SPA042_Vorschau2-2019_englisch_web_hoch

Strings
from: BA 9014, volume I
One example can be found in Beethoven’s “Tempo di Minuetto”
from Sonata op. 30 No. 3, where he uses a notational idiosyncracy
based on C.P.E. Bach’s “Versuch über die wahre Art das Clavier zu
spielen” to denote a rest. This musical symbol, which was included in
the first edition published during Beethoven’s lifetime, has not been
addressed in any modern edition to date.
In addition, a score through a chord can also not be found in previous
modern editions; this denotes an arpeggiated chord.
The new edition of Beethoven’s Violin Sonatas offers:
• A scholarly-critical Urtext edition at the cutting edge of scholarship
• The first edition to include a list of sources and a Critical Report (Eng)
• Numerous corrections not found in previous editions
• A definitive Commentary on Performance Practice (Ger/Eng)
New Issue Title
19 New Publications II/2019 · The Programme