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VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY SEPTEMBER <strong>2019</strong><br />
Show & Tell<br />
STANDOUT PRODUCTS SET TO<br />
IMPRESS AT THE SYDNEY FAIR<br />
By design<br />
+ +<br />
THE JEWELLERY DESIGN AWARDS<br />
RETURN IN FINE FORM<br />
Risk & reward<br />
A CLOSER LOOK AT THE INVESTMENT<br />
DIAMOND MARKET
Topaz - In Stock & Online Now<br />
Visit our website or call our Melbourne office for details:<br />
Room 405, 4th Floor, Wales Building, 227 Collins Street, Melbourne VIC 3000<br />
Ph: +61 (0) 3 9654 5200 / Interstate Orders 1300 843 141 E: sales@oagems.com www.oagems.com
Visit us at<br />
IJF <strong>2019</strong><br />
Stand G37<br />
..<br />
<br />
Sydney Melbourne Brisbane Auckland London<br />
Tokyo Mumbai Florence Stuttgart Chicago
STANDOUT PRODUCTS SET TO<br />
IMPRESS AT THE SYDNEY FAIR<br />
VOICE OF THE AUSTRALIAN JEWELLERY INDUSTRY SEPTEMBER <strong>2019</strong><br />
THE JEWELLERY DESIGN AWARDS<br />
RETURN IN FINE FORM<br />
A CLOSER LOOK AT THE INVESTMENT<br />
DIAMOND MARKET<br />
CONTENTS<br />
SEPTEMBER <strong>2019</strong><br />
17/<br />
45/<br />
58/<br />
FEATURES REGULARS BUSINESS<br />
17/ SHOW & TELL<br />
A sneak peek at the products going<br />
on show at the Sydney Fair.<br />
39/ REAL STEAL<br />
Inside the shadowy world of the<br />
Pink Panther jewellery thieves and<br />
their record-breaking robberies.<br />
43/ FACE VALUE<br />
How to bring back the personal<br />
when it comes to retail sales.<br />
45/ EYES ON THE PRIZE<br />
The <strong>Jeweller</strong>y Design Awards<br />
return for <strong>2019</strong> with a stunning<br />
selection of finalists.<br />
58/ CAPITAL GAMES<br />
<strong>Jeweller</strong> explores the positives and<br />
pitfalls of investment diamonds.<br />
9/ Editorial<br />
10/ Upfront<br />
11/ News<br />
61/ Gems<br />
Organic Gems Part VI: Coral<br />
70/ 10 Years Ago<br />
69/ My Store<br />
72/ My Bench<br />
74/ Soapbox<br />
Brett Low on the realities<br />
of being a modern jeweller.<br />
63/ Business feature<br />
Ryan Estis shares quality insights<br />
from two successful sales leaders.<br />
65/ Selling<br />
Brian Jeffrey warns of the dangers<br />
of ‘the nibbler’ customer.<br />
66/ Management<br />
Questioning your beliefs is key<br />
to being an effective manager,<br />
says Paul Sloane.<br />
67/ Marketing<br />
There’s one type of customer you<br />
should expend your energy on,<br />
writes David Brown.<br />
68/ Logged On<br />
David Coen explains how to turn<br />
likes and shares into sales leads.<br />
Show & Tell<br />
By design<br />
+ +<br />
Risk & reward<br />
Front cover description:<br />
Coeur de Lion celebrates<br />
the 20th anniversary of<br />
the iconic GeoCube,<br />
a timeless design classic.<br />
Visit: timesupply.com.au<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 5
lesgeorgettes.com<br />
contactaus@lesgeorgettes.com
EDITORIAL<br />
US ARMY GENERAL STORMIN’ NORMAN WAS RIGHT<br />
What is going on? I don’t think I have ever<br />
seen a more confusing economic climate<br />
than the one in which we find ourselves<br />
today. Are we in a recession? No, technically<br />
Australia is not in a recession. In fact, we have<br />
had the longest run of economic growth in<br />
history... of all countries.<br />
The previous record of uninterrupted<br />
economic growth – 26 years – was held by<br />
the Netherlands; Australia surpassed it two<br />
years ago and economists are predicting the<br />
trend will continue until some point in the<br />
next two years.<br />
What is confusing, however, is the current<br />
state of the retail sector. Consumer spending<br />
has fallen to its lowest level in a decade and<br />
the economy has slowed further over the past<br />
year with GDP growth tumbling under 2 per<br />
cent – there was only a 0.4 per cent increase<br />
in first three months of the year for yearon-year<br />
growth of 1.8 per cent, the slowest<br />
growth since the <strong>September</strong> quarter in 2009.<br />
This combination of circumstances has lead<br />
National Australia Bank (NAB) economists<br />
to declare that Australian retailing is “clearly<br />
in recession”, following the bank’s Monthly<br />
Business Survey for May <strong>2019</strong>, which found<br />
further deterioration in business conditions.<br />
Somewhat confusingly, the same survey<br />
