UJ #7 - Peruvian Amazon
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AMAZONIAN ART<br />
“I think that artists from the jungle have realized that they can<br />
have a political role,” explains Bendayán. “I think that art production<br />
today is a reaction to the government’s refusal to recognize<br />
the issues – they are seen as distant, as if they aren’t part of Peru.<br />
This attitude spawned a show called Green Power in 2011. And<br />
perhaps the most precise political show that we have presented<br />
this year is From their long cry, the <strong>Amazon</strong> was formed. At this<br />
moment there is a general concern for the rights of the <strong>Amazon</strong>ian<br />
people – the right to own your land, to protect your traditions<br />
and culture. There’s a strong concern to recuperate history, to recognize<br />
the traumatic episodes and expose the hidden moments<br />
– from the discovery of the <strong>Amazon</strong>, to the issues with rubber,<br />
petroleum, wood, and coca.”<br />
Indian line - Christian Bendayán (2011).<br />
As Bendayán suggests, there is currently a tendency to revalue<br />
local traditions in new ways. The “kenés” (traditional hand-drawn<br />
graphic designs) done by Shipibo women, have become present<br />
in contemporary art. Legends are being rescued and recognized<br />
as the basis of <strong>Amazon</strong>ian identity, rather than thought of as<br />
whimsical, exotic myths. <strong>Amazon</strong>ian art is taking off once again,<br />
in a new, different, and transformative way.