
æ
sempre
æ
(q»•§)
.
f
(q»•§)
F
¯
p
¯
¯
.
>
- .
. ¯
¯
p
¯
¯
.
P

-57-
Bn. 1
245
Bn. 2
.
.
.
.
.
.
Hn. 1 - 4
. ¯
¯
¯
.
.
¯
¯
¯
.
Solo Vc.
.
() > . () >
()
> . .
. . .
Vla.
<
.
. <
< < .
Vc.
. ¯
¯
D.B.
ª ª
248
= 46
Fl. 1 & 2
p
Cl. 1 & 2
Bn. 1
Perc. 2
Solo Vc.
p
æ
æ
π
6
p
(Marimba)
(soft mallets)
æ
æ æ
P
æ æ
æ
3
3
æ
æ
æ
7

-58-
Fl. 1 & 2
252
∏
rit. = 32
Perc. 2
Harp
Solo Vc.
Vln. 1
Vln. 2
æ æ
3
non div.
pizz.
π
P
æ
o
(with the flesh of the fingers)
(with the flesh of the fingers)
III
o
æ æ
II
I o o3
o
o o o
o
II
non div.
pizz.
æ
III
æ
æ æ
π
æ æ
non vib.
o
3
æ
3
æ
ª ª
1 & 2
Hn.
3 & 4
255 = 48 rit. = 30 = 40 rit. = 42 molto rit. U
,
"
p
,
p
Perc. 2
Harp
æ
Ø
Solo Vc.
naturale
P
,
F
g
g

-59-
Cl. 1
Cl. 2
Bn. 1 & 2
Solo Vc.
257
p . . . . . .
p . . .
a2
F
= 86
f
. 3
.
. .
. .
.
.
. .
.
. .
.
6
Vc.
F
ª ª
Cl. 1
259
.
.
.
.
.
.
.
.
.
.
.
.
Cl. 2
Bn. 1 & 2
.
.
.
.
. .
.
.
.
.
Solo Vc.
pizz.
.
.
gg
arco
.
.
. .
. .
arco
gg
. . .
pizz.
.
.
.
Vc.

Bn. 1
Bn. 2
Hn. 1-4
262
. . .
.
F
F
.
a4
P
.
-60-
- . . .
. -
6
3
.
.
.
Solo Vc.
9:3
.
. .
9:3
.
. .
Vc.
D.B.
F
(pizz.)
F
ª ª
Cl. 1
Bn. 1
Bn. 2
264
6
3
F
. . -
.
. .
3
-
6
.
.
.
.
.
Hn. 1-4
Solo Vc.
Vc.
>
ƒ
. > .
6
>
. .
Ï
3
D.B.

-61-
Fl. 1
Cl. 1
Cl. 2
Bn. 1 & 2
266
2
.
f
.
a2
ƒ
. . .
. . . .
6
f
3
. .
6
6
. . ƒ
. .
.
F
3
.
.
3
Hn. 1-4
5
F
Tpt. 1
Tbn. 1
f
. . .
. . . 6
. . .
9:3
Tuba
6
f
. .
F
.
.
Perc. 1
Perc. 2
.
F
Bass Drum
Orch. Cymbals
.
P
. . .
.
.
Solo Vc.
.
.
-
. . 6
6
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
5
arco
f
arco
f
f
f
f

-62-
Fl. 1
Cl. 1
Cl. 2
268
.
. . . . . .
.
9:3
3
6
.
6
6
Bn. 1 & 2
.
.
.
Tpt. 1
< < ¯
¯
3
.
-
Tbn. 1
. . . .
.
Tuba
6
. .
3
6
.
.
.
Perc. 1
Perc. 2
Solo Vc.
.
.
.
. .
. . .
F
>
>
>
ƒ
>
>
>
>
> >
>
>
>
>
> >
Vln. 1
Vln. 2
Vla.
Vc.
D.B.

