Beatroute Magazine BC Print Edition August 2018
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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MUSIC<br />
18<br />
RIO<br />
THEATRE<br />
1660 EAST BROADWAY<br />
AUGUST<br />
3<br />
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AUGUST<br />
12<br />
AUGUST<br />
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AUGUST<br />
14<br />
AUGUST<br />
15<br />
AUGUST<br />
17<br />
AUGUST<br />
24<br />
AUGUST<br />
29<br />
AUGUST<br />
Thank-you, Vancouver!<br />
#LongLiveTheRio<br />
#WeDidIt<br />
Wim Wenders'<br />
BUENA VISTA SOCIAL CLUB<br />
HEREDITARY<br />
*www.riotheatre.ca<br />
for additional showtimes<br />
THE GOONIES<br />
Vancouver Blues Society Presents<br />
WAILIN WALKER BAND<br />
& DAVID "BOXCAR" GATES<br />
Won't You Be My Neighbor?<br />
*www.riotheatre.ca<br />
for additional showtimes<br />
COWBOY BEBOP: THE MOVIE<br />
The Beatles’<br />
YELLOW SUBMARINE<br />
50th Anniversary Remaster!<br />
Akira Kurosawa's<br />
SEVEN SAMURAI<br />
Stanley Kubrick's<br />
DR. STRANGELOVE<br />
Andrei Tarkovsky's<br />
STALKER<br />
AMELIE<br />
CATWALK: TALES FROM<br />
THE CAT SHOW CIRCUIT<br />
#INTERNATIONALCATDAY<br />
The Gentlemen Hecklers Present<br />
JOHNNY MNEMONIC<br />
RBG<br />
Final Screening!<br />
THE SOUND OF MUSIC<br />
Sing-A-Long<br />
Tod Browning's<br />
FREAKS<br />
SORRY TO BOTHER YOU<br />
*www.riotheatre.ca<br />
for additional showtimes<br />
YELLOW SUBMARINE<br />
THE WARRIORS<br />
Can you dig it?<br />
Wes Anderson's<br />
ISLE OF DOGS<br />
Andrei Tarkovsky's<br />
THE SACRIFICE<br />
Alfred Hitchcock's<br />
REAR WINDOW<br />
Wim Wenders<br />
PARIS, TEXAS<br />
FANTASTIC PLANET<br />
Comedian<br />
ANDREW SCHULZ<br />
HALF-BAKED<br />
The Geekenders Present<br />
NICOLAS CAGE BURLESQUE<br />
THE CRITICAL HIT SHOW<br />
A #DNDLIVE<br />
COMEDY ADVENTURE<br />
COMPLETE LISTINGS AT WWW.RIOTHEATRE.CA<br />
PIERCE KINGAN<br />
GETTING YOUR FREAK ON<br />
SCOTT POSTULO<br />
Pierce Kingan explores bat shit insanity on his latest EP.<br />
HOTEL MIRA<br />
OPEN FOR BUSINESS<br />
KYLE FILLO<br />
With a new line-up, a new band name, and a new EP<br />
on the horizon, Hotel Mira vocalist and songwriter<br />
Charlie Kerr is entering a new phase in his musical<br />
evolution. It has been two and a half years since the<br />
final LP from the band formerly known as JPNSGRLS,<br />
and since that time the band has reworked their<br />
lineup with the addition of bassist Mike Noble<br />
joining Kerr and lead guitarist Colton Lauro. As the<br />
band’s previous iteration had been together since<br />
they were teenagers, this shift in course has set the<br />
stage for what this writer proposed to Kerr as a step<br />
towards “a more mature sound.”<br />
“Yeah, I’m not crazy about that word,” Kerr says,<br />
“because [the word mature] sometimes seems like<br />
more adult contemporary, but I think that just by<br />
the nature of getting more life experience, it’s been<br />
described that way.”<br />
While the reconstitution of any band raises<br />
questions about the motivating factors for such<br />
changes, Kerr was much more eager to dive deep<br />
into the conception and development behind Hotel<br />
Mira’s self-titled debut EP.<br />
“It’s a lot more streamlined of how I see things,”<br />
he says, when asked about how the creative<br />
direction of this initial Hotel Mira release differs<br />
from that of his work with JPNSGRLS. Behind this<br />
streamlined process was pressure from producer<br />
Dave Schiffman (Vampire Weekend, HAIM, Brandon<br />
