The Shaman (arr. for Chinese Orchestra)

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Instrumentation Bangdi I, II Qudi I, II Xindi I, II Soprano Sheng Alto Sheng Bass Sheng Soprano Suona I, II Alto Suona I, II Bass Suona Yangqin Xiaoruan Pipa Zhongruan Daruan Timpani/Perc. 1 Percussion 2 Piano Solo Percussion Gaohu Erhu I Erhu II Zhonghu Gehu Bass Gehu
Bangdi I, II Qudi I, II Xindi I, II Soprano Sheng Alto Sheng Bass Sheng Soprano Suona I, II Alto Suona I, II Bass Suona I. Ritual Arranged for Chinese Orchestra by Simon Kong q = 72 A gentle breeze (air, no pitches); † 4 # random fingering; ad lib. # # ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ A gentle breeze (air, no pitches); $ P † 4 # random fingering; ad lib. # # ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ A gentle breeze (air, no pitches); $ P & 4 # random fingering; ad lib. # # ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Small elephant bell (or something p-mp comparable, ie. Chinese reflex ball) ÷ 4 Ó Œ œ œæ ˙æ . æ ã ˙ $ w w P $ Ó æ $ æ p-mp æ Small elephant bell (or something p-mp comparable, ie. Chinese reflex ball) ÷ 4 # Ó Œ œ œæ ˙æ . w æ ã Œ ˙ œ æ æ $ $ p-mp æ Small elephant bell (or something comparable, ie. Chinese reflex ball) ? 4 # # ã Ó w ˙æ ˙ æ p-mp ˙ $ æ æ $ p-mp 4 & & 4 ? 4 4 & # # # # # # # # * * * no The Shaman A gentle breeze (air, no pitches); ad lib. # A gentle breeze (air, no pitches); ad lib. # A gentle breeze (air, pitches); ad lib. # # ¿ $ P ¿ $ ¿ $ P P # wæ w æ w æ æ wæ w æ # Uœæ œæ u Uœæ u œ æ U U U Uœ œæu æ U U U # Vincent Ho Ó ÷ ÷ Yangqin ? 4 # # # # # # Xiaoruan & 4 # # # # # # Pipa & 4 # # # # # # Zhongruan ? 4 # # # # # # Daruan Timpani/Perc. 1 Percussion 2 Piano Solo Percussion Gaohu Erhu I I Erhu II II Zhonghu Gehu Bass Gehu ? 4 Sus. cym. (wire brushes) ÷ ? 4 ÷ ÷ ÷ 4 Ó œ æ œ $ P Sus. cym. $ (bow) ÷ 4 Ó Œ œ ! bœ bœ 4 bœ & Ó œ nœ nœ bœ nœ 4 Tingsha chimes (Principal only) 4 œ P 4 & 4 & 4 ? 4 ? 4 Œ ° # 7 $ P Ó # # # # # # # Ó œ œ F ˙ F p Œ œ Ó œ b œ b œ œ # #> œ b œ œ F # # # # # # # # n # > œ œ ˙ Ó # # f Ó # # # œ f Œ & # & # # Chopstick # Chopstick # Div. Div. Ó Tam-tam (beater) œ P Ó f ¿** bbœœ " > Œ Œ ˙æ $ Ó ! œ bœ bœ $ Ó Place chopstick between the strings and tremolo (bounce rapidly between the two) ˙ ˙˙æ ˙æ ˙ ˙ æ $ P æ ˙æ ˙ ˙æ ˙ æ $ æ P # # # # # # œ nœ Place chopstick or pencil between the strings and tremolo (bounce rapidly between the two) nœ bœ œ bœ h bœ œ nœ nœ bœ œ # œ nœ œ **Piano: muted string/tone (x): With the left hand, firmly press the end(s) of the notated string(s) (as close to the bridge as possible) while playing the notes on the keyboard with the right hand, or vice versa. # Ad lib. Inverted cymbal U on timpani head (timpani mallets) œ Œ Ó ? — œ æ bœ F p-mp Wind chimes/ ˙. œ U ‰ œ 3 triangles œ Œ æ p f bœ p-mp beater) Œ Ó Glissando f lower strings p-mp U Ó ¿ ¿ " Solo Cadenza # # # # # w æ w œ æ U wæ œ æ w æ w œ æ U œ æ æ # ‰ U œ ‰ U œ ‰ U Keep bamboo chimes ringing but gently tap others (triangle ** **Soloist improvises a ritualistic opening using any instrument(s) of their choice. They may incorporate vocal sounds, gestures, or any other means necessary to capture the ritualism of this section. The goal is to transport the audience to a spiritual realm. They may employ the use of a headmic and/or sound effects are permissible (sound technician may be required).The soloist may enter from off-stage or start at any area they choose. They may explore the entire space available to them. This cadenza may last between 1-2+ minutes in duration (not too long). U # # U # U # U # & The Shaman © 2011 Promethean Editions Arranged for Chinese Orchestra by Simon Kong F_VH_TSC – 1
Page 1: VINCENT HO The Shaman Concerto for
Page 5: Programme Notes I. Ritual II. Fanta
