Viva Lewes Issue #146 November 2018
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THE ‘FILM’ ISSUE<br />
Cruise to the Edge II © Roger Dean<br />
Art.<br />
84-97. Julian Trevelyan at Pallant House. Art<br />
and about, from Marc Chagall, John Piper,<br />
Graham Sutherland; to Frank Short and<br />
Eric Slater; and lots of others. Elsewhere,<br />
Christmas Artists Open Houses; Max Gill in<br />
Ditchling; Simon Ling in Eastbourne; and<br />
plenty more. Plus, A Tale of Mother’s Bones<br />
– where psychoanalysis marries painting.<br />
Food.<br />
99-107. Come to rest at the Giant’s Rest;<br />
Marmite mushrooms on toast from<br />
Limetree Kitchen; and hygge comfort at the<br />
Old Forge lounge. Plus, Alex Leith rounds<br />
up food news.<br />
The way we work.<br />
109-113. Film production companies<br />
photographed by Catherine Benson, who<br />
also asked them: what’s your favourite movie?<br />
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109<br />
Features.<br />
114-124. Filmmaker Lorna Tucker’s<br />
writing space; Anita Hall on SAD. And<br />
we unpick some mystique around Bonfire<br />
smugglers, plus a handy guide to their<br />
colours. <strong>Lewes</strong> FC’s Faye Baker dances<br />
round the room; otters make a comeback<br />
on film; and business news on who’s<br />
moved where?<br />
Inside left.<br />
138. Cinema bill from the De Luxe’s<br />
heyday, c1920.<br />
Photo by Catherine Benson<br />
VIVA DEADLINES<br />
We plan each magazine six weeks ahead, with a mid-month<br />
advertising/copy deadline. Please send details of planned events<br />
to admin@vivamagazines.com, and for any advertising queries:<br />
advertising@vivamagazines.com, or call 01273 488882.<br />
Remember to recycle your <strong>Viva</strong>.<br />
Every care has been taken to ensure the accuracy of our content.<br />
<strong>Viva</strong> <strong>Lewes</strong> magazine cannot be held responsible for any omissions, errors<br />
or alterations. The views expressed by columnists do not necessarily<br />
represent the view of <strong>Viva</strong> <strong>Lewes</strong>.<br />
Love me or recycle me. Illustration by Chloë King<br />
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