Incidental music to Electra (Preview)

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Fl. 135 & b b b b Ob. & b b b b Cl. & b b Hn & Cym. ã & b b b b Hp ? b b b b S & b b b b œ œ œ œ œ œ ‰ j œ œ 3 j œ œ. j œ 3 œ œ œ œ œ œ bœ œ œ œ. œ œ œ. œ œ œ bound and qui - ver, To cleave the way for The - tis’ son, Fleet-in - the - wind A - chil-les, on To war, <strong>to</strong> war, till A & b b b b œ œ œ œ œ œ ‰ j œ œ 3 j œ œ. j œ 3 œ œ œ œ œ œ bœ œ œ œ. œ œ œ. œ œ œ bound and qui - ver, To cleave the way for The - tis’ son, Fleet-in - the - wind A - chil-les, on To war, <strong>to</strong> war, till Vn I 135 & b b b b w ˙. ˙. ˙. ˙. Vn II & b b b b w ˙. ˙. ˙. ˙. Va B b b b b w ˙. ˙. ˙. ˙. Vc. ? b b b b w ˙. ˙. ˙. ˙. D.B. 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 4 4 3 ? b b b b 4 4 3 PEV03 – 32
Fl. Ob. Cl. Hn Cym. Hp S A Vn I Vn II Va Vc. D.B. n n n n # & b b H 140 b b U ? b b b b pizz. Œ Œ œ U p n n n n# & b b b b U n n n n # & b b Œ Œ j œ ˙ œ ‰ U pp n n # # # & ã & b b b b Œ Œ j œ ˙ œ ‰ U pp U U n n n n # ? b b b b Œ Œ œ Œ œ œ u ppp n n n n# & b b b b œ U bœ œ œ œ œ nœ œ œ œ œ œ œ œ ˙ n n n n# Troy be won Be - side the reed - - - y ri - ver. & b b b b œ U bœ œ œ œ œ nœ œ œ œ œ œ œ œ ˙ n n n n # Troy be won Be - side the reed - - - y ri - ver. ˙ 140 & b b . œ H b b 3 3 J ‰ Œ Œ Œ Œ j U œ œ œ œ œ ˙ œ n˙ p pp & b b b b ˙. œ 3 3 J ‰ Œ Œ Œ Œ j U œ œ œ œ œ ˙ œ n˙ p pp n n n n# n n n n # B b b b b 3 ˙. œ n n n n # J ‰ Œ Œ Œ Œ j 3 U œ œ œ œ œ ˙ œ n˙ p pp ? b b ˙. œ b b J ‰ Œ Œ Œ Œ œ œ œ J œ œ ˙ œ U n˙ n n n n # 3 3 p pp PEV03 – 33
Page 1: RALPH VAUGHAN WILLIAMS Incidental m
Page 4 and 5: Vaughan Williams Collection Volume
Page 6 and 7: FOREWORD Introduction to the series
Page 8 and 9: Introduction Ralph Vaughan Williams
Page 10 and 11: The present edition is based on a r
Page 12 and 13: TEXT 1. ONWARD, O LABOURING TREAD E
Page 14 and 15: Choir soprano solo Lo, my way To th
Page 16 and 17: Fleet-in-the-wind Achilles, on To w
Page 18 and 19: Instrumentation Flute Oboe Clarinet
Page 20 and 21: Fl. # & 9 poco più mosso U U Ob. #
Page 22 and 23: Fl. # & 17 U Ob. # & U Cl. # # & #
Page 24 and 25: Fl. Ob. # & 20 # & U Ó œ. U œ J
Page 26 and 27: Fl. # & 23 ˙ U Ó 3 2 Ob. Cl. # &
Page 28 and 29: Fl. # & 29 senza misura U Ob. # & U
Page 30 and 31: Fl. # & 37 ˙ j œ ‰ Œ ˙ j œ
Page 32 and 33: Fl. # & 47 ˙ ˙ j œ ‰ Œ Ó 3 2
Page 34 and 35: Fl. 60 & b b Moderato senza misura
Page 36 and 37: Fl. 68 & b b D œ f œ œ nœ œ œ
Page 38 and 39: Fl. Ob. Cl. Hn Cym. 77 & b b & b b
Page 40 and 41: Fl. 87 & b b œ œ œ nœ œ œ .
Page 42 and 43: Fl. 95 & b b Ob. & b b Cl. & Hn & C
Page 44 and 45: Fl. # & 106 rall. Œ Solo œ œ #
Page 46 and 47: Fl. 118 & b b b b ⇥ œ œ œ œ
Page 48 and 49: Fl. 126 & b b b b Ob. & b b b b Œ
Page 52 and 53: Fl. # & 145 senza misura U Ob. # &
Page 54 and 55: Fl. # & 148 w œ œ œ œ . ˙ œ
Page 56 and 57: Fl. 158 & b 4 Ob. & b 4 œ œ œ œ
Page 58 and 59: Fl. 171 & b K allargando rapidament
Page 60 and 61: Fl. 185 & b ‰ J œ œ œ œ. œ J
Page 62 and 63: Fl. 197 & b 4 ˙ œ œ f animato ˙
Page 64 and 65: Fl. 211 & b ˙- œ- M ˙ ˙. pp œ
Page 66 and 67: Fl. Ob. Cl. 225 & b 4 3 œ nœ œ
Page 68 and 69: Fl. 236 & b b b b più lento Ob. &
Page 70: Fl. Ob. 248 & b b b b & b b b b U U

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