17.06.2018 Views

Nov 2016

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Jono Hennessy Sceats and his son, and brand manager, Jasper<br />

eye” was particularly eye catching and would suit<br />

anyone, agreed Hennessy Sceats. On the Jono<br />

Hennessy side, the company was using more<br />

combination constructions, featuring interesting<br />

temples and changing some of the colours to<br />

matt finishes, so it’s a more modern finish. “The<br />

big thing that’s happening is everything is round<br />

now, and smaller rounds,” says Hennessy Sceats.<br />

“And everything has to have more detailed<br />

construction now, which is a worldwide trend<br />

to distinguish the quality of the frames and<br />

make the patient feel special.” The company now<br />

exports more than 50% of its range to Europe and<br />

says Silmo is its key sales fair.<br />

TO BE CONTINUED…with so much to see,<br />

we couldn’t fit it all in. Part II of Silmo<br />

<strong>2016</strong> will be in our December issue.<br />

Silmo endures, expands<br />

Given the terrible<br />

Paris terrorist<br />

attacks at the<br />

end of last year, Silmo<br />

organisers had feared<br />

its flagship exhibition,<br />

showcasing more than<br />

1,350 optical industry<br />

brands, would not attract<br />

anywhere near the same<br />

numbers as last year,<br />

especially as many other<br />

shows in the region had<br />

poor visitor numbers in the<br />

preceding months.<br />

But the optical industry<br />

is obviously a hardy lot<br />

as visitor numbers were<br />

down just 1.3% on last<br />

year, to 33,791, including<br />

56.5% from abroad and<br />

43.5% from France. Plus,<br />

given the obvious activity<br />

on most stands, it looks like orders are unlikely to<br />

be affected and could even be up on last year, says<br />

director Éric Lenoir.<br />

Last year’s show saw the launch of a new concept,<br />

new image and new look, so changes to this year’s<br />

show were more minor, he says, with tweaks to do<br />

with hospitality and layout as part of the organisers’<br />

continual focus to improve the experience for both<br />

visitor and exhibitor alike. There was, however,<br />

more focus on the “phygital” - convergence of<br />

physical and digital – exhibition side, with an<br />

expanded Experience Store, demonstrating how<br />

optometry businesses, and those who serve them,<br />

can incorporate more digital solutions into their<br />

practices, allowing them to “get smarter” about<br />

how they serve their patients and increase revenues.<br />

Sporting the latest trend in his own eyewear -<br />

round, retro-looking frames from Lafont - Lenoir<br />

says next year’s show from 6-9 October, 2017,<br />

however, will be something special as it will be the<br />

50th anniversary of Silmo Paris; a company he is<br />

still completely passionate about after working for<br />

it for more than 21 years, having joined straight<br />

Silmo Sydney event organiser Gary Fitz-Roy with Silmo director<br />

Eric Lenoir<br />

from college. “I love it. We<br />

are dealing with fashion,<br />

technology, health. It is<br />

a brilliant mix, and even<br />

though it’s a big show, with<br />

a lot of people, it’s a small<br />

family. The optics world<br />

is not that big in terms of<br />

world turnover, but it’s so<br />

creative, so innovative and<br />

every season there is always<br />

a surprise, and it’s a serious<br />

product – because if I didn’t<br />

have my glasses I couldn’t<br />

see you,” he laughs.<br />

Silmo overseas<br />

He is also excited about<br />

Silmo’s international<br />

expansion. After just two<br />

years Silmo Istanbul - a<br />

joint venture with a Turkish<br />

optics media company<br />

and Silmo’s first foray abroad – has made all its<br />

targets, has most, if not all, of the local companies<br />

exhibiting and is now attracting interest from other<br />

countries in the region, including the Middle East,<br />

Africa and North-East Asia. While the new Silmo<br />

Sydney show is set to launch in March next year.<br />

Exporting the brand gives Silmo an opportunity<br />

to grow, says Lenoir. It also helps Silmo Paris attract<br />

more visitors as the exhibitors at Silmo Istanbul, for<br />

example, are the wholesalers and distributors from<br />

the region and thus the most likely visitors to Paris.<br />

He’s expecting the same to happen with Silmo<br />

Sydney. There’s a lot of opportunity in the region<br />

as the market, both for small and new exhibitors<br />

and the level of choice on show for the practices<br />

and stores themselves, has been a bit controlled by<br />

the Australian Optical and Wholesalers Association<br />

(ODMA), which, until 2017, had run the main show<br />

in the region every two years, he says.<br />

Silmo is looking at other areas for expansion,<br />

including South East Asia and South America, both<br />

of which are currently poorly served in the optics<br />

arena, says Lenoir. ▀<br />

<strong>2016</strong> Silmo d’Or<br />

Awards<br />

Silmo’s <strong>2016</strong> Silmo d’Or Awards night was<br />

a festive evening liberally fuelled with<br />

canapés and champagne. Belgian designer<br />

Alain Gilles and Silmo president Phillippe Lafont<br />

announced the awards, designed to recognise<br />

and reward the creativity and innovation of the<br />

industry, amid a cabaret of singing, dancing,<br />

visual light illusions and a bubble man at the<br />

Maison de la Mutualité in central Paris. The<br />

award winners were:<br />

● Children: KNCO for “Bili” by Karavan Kids<br />

Sport Equipment: Demetz for “Lazer-Run”<br />

● Low Vision: special prize: Visiole for “Go<br />

Vision”; Essilor for “My Eye”; and Ceciaa for<br />

“NuEyes”<br />

● Frame Technological Innovation: Oxibis Group<br />

for “77H” by Exalto<br />

● Premiere Classe prize: Pride Eyewear for<br />

“305 BL”<br />

● Material/Equipment: Netlooks for “Netlooks<br />

3D”<br />

● Vision: Essilor for its “Eye Protect System”<br />

● Sunglasses: Parasite Design for “Anti Retro X”<br />

● Optical Frame: Blake Kuwahara for “Khan”<br />

● Jury Special Prize: Kuboraum for “Maske E3”<br />

Pride Eyewear’s “305 BL”<br />

Kuboraum’s<br />

“Maske E3”<br />

Blake Kuwahara’s “Khan”<br />

More than 75 years after its creation,<br />

Lacoste has become a lifestyle brand<br />

which exemplifies elegance and comfort.<br />

Lacoste looks at life in an optimistic way by<br />

telling itself it is a beautiful sport: a sport in<br />

which you compete with elegance, show<br />

off your panache, and combine a quest for<br />

performance with an eye on elegance.<br />

L2773 BLUE<br />

L2771 HAVANA<br />

Contact GenOp today to find out how you<br />

can become a stockist.<br />

Toll free: 0800 141 444<br />

www.generaloptical.co.nz<br />

customerservice@genop.co.nz<br />

<strong>Nov</strong>ember <strong>2016</strong><br />

NEW ZEALAND OPTICS<br />

19

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!