-63-
Fl. 1
Cl. 1
Cl. 2
Bn. 1 & 2
272
. . .
. . . .
6
f
3
. .
6
6
. . ƒ
. .
3
3
ƒ
.
F
.
.
.
. . . . . . .
9:3
3
6
.
6
6
.
.
.
Tpt. 1
Tbn. 1
.
. .
. f
. .
. . .
9:3
6
< < ¯
. . . . .
¯
3
.
-
Tuba
6
f
. .
F
.
.
6
. .
3
6
.
.
Perc. 1
Perc. 2
.
F
.
P
. . .
.
.
.
.
. . .
. . .
F
Solo Vc.
>
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
f
f
f
f
f

-64-
Tuba
Solo Vc.
D.B.
274
.
. .
.
.
.
. . . .
. . .
.
-
.
- <
ƒ
ª ª
Hn. 1 - 4
277
a4
F
. .
3
f
. . .
F
6
f
Solo Vc.
f
9:3
.
. .
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
F
F
3
F
F
arco
F
. -
3
.

-65-
Hn. 1 - 4
279
π
˘
F
Solo Vc.
9:3
.
. .
Vln. 1
Vln. 2
Vla.
Vc.
p
p
p
F
F
F
D.B.
ª ª
Hn. 1 - 4
Solo Vc.
282
.
F
6
. .
-
3
f
. . . 6
. . .
6
F
f
.
.
.
9:3
Vln. 1
Vln. 2
Vla.
3
. -
3
.
Vc.
D.B.

-66-
Solo Vc.
284
crescendo
. >
3
6
. . 3
>
. .
3
ƒ f ƒ f
. >
3
ƒ
3
.
>
6
. . .
.
6
Vln. 1
Vln. 2
Vla.
Vc.
p
p
p
f
f
f
D.B.

-67-
Fl. 1 & 2
Cl. 1
Cl. 2
Bn. 1
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tuba
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
287
. . . . a2
.
f
. .
. Clarinet in E
. . . . .
3
6
9:3
f
. .
. . . . . .
3
6
9:3
f
. . . . .
. . . .
. .
. .
.
.
. .
div.
f
sempre
f
>
Ï
f
con sordina
.
. .
. f
f
.
f
f
6
6
.
3
.
f
sempre
f
sempre
. > . - .
3
3
3
. . . .
9:3
6
. .
6
9:3
.
f
sempre
f
. .
. . .
.
.
.
.
.
6
6
. . .
6
. .
6
. . . . .
.
6
.
6
. . . -
3 3
.
.
. . 3
. .
. .
. . . .
3
.
. . . .
. . .
6
. . .
6
. .
.
. .
.
3
3
.
3
.

-68-
1 & 2
Hn.
3 & 4
289
cresc.
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
-
-
fp
Tbn. 1
6
. . .
f
Perc. 1
timpani
æ æ
p sempre
æ
æ
æ
() p
æ
P
Solo Vc.
ƒ
3
6
. >
3
.
. > .
>
6
3
.
. > .
>
3
>
.

-69-
Fl. 1 & 2
Cl. 1
Cl. 2
Bn. 1
Tpt. 1
Tpt. 2
Tbn. 1
Tbn. 2
Tuba
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
292
f
. .
3
6
f
. .
3
6
f
. .
. .
.
. . . .
.
f
. . . . .
. . .
f
.
f
.
f
f
f
6
6
.
3
.
. . . .
9:3
. .
. . . . . .
9:3
. . . .
. > . .
3
3
- .
3
.
. .
.
.
f
sempre
f
sempre
f
sempre
f
sempre
f
6
. . . .
9:3
. . .
6
9:3
. .
. . .
.
.
. . . .
6
6
. . 3
. .
6
. . . . . . . .
3
6
. . . . .
. .
. . . . . . .
. . . -
3
3
6
6
. . . .
.
.
6
3
.
.
.
3
. .
3
.
6
. . .

-70-
1 & 2
Hn.
3 & 4
294
cresc.
-
-
fp
-
-
fp
-
-
fp
- -
fp
-
-
fp
-
-
fp
-
-
fp -
fp -
-
f
-
p
-
-
fp
-
-
fp
-
-
fp
Tbn. 1 & 2
P
f
P f P f
Perc. 1
(timpani)
æ æ
p
æ
æ
æ
æ
P
Solo Vc.
3
6
. >
ƒ
3
.
. > .
>
6
3
.
. > .
>
3
3
.
> .
1 & 2
Hn.
3 & 4
ª ª
297
fp
f
fp
f
meno mosso (Œ=60)
f
f
ƒ
ƒ
a tempo
Tpt. 1 & 2
Tbn. 1 & 2
fp
fp
senza sordina
f
f
f
f
ƒ
ƒ
Perc. 1
æ
p
æ
F
æ
p
f
Solo Vc.
3
>
. 6
. .
III
>
IV
3
.
> > .
3

