BeatRoute Magazine BC Edition June 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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06.19YVRAGENDA<br />
This Month in<br />
Theatre:<br />
Zastrozzi:<br />
The Master of<br />
Discipline<br />
The House of Bernarda Alba<br />
<strong>June</strong> 12 to 16, Firehall Arts<br />
Upon the death of their father, a group of sisters are<br />
forced against their will into eight years of mourning by<br />
their mother. Emily Mann’s translation takes the classic<br />
by Federico Garcia Lorca from 1900s rural Spain to<br />
modern-day Iran. In Farsi with English subtitles.<br />
Indian Summer Festival<br />
The Indian Summer Festival is<br />
returning for an 11-day multidisciplinary<br />
exhibition of cultures and<br />
conversations from South Asia<br />
and around the world. <strong>BeatRoute</strong><br />
spoke to Sirish Rao, the festival’s<br />
artistic director, on his vision for<br />
bringing diverse cultures together<br />
and making a better world through<br />
conversation.<br />
“It’s a festival for the curious<br />
mind,” says Rao. “It’s really about<br />
taking a more global approach to<br />
ideas and culture.”<br />
The theme for this year’s festival<br />
is Tricksters, Magicians and Oracles.<br />
Rao curated a group of thinkers<br />
and artists who contemplate the<br />
world’s trajectory in their work.<br />
“We’re all wondering where<br />
things are going,” he says. “We’ll<br />
have musicians, stand-up comedians,<br />
futurists and people talking<br />
about climate change and artificial<br />
intelligence. We’re looking at a<br />
huge variety of subjects.”<br />
Rao highlights two musical exhibitions<br />
at the festival. Conjuring the<br />
Future is an exhibition of Indigenous<br />
music from a wide variety of<br />
cultures, and Strings for Peace is<br />
a collaboration between masters<br />
of guitar and the Indian sarod. Rao<br />
says these events play heavily into<br />
his theme of unification.<br />
“It seems like human beings<br />
aren’t capable of much except creating<br />
a mess,” Rao says. “But when<br />
you get artists like these and you<br />
feel that energy, you’re reminded<br />
of what we can do when we’re at<br />
our best.”<br />
Rao hopes combining aspects of<br />
Indian culture with other worldwide<br />
ideas will allow categories to<br />
evaporate and the art to flow more<br />
naturally. The festival is welcoming<br />
“a whole bunch of people who may<br />
not necessarily be in the same<br />
place otherwise,” and the conversation<br />
and collaboration on stage<br />
will also be what happens in the<br />
audience.<br />
“Everything is an act of storytelling<br />
somehow,” he says. “We’re just<br />
saying to come along for the ride.<br />
It doesn’t matter if it’s traditional<br />
or contemporary, if it’s music or<br />
dance. There’s something interesting<br />
to see.”<br />
July 4 to 14 / Tix: $20-125 /<br />
indiansummerfest.ca<br />
Zastrozzi: The Master of Discipline<br />
<strong>June</strong> 13 to 21, The Cultch<br />
A revenge story à la The Count of Monte Cristo —<br />
except the main guy might be going crazy, the guy he’s<br />
set on killing is a religious artist, and instead of killing<br />
him, Zastrozzi decides to make his target commit suicide.<br />
Nice, lighthearted, swashbuckling fun set in Belle<br />
Époque Europe.<br />
Hello and Goodbye<br />
<strong>June</strong> 27 to July 6, Studio 1398<br />
In 1960 apartheid South Africa, a pair of siblings from<br />
a poor white family see one another for the first time<br />
in years. Memory, feminism and absurdity converge in<br />
this early work by the country’s prolific playwright Athol<br />
Fugard.<br />
Rock of Ages<br />
<strong>June</strong> 27 to July 6, Metro Theatre<br />
Brace yourselves for big hair and a lot of leather in this<br />
classic jukebox hard rock musical. Set in 1987 Hollywood,<br />
aspiring rocker/busboy Drew falls in love with<br />
aspiring actress/newly-arrived Sherrie. Aspirations and<br />
conjugal bliss are threatened by misunderstandings, a<br />
shady rock star and judgmental politicians.<br />
By Leah Siegel<br />
FLEMISHEYE.COM<br />
‘THE SAME BUT BY DIFFERENT MEANS’<br />
OUT NOW<br />
“He stitches his micro-songs and abbreviated<br />
epics into a sprawling opus that’s as comforting<br />
as it is uncompromising”<br />
PITCHFORK (8/10)<br />
‘NOVEL’ OUT NOW<br />
“N0V3L’s guitar lines are a wonder to behold.”<br />
NME<br />
“The angular riffage and existential<br />
socioeconomic mires of the self-titled debut EP<br />
is post-punk updated for a modern audience.”<br />
BEATROUTE<br />
50 BEATROUTE JUNE <strong>2019</strong>