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2018 Woodstock Invitational Program

Catalog for Woodstock Invitational Guitar Show

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PERFORMERS<br />

PERFORMERS<br />

Mary Flower<br />

Mary Flower’s immense finger picking guitar<br />

and lap-slide prowess is soulful and meter-perfect,<br />

a deft blend of the inventive, the<br />

dexterous and the mesmerizing. Her supple<br />

honey-and-whiskey voice provides the perfect<br />

melodic accompaniment to each song’s story.<br />

An internationally known and award-winning<br />

picker, singer/songwriter and teacher, the<br />

Midwest native relocated from Denver to the vibrant Portland,<br />

OR music scene in in 2004. She continues to please crowds and<br />

critics at folk festivals, teaching seminars and concert stages<br />

domestically and abroad, which include Merlefest, Kerrville, King<br />

Biscuit, Prairie Home Companion, and the Vancouver Folk Festival,<br />

among many.<br />

A finalist in 2000 and 2002 at the National Finger Picking Guitar<br />

Championship, a nominee in 2008, 2012 and 2016 for a Blues<br />

Foundation Blues Music Award, and many times a Cascade Blues<br />

Assn. Muddy Award winner, Flower embodies a luscious and lusty<br />

mix of rootsy, acoustic-blues guitar and vocal styles that span a<br />

number of idioms - from Piedmont to the Mississippi Delta, with<br />

stops in ragtime, swing, folk and hot jazz. Flower’s 11 recordings,<br />

including her four for Memphis’ famed Yellow Dog Records - Bywater<br />

Dance, Instrumental Breakdown, Bridges and Misery Loves<br />

Company - show a deep command of and love for folk and blues<br />

string music. For Flower, it’s never about re-creation. Her dedication<br />

to the art form is a vital contribution to America’s music.<br />

“A world class finger-style guitarist and lap slide player.” - Downbeat<br />

Magazine<br />

“There are few musicians in the genre bringing as much creative<br />

spark and low-key mojo to this century-old music…” - Acoustic<br />

Guitar Magazine<br />

NOTE: Mary will be conducting a Clinic on Friday, 10/26 at 1:00pm.<br />

www.maryflower.com<br />

Vicki Genfan<br />

Playing her own percussive technique of<br />

‘slap-tap’ acoustic guitar, Vicki Genfan has<br />

performed at festivals, venues and performing<br />

arts centers across the US and abroad. Vicki<br />

was the first woman to win Guitar Player magazine’s<br />

Guitar Superstar Competition, after<br />

competing against nine world-class players in<br />

front of celebrity judges. Drawing from folk,<br />

jazz, pop, soul and world music, whether covering the tunes of<br />

others or presenting her own compositions, Vicki has a distinctive<br />

style that pushes the boundaries of the singer/songwriter genre<br />

into new territories. “If I could play like Vicki, I’d stay home and<br />

entertain myself.” - Steve Vai.<br />

NOTE: Vicki will be conducting a Clinic on Saturday, 10/27 at 1:00pm.<br />

www.vickigenfan.com<br />

John Hart<br />

John Hart is simply one of the most sought after<br />

and prolific guitarists on the jazz scene today.<br />

A New York fixture for 30 years, John has<br />

distinguished himself not only as a bandleader<br />

with 10 CDs, including releases on prestigious<br />

labels Blue Note and Concord, but also as<br />

first-call sideman to the stars. He may be<br />

best known for a 16-year tenure with organist<br />

Jack McDuff, a gig which was a proving ground for many of the<br />

great jazz guitar innovators. JazzTimes said of John, “An alum<br />

of the Brother Jack McDuff University of Jazz Guitar, John Hart<br />

can burn his way through blues changes on a level that’s right up<br />

there with fellow graduates George Benson and Pat Martino.”<br />

John’s versatility is apparent when you look at some of his other<br />

associations. He has played in bands led by Brian Blade, Chris<br />

Potter, Larry Goldings, Bob Belden, Dr. Lonnie Smith, Javon<br />

Jackson, and played with the Maria Schneider Orchestra for 20<br />

years. A prolific recording artist, John has appeared on 100-plus<br />

CDs as a sideman. His 11th CD as a leader, “Leading The British<br />

Invasion,” was released on Zoho records February <strong>2018</strong>. John<br />