-71-
Solo Vc.
301
meno mosso
= 60
3
.
a tempo
= 86
3
>
.
ª ª
1 & 2
Hn.
3 & 4
304
meno mosso
= 60
a2
π
a2
π
P
P
U
U
Tbn. 1
>
f
U
Solo Vc.
>
3
. 3
>
> .
U U
p
D.B.
U
∏ π

-72-
Solo Vc.
308
5
5
5
5
III
o o o o II
I
o o o o o o o o o o o o o o o o
IV
P
III
II
Vln. 1
Vln. 2
Vla.
pizz.
pizz.
pizz.
P
P
P
arco
arco
arco
Solo Celli
1-2
3-4
5
sul tasto
non vib.
p
sul tasto
non vib.
p
sul tasto
non vib.
p
D.B.
( π)

-73-
312
Perc. 2
Harp
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
1-3
4-6
7-8
1-3
4-5
6-7
o
sul tasto
7:6
(loco)
æ æ æ æ æ æ
π
sul tasto
7:6
(loco)
æ æ æ æ æ
π
sul tasto
7:6
æ æ æ æ æ (loco)
π
sul tasto
7:6
æ æ æ
æ
(loco)
π
sul tasto
7:6
(loco)
æ æ
π
sul tasto
7:6
(loco)
æ
oooooooooπooo ooo ooo ooo ooo ooo ooo
π
P
D.B.
π

-74-
314
Perc. 2
Harp
Solo Vc.
7:6
æ æ æ
æ æ æ
Vln. 1
æ æ æ
7:6
æ
æ
æ æ æ
7:6
æ
æ
æ æ æ
7:6
æ
Vln. 2
æ
æ
7:6
Vla.
Vc.
D.B.
7:6
æ
ooo ooo ooo ooo ooo ooo
unis.
nat.
o o o o o o o o o o o o o
o
o o
o o
o o o o o o
ooo
oo o o o o o o o o
o oooo o
π
ooo
oo o o o o o o o o
o oooo o
π
o
o
o
o
o
o
o
o
o
o
o
o
o
o

-75-
Perc. 2
316
Harp
Solo Vc.
æ
7:6
æ æ
æ æ æ
Vln. 1
æ
7:6
æ æ
æ
æ
æ
7:6
æ æ
æ
æ
7:6
æ æ
æ
æ
Vln. 2
æ
7:6
æ
Vla.
Vc.
D.B.
7:6
æ
ooooo oooo ooo ooo ooo ooo ooo
o o o o o o o o o o o
o o o o o o o o o o o o o
o o ooo oooooooooooo o o o o o o o o o
ooo
oo o o
o o
o o o o
o
o
o
o
o oooo o o o o
o o ooo oooooooooooo
o o o o o o o o o
ooo
oo o o
o o
o o o o
o
o
o
o
o oooo o o o o

-76-
Eng. Hn.
Cl. 1
318
Clarinet in B
p
p
Perc. 2
Harp
Solo Vc.
,
p
P
Vln. 1
Vln. 2
Vla.
Vc.
1-4
5-7
1-2
3-4
5-6
1-2
3-4
5-6
sul tasto
sul tasto
sul tasto
sul tasto
sul tasto
sul tasto
(sul tasto)
IV
æ
(sul tasto)
π
∏
æ
æ
(sul tasto)
π
∏
æ
(sul tasto)
π ∏
P æ
(sul tasto)
π
æ ∏
æ æ
æ
π ∏
P
æ
æ
π
∏
æ æ
π
∏
æ æ
π
∏
æ æ æ
π
∏
æ æ
π
∏

