Viva Lewes Issue #146 November 2018
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ART<br />
ART & ABOUT<br />
Further afield<br />
Vanishing Point 7 © Barbara Walker<br />
Three exhibitions started up at the Jerwood in Hastings in late<br />
October, which all run till Jan 6th. We mentioned the collaborative<br />
work of Maggi Hambling with her artist friends Sebastian<br />
Horsley, Sarah Lucas, Julian Simmons and Juergen Teller, on<br />
in the main gallery, last month. In Vanishing Points upstairs, you<br />
can see the thought-provoking work of Barbara Walker. She is<br />
interested in highlighting issues of class, power, gender and race,<br />
and has picked two paintings featuring black subjects from the<br />
National Gallery (by Tiepolo and Giordano) and has juxtaposed<br />
these with her own works, to examine the historical masterpieces<br />
in a fresh context. Finally, while you’re at Hastings’ fine still-fresh<br />
gallery, there’s a bit of light relief<br />
with Quentin Blake’s Hats.<br />
Also in Hastings this month,<br />
you might want to check<br />
out the work of latex artist<br />
Michelle Mildenhall at the<br />
See Spray Gallery, 9th-30th<br />
<strong>November</strong>; while, at the Lucy Bell Gallery, there’s an exhibition<br />
of Marilyn Stafford’s iconic fashion photographs, from Biba to<br />
Chanel (27th Oct-17th Nov).<br />
Quentin Blake, The World of Hats, mixed media, <strong>2018</strong>, © the artist<br />
Finally, if you fancy a trip up Maresfield<br />
way, Hendall Manor Barns are<br />
holding the Hendall Arts Exhibition on<br />
3rd-4th <strong>November</strong> with work by over<br />
20 local artists and makers, including<br />
garden sculptures, figurative bronzes,<br />
resin sculptures, engravings, etchings,<br />
impressions and oil paintings.<br />
As usual, it’s worth a trip to Chichester to visit Pallant<br />
House Gallery, hosting no fewer than six<br />
shows through to the New Year. Highlights include<br />
a collection of paintings by ‘Manchester Modernist’<br />
Karl Hagedorn, works by Julian Trevelyan (see pg<br />
84), the doll sculptures of Cathie Pilkington, and<br />
some recent bequests of works by Keith Vaughan.<br />
See pallant.org.uk<br />
Julian Trevelyan, Washing Day, Freetown, 1942. Private Collection <br />
© The Julian Trevelyan Estate<br />
95