now heads the Jazz Guitar Department at University of Miami<br />

Frost School of Music.<br />

NOTE: John will be conducting a Clinic on Saturday, 10/27 at 2:30pm.<br />

http://people.miami.edu/profile/j.hart@miami.edu/<br />

Richie Hart<br />

Richie has been playing guitar for over 58<br />

years. He has been a Jazz musician for 52<br />

years of his playing. He was the head of the<br />

Jazz Department at Western Connecticut<br />

State University for six years and presently<br />

is a professor at Berklee College of Music for<br />

the last 20 years. He has been awarded a<br />

Bachelor of Music in Education and a Masters<br />

of Arts of Teaching.<br />

Over the course of his teaching, Richie has established advanced<br />

courses on the playing style of Wes Montgomery and George<br />

Benson. He has a unique style of teaching, connecting the ears<br />

to the musical vocabulary required to be a Jazz musician.<br />

Richie has performed with many musicians including Dr. Lonnie<br />

Smith, Ron Carter, Jimmy Cobb, Freddie Hubbard, Hubert Laws,<br />

Don Patterson, Tal Farlow, just to mention a few. He has recorded<br />

11 of his own albums/CD’s over his career.<br />

www.richiehartjazz.com<br />

Steve Herberman<br />

Steve Herberman is a graduate of Berklee<br />

College of Music, later adopting the seven-string<br />

guitar in 1993. He has recorded<br />

numerous CD’s as both leader and sideman<br />

and is a respected jazz educator. Steve has<br />

50 video lessons published on Mike’s Masterclasses<br />

and has toured across the US and<br />

Europe playing and teaching. He is featured in<br />

the book, “The Great Jazz Guitarists” by Scott Yanow. Steve is an<br />

endorser of Comins Guitars and GLB Sound amps and is based in<br />

the Washington, DC area.<br />

www.steveherberman.com<br />

Marlene Hutchinson<br />

Marlene Hutchinson, guitar instructor, musician,<br />

published author, producer and founder<br />

of Marlene’s Music, developed a simple<br />

method of learning to play guitar that has<br />

influenced and inspired guitarists around the<br />

world! As seen by millions on PBS, Marlene’s<br />

popular Learn to Play Guitar in a Day!® workshop<br />

is based on her signature guitar method<br />

created to help the absolute beginner learn to play quickly<br />

and easily. In addition to PBS, Learn to Play Guitar in a Day!®<br />

has been featured on CBS, NBC, NPR, Acoustic Guitar, Making<br />

Music Magazine, Women’s International Music Network, several<br />

news publications, and is a 2014 Player’s Choice Award nominee.<br />

Hutchinson presents her live workshop at colleges, universities<br />

and guitar events around the United States.<br />

“Marlene is the pied piper of guitar instruction.” - David<br />

Lusterman, Publisher, Acoustic Guitar<br />

NOTE: Marlene will be teaching her Learn to Play Guitar in a<br />

Day!® workshop at Kleinert/James Center, 11am to 4pm on<br />

Sunday, Oct. 28, <strong>2018</strong>, FREE to the public, thanks to grant<br />

from Bluestein Family Foundation<br />

www.marlenesmusic.com<br />

Sharon Klein<br />

Sharon Klein is a veteran of the New York<br />

City music scene in the 80’s and 90’s, having<br />

written over 200 songs. Her love of travel,<br />

world music and other cultures has become<br />

the major influence in her own eclectic and<br />

melodic finger style guitar compositions. Her<br />

profound love of the “piano-like” qualities of<br />

a finely built flat top guitar has led her to compose<br />

airy, open and highly melodic “songs for strings” that show<br />

off the rich overtones of the instrument. It is also the title of her<br />

upcoming CD. This is Sharon’s tenth year as Production Partner<br />

and Music Coordinator for WILS.<br />

www.musicwithoutwalls.co<br />

Joey Lambert<br />

Joey Lambert started working at PRS Guitars<br />

in 2009. He is currently the head Acoustic<br />

Luthier for the PRS Private Stock team and is<br />

a performing singer-songwriter and fingerstyle<br />

musician. From Annapolis, Maryland, Joey<br />

was a classical performance major at Salisbury<br />

University before discovering his passion for<br />

building guitars, which led him to leave university<br />

for luthier school. Joey graduated from the Roberto-Venn<br />

School of Luthiery in 2009. He has maintained his arts of writing<br />

and performing music throughout his employment with PRS<br />

Guitars. His music is a delicate blend of his personal insights and<br />

studies of folk and baroque pop.<br />

www.facebook.com/joey.lambert.5<br />

Ted Ludwig<br />

Acclaimed seven-string jazz guitarist Ted<br />

Ludwig (b. 1974, New Orleans, LA) has been<br />

a part of the jazz scene in New Orleans since<br />

1997. He has released four albums as a leader<br />

and many more as a versatile sideman and<br />

co-leader.<br />

Ted earned his Bachelor and Masters Degrees<br />

from the University of New Orleans Jazz Studies<br />

<strong>Program</strong>, under the direction of the legendary pianist Ellis<br />

