07.01.2019 Views

POP CULTURE! Issue

Happy birthday to us!! We are celebrating 4 years of KALTBLUT Magazine with our new print issue. 120 Pages featuring artists like Candy Ken, Years & Years, Mykki Blanco, Pip & Pop, Crystal, Patrick de Padua, Strawberry Bubblegums, Aminata, Maisie Cousins .. Plus fashion editorials, interviews, new rubrics, essay and more. Special THX to Negroni.

Happy birthday to us!! We are celebrating 4 years of KALTBLUT Magazine with our new print issue. 120 Pages featuring artists like Candy Ken, Years & Years, Mykki Blanco, Pip & Pop, Crystal, Patrick de Padua, Strawberry Bubblegums, Aminata, Maisie Cousins .. Plus fashion editorials, interviews, new rubrics, essay and more. Special THX to Negroni.

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with some amazing people. I have made some great friends all over the<br />

world, which I am truly grateful for.<br />

Seeing Forever<br />

For your piece “Love grows a flower” you came to create a whole<br />

new world with his own vegetation, colours, animals… Where is<br />

this place? How do we get there?<br />

Haha, you can’t get there. It’s gone now! All of the worlds I create<br />

are temporary, you have to see them before they disappear. The show<br />

was in Tokyo and the works were made on a series of round tables, of<br />

various heights. Each table held a different miniature landscape that<br />

drew on a specific Japanese folk tale.<br />

The atmosphere of your work, to me, is very happy and joyful, do<br />

you translate your feelings to your work?<br />

Thanks, I do try to create optimistic work. It’s great if the work brings<br />

a sense of joy or happiness to viewers. But I’m also interested in the<br />

idea of abundance. How much sweetness is too much? Where is the<br />

point that there is too many saturated colours, or too many pretty<br />

things?<br />

I hope that the work teeters on this edge sometimes. When people have<br />

reactions like ‘oh, it’s too much, it makes me feel a bit sick’, I love this<br />

too.<br />

You have exhibited your work throughout the whole world,<br />

Australia, Japan, Germany… Are there any differences in the<br />

reactions of the public?<br />

Yes, I think there are some differences in the reactions. It’s especially<br />

noticeable in the way people spend time with the work, and the<br />

questions they ask me about it. In Japan I’ve noticed that audiences<br />

have a quiet but intense response. They often spend a very long time<br />

looking closely at the work, leaning right in, sometimes even sitting on<br />

the ground as if meditating with it. In Mexico the audience were more<br />

vocal and expressive. They seemed to absorb the work more quickly,<br />

but wanted to ask me many questions, especially about my feelings<br />

when creating the work. In Germany I had many interesting and<br />

in-depth conversations about the ideas underpinning the work. But<br />

I’m constantly surprised at the lovely and positive responses I’ve had<br />

wherever I’ve been.<br />

Keep up with Pip & Pop’s world at<br />

www.pipandpop.com.au<br />

Romance Was Born<br />

Romance Was Born<br />

Love grows a flower<br />

20

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