-77-
Perc. 2
320
Harp
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
1-3
4-5
6-7
7:6
æ æ æ æ
π
æ
æ
7:6
æ æ æ æ æ
π
7:6
æ æ æ æ
π
æ
7:6
æ æ æ
π
æ
7:6
æ æ
π
7:6
æ
π
ooooo oooo
unis.
ooo ooo ooo ooo ooo
nat.
πo o
unis. ooo oooooooooooo
nat.
o o o o o o o o o
π o o ooo oooooooooooo
o o o o o o o o o
o o o o o o o o o o o
o o o o o o o o o o o o o
ooo
oo o o
o o
o o o o
o
o
o
o
o oooo o o o o
ooo
oo o o
o o
o o o o
o
o
o
o
o oooo o o o o

-78-
Cl. 1
322
π
Perc. 2
Harp
Solo Vc.
,
p
π
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
unis.
nat.
ooo
o o o ooo o
.
unis.
nat.
ooo
o o o ooo o
.
ooo o o o o o o o ooo o o o o o o
12
ooo o o o o o o o ooo o o o o o o
con sordina
P
o
o
o
.
o
.
o
o oo
o o
. .
o
o oo
o o
. .
o o o o o o o o o o o o
o o o ooo
o
o o
o
o o o o o o o o o o o ooo
o
o
12

Cl. 1
Bn. 1
Solo Vc.
Vln. 1
Vln. 2
Vla.
Vc.
D.B.
o ooo o o o o o o o
o o
o ooo o o o o o o o
o o
-79-
325
3
P
π
P F
o o
o o
o o o
o oo o o
. . . .
o
o
o o
o o o
o oo o o
. . . .
.
3
3
P

-80-
Cl. 1
327
3
6
6
6
6
cl. 2
Solo Vc.
6
3
P
.
6
Vla.
- - -
6
ª ª
Cl. 1
328
Solo Vc.
Vln. 2
Vla.
3
F
con sordina
P
3
ª ª
Ob. 1
Bn. 1
329
p
5
P
5
P
5
5
Solo Vc.
.
f
>
5:3
Vln. 2
Vla.

-81-
Fl. 1
Ob. 1
Cl. 1
Cl. 2
Bn. 1
330
3
6
6
5
P
P
7
3
6
3
.
P
Solo Vc.
Vln. 2
Vla.
ª ª
Fl. 1
Ob. 1
331
.
. .
3
. .
Cl. 1
Cl. 2
3
5
Solo Vc.
p
Vln. 2
Vla.

-82-
Fl. 1
Cl. 1
Bn. 1
332
3
,
3
- .
p P
3
P
3
.
.
.
3
3
6
.
F
. .
3
Solo Vc.
3
F
6
12
Vln. 2
Vla.
ª ª
Fl. 1
333
>
.
>
6
Ob. 1
Cl. 1
Bn. 1
6
F
.
6
f
. >
F
6
>
(lip gliss.)
Solo Vc.
Vln. 2
6
F
3
6
-
> >
6
f
p F
3
- - -
6
Vla.

-83-
(q 60) q q (q 90)
Ob. 1
334
Solo Vc.
. .
f
. .
>
.
> .
.
. . >
˘ . .
>
. . > . . . . >
˘
..
Vln. 2
Vla.
Solo Vc.
ª ª
337
>
. . > . . > .
. . . ˘ .
>
.
>
. . > . . () >
. . ( > . ) .( >
. ) .
Vln. 1
Vln. 2
Vla.
con sordina
P
ª ª
Solo Vc.
340
.>
>
. . ˘
.
>
.
>
. . > .
.
. . ˘ .
>
.
>
Vln. 1
Vln. 2
Vla.

-84-
Eng. Hn.
Cl. 1
solo Vc.
Vln. 1
343
. .
>
. . () >
. .() >
. . () >
. .
P
-
P
. . ˘ . >
. >
f
Vln. 2
Vla.
Solo vc.
ª ª
348
. . > .
. . . ˘ . . >
>
. . ˘
> . > .
. . ˘ . > . >
. . > . . ( .> ) .() .> . () >
. .
Vln. 1
vln. 2
Vla.
ª ª
Solo Vc.
352
.>
> . . ˘ .
>
.
> . . >
.
.
˘. . ˘.
>
.
>
. . > .
. ( > )
. .() >
. . ( >
. ) .
Vln. 1
vln. 2
-
-
-
vla.

