Hindmarsh Prize 2018
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Welcome<br />
Canberra Glassworks is delighted to<br />
present the third <strong>Hindmarsh</strong> <strong>Prize</strong>, which<br />
in <strong>2018</strong> showcases the work of some of<br />
Australia’s most interesting and talented<br />
contemporary artists who work with glass.<br />
The prize honours outstanding achievement<br />
in contemporary glass art, celebrating the<br />
work of remarkable artists whose practices<br />
are among the most innovative and<br />
influential in this medium.<br />
From the outset, the exhibition and award<br />
were intended to provide significant<br />
benefits to artists. Art prizes are an<br />
important means by which art museums<br />
and collectors, large or small acquire<br />
work to build their collections and as the<br />
<strong>Hindmarsh</strong> <strong>Prize</strong> is peer assessed by gallery<br />
curators and a director, it confirms that<br />
the works selected are both worthy and<br />
interesting. This year, with the support of<br />
<strong>Hindmarsh</strong> and the Department of Foreign<br />
Affairs and Trade, the finalist exhibition<br />
will tour to Toyama Glass Museum in<br />
Toyama, Japan. And of course, along with<br />
the $10,000 prize money the winning artist<br />
receives a four week residency at Canberra<br />
Glassworks.<br />
I would like to thank the artists who<br />
submitted their work for consideration for<br />
this year’s exhibition and congratulate our<br />
<strong>2018</strong> finalists. We are grateful to the artists<br />
for their commitment to contemporary<br />
glass and to their representative galleries.<br />
I would also like to thank Eva Czernis-<br />
Ryl, Curator, Museum of Applied Arts<br />
and Sciences; Aimee Frodsham, Artistic<br />
Director, Canberra Glassworks and Nick<br />
Mitzevich, Director, National Gallery of<br />
Australia for generously giving their time<br />
and expertise as the <strong>2018</strong> judges.<br />
The <strong>Hindmarsh</strong> <strong>Prize</strong> would not be<br />
possible without our supporters The<br />
Tall Foundation, CRE8TIVE and King<br />
and Wood Mallesons. I would also like<br />
to acknowledge our wine sponsors Lake<br />
George Winery.<br />
I am immensely grateful to the small<br />
and dedicated team here and extend<br />
my thanks to Tom Rowney, Aimee<br />
Frodsham and Wendy Dawes for their<br />
work on the exhibition and this publication<br />
and acknowledge all of the Canberra<br />
Glassworks staff for helping to ensure the<br />
exhibition’s success.<br />
Finally, heartfelt thanks go to John<br />
<strong>Hindmarsh</strong> for his generous and passionate<br />
support of the exhibition and the prize over<br />
the past three years.<br />
Julie Skate<br />
CEO, Canberra Glassworks<br />
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