found that business confidence increased by<br />
7 per cent. What is going on?!<br />
NAB is not alone in its view. Management<br />
at Woolworths Holdings, the South Africanbased<br />
retailer that owns David Jones (DJ), also<br />
says Australia’s retail sector is in recession after<br />
writing down the value of the department<br />
store by $437 million for FY18.<br />
According to a company spokesperson,<br />
the business is under “unprecedented<br />
economic pressures’’.<br />
On the other hand, you have Harvey Norman’s<br />
executive chairman Gerry Harvey declaring<br />
that the retail trade might be flat but it’s “not<br />
in recession”. Australian Retailers Association<br />
executive director Russell Zimmerman agreed,<br />
calling it “not as bouyant as it should be”.<br />
Again, what is going on?!<br />
DJ has been struggling for years but so have<br />
almost all department stores worldwide. Are<br />
DJ’s problems with the Australian economy or<br />
is an out-dated business model to blame?<br />
Super Retail Group, the owner of Supercheap<br />
Auto, Rebel, BCF and New Zealand apparel<br />
and equipment brand Macpac (formerly Rays<br />
Outdoors) is one retailer that’s doing well. The<br />
group’s auto stores in particular continue to<br />
increase sales and maintain margins.<br />
Could it be because this owner of traditional<br />
bricks-and-mortar stores focuses on customer<br />
service and actually has staff on the floor?<br />
Retailers can no longer be all things to all<br />
people, which is why the once almighty<br />
Myer and DJ business models are doomed.<br />
Specialty retail encompassing a customerfocused<br />
traditional store along with a healthy<br />
RETAILERS CAN<br />
NO LONGER BE<br />
ALL THINGS TO<br />
ALL PEOPLE,<br />
WHICH IS WHY<br />
THE ONCE<br />
ALMIGHTY<br />
MYER AND<br />
DJ BUSINESS<br />
MODELS ARE<br />
DOOMED<br />
online presence is the only future; however, it’s<br />
not all roses for those businesses either.<br />
<strong>Jeweller</strong>y retailing is doing it tough and it’s<br />
not just an Australian phenomenon; there are<br />
problems worldwide. The diamond industry is<br />
one sector facing major challenges.<br />
As has happened in the past, most of the<br />
industry’s problems are self-inflicted. For<br />
example, many Indian diamond-trading<br />
companies have been affected by a<br />
tightening of credit regulations following a<br />
number of high-profile frauds and bad loans.<br />
From banking and finance to supply and<br />
the changing consumer, the international<br />
diamond market is undergoing a re-structure.<br />
This is happening at the same time as highend<br />
jewellery sales are stagnating. I ask again,<br />
what is going on?!<br />
I don’t know but one thing is sure – standing<br />
still is going backwards. You need to be<br />
looking for new opportunities and new ways<br />
of doing business, and this goes for suppliers<br />
as well as retailers. The Sydney fair is upon<br />
us. Maybe the difference between your store<br />
going backwards and going forwards could<br />
be on display there. Maybe you should visit?<br />
Regardless, as the famous US Army General<br />
Norman “Stormin’ Norman” Schwarzkopf Jr<br />
once said, “Just do something!”<br />
He was right!<br />
Coleby Nicholson<br />
Managing Editor<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 9
UPFRONT<br />
n GRAVE STONES<br />
A jeweller based in Melbourne has hit<br />
the headlines for her macabre style,<br />
making pieces using unconventional<br />
materials like bones, hair and ashes. She<br />
is sent the body parts by clients, then<br />
sanitises them and works them into a<br />
design. One of her most memorable<br />
creations was an engagement ring set<br />
with the tooth of the groom-to-be!<br />
n CLEVER DISGUISE<br />
A Polish designer has created face<br />
jewellery that can confound facialrecognition<br />
technology. The brass<br />
‘shield’ looks like a wire glasses<br />
frame with hanging discs over the<br />
cheekbones and a rectangular piece<br />
to obscure the centre of the forehead.<br />
A model wearing the piece was<br />
unable to be recognised by Facebook’s<br />
algorithm when a photo was uploaded<br />
to the social media app.<br />
n HARD TO SWALLOW<br />
A surgical team in India has removed<br />
a whopping 1.6kg of metal jewellery<br />
and coins from a young woman’s<br />
