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BeatRoute Magazine BC Edition January 2019

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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FILM<br />

VANCOUVER SHORT FILM FESTIVAL<br />

SHOWCASING TALENT IN THE INDUSTRY AND UNITING INDUSTRY PEERS<br />

HOGAN SHORT<br />

THIS MONTH IN FILM<br />

SUPPORT YOUR LOCAL CINEMA<br />

BRENDAN LEE<br />

GENESIS 2.0<br />

Travel north to the harsh, bleak country of Serbia where the wooly<br />

mammoth once roamed, and be led on a path towards a not-so-distant<br />

future. Oscar-nominated documentarian, Christian Frei, tells the story of<br />

modern day mammoth hunters, whose lives revolve around the rush to<br />

uncover fossils and carcasses that not only prove lucrative ventures, but<br />

are helping provide answers to long sought after questions in the world of<br />

science. (Jan. 2)<br />

THE HEIRESSES<br />

A middle-aged Italian woman loses everything amidst her husband’s<br />

imprisonment on fraud charges and she’s quickly thrown from a life of<br />

luxury into a life of relative normality as a taxi driver. From there, she<br />

meets a younger woman. And as is expected, life continues to unfold.<br />

(Jan. 16)<br />

(L-R) VSFF co-director Marena Dix, board chair Kristyn Stilling and Zlatina Pacheva (also co-director) look to the stars.<br />

Short films are perfectly designed to be watched during a<br />

film festival — back-to-back. When they’re great, they tell<br />

beautiful stories in moments. And when they’re not for you,<br />

you only have to stay with it a little while longer and onto the<br />

next one. Luckily there’s the Vancouver Short Film Festival<br />

and co-director Marena Dix is excited to share just what to<br />

expect from the VSFF and what they’re aiming to provide for<br />

their Vancouver audience.<br />

“Our ultimate goal is to connect short filmmakers to a<br />

broader audience in order to grow the local film industry,”<br />

Dix says.<br />

During the two days of the festival there are an impressive<br />

39 short films to see. The films must be under 40 minutes in<br />

length and this year the festival received a record number of<br />

submissions. Dix is confident the programming will appeal to<br />

wide audience, especially with that much content.<br />

“We have such a wide range of themes and genres. In one<br />

screening, you might start with a comedy and end with a<br />

suspenseful drama. The viewers can expect to laugh, cry and<br />

question reality.” The variety of short films continues to grow<br />

at the VSFF, offering audiences the best experience possible<br />

every year. “We have added an additional screening on the<br />

Friday to highlight Horror and Thriller filmmakers in our After<br />

Dark Screening.”<br />

Highlighting filmmakers is a key component of the VSFF<br />

mission, which also gives the audience a unique chance to<br />

interact with the creative people creating short film. “Usually<br />

we have an 80 per cent filmmaker attendance rate for each<br />

screening,” Dix says. “We love supporting <strong>BC</strong> talent and it’s<br />

great when the audience can interact directly with them.”<br />

As an audience member experiencing this festival for<br />

the first time, Dix has some words of advice to make your<br />

experience as rich as possible.<br />

“See as much as you can and meet as many people as<br />

you can. As a filmmaker myself, I find that festivals offer a<br />

unique experience to meet fellow peers and find inspiration.<br />

I have met lifelong friends and collaborators at film festivals,<br />

including at the Vancouver Short Film Festival.”<br />

The VSFF will be screening <strong>January</strong> 25 to 26 at the Vancity<br />

Theatre (1181 Seymour). For more information visit www.vsff.<br />

com<br />

THE IMAGE BOOK<br />

Jean-Luc Godard is known as one of the first true auteurs, the centerpiece<br />

of French New Wave cinema in the ’60s and an all-time great. Nearly sixty<br />

years since Breathless, Godard returns with an avant-garde collage in the<br />

form of film-clips, paintings and music. It’s designed to be watched in a<br />

living room, and it’s orchestrated in such a way so to move you. (Jan. 18)<br />

THE WILD PEAR TREE<br />

Turkish Filmmaker, Nuri Bilge Ceylan, follows up his 2014 Palm D’or<br />

win with an atmospheric homecoming tale about an aspiring writer<br />

who returns to his parents’ home in the countryside after years away at<br />

university. The humble country life and all that come with it clash with<br />

the son’s aspirations in this beautifully shot family drama. (Jan. 30)<br />

THE HEIRESSES<br />

32<br />

<strong>January</strong> <strong>2019</strong>

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