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June 15 2019 INL_Digital_Edition

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18<br />

JUNE <strong>15</strong>, <strong>2019</strong><br />

Entertainmentlink<br />

‘Raga Sisters’set newbenchmark forCarnatic Music<br />

Meenakshi (Meena) Iyer<br />

Musicisall about<br />

transporting people,<br />

speaking alanguage<br />

which languages fail<br />

to express, Lata Mangeshkar, the<br />

famousplayback singer has said.<br />

The RAGA Concert by popular<br />

sisters Ranjani and Gayatri was a<br />

memorable concert presented on<br />

the last dayofthe Sangeethothsavam<br />

by the New Zealand Carnatic<br />

Music Society (NZCMS).<br />

It was truly a fitting finale to the<br />

music lovers of Auckland.<br />

The Programme began with a<br />

welcome speech by Priya Vijaysetting<br />

the tone for theevening’sgrand<br />

concert. The concert in every sense<br />

was afusion of devotion, melody,<br />

and innovation.<br />

Versatileand Professionalism<br />

Ranjani and Gayatri with their<br />

versatility and professionalism<br />

kept theaudience spell bound for<br />

31/2 hours and left the audience<br />

completely mesmerised with their<br />

pristine music and charming<br />

disposition.<br />

Their wide repertoire filled with<br />

mind bogglingcreativitywas indeed<br />

amusical treat to thelovers of<br />

Carnatic music.<br />

They started with the composition<br />

of Dikshitar’s‘Ramachandra<br />

Bhavayami’ in Vasantha Ragam<br />

followed by ‘DayamadoRanga’of<br />

PurandaraDasa in Rithigowla.<br />

Their uncannyability to connect<br />

to theaudience was portrayed<br />

visibly in ‘Sitapathi’ofThyagaraja<br />

Kriti in KhamasRaag.<br />

Ranjani and Gayatri’spassion<br />

was displayed in every gemof<br />

rare compositions, be it Mukhari<br />

Ranjani and Gayatri at the New Zealand Carnatic Music Society Sangeethothsavam on<br />