Marsalis Jr. Inspired by the recordings of Joe Pass, Pat Martino<br />

and Wes Montgomery, Ludwig soon became one of the most<br />

sought-after guitarists in the New Orleans jazz scene, working<br />

professionally as a soloist and accompanist. He has performed<br />

with notable contemporaries such as Ellis Marsalis, Peter Bernstein,<br />

Bob Dorough, Larry Coryell, Nathan East, Nicholas Payton,<br />

Howard Alden, Mundell Lowe, Rick Margitza, Julian Labro, Steve<br />

Masakowski, John Ellis, Tony Dagradi, Mike Pellera, Jason Marsalis,<br />

Ron Escheté, Johnny Vidacovich, Herlin Riley, and many more.<br />

In 2005, in the wake of Hurricane Katrina, Ludwig created his<br />

own eclectic Jazz Trio, gaining instant accolades from critics and<br />

musicians alike for his astonishing virtuosity and prolific originality.<br />

In 2016, Ludwig had the great opportunity to perform with<br />

orchestra an original Jazz Guitar Concerto entitled “Katrina.” The<br />

piece was composed by D.J. Sparr and commissioned by The<br />

Arkansas Symphony Orchestra. Ted received rave reviews for his<br />

performances, and as a result that year, Ted became the youngest-ever<br />

inductee into The Arkansas Jazz Hall of Fame.<br />

www.tedludwig.com<br />

Tony McManus<br />

To find a unique voice on the guitar is quite<br />

an achievement; to do so within a centuries<br />

old idiom where the instrument has no history<br />

is truly remarkable. Tony’s work has come to<br />

represent Celtic music in the guitar world. He<br />

is invited annually to the Chet Atkins Festival<br />

in Nashville, has appeared at Guitar Festivals<br />

in Soave, Pescantina, Sarzana and Francacorta,<br />

Italy; Frankston, Australia; Issoudun and Bordeaux, France;<br />

Bath and Kent, England; Bochum and Osnabruck, Germany. In<br />

2004, he appeared at the Ryman, Nashville in the “All Star Guitar<br />

Night” featuring Steve Morse, Bryan Sutton, Muriel Anderson,<br />

Béla Fleck, Victor Wooten and headlined by Les Paul.<br />

His album “The Maker’s Mark” saw him showcase 15 luthier-built<br />

guitars. Recording a piece on each instrument, the project<br />

caught the attention of the rock guitar press in a way that<br />

acoustic work rarely does. Never to be typecast, his latest solo<br />

album, “Mysterious Boundaries,” is his most ambitious to date<br />

with 10 classical and baroque pieces arranged by McManus. A<br />

work of great originality and beauty, it was hailed by his peers as<br />

“a masterpiece” (Renbourn), “beyond beautiful… it’s PERFECT!”<br />

(Tommy Emmanuel) and which contains a remarkable rendition of<br />

Bach’s colossal Chaconne in D Minor.<br />

NOTE: Tony will be conducting a Clinic on Saturday, 10/27 at 10:00am.<br />

www.tonymcmanus.com<br />

Mark Milloff<br />

Mark Milloff lived in the woods of Western<br />

Massachusetts for 20 years. He was born in<br />

Miami and raised in South Florida during the<br />

50’s and 60’s. He’s been devoted to listening<br />

to and playing Delta Blues since the age of<br />

13. His band, the Cannibal Ramblers, has<br />

opened for the likes of BB King and Robert<br />

Randolph and the Family.<br />

“What always makes the Cannibal Ramblers amazing is the way<br />

they fuse swampy blues with Mark Milloff’s beatnik, honest and<br />

poetic lyrics. They walk the fine line between backwoods and<br />

metropolitan in fantastic fashion.” Milloff plays custom-made<br />

instruments, including a couple of guitars created by Atelier<br />

Rosenkrantz. Milloff remains eternally grateful to Rosenkrantz<br />

for building the parlor guitar displayed and is happy to attend<br />

<strong>Woodstock</strong> to demonstrate it.<br />

www.facebook.com/mark.milloff<br />

56 • www.woodstockinvitational.com www.woodstockinvitational.com • 57

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