Flowers), who Kerr collaborated with on his<br />
songwriting.<br />
“He pushed me really hard to find better<br />
Pierce Kingan is a strange man who makes<br />
strange music. He is perhaps best known<br />
as the bassist/singer/songwriter for The<br />
Prettys, but he has also been known to<br />
stand in with other local groups and<br />
artists including James Green, Cousin<br />
Arby, and The Orange Kyte. He has also<br />
been making lo-fi home recordings<br />
since his late teens, and his new EP, Give<br />
Pierce a Chance, is the latest addition<br />
to an increasingly bizarre and abrasive<br />
catalogue.<br />
Give Pierce a Chance is another<br />
collection of lo-fi bedroom pop/noise<br />
rock numbers, a sound that has become<br />
Kingan’s trademark. There is a lack of<br />
an obvious centerpiece on the new<br />
EP, making the final product feel more<br />
cohesive overall. The closing song, “4<br />
Minute Blackout,” is a standout, though<br />
Kingan claims that it is probably due to<br />
the song having been recorded seven years<br />
ago with Evan Matthiesen from his first<br />
band The Valley Rats. The song is a catchy<br />
noise/folk amalgamation and preaches a<br />
positive message of self-acceptance.<br />
Opening track “Leishmaniasis” is<br />
melodies, and do things that were more melodic,<br />
and find hooks in everything” explains Kerr. The<br />
combination of this intense scrutiny and influx of<br />
new influences has set the stage for Hotel Mira to<br />
initiate their own legacy and to extend Kerr’s vision<br />
beyond his past with JPNSGRLS.<br />
In a period of transition where it’s common for<br />
artists to get bogged down by bad blood, regrets, or<br />
nostalgia, Kerr is as optimistic and satisfied as ever<br />
with the band’s direction. “[Writing and recording<br />
another standout from the EP. “It’s about<br />
a flesh-eating bacterium that starts in<br />
your nose and it travels through your<br />
mucus and eats your face,” Kingan shares.<br />
The sardonic lyrics juxtapose gruesome<br />
imagery with lamentations of heartbreak<br />
over a slow crescendo of instrumentation.<br />
Kingan has plans to release a music video<br />
for this tripped-out folk number shortly,<br />
which was shot by local effects wizard<br />
Kevin Mnz. The video features Kingan<br />
performing the song while a group of<br />
friends do some carousing behind him. It’s<br />
put through a kaleidoscopic filter and is<br />
unquestionably “far out.”<br />
Looking to future projects, Pierce has<br />
already begun the process of recording<br />
his next EP, tentatively titled A Real<br />
Pierce of Work. “I’m always working on<br />
[something],” Kingan says.<br />
If you enjoy weirdo, noisy pop from a<br />
true master of the craft, give Pierce Kingan<br />
a chance.<br />
Pierce Kingan plays his EP release show at<br />
Stylus Records with The This and Guilt Trap<br />
on <strong>August</strong> 17.<br />
the EP] was a really good artistic process of learning<br />
that you can always just improve and build.” And<br />
judging by his optimism about future projects, this<br />
is only the beginning. “The truth is, what I’m writing<br />
now completely kicks [this EP’s] ass. This is a good<br />
EP, but the full-length that’s going to come after it is<br />
going to be truly special.”<br />
Hotel Mira’s new EP is available on <strong>August</strong> 17 on Light<br />
Organ Records.<br />
Hotel Mira closes the door on their past and moves forward with their next EP.<br />
Photo by Mandy-Lyn Antoniou<br />
<strong>August</strong> <strong>2018</strong>