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Beatroute Magazine BC Print Edition August 2018

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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MOTION NOTION<br />

ELECTRONIC FESTIVAL RELOCATES IN SEARCH OF A NEW GROOVE<br />

PAUL RODGERS<br />

CLUBLAND<br />

YOUR MONTH MEASURED IN BPMS<br />

ALAN RANTA<br />

BPM<br />

Motion Notion relocates this year to Merritt, <strong>BC</strong>, a tried and tested location for enjoying quality electronic music.<br />

Motion Notion has moved four times<br />

in their 19 years as a festival and this<br />

summer, due to circumstances beyond<br />

their control, they been forced to<br />

relocate for a fifth time. After finding no<br />

suitable locations close to their current<br />

site near Golden, or in Alberta, they<br />

threw a “Hail Mary” to a festival site well<br />

known to them, the site of the Merritt<br />

Mountain Music Festival, likely better<br />

known to readers of this article as the<br />

current home of Bass Coast.<br />

“We really embody the name Motion<br />

Notion quite frequently,” says Kevin<br />

Harper, director at Motion Notion. He<br />

says the first couple of times they moved<br />

it was because they had outgrown their<br />

usual digs. This year the reason is quite a<br />

bit more unfortunate.<br />

“We had been at Beaverfoot for about<br />

six years and had an agreement to do<br />

multi-years and build permanent stages<br />

and kind of the dream scenario,” Harper<br />

explains. “And then all of a sudden the<br />

owner basically fired all of the Canadian<br />

management staff of his company and<br />

put in charge a U.S.-based developer to<br />

manage the property.”<br />

They and all other scheduled<br />

programming, weddings and all, were<br />

given the boot. To Harper and the rest<br />

of his team, this obviously came as a<br />

significant shock, especially coming just<br />

a few months before the show was set<br />

to go off.<br />

“We had to basically make a decision<br />

of cancelling the event, which would be<br />

the first time ever to do so, or to work<br />

our butts off to find a suitable new<br />

location.”<br />

They spoke with everyone they could,<br />

government officials, First Nations<br />

groups, farmers, strangers on the road,<br />

becoming the talk of the town in Golden<br />

along the way, but nothing materialized.<br />

So then they decided to reach out to<br />

their friends at Bass Coast. “[We] said,<br />

‘this is the situation, we’re really sorry<br />

to put this on you — can we have your<br />

blessing to be able to get us by?’ And<br />

they said absolutely.”<br />

News of Motion Notion’s move to the<br />

grounds that Bass Coast attendees have<br />

a profound connection to seemed to<br />

create two different schools of thought<br />

on the matter. The first being that it<br />

makes sense, the land is not owned<br />

by Bass Coast, they are tenants there,<br />

and the Motion Notion, like Fozzy Fest<br />

last year because of the Wildfires, was<br />

put in a situation where they needed a<br />

proper venue fast. The land in Merritt is<br />

designated for that exact purpose.<br />

However, because festivals have such<br />

an intrinsic impact on attendees, some<br />

felt as though it would be weird having<br />

another rave on Bass Coast’s setting.<br />

“That was our utmost number<br />

one concern,” Harper says. “From our<br />

standpoint, because we our one festival<br />

community, we do want to make sure<br />

that we’re not stepping on anyone’s toes,<br />

both on the event organizer side, but<br />

even for the attendees so that it’s not an<br />

overlap in terms of expectations and all<br />

of that stuff.”<br />

Harper says that 95 per cent of<br />

feedback about this move has been<br />

positive, though there has been some<br />

negative comments, but in his 20-plus<br />

years of running events — 11 just with<br />

MoNo — he knows that problems can<br />

always arise, and this one “takes the<br />

cake.”<br />

In terms of creating a distinct vibe<br />

from that which Bass Coast conjure up<br />

every year in the Nicola Valley, Harper is<br />

confident that the overall atmospheres<br />

of the festivals are different enough that<br />

it won’t be an issue. Yes, they are both<br />

electronic music festivals, but that term<br />

is extremely broad.<br />

Though it’s hard to categorize a<br />

festival’s entire programming into a<br />

word, whereas Bass Coast may be known<br />

to be a little more heady, deeper, darker,<br />

MoNo features more of the funky,<br />

heavier sounds like breaks (Marten<br />

Hørger, Freestylers), drum and bass<br />

(Calyx and TeeBee, Original Sin) and<br />

electro house (Slynk), but then of course<br />

the sound that they are originally rooted<br />

in, and that you are unlikely to find at<br />

other West Coast festivals these days:<br />

psytrance.<br />

So worry not, there is plenty of<br />

room in that valley to provide entirely<br />

distinct playgrounds for many different<br />

raving revellers to delight in, as well as a<br />

logistical base of operations for festival<br />

promoters caught between a rock and<br />

a hard place — like Harper, who says he<br />

is now going to be able to sleep a little<br />

better at night.<br />

Motion Notion takes place <strong>August</strong> 23 to<br />

27 in Merritt, <strong>BC</strong>.<br />

Things are rough out there, and getting rougher every day, but you’ve got<br />

to take a little time for yourself every once in a while, just to maintain<br />

sanity. It’s only a selfish act if you don’t tip your servers.<br />

Shipped Waterfront Festival<br />

<strong>August</strong> 11 @ The Shipyards<br />

Many solid acts on this amazingly free bill, including Washington-based<br />

downtempo electronica producer Manatee Commune, wh’s like a less<br />

serious version of Tycho, and Juno-nominated electro-pop duo HUMANS.<br />

It’s low commitment, high reward. Take a chance.<br />

A Tribe Called Red<br />

Aug 11 @ Jonathan Rogers Park<br />

If you can’t get down with this Polaris-nominated powwow-stepping Tribe<br />

from the moment they hit the stage, I don’t know what to tell you, other<br />

than you’re missing out on a very important part of the Canadian national<br />

identity. Their catalogue should be taught in every school across the<br />

country.<br />

Insane Clown Posse<br />

Aug 16 @ Venue<br />

It’ll cost you $45 to take in this spectacle, but even if you’re not much of<br />

a fan of their novel hip-hop stylings, it might be worth the price tag just<br />

to see the kind of people who show up. Few acts have a more dedicated<br />

fanbase than these long-running Detroit underground weirdos, and energy<br />

is contagious.<br />

ohGr<br />

Aug 19 @ the Red Room<br />

If you know Skinny Puppy, you have an idea of what to expect from ohGr,<br />

the electro-pop, hip-hop, and metal-tinged industrial side project of Kevin<br />

Ogilvie (a.k.a. Nivek Ogre) and Mark Walk. These guys just successfully<br />

crowdfunded the creation and release of their fifth studio album, TrickS,<br />

and the Red Room will be lucky to be left standing after they shake the<br />

foundation with it.<br />

JPEGMAFIA<br />

Aug 29 @ Fortune $15.00<br />

Baltimore’s Barrington DeVaughn Hendricks dropped his second album<br />

as JPEGMAFIA early on in <strong>2018</strong>. It’s called Veteran, and the title cannot be<br />

inferred as your typical baseless thug chest-pounding. Hendricks served<br />

his country in Iraq. He’s the real deal, an actual veteran who has seen some<br />

shit, which backs up his aggressive, experimental hip-hop style infinitely<br />

more solidly than all the bulletproof vests 50 Cent can order online from<br />

the safety of his mansion.<br />

JPEGMAFIA<br />

<strong>August</strong> <strong>2018</strong> 15

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