Page 9 and 10: Bangdi I, II Qudi I, II Xindi I, II
Page 11 and 12: 25 Bangdi I, II Qudi I, II Xindi I,
Page 13 and 14: 35 B q = 108 Bangdi I, II † # # #
Page 15 and 16: Bangdi I, II Qudi I, II 48 † # œ
Page 17 and 18: Bangdi I, II Qudi I, II 60 q = 126
Page 19 and 20: Bangdi I, II q = 126 72 Rit. † #
Page 25 and 26: Bangdi I, II > 106 > > j ‰ œ b
Page 37 and 38: Bangdi I, II 168 nœ † œ nœ œ
Page 39 and 40: Bangdi I, II > 178 œ j œ † > >
Page 41 and 42: Bangdi I, II Qudi I, II 188œ > œ
Page 43 and 44: Bangdi I, II > 198 j ‰ œ œ œ
Page 45 and 46: Bangdi I, II Qudi I, II 208 † †
Page 47 and 48: Bangdi I, II 218 † # # Attacca Qu
Page 49 and 50: 7 A Bangdi I, II † # # # # # Qudi
Page 51 and 52: Bangdi I, II 18 Rit. † # q = 72 #
Page 53 and 54: Bangdi I, II 27 † œ p Œ Œ # #
Page 55 and 56: Bangdi I, II Qudi I, II 38 † †
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Bangdi I, II Qudi I, II Xindi I, II
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Bangdi I, II E 60 A gentle breeze (
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67 Bangdi I, II Qudi I, II Xindi I,
Page 63 and 64:
Bangdi I, II F Accel. 75 q = 44 †
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88 Bangdi I, II † # # # # # Qudi
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99 Bangdi I, II † # # # # # # # Q
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111 G Bangdi I, II † # # # # # Qu
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121 Bangdi I, II † # # # # Qudi I
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Bangdi I, II 130 † # # # # H Slig
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Bangdi I, II Qudi I, II 141 † †
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152 I Bangdi I, II † # # # # # #
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Bangdi I, II 164 b œ œ œ œ ˙
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Bangdi I, II Qudi I, II Xindi I,
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Page 85 and 86:
Bangdi I, II 22 † B " " " " " " Q
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34 Bangdi I, II † " " " " " " Qud
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Bangdi I, II 46 † " D " " " " " Q
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58 Bangdi I, II † " " " " " " " Q
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70 Bangdi I, II † " " " " " " Qud
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Bangdi I, II Qudi I, II 82 † †
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Page 99 and 100:
Bangdi I, II 6 † ! ! ! ! ! Qudi I
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Page 109 and 110:
Page 111 and 112:
Bangdi I, II 67 † ! ! ! ! Œ # >
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Page 115 and 116:
Bangdi I, II 86 † ! ! ! ! ! ! Qud
Page 117 and 118:
Bangdi I, II 97 † ! ! ! ! ! Qudi
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Bangdi I, II 107 † ! ! ! ! ! Qudi
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Bangdi I, II 117 † ! ! ! ! ! Qudi
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Page 125 and 126:
Bangdi I, II 138 † 4 (Poco a poco
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Bangdi I, II 150 † U ! G q = 126
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Page 133 and 134:
Page 135 and 136:
Bangdi I, II 190 b> œ † J ‰ Œ
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Page 139 and 140:
Bangdi I, II (Optional Section - co
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Bangdi I, II 221 † 4 ! ! ! ! ! Qu
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Page 145 and 146:
Bangdi I, II 242 b> œ † J ‰ Œ
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The Shaman (arr. for Chinese Orchestra)

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