stomach during a 75-minute operation.<br />
The 22 year old had ingested chains,<br />
nose rings, earrings, bangles and<br />
anklets taken from her brother’s<br />
jewellery shop. She is now reportedly<br />
undergoing psychiatric treatment.<br />
SAPPHIRE<br />
SEPTEMBER BIRTHSTONE:<br />
DID YOU KNOW?<br />
Sapphires have long been associated with<br />
spirituality. The ancient Persians believed<br />
they made the sky blue, while it was said that<br />
the Ten Commandments were inscribed on<br />
sapphire slabs, because it is so hard only God<br />
can write on it. By medieval times, sapphires<br />
had come to represent faith, hope, kindness<br />
and wisdom. The name sapphire comes from<br />
the Latin word saphirus, meaning blue.<br />
DIGITAL<br />
BRAINWAVE<br />
WHO SAID?<br />
“Just like artwork, the value [of natural<br />
fancy-colour diamonds] is totally<br />
subjective. You can have three people<br />
offering $10 million, $12 million or $15<br />
million, but the seller wants $20 million.<br />
The fact is, they are all correct.<br />
Turn to page 58 to find out.<br />
PIC YOUR JEWELS WISELY<br />
A recent survey of Instagram images<br />
posted by jewellery brands has revealed which products get the most<br />
engagement from users. US-based business research firm Gartner L2 found that<br />
rings had the highest engagement – more than necklaces, bracelets, earrings or<br />
photos with multiple products. The best photo format was a tight close-up on a<br />
model’s hand. However, for other jewellery products, flatlays outperformed onmodel<br />
close-ups. The product category considered to have the most Instagram<br />
potential was bracelets; they were second-highest in engagement, but brands<br />
posted about them 64 per cent less than rings.<br />
NEW RELEASE<br />
Bronzallure is proudly an Italian-designed<br />
brand for quality-conscious women and<br />
pioneers of fashion. It focuses on classic-meetsedgy<br />
bangles, earrings, rings and necklaces,<br />
often featuring selected freshwater pearls,<br />
genuine gemstones in refined cuts and cubic<br />
zirconia. The Rose Quartz Pendant Necklace is<br />
plated in a unique rose gold alloy and features<br />
a rhombus-shape centre rose quartz gemstone.<br />
Distributed by Duraflex Group Australia.<br />
VOICE OF THE AUSTRALIAN<br />
JEWELLERY INDUSTRY<br />
jewellermagazine.com<br />
Publisher & Editor<br />
Coleby Nicholson<br />
Associate Publisher<br />
Angela Han<br />
angela.han@gunnamattamedia.com<br />
Journalist<br />
Arabella Roden<br />
arabella.roden@jewellermagazine.com<br />
Production Manager<br />
& Graphic Design<br />
Jo De Bono<br />
art@gunnamattamedia.com<br />
Accounts<br />
Paul Blewitt<br />
finance@gunnamattamedia.com<br />
Subscriptions<br />
info@jewellermagazine.com<br />
<strong>Jeweller</strong> is published by:<br />
Gunnamatta Media Pty Ltd<br />
Locked Bag 26, South Melbourne,<br />
VIC 3205 AUSTRALIA<br />
ABN 64 930 790 434<br />
Phone: +61 3 9696 7200<br />
Fax: +61 3 9696 8313<br />
info@gunnamattamedia.com<br />
Copyright: All material appearing<br />
in <strong>Jeweller</strong> is subject to copyright.<br />
Reproduction in whole or in part is<br />
strictly forbidden without prior written<br />
consent of the publisher.<br />
Gunnamatta Media Pty Ltd strives to<br />
report accurately and fairly and it is<br />
our policy to correct significant errors<br />
of fact and misleading statements in<br />
the next available issue. All statements<br />
made, although based on information<br />
believed to be reliable and accurate at<br />
the time, cannot be guaranteed and<br />
no fault or liability can be accepted<br />
for error or omission. Any comment<br />
relating to subjective opinions should<br />
be addressed to the editor.<br />
Advertising: The publisher reserves<br />
the right to omit or alter any<br />
advertisement to comply with<br />
Australian law and the advertiser<br />
agrees to indemnify the publisher for<br />
all damages or liabilities arising from<br />
the published material.<br />
10 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
NEWS<br />
NEWS<br />
Rosendorff’s mystery buyer revealed<br />
Two months after iconic Perth retailer<br />
Rosendorff Diamonds was saved at the last<br />
minute, the business’ previously unknown<br />
buyer has been confirmed as Maccabi<br />
Diamonds’ owner Yoni Levy.<br />
The high profile jewellery store, which<br />
