June 15 2019 INL_Digital_Edition
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18<br />
JUNE <strong>15</strong>, <strong>2019</strong><br />
Entertainmentlink<br />
‘Raga Sisters’set newbenchmark forCarnatic Music<br />
Meenakshi (Meena) Iyer<br />
Musicisall about<br />
transporting people,<br />
speaking alanguage<br />
which languages fail<br />
to express, Lata Mangeshkar, the<br />
famousplayback singer has said.<br />
The RAGA Concert by popular<br />
sisters Ranjani and Gayatri was a<br />
memorable concert presented on<br />
the last dayofthe Sangeethothsavam<br />
by the New Zealand Carnatic<br />
Music Society (NZCMS).<br />
It was truly a fitting finale to the<br />
music lovers of Auckland.<br />
The Programme began with a<br />
welcome speech by Priya Vijaysetting<br />
the tone for theevening’sgrand<br />
concert. The concert in every sense<br />
was afusion of devotion, melody,<br />
and innovation.<br />
Versatileand Professionalism<br />
Ranjani and Gayatri with their<br />
versatility and professionalism<br />
kept theaudience spell bound for<br />
31/2 hours and left the audience<br />
completely mesmerised with their<br />
pristine music and charming<br />
disposition.<br />
Their wide repertoire filled with<br />
mind bogglingcreativitywas indeed<br />
amusical treat to thelovers of<br />
Carnatic music.<br />
They started with the composition<br />
of Dikshitar’s‘Ramachandra<br />
Bhavayami’ in Vasantha Ragam<br />
followed by ‘DayamadoRanga’of<br />
PurandaraDasa in Rithigowla.<br />
Their uncannyability to connect<br />
to theaudience was portrayed<br />
visibly in ‘Sitapathi’ofThyagaraja<br />
Kriti in KhamasRaag.<br />
Ranjani and Gayatri’spassion<br />
was displayed in every gemof<br />
rare compositions, be it Mukhari<br />
Ranjani and Gayatri at the New Zealand Carnatic Music Society Sangeethothsavam on<br />
<strong>June</strong> 1, <strong>2019</strong><br />
Ragam or Ragamalika which was a<br />
combination of Shubhapanthuvarali<br />
or Jog Brindavani filled with swara<br />
Alpana and eloquent interpretations<br />
of variousRagas.<br />
Strong form of emotion<br />
Music is thestrongest form of<br />
emotion and the two sisters bought<br />
forth the feelingsthrough powerful<br />
lyrics by rendering songs in different<br />
languages with ease andcomfort.<br />
No wonder they are among the<br />
most popular singers in India.<br />
‘Eppadipadinaro’ and‘Eppovarovaro,’the<br />
twofamoussongs<br />
laden with lyrics of loftywisdom<br />
and philosophystill echo in our<br />
minds and hearts.<br />
MeeraBhajan ‘Paga Ghungaru<br />
Bandhe’ in Shuddha Sarang, created<br />
an atmosphere of devotioninthe<br />
packed auditorium and theclimax<br />
of divinity in thewell-presented<br />
‘Kavadi Sindhu.’ ‘Abhang, Bhola Ba<br />
Vithala’was very well received by<br />
the music enthusiasts.<br />
Theaccompanying artists<br />
deserve applause for their brilliant<br />
performance. Vidwan KV Prasad is<br />
acknowledged as afront ranking<br />
mridangam artist. His expertise<br />
and deep knowledge of rhythm was<br />
beautifully exhibitedinthe Thani<br />
Avartanam.<br />
Vidwan Vittala Rangan apromising<br />
young violinist was agreat asset<br />
to the evening concert. Since the<br />
sisters are violinists themselves, they<br />
could appreciate hisvirtuosity.<br />
On the whole it was asoul<br />
stirring music concert and far above<br />
entertainment or should we saya<br />
Programme of enlightenment.<br />
TheProgramme was aptly concluded<br />
by MalathiVasudevan who<br />
complimented theartistes for their<br />
excellent performance and vote of<br />
thanks by Ravi Nagraj.<br />
Atribute to the RAGA sisterswith<br />
