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The Antique Register

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48 Nov-Dec 07<br />

� Feature Story �<br />

Taking a Chance on ‘Striking It Rich’ Doesn’t Always Pay Off<br />

<strong>The</strong> media loves stories about individuals who went to a<br />

flea market or garage sale and purchased an object for a few<br />

dollars only to sell it later for thousands, tens of thousands,<br />

and even hundreds of thousands of dollars. Discovery of the<br />

“great bargain,” also known as the “hidden treasure,” is the<br />

dream of everyone who hunts collectibles.<br />

<strong>The</strong> September 5, 2007, issue of <strong>Antique</strong> Trader contained<br />

an article about an Austrian woman who was seeking old<br />

crockery in a trash container and found instead a cross<br />

from Limoges, France, dating to about 1200. Relatives of a<br />

deceased owner were cleaning out his home and tossed the<br />

piece. <strong>The</strong> woman who discovered the cross even showed it<br />

to the niece of the deceased man who promptly told her to<br />

take it. <strong>The</strong> cross is estimated to be worth $500,000.<br />

<strong>The</strong> smile on my face turned sour as I continued reading.<br />

When a friend of the woman took the cross to a nearby<br />

museum, the curator alerted police. As luck would have<br />

it, the cross was part of a Polish art collection belonging<br />

to Izabella Elzbieta of Czartoryski Dzialinkska that was<br />

confiscated by the Nazis. How the cross wound up in the<br />

possession of the deceased owner is unknown.<br />

<strong>The</strong> cross currently is housed at the museum. Heirs of the<br />

former owner have asked the London-based Commission<br />

for Looted Art in Europe to assist them in securing the<br />

return of the cross. It is not clear at this point whether or not<br />

the woman who saved the cross from the trash will receive<br />

any reward other than “thanks.”<br />

Sometimes when you take a chance, things do not turn<br />

out as you expect.<br />

In the case of collectibles, the expected turns out to be<br />

negative far more often than it turns out to be positive. I<br />

see basically three types of objects during the appraisal<br />

clinics that I conduct. <strong>The</strong> first are family heirlooms. Most<br />

have a strong family provenance and are fun to handle.<br />

Occasionally the family stories that accompany them are<br />

false, more often than not, dating the object far older than<br />

it is. <strong>The</strong> second group is objects about which the owner is<br />

fully knowledgeable and simply wants to show them off<br />

and/or share them with the appraiser. Once again, these are<br />

fun.<br />

It is the third group of objects, those that individuals<br />

purchased believing they were one thing and now have<br />

serious doubts, that relates to this column’s theme. Ninety<br />

percent or more of the time, I confirm their suspicions. <strong>The</strong>y<br />

did not buy what they thought they did.<br />

During a recent appraisal clinic I did at the Saucon Valley<br />

Farmers’ Market in Hellertown, Pennsylvania, a Whatcha<br />

Got? listener who hears my nationally syndicated antiques<br />

and collectibles call-in radio show on Sunday mornings on<br />

WAEB-AM in Allentown, Pennsylvania, brought a group<br />

of four Barnum and Bailey circus posters she had recently<br />

purchased for me to inspect. She had called in to the radio<br />

show to ask about the posters. Playing “guess the goodies”<br />

on the radio is a challenge. Based upon the information the<br />

listener gave me over the telephone, I strongly suspected<br />

the posters were mass-produced reproductions designed to<br />

By Harry Rinker<br />

hang on the wall. However, I told her that if she brought the<br />

posters to the appraisal clinic, I could most likely take one<br />

look and tell her if they were period or reproduction.<br />

One of the things you learn after being around antiques<br />

and collectibles is that reproductions (exact copies) and<br />

copycats (stylistic copies) are not necessarily poorly made.<br />

<strong>The</strong> quality of printing on these posters was extremely high.<br />

<strong>The</strong>y had the brilliance and clarity normally associated with<br />

early twentieth century lithographs.<br />

Earlier in the appraisal clinic, a person came with one of<br />

the reproduction Bull Durham Black-themed posters that<br />

had been put into a frame and sold at auction. <strong>The</strong> color<br />

registration was terrible. <strong>The</strong> image was fuzzy. <strong>The</strong>re was<br />

no need to use a loupe to see if the colors were the result<br />

of the modern four color dot printing technique. <strong>The</strong>y<br />

most definitely were. <strong>The</strong> person took a chance it might<br />

be period. Fortunately, he paid under fifty dollars, a clear<br />

sign to anyone in the trade that it was definitely wrong.<br />

“Beware of bargains” is a good basic rule in the collectibles<br />

business.<br />

In the case of the Whatcha Got? listener’s circus posters,<br />

they were the wrong size and printed on the wrong paper<br />

to date from the early part of the twentieth century. When I<br />

did put a loupe on the colors, I saw dots. I did consider the<br />

possibility that they may have been modern posters used<br />

to promote a present day appearance. However, they had<br />

no blank area for the insertion of the location where the<br />

circus was playing. Clearly, they were simply well made<br />

reproductions, albeit not true to size. I never did ask the<br />

listener what she paid, hopefully less than fifteen dollars<br />

each.<br />

Individuals in search of hidden treasure cannot resist<br />

taking the occasional chance in hopes of striking it rich.<br />

Time to lay down a few ground rules that will help them<br />

avoid mistakes and possibly find that treasure they are<br />

seeking.<br />

Very few hidden bargains are found at auctions. Novice<br />

collectors and dealers often find themselves watching a<br />

piece being sold at auction and think, “that piece is selling<br />

for too little. I should buy it.” No, it is not, and you should<br />

not buy it. It is naîve to think for one moment that advanced<br />

collectors and dealers have missed a piece. If they are not<br />

bidding, there is something wrong with the item, i.e., it is<br />

damaged, incomplete, or a reproduction/copycat. “Do not<br />

buy what you do not know” is a good rule for those wishing<br />

to avoid getting stung.<br />

Never pay more than you are prepared to lose when<br />

buying an object on the chance that it is a hidden treasure. I<br />

refer to buying mistakes made by collectors and dealers as<br />

tuition, one of the prices they pay to learn the trade. Your<br />

goal is to keep you tuition payments low.<br />

Of course, the fun in finding a hidden treasure is to<br />

find it at a bargain price. Yet, discovering an object priced<br />

significantly below its standard secondary market retail<br />

value should set off a series of alarm bells transmitting a very<br />

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