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ON THIS MONTH: FESTIVAL<br />
Photos left and right by Penny Fewster<br />
Charleston Festival of the Garden<br />
Why do we garden?<br />
Tom Stuart-Smith is curating this month’s<br />
Gardening for Curious Minds festival at<br />
Charleston. “It’s not so much a how-to type<br />
event,” he tells me. “It’s much more about why<br />
do we garden? And where does gardening fit<br />
into the array of big issues we face today.”<br />
So, Cleve West will be appearing, in<br />
conversation – on the power of the allotment,<br />
and veganism – with Green MP Caroline Lucas.<br />
And Tom Brown will be speaking with Sarah<br />
Wain and Jim Buckland about the West Dean<br />
Garden-legacy they’ve just handed on to him.<br />
“Themes are of having to give things up; and<br />
taking on other people’s legacy”, says Tom<br />
Stuart-Smith. “It’s a conservative approach,<br />
really: looking after and caring for the best of<br />
things.<br />
“Gardening may have once seemed about<br />
decorating the paths of the idle rich, or the<br />
middle classes. Not any more. Today gardens<br />
and designed landscapes are the main places<br />
we come into contact with nature, and so<br />
gardeners stand between people and nature as<br />
custodians and interpreters.”<br />
He draws attention to two others among the<br />
rich mix of Charleston talks, before we touch<br />
on the one he himself is giving. “Christopher<br />
Woodward is talking on Virginia Woolf”, he<br />
says, “and he’s just a brilliant speaker”. And Sue<br />
Stuart-Smith – Tom’s wife – is a psychiatrist<br />
whose book The Well-Gardened Mind, according<br />
to the website, explores ‘the metaphor of the<br />
mind as a nurtured, garden-like space’. She’ll<br />
appear in conversation with broadcaster Rachel<br />
De Thame.<br />
Tom himself is giving a talk entitled Walled<br />
Gardens – Mystery & Sanctuary. “Gardens are<br />
sanctuaries”, he says. “I talked to Penelope<br />
Hobhouse, one of the greatest gardeners of<br />
the last sixty years, and she told me the one<br />
place she could get away from the misery of her<br />
childhood was in the garden.<br />
“I’ve worked in many walled gardens over the<br />
last ten years – such as one just completed in<br />
Marrakech. In Islamic culture, the paradise<br />
garden is a totally self-contained space. A very<br />
concentrated, centrifugal thing. In Islam, it’s a<br />
safe haven, separate from the desert – a place of<br />
shade, water, scent and order.”<br />
Tom also speaks of the romantic overlay of the<br />
idea of the ‘secret’ garden. “There are lots of<br />
literary references, of course – like The Garden<br />
of the Finzi-Continis, by Giorgio Bassani, which<br />
warns of the danger of being cloistered in a<br />
garden, almost unhealthily inward-looking,<br />
instead of being alert – in this case to the rise<br />
of Nazism. Hermetic introspection can be<br />
dangerous,” says Tom. “A walled garden can<br />
be a meditative space but should never be<br />
mistaken for the entire world…” Charlotte Gann<br />
13-14 <strong>July</strong>. charleston.org.uk/festival-of-thegarden-<strong>2019</strong><br />
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