<strong>June</strong> 1, <strong>2019</strong><br />

Ragam or Ragamalika which was a<br />

combination of Shubhapanthuvarali<br />

or Jog Brindavani filled with swara<br />

Alpana and eloquent interpretations<br />

of variousRagas.<br />

Strong form of emotion<br />

Music is thestrongest form of<br />

emotion and the two sisters bought<br />

forth the feelingsthrough powerful<br />

lyrics by rendering songs in different<br />

languages with ease andcomfort.<br />

No wonder they are among the<br />

most popular singers in India.<br />

‘Eppadipadinaro’ and‘Eppovarovaro,’the<br />

twofamoussongs<br />

laden with lyrics of loftywisdom<br />

and philosophystill echo in our<br />

minds and hearts.<br />

MeeraBhajan ‘Paga Ghungaru<br />

Bandhe’ in Shuddha Sarang, created<br />

an atmosphere of devotioninthe<br />

packed auditorium and theclimax<br />

of divinity in thewell-presented<br />

‘Kavadi Sindhu.’ ‘Abhang, Bhola Ba<br />

Vithala’was very well received by<br />

the music enthusiasts.<br />

Theaccompanying artists<br />

deserve applause for their brilliant<br />

performance. Vidwan KV Prasad is<br />

acknowledged as afront ranking<br />

mridangam artist. His expertise<br />

and deep knowledge of rhythm was<br />

beautifully exhibitedinthe Thani<br />

Avartanam.<br />

Vidwan Vittala Rangan apromising<br />

young violinist was agreat asset<br />

to the evening concert. Since the<br />

sisters are violinists themselves, they<br />

could appreciate hisvirtuosity.<br />

On the whole it was asoul<br />

stirring music concert and far above<br />

entertainment or should we saya<br />

Programme of enlightenment.<br />

TheProgramme was aptly concluded<br />

by MalathiVasudevan who<br />

complimented theartistes for their<br />

excellent performance and vote of<br />

thanks by Ravi Nagraj.<br />

Atribute to the RAGA sisterswith<br />

this small Acronym:<br />

R-Resplendent with Resonating<br />

voice<br />

A-Aesthetic dress code with<br />

Appealing music sense<br />

G-Gorgeousand Grandeur<br />

personified<br />

A-Authenticity of all renditionsand<br />

Accolades!<br />

Meenakshi Iyer (Meena Venki) is a<br />

teacher, with unquenchable interest<br />

in the performing of artsofIndia<br />

and reviews music, dance and other<br />

programmesofthe Indian community.She<br />

lives withher husband in<br />

Auckland.<br />

Our Reporteradds:<br />

Malladi Brothers<br />

Concert held on Saturday,<strong>June</strong> 1, <strong>2019</strong><br />

Malladi Brothers at the New Zealand Carnatic Music Society Sangeethothsavam on <strong>June</strong> 1, <strong>2019</strong><br />

Sriranjani Santhanagopalan at the New Zealand Carnatic Music Society Sangeethothsavam on<br />