-85-
Tbn. 1
Solo Vc.
Vln. 1
356
-
.
F
. .
>
˘ .
>
.
f
.
> .
( )
.
.
.> .
. .
( ) () > fl .
>
. .
Vln. 2
Vla.
Vc.
con sordina
P
ª ª
Bn. 1
360
.
F
Tbn. 1
.
.
.
.
- . >
Tbn. 2
Solo Vc.
.
P
>
. ( >
. ) . ( >
. )
.
() >
. .
.
( >
. ) . . ˘
.
. >
.
>
.
. . . . . .
>
.
> . . ˘
.
Vln. 1
Vln. 2
Vla.
Vc.

-86-
Bn. 1
364
.
.
.
. .
. .
.
-
Tuba
.
F
.
.
Solo vc.
>
. > . . ( > )
. () >
. . . ˘
>
.
. >
. . .
.
. . .
-
. .
. .
fl
Vln. 1
Vln. 2
Vla.
vc.
ª ª
Fl. 1
368
. . . . ˘
F
.
> . > .
. ˘
Tuba
.
. .
.
.
.
. . .
.
.
solo Vc.
.
. . . . . fl .
˘
( >
. . ) . (
.> ) () >
. . .() >
. .
. . ˘ .
˘
. > .
> . . . ˘
˘ .
.
vln. 1
vln. 2
vla.
vc.
D.B.
F
F
-
F
F
pizz.
F
-

-87-
Fl. 1
Solo vc.
vln. 1
vln. 2
vla.
vc.
d.b.
372
.
> . > .
.
> . > . . . ˘
˘ .
-
˘
. > . >
.
.
> . >
. . . ˘ .
. ˘
. > .
.
˘
. > . >
. . . ˘
. ˘
. ˘
. > . > .
.
> . > . . .
fl. 1
solo vc.
ª ª
376
˘ . ˘
. ˘
. > .
. > . > .
> .
. . ˘ . ˘
. ˘
.
. > .
>
.
>
.
. ˘
>
. . . ˘ . ˘ .
.
> . >
.
>
.
>
. . . ˘ . ˘
.
vln. 1
vln. 2
vla.
vc.
d.b.

-88-
fl. 1
380
˘
.
> . > .
˘
.
> . >
.
˘
. > . > .
. ˘
. > .
ob. 1
bn. 1
Bn. 2
. .
F
F .
.
.
.
F
.
.
.
.
.
.
.
.
. .
.
.
.
.
solo vc.
. > . >
. . . ˘ .
˘
. > . >
. . . ˘
˘
. . > . > . . .
˘ . ˘
. > . > .
vln. 1
vln. 2
vla.
vc.
d.b.

-89-
fl. 1
384
> .
˘ . ˘
.
>
.
>
.
˘
.
.
> . >
.
.
˘
. > . > .
ob. 1
. . . .
.
. .
.
. . . .
. . .
bn. 1
.
.
.
.
.
.
.
Bn. 2
.
.
.
.
. .
.
.
.
.
.
solo vc.
. . ˘
. ˘
.
> .
> .
. . ˘ . ˘
.
>
.
> .
. . ˘
˘ . . > . > . . . ˘ .
vln. 1
vln. 2
vla.
vc.

-90-
fl. 1
ob. 1
388
. ˘
. > . > .
. . .
. ˘
. .
(q 90) q q (q 60)
. > . > .
.
6
. . .
bn. 1
bn. 2
.
.
. .
. .
.
.
.
6
. 6
.
3
.
solo vc.
˘
. > . > . . . ˘
. ˘
. > . >
> .
6
6
vln. 1
vln. 2
vla.
vc.
d.b.

-91-
bn. 1
391
-
solo vc.
>
-
.
10:3
> .
6
6
vln. 1
vln. 2
vla.
vc.
f
f
f
f
ª ª
solo vc.
393
()
5
5
5
10
vln. 1
vln. 2
vla.
vc.

-92-
solo vc.
395 ,
>
>
. . ˘ . . >
3
5
6
6
vln. 1
vln. 2
vla.
vc.
d.b.
arco
f
ª ª
solo vc.
398
. . ˘ . .
6
>
>
6
. . > . . .
6
. ˘ .
6
. >
ƒ
vln. 1
vln. 2
vla.
vc.
d.b.

-93-
solo vc.
400
P
- - -
ª ª
solo vc.
405
U
6