this small Acronym:<br />
R-Resplendent with Resonating<br />
voice<br />
A-Aesthetic dress code with<br />
Appealing music sense<br />
G-Gorgeousand Grandeur<br />
personified<br />
A-Authenticity of all renditionsand<br />
Accolades!<br />
Meenakshi Iyer (Meena Venki) is a<br />
teacher, with unquenchable interest<br />
in the performing of artsofIndia<br />
and reviews music, dance and other<br />
programmesofthe Indian community.She<br />
lives withher husband in<br />
Auckland.<br />
Our Reporteradds:<br />
Malladi Brothers<br />
Concert held on Saturday,<strong>June</strong> 1, <strong>2019</strong><br />
Malladi Brothers at the New Zealand Carnatic Music Society Sangeethothsavam on <strong>June</strong> 1, <strong>2019</strong><br />
Sriranjani Santhanagopalan at the New Zealand Carnatic Music Society Sangeethothsavam on<br />
<strong>June</strong> 1, <strong>2019</strong> (Pictures Supplied)<br />
Sreerama Prasad and Ravi<br />
Kumar are known for powerful rendition<br />
of Ragas, aquality that they<br />
inherited from their grandfather,<br />
the LateMalladi Ramamurthyand<br />
their fatherMalladiSuri Babu, who<br />
belong to afamilyofmusiciansin<br />
AndhraPradesh.<br />
Advanced training from<br />
Nedunuri Krishna Murthy, an<br />
exponent in Carnatic Music, helped<br />
them to honetheir innovative skills<br />
and the pedagogy of Dr Sripada<br />
Pinakapani boostedtheir professional<br />
standards.<br />
They are recipients of several<br />
awards including those given by<br />
‘All IndiaRadio,’ ‘Sri Voleti Venkateswarulu<br />
Award’ by SriKrishna<br />
Meeraset to capturehearts in the Wellington<br />
Aarti Bajaj and her Team to perform later this year<br />
Venkat Raman<br />
Gana Sabha and the ‘Best Concert<br />
Award’ from theChennai Music<br />
Academy.<br />
Sriranjani Santhanagopalan<br />
Concert held on Sunday,<br />
<strong>June</strong> 2, <strong>2019</strong><br />
An energetic andversatileperformer,<br />
Sriranjani Santhanagopalan<br />
is the daughter and discipleofR<br />
Santhanagopalan, one of the most<br />
prominent singers of thecontemporary<br />
era. Growing up to the music<br />
of stalwarts such as Madurai Mani<br />
Iyer, Semmangudi Srinivasan and<br />
Ramnad Krishnan, her abilityto<br />
raise to high levels of Carnatic Music<br />
has been proved at several concerts<br />
worldwide.<br />
Following itsphenomenal<br />
success in Auckland,‘Meera,’<br />
the legendary 16th Century<br />
Princess-turned ascetic, will<br />
arrive in Wellington later this year.<br />
AartiBajaj, Producer and<br />
Director of theShow,who heads<br />
theGoldCoast-based Wild Dreamer<br />
Productions, saidthat‘Meera’ will go<br />
on stage, and that detailsofthe event<br />
including dates and venue will be<br />
announced shortly.<br />
Acomplement of 200 cast and<br />
crew will participate in presenting<br />
thespectacle in theCapital, as they<br />
didatthe ASB Waterfront Theatre<br />
in Auckland from May31to<strong>June</strong> 2,<br />
<strong>2019</strong>.<br />
More than six monthsinthe<br />
making, ‘Meera’inAuckland<br />
performed farther thanits promise,<br />
with amultinational, multicultural<br />
cast and crew,including people of<br />
South Asian, East Asia, European and<br />
Maori origin.<br />
As aRomantic story,itbrought<br />
forth theemotions of amortal Royal<br />
woman in love with an immortal<br />
Lord Krishna, enjoying ‘His proximity,’<br />
while suffering thepaininflicted<br />
by her ownfamily.<br />
As aproduction, ‘Meera’achieved<br />
something unique- acombination<br />
of Indian classical dances, hiphop,<br />
Meera (Aarti Bajaj) with Krishna<br />
(Paul Menezes)- Inexplicable Love<br />
