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BeatRoute Magazine BC Edition June 2019

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.

Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120

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06.19YVRAGENDA<br />

This Month in<br />

Theatre:<br />

Zastrozzi:<br />

The Master of<br />

Discipline<br />

The House of Bernarda Alba<br />

<strong>June</strong> 12 to 16, Firehall Arts<br />

Upon the death of their father, a group of sisters are<br />

forced against their will into eight years of mourning by<br />

their mother. Emily Mann’s translation takes the classic<br />

by Federico Garcia Lorca from 1900s rural Spain to<br />

modern-day Iran. In Farsi with English subtitles.<br />

Indian Summer Festival<br />

The Indian Summer Festival is<br />

returning for an 11-day multidisciplinary<br />

exhibition of cultures and<br />

conversations from South Asia<br />

and around the world. <strong>BeatRoute</strong><br />

spoke to Sirish Rao, the festival’s<br />

artistic director, on his vision for<br />

bringing diverse cultures together<br />

and making a better world through<br />

conversation.<br />

“It’s a festival for the curious<br />

mind,” says Rao. “It’s really about<br />

taking a more global approach to<br />

ideas and culture.”<br />

The theme for this year’s festival<br />

is Tricksters, Magicians and Oracles.<br />

Rao curated a group of thinkers<br />

and artists who contemplate the<br />

world’s trajectory in their work.<br />

“We’re all wondering where<br />

things are going,” he says. “We’ll<br />

have musicians, stand-up comedians,<br />

futurists and people talking<br />

about climate change and artificial<br />

intelligence. We’re looking at a<br />

huge variety of subjects.”<br />

Rao highlights two musical exhibitions<br />

at the festival. Conjuring the<br />

Future is an exhibition of Indigenous<br />

music from a wide variety of<br />

cultures, and Strings for Peace is<br />

a collaboration between masters<br />

of guitar and the Indian sarod. Rao<br />

says these events play heavily into<br />

his theme of unification.<br />

“It seems like human beings<br />

aren’t capable of much except creating<br />

a mess,” Rao says. “But when<br />

you get artists like these and you<br />

feel that energy, you’re reminded<br />

of what we can do when we’re at<br />

our best.”<br />

Rao hopes combining aspects of<br />

Indian culture with other worldwide<br />

ideas will allow categories to<br />

evaporate and the art to flow more<br />

naturally. The festival is welcoming<br />

“a whole bunch of people who may<br />

not necessarily be in the same<br />

place otherwise,” and the conversation<br />

and collaboration on stage<br />

will also be what happens in the<br />

audience.<br />

“Everything is an act of storytelling<br />

somehow,” he says. “We’re just<br />

saying to come along for the ride.<br />

It doesn’t matter if it’s traditional<br />

or contemporary, if it’s music or<br />

dance. There’s something interesting<br />

to see.”<br />

July 4 to 14 / Tix: $20-125 /<br />

indiansummerfest.ca<br />

Zastrozzi: The Master of Discipline<br />

<strong>June</strong> 13 to 21, The Cultch<br />

A revenge story à la The Count of Monte Cristo —<br />

except the main guy might be going crazy, the guy he’s<br />

set on killing is a religious artist, and instead of killing<br />

him, Zastrozzi decides to make his target commit suicide.<br />

Nice, lighthearted, swashbuckling fun set in Belle<br />

Époque Europe.<br />

Hello and Goodbye<br />

<strong>June</strong> 27 to July 6, Studio 1398<br />

In 1960 apartheid South Africa, a pair of siblings from<br />

a poor white family see one another for the first time<br />

in years. Memory, feminism and absurdity converge in<br />

this early work by the country’s prolific playwright Athol<br />

Fugard.<br />

Rock of Ages<br />

<strong>June</strong> 27 to July 6, Metro Theatre<br />

Brace yourselves for big hair and a lot of leather in this<br />

classic jukebox hard rock musical. Set in 1987 Hollywood,<br />

aspiring rocker/busboy Drew falls in love with<br />

aspiring actress/newly-arrived Sherrie. Aspirations and<br />

conjugal bliss are threatened by misunderstandings, a<br />

shady rock star and judgmental politicians.<br />

By Leah Siegel<br />

FLEMISHEYE.COM<br />

‘THE SAME BUT BY DIFFERENT MEANS’<br />

OUT NOW<br />

“He stitches his micro-songs and abbreviated<br />

epics into a sprawling opus that’s as comforting<br />

as it is uncompromising”<br />

PITCHFORK (8/10)<br />

‘NOVEL’ OUT NOW<br />

“N0V3L’s guitar lines are a wonder to behold.”<br />

NME<br />

“The angular riffage and existential<br />

socioeconomic mires of the self-titled debut EP<br />

is post-punk updated for a modern audience.”<br />

BEATROUTE<br />

50 BEATROUTE JUNE <strong>2019</strong>

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