BassPlayer 2017-01
BassPlayer 2017-01
BassPlayer 2017-01
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F<br />
ETIENNE MBAPPÉ<br />
The more you play odd times, the more you get<br />
familiar with it. Sometimes it’s good to create your<br />
own internal loop instead of counting. Some odd<br />
numbers are really tough, though.<br />
The arrangements on How Near How Far<br />
are exquisite, and the trumpet/tenor/violin<br />
instrumentation is unusual. What’s your writing<br />
process?<br />
I write on bass or guitar. When I built the band, I<br />
was hearing a section that mixed horns and strings,<br />
and that’s why I got tenor sax, trumpet, and Clement<br />
Janinet on violin. His violin sounds like no other—<br />
a cross between North Africa, West Africa, and the<br />
Middle East, with Arabian, Andalusian, Indian, and<br />
Eastern European influences. He is the only one I<br />
know who sounds like that. In the middle of the<br />
horns, he gives me that tasty, colorful, spicy tone I<br />
was dreaming of.<br />
What advice do you have for composers<br />
who want to integrate many influences without<br />
sounding clinical and artificial?<br />
No special advice. I love music that surprises<br />
me, and I am blessed to travel all around the world<br />
playing music, meeting different people, tasting a<br />
lot of different food, seeing a lot of different colors,<br />
and hearing a lot of different music that sometimes<br />
blows my mind. When I’m back home, my head is<br />
full of all this beauty, and that inspires my creative<br />
process. A blowing wind could be an inspiration, as<br />
well, if it talks to you and you can hear it talking.<br />
But what works for me may not work for others.<br />
You’re well known for playing basses by<br />
Marleaux, Noguera, and F Bass. What do you<br />
look for in an instrument?<br />
Great, big, smooth, round, precise tone is what<br />
I’m looking for.<br />
Do you also play Warwick and Lairat instruments?<br />
Yes I do. Seven of the 11 tunes on How Near How<br />
Far were recorded with a Warwick StarBass II Single<br />
Cut. The sound is massive and very precise. I love it.<br />
Gloves keep your strings bright, but do you<br />
prefer the tone of gloves on strings?<br />
I’m so used to these silk gloves. They’re totally a<br />
part of my sound now. When I play without them—<br />
when I’m called for a jam, for example—it sounds<br />
to me like I’m playing with a pick. I prefer my tone<br />
with glove on strings.<br />
Are you still using DR Strings and EBS amps?<br />
Yes. DR Strings are the best in the world. I’ve<br />
been playing EBS amps forever, and they’re a big<br />
part of my sound.<br />
Do you have a regular practice routine?<br />
Not really. I just grab a bass and let my fingers<br />
go. Sometimes they do scales, sometimes they play<br />
a spontaneous line that could end up being a tune<br />
or an idea for a song. I just let them do whatever<br />
they feel like doing.<br />
What are some of the best ways to practice<br />
intonation on fretless bass?<br />
Play softly, and focus on your vibrato by playing<br />
slow melodic lines.<br />
What advice did you give your son Swaeli<br />
when he decided to get serious about bass?<br />
I taught him the basics and essentials on bass<br />
and guitar, and I told him to be himself, no matter<br />
who his dad is. That’s what he has done. He is brilliant,<br />
so talented. Definitely one of my favorite bass<br />
players today! BP<br />
44 bassplayer.com / january<strong>2<strong>01</strong>7</strong>