trapeze andeven the time-honoured<br />
Middle Eastern Belly Dancing.<br />
The audio-visual effects were<br />
astounding,while ateam of experts<br />
in marketing, photography, videography,<br />
logistics, backoffice support<br />
and manyothers, worked tirelessly<br />
to achieve what someone had said<br />
would be ‘Mission Impossible.’<br />
But turning the impossibleis<br />
the wont of Aarti and ‘Meera’ is an<br />
outstanding example.<br />
The Princess who wouldn’t be<br />
Aarti as ‘Meera’ proved that she<br />
is avolcano of talent. She was at<br />
once ajoyous Princess,enjoying the<br />
comforts of lifebut even as achild,<br />
envisionsKrishna (yes, theLord, an<br />
Avatar of Vishnu, aprankster and<br />
the God that delivered the Bhagavad<br />
Geeta to theworld)asher true lover,<br />
her master andher husband.<br />
Compelled to marry Bhojraj,<br />
another member of aRoyal Clan, she<br />
Uda Bhai (Marianne Infante)- Performance<br />
extraordinaire<br />
desists fromhis touch and advances,<br />
although entirely moral andlegal.<br />
She pleads with himtounderstand<br />
her- “Krishna is my true love. How<br />
can Ibeyour wife, when Iam<br />
already His?”<br />
Youmay find thelogic strange but<br />
if you were to read history from East<br />
and West, you would reckon what<br />
love does to people. And that Divine<br />
Love is even stranger than fiction.<br />
Love shouldbeovert<br />
Thelife of Meera, you would say,<br />
was one of unwanted misery; she<br />
could have loved Krishnainsecrecy,<br />
after all, He cannot be seen in the<br />
human form;and shecouldhave led<br />
astately life with all theregency and<br />
luxury attachedtoit.<br />
But honesty to self and to<br />
everyone else wasthe trait of Meera.<br />
Theend is something thatwill touch<br />
your heart.<br />
PaulMenezes as ‘Adult’ Krishna<br />
Peace and Contentment as Meera joins her<br />
Master in the Heaven with Angels around<br />
brought stature to therole even as sat<br />
likeastatueinmuch of theplay; he<br />
at once wonyour attention with his<br />
untold wordsof‘Meera, Iamalways<br />
here, whyworry?’Heinfact, saves<br />
Meerafrom the poisonousdesigns<br />
of sister-in-law Uda Bhai (superbly<br />
played by Marianne Infante) and<br />
brother-in-law Vikram Singh (somewhat<br />
convincing portrayal by Rishab<br />
Kapoor).<br />
Superbactors anddancers<br />
BarbaraPresita and Rajesh<br />
Ranjith as theNarrators, were the<br />
connecting links between the past<br />
and the present-oflittle andadult<br />
Meera. ZaraLeinster as Teenage<br />
Meerawas adelight to behold and so<br />
were Dylan Thuraisingham (Prince<br />
Bhojraj), JosephTarei (King Rao<br />
Duda, Meera’sGrandfather) and<br />
manyothers.<br />
Aarti has put togetherdancers<br />
adept in Bharata Natyam, Kathak,<br />
Dancers and Narrators are amagnificent part<br />
of Meera<br />
Ballet, Indian Folk, Jazz, Wild Percussion<br />
andContemporary formats of<br />
dances and Pole and Belly Dancers<br />
who blend well with thethemeof<br />
Meera.<br />
The performance of the Maori<br />
troupe atthe endwas acrown in the<br />
jewel.<br />
General Shagun Choudhary<br />
This Review will notbecomplete<br />
without anhonourable mention of<br />
Shagun Choudhary, who, as theNew<br />
Zealand Producer, was theAchiever<br />
of whatwould have beenMission<br />
Impossible.Atireless worker who<br />
took every chagrin and moment<br />
of frustration and challenge with<br />
fortitudeand asmile, she deserves<br />
creditfor the success of this great<br />
event.She was theGeneral who led<br />
from the front, an army of men and<br />
women who gave their time, effort<br />
and talent thatare not easy to find.