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1/ Martin Margiela, gilet, Automne-Hiver<br />
1989-1990<br />
47 porcelain and earthenware splinters,<br />
silver metal wire and blackened metal wire<br />
© Julien Vidal / Galliera / Roger-Viollet<br />
2/ Martin Margiela, “Incognito” glasses,<br />
<strong>Spring</strong>-<strong>Summer</strong> 2008<br />
Black plastic.<br />
© Julien Vidal / Galliera / Roger-Viollet<br />
3/ Martin Margiela, galvanized shirt collar,<br />
<strong>Spring</strong>-<strong>Summer</strong> 2003<br />
Cotton poplin covered with<br />
galvanized steel<br />
© Françoise Cochennec / Galliera /<br />
Roger-Viollet<br />
4/ Martin Margiela, vest, <strong>Spring</strong>-<strong>Summer</strong><br />
1990<br />
Lacerated and glued advertising posters,<br />
white cotton inner lining<br />
© Françoise Cochennec / Galliera /<br />
Roger-Viollet<br />
5/ Martin Margiela, Tabi soles,<br />
<strong>Spring</strong>-<strong>Summer</strong> 1996<br />
Black leather<br />
© Françoise Cochennec / Galliera /<br />
Roger-Viollet<br />
6/ Martin Margiela, top made of upside<br />
down wigs, Fall-Winter 2005-2006<br />
Synthetic hair, putty colored leather<br />
© Julien Vidal / Galliera / Roger-Viollet<br />
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1<br />
MARGIELA / GALLIERA 1989 -2009<br />
Dal 3 marzo fino al prossimo<br />
15 luglio questa mostra racconterà<br />
la parabola artistica<br />
(dalla primavera/estate del<br />
1989 fino alla primavera/estate<br />
del 2009) del celebre designer<br />
senza volto che tanto promosse<br />
l’idea di anonimato, sfidando al<br />
contempo tutta l’estetica fashion<br />
del suo tempo. Più di 130<br />
capi, video di sfilate, creazioni<br />
d’archivio e installazioni speciali<br />
permetteranno di guardare<br />
con occhio diverso uno<br />
dei più influenti stilisti contemporanei<br />
che ama costruire<br />
un abito decostruendolo<br />
dall’interno fino a evidenziarne<br />
le parti nascoste e non finite.<br />
From March 3rd to July 15th,<br />
<strong>2018</strong>, this exhibition traces<br />
the career, from spring-summer<br />
1989 to spring-summer<br />
2009, of the designer without<br />
a face who promoted anonymity,<br />
challenging the structure<br />
of the fashion aesthetics<br />
of his time. More than 130<br />
silhouettes, videos of fashion<br />
shows, archive creations, and<br />
special installations for an unprecedented<br />
look at one of the<br />
most influential contemporary<br />
fashion designers and his way<br />
of constructing a garment by<br />
deconstructing it exposing the<br />
inside and the unfinished parts.<br />
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