BeatRoute Magazine BC Edition January 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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FILM<br />
VANCOUVER SHORT FILM FESTIVAL<br />
SHOWCASING TALENT IN THE INDUSTRY AND UNITING INDUSTRY PEERS<br />
HOGAN SHORT<br />
THIS MONTH IN FILM<br />
SUPPORT YOUR LOCAL CINEMA<br />
BRENDAN LEE<br />
GENESIS 2.0<br />
Travel north to the harsh, bleak country of Serbia where the wooly<br />
mammoth once roamed, and be led on a path towards a not-so-distant<br />
future. Oscar-nominated documentarian, Christian Frei, tells the story of<br />
modern day mammoth hunters, whose lives revolve around the rush to<br />
uncover fossils and carcasses that not only prove lucrative ventures, but<br />
are helping provide answers to long sought after questions in the world of<br />
science. (Jan. 2)<br />
THE HEIRESSES<br />
A middle-aged Italian woman loses everything amidst her husband’s<br />
imprisonment on fraud charges and she’s quickly thrown from a life of<br />
luxury into a life of relative normality as a taxi driver. From there, she<br />
meets a younger woman. And as is expected, life continues to unfold.<br />
(Jan. 16)<br />
(L-R) VSFF co-director Marena Dix, board chair Kristyn Stilling and Zlatina Pacheva (also co-director) look to the stars.<br />
Short films are perfectly designed to be watched during a<br />
film festival — back-to-back. When they’re great, they tell<br />
beautiful stories in moments. And when they’re not for you,<br />
you only have to stay with it a little while longer and onto the<br />
next one. Luckily there’s the Vancouver Short Film Festival<br />
and co-director Marena Dix is excited to share just what to<br />
expect from the VSFF and what they’re aiming to provide for<br />
their Vancouver audience.<br />
“Our ultimate goal is to connect short filmmakers to a<br />
broader audience in order to grow the local film industry,”<br />
Dix says.<br />
During the two days of the festival there are an impressive<br />
39 short films to see. The films must be under 40 minutes in<br />
length and this year the festival received a record number of<br />
submissions. Dix is confident the programming will appeal to<br />
wide audience, especially with that much content.<br />
“We have such a wide range of themes and genres. In one<br />
screening, you might start with a comedy and end with a<br />
suspenseful drama. The viewers can expect to laugh, cry and<br />
question reality.” The variety of short films continues to grow<br />
at the VSFF, offering audiences the best experience possible<br />
every year. “We have added an additional screening on the<br />
Friday to highlight Horror and Thriller filmmakers in our After<br />
Dark Screening.”<br />
Highlighting filmmakers is a key component of the VSFF<br />
mission, which also gives the audience a unique chance to<br />
interact with the creative people creating short film. “Usually<br />
we have an 80 per cent filmmaker attendance rate for each<br />
screening,” Dix says. “We love supporting <strong>BC</strong> talent and it’s<br />
great when the audience can interact directly with them.”<br />
As an audience member experiencing this festival for<br />
the first time, Dix has some words of advice to make your<br />
experience as rich as possible.<br />
“See as much as you can and meet as many people as<br />
you can. As a filmmaker myself, I find that festivals offer a<br />
unique experience to meet fellow peers and find inspiration.<br />
I have met lifelong friends and collaborators at film festivals,<br />
including at the Vancouver Short Film Festival.”<br />
The VSFF will be screening <strong>January</strong> 25 to 26 at the Vancity<br />
Theatre (1181 Seymour). For more information visit www.vsff.<br />
com<br />
THE IMAGE BOOK<br />
Jean-Luc Godard is known as one of the first true auteurs, the centerpiece<br />
of French New Wave cinema in the ’60s and an all-time great. Nearly sixty<br />
years since Breathless, Godard returns with an avant-garde collage in the<br />
form of film-clips, paintings and music. It’s designed to be watched in a<br />
living room, and it’s orchestrated in such a way so to move you. (Jan. 18)<br />
THE WILD PEAR TREE<br />
Turkish Filmmaker, Nuri Bilge Ceylan, follows up his 2014 Palm D’or<br />
win with an atmospheric homecoming tale about an aspiring writer<br />
who returns to his parents’ home in the countryside after years away at<br />
university. The humble country life and all that come with it clash with<br />
the son’s aspirations in this beautifully shot family drama. (Jan. 30)<br />
THE HEIRESSES<br />
32<br />
<strong>January</strong> <strong>2019</strong>