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BeatRoute Magazine BC Edition June 2019

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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TD Vancouver<br />

International<br />

Jazz<br />

Festival<br />

<strong>June</strong> 21 to<br />

July 1, <strong>2019</strong><br />

Best of the Fest<br />

By YASMINE SHEMESH<br />

S<br />

ince Rainbow Robert took over as<br />

managing director for artistic programming<br />

at the TD Vancouver International<br />

Jazz Festival in 2018, she’s<br />

made it a point to highlight the louder, more unexpected<br />

expressions rooted in jazz.<br />

“It’s protest music,” Robert says. “It’s music<br />

where there’s a free dialogue about what’s going<br />

on in the world. Whether it’s the celebration or<br />

indignation, I think edgy music wakes us up. It’s<br />

something that’s really important to invite and to<br />

enjoy.”<br />

In the defiant spirit of its roots, the jazz<br />

festival, now in its 34th edition, has always<br />

featured artists not afraid to challenge,” to<br />

speak out against injustice, or honestly portray<br />

the realities they live in.<br />

This sentiment rings especially true this year.<br />

Alongside rhythmic jazz innovator Herbie Hancock,<br />

the lineup includes hardcore hip-hop greats<br />

Wu-Tang Clan, the experimental and improvisational<br />

Yonatan Gat and Eastern Medicine<br />

Singers, transgender singer-songwriter<br />

Beverly Glenn-Copeland and<br />

Russell Wallace — the festival’s<br />

<strong>2019</strong> Indigenous Artist<br />

in Residence.<br />

“It’s a pretty wild<br />

world that we’re living<br />

in now,” Robert says.<br />

“And I think putting<br />

forward music that really<br />

speaks to that is<br />

particularly important.”<br />

TD Vancouver<br />

International Jazz<br />

Festival / <strong>June</strong> 21 to<br />

July 1, <strong>2019</strong> /<br />

Various locations /<br />

Tix: coastaljazz.ca<br />

Wu-Tang Clan<br />

Co-founder RZA has always<br />

been open about the iconic New<br />

York hip-hop group’s mission to<br />

open minds. Socially-conscious,<br />

philosophical, gritty and brilliant,<br />

they’re one of the most important<br />

acts of our time.<br />

8 p.m. on <strong>June</strong> 23 / Queen Elizabeth<br />

Theatre / Tickets from $69.<br />

The Roots<br />

Often referred to as hip-hop’s<br />

first “live band,” The Roots have<br />

redefined the genre over and<br />

over again with their ingenious<br />

mix of freewheeling grooves and<br />

insightful lyrics.<br />

8 p.m. on <strong>June</strong> 28 / Queen Elizabeth<br />

Theatre / Tickets from $79.<br />

Herbie Hancock<br />

Hancock, a pioneer of the funky<br />

and abstract post-bop jazz, has<br />

made incomparable contributions<br />

to music through more than six<br />

decades of work as a composer,<br />

pianist and bandleader.<br />

8 p.m. on <strong>June</strong> 29 / Queen Elizabeth<br />

Theatre / Tickets from $69.<br />

Beverly Glenn-Copeland<br />

Whether you know him from<br />

Mr. Dressup, his canon of work<br />

as a folk singer-songwriter and<br />

electronic music pioneer, or his<br />

inspirational life journey as a transgender<br />

man, both Copeland and<br />

his long, diverse career are truly<br />

extraordinary.<br />

8 p.m. on <strong>June</strong> 25 / Performance<br />

Works / Tickets from $29.<br />

Yonatan Gat and Eastern<br />

Medicine Singers<br />

Gat refused to join his native Israel’s<br />

mandatory military service and<br />

his work with the Algonquin drum<br />

group is just as rebellious. Swirling<br />

Middle Eastern guitar, tribal<br />

rhythm, and confrontational harmony<br />

make for an unforgettable<br />

live performance. Gat was also a<br />

key member of the deranged and<br />

entertaining Monotonix, but this<br />

project is in a league of its own.<br />

7 p.m. on <strong>June</strong> 30 / David Lam Park<br />

/ Free.<br />

JUNE <strong>2019</strong> BEATROUTE 47

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