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STARDUST<br />

FORMER WRITERS GUILD PREZ VICTORIA<br />

RISKIN DISCUSSES NEW BIOGRAPHY OF<br />

PARENTS ‘FAY WRAY AND ROBERT RISKIN:<br />

A HOLLYWOOD MEMOIR’ AT VROMAN’S<br />

BY BLISS BOWEN<br />

Early in Victoria ia Riskin’s biography of her parents, “Fay<br />

Wray and Robert Riskin:AHollywoodMemoir”she<br />

Memoir,” she<br />

recalls building a snowman at age 3 with her brother<br />

Bobby and their father, screenwriter Robert Riskin. For<br />

years, she writes, she imagined her mother “was in the<br />

kitchen having the cook prepare the hot chocolate to<br />

warm us when we came in, or rearranging the living<br />

room rugs and furniture for an evening of square dancing<br />

that was all the rage in the late 1940s, or readying a<br />

dinner party for the friends who regularly came to our<br />

house: Jack Benny, Rosalind Russell, Ronald Colman,<br />

Cary Grant, Jimmy Stewart, Irving Berlin, Harpo Marx,<br />

Darryl Zanuck, Edward G. Robinson.” But Wray was<br />

behind a Leica camera, in that rare snow, recording the<br />

family happiness she had finally, gratefully found.<br />

Pop culture enshrines Wray as the blonde love<br />

object of “King Kong” in the iconic 1933 film. But the<br />

Utah innocent who arrived in Los Angeles at 14 emerges<br />

from her daughter’s pages as a kind, good-natured<br />

trooper. The script for 1933’s “The Bowery” called for<br />

costar George Raft to slap Wray — a move he reluctantly<br />

repeated through 20 takes until, with Wray’s “eyes watering,<br />

her face bright red and her ears ringing,” director Raoul<br />

Walsh was satisfied. “King Kong” director Merian C. Cooper<br />

ordered her to “scream for your life” into a microphone for<br />

“eight uninterrupted hours” until he caught the desired pitch.<br />

Wray couldn’t speak for weeks afterward. That year, she became<br />

“Founding Member #1475 of the Screen Actors Guild.”<br />

The witty, progressive-minded Riskin, whose parents had<br />

fled anti-Semitic repression in what is now Belarus for New<br />

York in 1891, was active in Depression-era organizing efforts<br />

for what ultimately became the Screen Writers Guild. He was<br />

at the beginning of his collaboration with Italian-born<br />

director Frank Capra, which yielded such legendary<br />

films as “Meet John Doe” and the Oscar-winning “It<br />

Happened One Night.” In conversation Victoria<br />

describes parties where the two men rolled<br />

around like clowns, and the “incredible<br />

elegance and fun” as well as “rich political<br />

conversation and artistic conversation”<br />

that prevailed in her parents’ intellectual<br />

social circle.<br />

CONTINUED ON PAGE 10<br />

PHOTO: David Welsh<br />

<strong>03.07.19</strong> | PASADENA WEEKLY 9

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