Michael Berkeley Catalogue
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Chamber Orchestra<br />
Violin Concerto<br />
Solo violin/electric violin and full orchestra<br />
picc., 2 fl., 2 ob., cor ang., 2 cl., bcl, 2 bn, cbn, 4 hn, 3 tpt,<br />
3 tbn, tba, timp, tabla, tuned perc, untuned perc, celeste,<br />
2 hp, strings, tuned perc: xyl, vib, glock, t bells, crotales,<br />
untuned perc: tom-toms, bongos, BD, SD, tam-tam, claves,<br />
referee’s whistle, whistle, sus. cym.<br />
Violin part 9780193517905<br />
Conductor’s score and parts on hire 9780193406070<br />
‘In 2014 I wrote At A Solemn Wake, which was<br />
commissioned by the Ryedale Festival in memory of my<br />
wife, the literary agent, Deborah Rogers, who had died very<br />
suddenly earlier that year. As I began work on this Concerto<br />
I found that that cello piece was constantly invading my<br />
thoughts and in particular a melodic idea that just would<br />
not go away.<br />
Another influence was hearing Nigel Kennedy play a<br />
quite extraordinary electric violin tribute to Jimi Hendrix<br />
at Ronnie Scott’s. The volatility of this amplified sound<br />
seemed to me to echo the elements of rage that are<br />
so often a part of the grieving process. Listening to the<br />
amazing timbres Nigel was getting from this instrument,<br />
it occurred to me that it would be a vibrant colour to have<br />
on the sound palette I was starting to mix for the concerto.<br />
The third contribution to my emerging soundworld came<br />
from working with Nitin Sawhney and Akram Khan on<br />
programmes for the Radio 3 series, Private Passions, and<br />
then watching Akram’s sculptures in movement with his<br />
dance company. Both Akram and Nitin talked about their<br />
love and use of the Tabla which, as it happens, Deborah<br />
and I had relished in India on one of our last trips together.<br />
Somehow these disparate elements coalesced in my mind<br />
to form a twenty-minute continuous score which began to<br />
write itself.’ - <strong>Michael</strong> <strong>Berkeley</strong><br />
Violin Concerto was premiered by Chloë Hanslip and BBC<br />
National Orchestra of Wales at the 2016 BBC Proms at the<br />
Royal Albert Hall, London.<br />
20 minutes<br />
Concerto for Orchestra<br />
Full orchestra<br />
3 fl. (IandII+picc., III+a.fl.), 2 ob. (II+c.a.), 3 cl. (III+b.cl.), 3 bn<br />
(III+cbn), 4 hn, 3 tpt, 3 tbn, tba, timp., 5 perc. (glock, xylo,<br />
vib, cortales, tbells, SD, 3 TD, BD, sus. cym., 2 Chinese cym.,<br />
tam-tam, roto-tom, mark tree, flex.), pno (+cel), hp, org.<br />
(opt), strings<br />
Conductor’s score and parts on hire 9780193622456<br />
‘The Concerto is in three movements with the outer two<br />
having a fast-slow-fast design which indeed mirrors the<br />
overall structure of the piece. In thinking about the music<br />
I was conscious that the finding of ideas is seldom the<br />
problem; it is how they are developed that matters. So, I<br />
deliberately began with a very simple motif: falling tones<br />
and soon decided that the first two movements would be<br />
based on a downward progression while the third should<br />
invert the whole process and move constantly upwards.’ -<br />
<strong>Michael</strong> <strong>Berkeley</strong>.<br />
This is the second piece <strong>Berkeley</strong> wrote as associate<br />
composer to the BBC National Orchestra of Wales, and was<br />
premiered in 2005 at the BBC Proms.<br />
20 minutes<br />
Daybreak and a Candle End<br />
Full orchestra<br />
2 fl. (II+picc.), 2 ob. (II+c.a.), 2 cl., 2 bn, 4 hn, 2 tpt, 3 tbn,<br />
timp., perc. (vib, BD, crotales, sus. cym., glock.), hp, strings<br />
Conductor’s score and parts on hire 9780193616721<br />
Based on a theme by the composer’s father, Sir Lennox<br />
<strong>Berkeley</strong>, and dedicated to him.<br />
7 minutes<br />
Full Orchestra<br />
Flames<br />
Full orchestra<br />
3 fl. (II+a.fl., III+picc.), 3 ob. (III+c.a.), 3 cl. (II+Eb cl., III+b.cl.),<br />
3 bn (III+cbn), 4 hn, 3 tpt, 3 tbn, tba, timp, 3 perc (SD, ant.<br />
cym., vib., BD, sus. cym., TD, tamb., t.bells, tam., w.blk, xylo.,<br />
temp. blks), hp, strings<br />
Conductor’s score and parts on hire 9780193620377<br />
Flames was written for David Atherton and the Royal<br />
Liverpool Philharmonic Orchestra with funds provided by<br />
the Arts Council of Great Britain.<br />
12 minutes<br />
The Garden of Earthly Delights<br />
Full orchestra<br />
3 fl (III+picc), 4 ob. (IV+c.a.), 4 cl. (III+Eb, IV+b.cl.), 3 bn,<br />
cbn, 6 hn, 4 tpt, 3 tbn, 2 tba, timp., 4 perc. (sus. cym., cast.,<br />
crotales, tam., rattle, lion’s roar, sz. cym., 3 tom., 2 w.blk, BD,<br />
c.bell, whip, vib., claves, guiro, SD, marac., cabaca, tuned<br />
gongs, Chinese gong, Javanese or Thai gongs, clash cym.,<br />
tamb., mba, glock., tri., flex.), 2 hp, strings, 3 special players:<br />
vln, s.sx, tbn (all+claves, rattle, tam)<br />
Conductor’s score and parts on hire 9780193616691<br />
‘I have for many years had Hieronymus Boschs visionary<br />
triptych The Garden of Earthly Delights in the back of my<br />
mind as a potential spring board for a piece of music...<br />
I have expressed my own reactions to the piece and<br />
indeed added other dimensions. In the opening tableau,<br />
for instance, the music suggests that innocence and<br />
ignorance are not necessarily bliss, rather there is a sense<br />
of melancholy and wistfulness, a longing for something yet<br />
to be articulated.’ - <strong>Michael</strong> <strong>Berkeley</strong>.<br />
21 minutes<br />
Full Orchestra<br />
The Wild Winds<br />
Soprano and chamber orchestra<br />
fl. (+picc.), ob., 2 cl. (II+b.cl.), bn, 2 hn, tpt, pn, perc. (xylo,<br />
sus cym, sus tri, tbells, tam (low and high), SD, BD), strings<br />
or string quartet<br />
Conductor’s score and parts on hire 9780193620315<br />
A poetical sketch for soprano and small orchestra to words<br />
by William Blake.<br />
12 minutes<br />
12<br />
13