has occupied its Hay Street Mall site since<br />
1963, collapsed in May this year owing<br />
more than $18 million.<br />
Receivers KordaMentha were appointed<br />
to try to recapitalise the business,<br />
searching for a buyer while holding a<br />
$9 million clearance sale.<br />
Maccabi Diamonds was one of the<br />
unsecured creditors.<br />
“I came back from a holiday and heard about<br />
the situation with Rosendorff Diamonds. I<br />
had a long-standing relationship with [owner]<br />
Craig Rosendorff as a supplier and the timing<br />
was key for me, as I was looking to move into<br />
the retail space,” Levy tells <strong>Jeweller</strong>.<br />
“I was open to negotiating an outcome which<br />
ultimately kept the doors open – which is<br />
great for the staff, for the people of Perth and<br />
Three teenagers – two aged 18 and<br />
one aged 16 – have appeared in court<br />
charged with a range of offences, including<br />
aggravated robbery, after a terrifying<br />
daylight smash-and-grab at an Auckland<br />
shopping mall. At the time of printing, a<br />
fourth suspect remained at large.<br />
The group entered Westfield St Lukes<br />
at about 3.25pm on 4 August wearing<br />
masks. They smashed the window of the<br />
Silvermoon Luxe jewellery store, but did<br />
not take anything.<br />
The robbers then targeted the Michael<br />
Hill jewellery store where they shattered<br />
glass cabinets and proceeded to take “a<br />
quantity of jewellery”, according to a police<br />
spokesperson. No staff members were<br />
injured in the robbery.<br />
Silvermoon owner Peter Lee told the NZ<br />
Herald newspaper that two female staff<br />
for me. It’s been just over one month now<br />
and things are going well. Business is steady<br />
and we’re very excited.”<br />
Levy confirmed that all but one staff<br />
member have kept their jobs, and that the<br />
business now stocks one of the country’s<br />
largest selections of diamonds and diamond<br />
jewellery – including his own brand, Pink<br />
Eminence Diamonds.<br />
When asked about the business’ previous<br />
financial problems, Levy confirmed that it was<br />
likely that unsecured creditors would remain<br />
unpaid unless they had insurance.<br />
An administrator’s report also lists Rosendorff<br />
Diamonds as owing $2.1 million to secured<br />
creditor Gordon Brothers and $165,000 to<br />
the Australian Taxation Office.<br />
However, Levy told <strong>Jeweller</strong> that the future<br />
was bright for the iconic store: “We are open<br />
for business and it’s going to be stronger than<br />
ever. Craig built an amazing business and<br />
team over 50 years in the industry, and I’m<br />
honoured, when I look around the store, to<br />
be taking his legacy forward.”<br />
Teens charged after smash-and-grab<br />
members were in his store at the time,<br />
but were uninjured: “We are trying to pull<br />
ourselves together. Luckily only one of the<br />
staff was standing close to that window.<br />
They knocked a hole out as they went past<br />
the shop, just to grab whatever they can.”<br />
Another jewellery store within the mall,<br />
Pascoes, was not attacked.<br />
It’s believed the group were armed with<br />
a hammer and bat, with witnesses<br />
mistaking the sound of the breaking<br />
glass for gunshots.<br />
Police reportedly arrived within minutes. The<br />
group fled the scene in an allegedly stolen<br />
vehicle, which was later abandoned at a<br />
nearby train station.<br />
While the robbers were able to board a train<br />
in order to evade capture, police identified,<br />
arrested and charged three of the four<br />
within a day.<br />
YONI LEVY, OWNER<br />
MACCABI DIAMONDS<br />
AND ROSENDORFF<br />
DIAMONDS<br />
IN BRIEF<br />
SWATCH SALES FALL<br />
*<br />
Swiss watch giant Swatch Group has<br />
released its half-yearly report, with net<br />
income down 11.3 per cent and sales<br />
down 3.7 per cent compared with the<br />
previous year. The company partially<br />
blamed the result on a crackdown<br />
on grey market dealers in Europe, the<br />
Middle East and South America –<br />
a move that it predicts will produce<br />
positive results in the long-term. The<br />
report also noted that Swatch’s branded<br />
retail and e-commerce channels had<br />
better than expected sales.<br />
HUGE GOLD HAUL SEIZED IN UK<br />
*<br />
The UK’s Border Force and National Crime<br />
