BeatRoute Magazine AB Edition July 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics.
Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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SEBASTIAN BUZZALINO JESSE GILLETT<br />
Saturday,<br />
June 22<br />
7Physical<br />
Copies<br />
Dickens Pub<br />
Edmonton’s new-wave<br />
maniacs stood at the<br />
head of a packed Dickens<br />
Pub and put on a<br />
loveable, dancey show<br />
that was equal parts<br />
too-cool-for-school and<br />
self-deprecating. The<br />
long-time bandmates<br />
were tight and had the<br />
entire crowd hanging<br />
from the ceiling — even<br />
running over their set<br />
length as everyone was<br />
too wrapped up in the<br />
moment to care about<br />
the clock. (SB)<br />
7Ian Blurton’s<br />
Future Now<br />
The Palomino<br />
Heads were sent spinning<br />
into the Strat-osphere<br />
and guitar hero<br />
worship ran unchecked<br />
as renewable-resource<br />
and Canadian legend<br />
Ian Blurton, flanked by<br />
his stellar new band Future<br />
Now, displayed his<br />
skills in pulling energy<br />
from the atmosphere<br />
to generate pure rock<br />
and roll dynamite. Huge<br />
riffs, huge amps and a<br />
late-night show set the<br />
tone for total wizardry.<br />
SEBASTIAN BUZZALINO<br />
Friday, June 21<br />
7DRI HIEV<br />
Performance Hall @ National<br />
Music Centre<br />
As part of Indigenous Resistance<br />
In Music’s cross-programming<br />
with Sled Island, DRI HIEV put on<br />
a powerful set in the Performance<br />
Hall at NMC. Their industrial noise<br />
punk ground away at colonization<br />
while the four moving bodies on<br />
stage provided a warm touch of<br />
humanity that felt like an act of<br />
resistance in and of itself. (SB)<br />
3Bully<br />
The Palace Theatre<br />
While Bully’s records may lean<br />
towards Nirvana-style grunge, their<br />
live performance is more Dinosaur<br />
Jr 90s rock and roll histrionics. The<br />
foursome were on point as they<br />
barrelled through their set without<br />
pause, leaving a capacity crowd<br />
panting in their wake. Frontwoman<br />
Alicia Bognano was unstoppable<br />
and electric. (SB)<br />
Sunday, June 23<br />
Har Mar Superstar<br />
The Palomino<br />
For the final set of Sled<br />
Island, the horseshoe basement<br />
of the Palomino was<br />
tropical and dense. Fronted<br />
by singer Sean Tillmann,<br />
who came out in a Sriracha<br />
bottle costume, the band<br />
ripped through an intense,<br />
dance-fueled, beer-exploding<br />
set, featuring hits such<br />
as “Restless Leg,” “Lady<br />
You Shot Me” and “We Don’t<br />
Sleep.” By the end of the<br />
set, Tillmann, stripped to his<br />
underwear, announced, “My<br />
name is Sean, I go by Har<br />
Mar Superstar. We love Sled<br />
Island and we love Calgary.”<br />
A perfect way to end the<br />
perfect festival. (TR)<br />
(CL) JULY <strong>2019</strong> BEATROUTE 29<br />
SEBASTIAN BUZZALINO<br />
SEBASTIAN BUZZALINO