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<strong>APRIL</strong> 1, <strong>2018</strong><br />
Entertainmentlink<br />
Tribute to Sachin Dev Burman brings back the Golden Age<br />
Venkat Raman<br />
venkat@indiannewslink.co.nz<br />
The Golden Age of Hindi<br />
film music with Sachin<br />
Dev Burman will return,<br />
at least for an evening, as<br />
a musical programme gets under<br />
way in Auckland in May.<br />
Organised by the Auckland<br />
based Swar Sadhana Academy<br />
of <strong>Indian</strong> Music and Ravi Shetty<br />
Concepts, the Programme will<br />
put together some of the finest<br />
songs of Sachin Dev Burman,<br />
paying tribute to the late<br />
maestro.<br />
Called ‘Sunehri Yaadein,’ the<br />
event will be held on Saturday,<br />
May 26, <strong>2018</strong> from 630 pm<br />
at Dorothy Winston Centre,<br />
Auckland Girls Grammar<br />
School located at Howe Street in<br />
Auckland Central.<br />
Tickets, priced at $20 per person<br />
are now on sale.<br />
Hohepa Auckland<br />
Third in the annual ‘Sunehri<br />
Yaadein’ annual series, the programme<br />
this year is being held<br />
in aid of ‘Hohepa Auckland,’ a<br />
charitable organisation that provides<br />
people with intellectual<br />
disabilities to live, learn and<br />
work with others of all abilities.<br />
About S D Burman<br />
Born on October 1, 1906,<br />
Sachin Dev Burman in Comilla<br />
(Bangladesh) to Raj Kumari<br />
Nirmala Devi, the Royal<br />
Princess of Manipur and<br />
Nabadwipchandra Dev Burman,<br />
Annual<br />
Swar Sadhana<br />
event in aid<br />
of Hohepa<br />
Charity<br />
Maharaja of Tripura (1849-<br />
1862), Sachin Dev Burman was<br />
the youngest of the five sons in<br />
a family of nine children. His<br />
mother died when he was just<br />
two years of age.<br />
He started as a musician in the<br />
Calcutta Radio Station in 1920.<br />
He began composing songs<br />
for Bengali films in 1937 and later<br />
become one of the most successful<br />
Bollywood film music<br />
composers.<br />
With more than 100 films to<br />
his credit, his songs were known<br />
for their light semi-classical<br />
and folk style of Bengal. His son<br />
Rahul Dev Burman was also a<br />
celebrated music composer in<br />
the <strong>Indian</strong> film industry.<br />
Almost all leading singers from<br />
1950 to 1970, including Lata<br />
Mangeshkar, Mohammed Rafi,<br />
Geeta Dutt, Manna Dey, Kishore<br />
Kumar, Hemant Kumar, Asha<br />
Bhosle and Shamshad Begum.<br />
Mukesh and Talat Mahmood<br />
have songs composed by<br />
Burman. He also rendered about<br />
14 Hindi and 13 Bengali film<br />
songs.<br />
Partnership with Dev<br />
Anand<br />
Burman joined Dev<br />
Anand to compose songs<br />
for ‘Afsar’ (1950), the<br />
first movie of the latter’s<br />
company Navketan<br />
International Films<br />
Private Limited. The success<br />
of their second film<br />
‘Baazi’ (1951) elevated<br />
Burman to the top of<br />
the Hindi film industry<br />
music.<br />
The jazzy musical score<br />
in ‘Baazi’ revealed a new<br />
facet of singer Geeta Dutt,<br />
who was mainly known<br />
for melancholy songs<br />
and bhajans. While every<br />
song in the film was a<br />
hit, ‘Tadbir Se Bigdi Hui<br />
Taqdeer,’ a ghazal that<br />
was occidentalised into<br />
a seductive song became<br />
famous.<br />
The ‘Jaal’ song ‘Yeh<br />
Raat, Yeh Chandni’ by<br />
Hemant Kumar is an alltime<br />
great classic.<br />
The song, ‘Thandi<br />
Hawain’ from ‘Naujawan’<br />
(1951) sung by Lata<br />
Mangeshkar was one<br />
of his first major hits.<br />
It made Lata very famous<br />
as also poet Sahir<br />
Ludhianvi.<br />
The songs sung by<br />
Mohammed Rafi and<br />
Kishore Kumar became<br />
popular.<br />
Guru Dutt and others<br />
He also wrote music<br />
for the Guru Dutt classics<br />
such as ‘Pyaasa’<br />
(1957) and ‘Kaagaz Ke<br />
Phool’ (1959). Among his<br />
other hits of that decade<br />
were ‘House No. 44’<br />
(1955), ‘Funtoosh’ (1956)<br />
and ‘Solva Saal’ (1958).<br />
In 1959 came Sujata, a<br />
masterpiece by Bimal<br />
Roy, and Burman created<br />
magic again with ‘Jalte<br />
Hai Jiske Liye’ by Talat<br />
Mahmood.<br />
Asha Bhosle promoted<br />
In 1957, Burman<br />
fell out with Lata<br />
Mangeshkar and adopted<br />
her younger sister Asha<br />
Bhosle as his lead female<br />
singer. The team of<br />
Burman, Kishore Kumar,<br />
Asha Bhosle and lyricist<br />
Majrooh Sultanpuri became<br />
popular for their<br />
duet songs.<br />
Thus, he was responsible,<br />
along with O P<br />
Nayyar for shaping Asha<br />
Bhosle as a singer of repute,<br />
who became his<br />
daughter-in-law after<br />
she married Rahul Dev<br />
Burman.<br />
Rise of Kishore<br />
In 1958, Burman composed<br />
music for Kishore<br />
Kumar’s house production<br />
‘Chalti Ka Naam<br />
Gaadi,’ the same year in<br />
29<br />
which he was awarded the ‘Sangeet Natak<br />
Akademi Award.’<br />
He remains the only music director to<br />
have won the prestigious award.<br />
He often took inspiration from Folk,<br />
Hindustani Classical Music as well as day-today<br />
sounds of life.<br />
During an interview with Filmfare, he explained<br />
how he had composed the ‘Kaala<br />
Pani’ tune for ‘Hum Bekhudi Mein Tum,’ a<br />
song written by Majrooh Sultanpuri, rendered<br />
by Mohammed Rafi and picturised on<br />
Dev Anand.<br />
He said that he was inspired by<br />
Hindustani Classical ‘Raag Chayyanat’ and<br />
Muslim Muezzin’s call for prayers that one<br />
hears daily near a Mosque to compose the<br />
song.<br />
More on Sachin Dev Burman and Sunehri<br />
Yaadein will appear in our next issue.