<strong>June</strong> 1, <strong>2019</strong> (Pictures Supplied)<br />

Sreerama Prasad and Ravi<br />

Kumar are known for powerful rendition<br />

of Ragas, aquality that they<br />

inherited from their grandfather,<br />

the LateMalladi Ramamurthyand<br />

their fatherMalladiSuri Babu, who<br />

belong to afamilyofmusiciansin<br />

AndhraPradesh.<br />

Advanced training from<br />

Nedunuri Krishna Murthy, an<br />

exponent in Carnatic Music, helped<br />

them to honetheir innovative skills<br />

and the pedagogy of Dr Sripada<br />

Pinakapani boostedtheir professional<br />

standards.<br />

They are recipients of several<br />

awards including those given by<br />

‘All IndiaRadio,’ ‘Sri Voleti Venkateswarulu<br />

Award’ by SriKrishna<br />

Meeraset to capturehearts in the Wellington<br />

Aarti Bajaj and her Team to perform later this year<br />

Venkat Raman<br />

Gana Sabha and the ‘Best Concert<br />

Award’ from theChennai Music<br />

Academy.<br />

Sriranjani Santhanagopalan<br />

Concert held on Sunday,<br />

<strong>June</strong> 2, <strong>2019</strong><br />

An energetic andversatileperformer,<br />

Sriranjani Santhanagopalan<br />

is the daughter and discipleofR<br />

Santhanagopalan, one of the most<br />

prominent singers of thecontemporary<br />

era. Growing up to the music<br />

of stalwarts such as Madurai Mani<br />

Iyer, Semmangudi Srinivasan and<br />

Ramnad Krishnan, her abilityto<br />

raise to high levels of Carnatic Music<br />

has been proved at several concerts<br />

worldwide.<br />

Following itsphenomenal<br />

success in Auckland,‘Meera,’<br />

the legendary 16th Century<br />

Princess-turned ascetic, will<br />

arrive in Wellington later this year.<br />

AartiBajaj, Producer and<br />

Director of theShow,who heads<br />

theGoldCoast-based Wild Dreamer<br />

Productions, saidthat‘Meera’ will go<br />

on stage, and that detailsofthe event<br />

including dates and venue will be<br />

announced shortly.<br />

Acomplement of 200 cast and<br />

crew will participate in presenting<br />

thespectacle in theCapital, as they<br />

didatthe ASB Waterfront Theatre<br />

in Auckland from May31to<strong>June</strong> 2,<br />

<strong>2019</strong>.<br />

More than six monthsinthe<br />

making, ‘Meera’inAuckland<br />

performed farther thanits promise,<br />

with amultinational, multicultural<br />

cast and crew,including people of<br />

South Asian, East Asia, European and<br />

Maori origin.<br />

As aRomantic story,itbrought<br />

forth theemotions of amortal Royal<br />

woman in love with an immortal<br />

Lord Krishna, enjoying ‘His proximity,’<br />

while suffering thepaininflicted<br />

by her ownfamily.<br />

As aproduction, ‘Meera’achieved<br />

something unique- acombination<br />

of Indian classical dances, hiphop,<br />

Meera (Aarti Bajaj) with Krishna<br />

(Paul Menezes)- Inexplicable Love<br />

trapeze andeven the time-honoured<br />

Middle Eastern Belly Dancing.<br />

The audio-visual effects were<br />

astounding,while ateam of experts<br />

in marketing, photography, videography,<br />

logistics, backoffice support<br />

and manyothers, worked tirelessly<br />

to achieve what someone had said<br />

would be ‘Mission Impossible.’<br />

But turning the impossibleis<br />

the wont of Aarti and ‘Meera’ is an<br />

outstanding example.<br />

The Princess who wouldn’t be<br />

Aarti as ‘Meera’ proved that she<br />

is avolcano of talent. She was at<br />

once ajoyous Princess,enjoying the<br />

comforts of lifebut even as achild,<br />

envisionsKrishna (yes, theLord, an<br />

Avatar of Vishnu, aprankster and<br />

the God that delivered the Bhagavad<br />

Geeta to theworld)asher true lover,<br />

her master andher husband.<br />

Compelled to marry Bhojraj,<br />

another member of aRoyal Clan, she<br />

Uda Bhai (Marianne Infante)- Performance<br />

extraordinaire<br />

desists fromhis touch and advances,<br />

although entirely moral andlegal.<br />

She pleads with himtounderstand<br />

her- “Krishna is my true love. How<br />

can Ibeyour wife, when Iam<br />

already His?”<br />

Youmay find thelogic strange but<br />

if you were to read history from East<br />

and West, you would reckon what<br />

love does to people. And that Divine<br />

Love is even stranger than fiction.<br />

Love shouldbeovert<br />

Thelife of Meera, you would say,<br />

was one of unwanted misery; she<br />

could have loved Krishnainsecrecy,<br />

after all, He cannot be seen in the<br />

human form;and shecouldhave led<br />

astately life with all theregency and<br />

luxury attachedtoit.<br />

But honesty to self and to<br />

everyone else wasthe trait of Meera.<br />

Theend is something thatwill touch<br />

your heart.<br />

PaulMenezes as ‘Adult’ Krishna<br />

Peace and Contentment as Meera joins her<br />

Master in the Heaven with Angels around<br />

brought stature to therole even as sat<br />

likeastatueinmuch of theplay; he<br />

at once wonyour attention with his<br />

untold wordsof‘Meera, Iamalways<br />

here, whyworry?’Heinfact, saves<br />

Meerafrom the poisonousdesigns<br />

of sister-in-law Uda Bhai (superbly<br />

played by Marianne Infante) and<br />

brother-in-law Vikram Singh (somewhat<br />

convincing portrayal by Rishab<br />

Kapoor).<br />

Superbactors anddancers<br />

BarbaraPresita and Rajesh<br />

Ranjith as theNarrators, were the<br />

connecting links between the past<br />

and the present-oflittle andadult<br />

Meera. ZaraLeinster as Teenage<br />

Meerawas adelight to behold and so<br />

were Dylan Thuraisingham (Prince<br />

Bhojraj), JosephTarei (King Rao<br />

Duda, Meera’sGrandfather) and<br />

manyothers.<br />

Aarti has put togetherdancers<br />

adept in Bharata Natyam, Kathak,<br />

Dancers and Narrators are amagnificent part<br />

of Meera<br />

Ballet, Indian Folk, Jazz, Wild Percussion<br />

andContemporary formats of<br />

dances and Pole and Belly Dancers<br />

who blend well with thethemeof<br />

Meera.<br />

The performance of the Maori<br />

troupe atthe endwas acrown in the<br />

jewel.<br />

General Shagun Choudhary<br />

This Review will notbecomplete<br />

without anhonourable mention of<br />

Shagun Choudhary, who, as theNew<br />

Zealand Producer, was theAchiever<br />

of whatwould have beenMission<br />

Impossible.Atireless worker who<br />

took every chagrin and moment<br />

of frustration and challenge with<br />

fortitudeand asmile, she deserves<br />

creditfor the success of this great<br />

event.She was theGeneral who led<br />

from the front, an army of men and<br />

women who gave their time, effort<br />

and talent thatare not easy to find.

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