Agency have intercepted a shipment of<br />
gold bars, worth an estimated £4 million<br />
($AU7 million), at Heathrow Airport.<br />
The gold, which totalled 104kg, was en<br />
route from Venezuela to Switzerland<br />
via the Cayman Islands and the UK. It’s<br />
believed the precious metal was part of an<br />
international money laundering operation<br />
by drug cartels.<br />
*<br />
ONE IN A MILLION FIND<br />
A Hong Kong woman has been praised<br />
for her “honest” and “good-hearted”<br />
character after handing in a ring worth<br />
$HK1 million ($AU188,000) to police after<br />
finding it in her local park. The piece was<br />
later confirmed to be one of the items<br />
stolen in a daylight robbery of a nearby<br />
jewellery store, which occurred just a few<br />
hours before the ring was found. Three<br />
men made off with $HK24 million ($AU4.5<br />
million) in jewellery and are believed<br />
to have dropped the ring while fleeing<br />
through the park on foot.<br />
*<br />
LIGHTBOX GOES INTERNATIONAL<br />
Lightbox, De Beers’ synthetic diamond<br />
retail business, is now selling to customers<br />
outside the US. The company has begun<br />
offering international shipping to Canada,<br />
one year after its launch. It’s predicted<br />
that Lightbox may start shipping to other<br />
international locations in the next 12<br />
months. Its lab-grown diamonds are priced<br />
uniformly at $US800 per carat. The news<br />
comes as De Beers reported heavy losses<br />
for its natural diamond business for the first<br />
half of <strong>2019</strong>.<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 11
NEWS<br />
Alex and Ani in legal<br />
battle with bank<br />
US-based jewellery company Alex and Ani<br />
is embroiled in a legal stoush with Bank of<br />
America, claiming the lender misclassified<br />
a payment in order to push the brand to<br />
default on a $US170 million loan.<br />
According to a complaint filed in a New York<br />
court on 25 July, Bank of America granted<br />
the company the loan in 2016 to enable the<br />
purchase of a production facility.<br />
The bank then claimed the company<br />
defaulted on the loan in December<br />
2018, however representatives for<br />
Alex and Ani said the company was not<br />
warned and that the decision had been<br />
made on a technicality.<br />
As a result, Alex and Ani’s cash flow has<br />
reportedly been severely disrupted; it has<br />
lost access to its credit line and has close<br />
to $16 million in outstanding payment<br />
on its books.<br />
“Bank of America’s actions over the past<br />
few months – starting with a made-up<br />
default, and culminating in a deliberate<br />
plan to starve Alex and Ani of credit from<br />
any source – have sent a once-thriving<br />
American success story into a death spiral,<br />
with 1,500 jobs potentially in the balance,”<br />
the court filing says.<br />
Alex and Ani withdrew from the Australian<br />
and New Zealand market after failing to<br />
agree on new terms with distributor House<br />
of Brands and its CEO Karin Adcock.<br />
The Westfield Fountain Gate flagship store<br />
and eight kiosks across NSW, Victoria,<br />
Western Australia and South Australia<br />
were subsequently closed. It had around<br />
100 retail stockists.<br />
FINANCIAL ISSUES HAVE PLAGUED THE BUSINESS.<br />
+ MORE BREAKING NEWS<br />
JEWELLERMAGAZINE.COM<br />
Duraflex hits the road with new brand<br />
Duraflex Group Australia (DGA) has debuted<br />
the latest addition to its brand portfolio<br />
at its biannual Roadshow. The supplier<br />
introduced retailers in Melbourne, Perth and<br />
Sydney to Milan-based Bronzallure, ahead of<br />
the International <strong>Jeweller</strong>y & Watch Fair in<br />
Sydney this month.<br />
Phil Edwards, managing director DGA, said,<br />
“The addition of Bronzallure to the DGA<br />
portfolio complements our existing stable of<br />
brands perfectly and we’re already receiving<br />
strong initial interest from our retail partners<br />
at Roadshow. Our team is looking forward to<br />
presenting this new brand on stand at the<br />
upcoming Fair.”<br />
Made and designed in Italy, the familyowned<br />
company creates classic yet<br />
contemporary bangles, earrings, rings<br />
and necklaces with a comfort fit, set<br />
in the brand’s proprietary 18-carat<br />
gold-plated alloy, Golden Rose. This<br />
material makes them ideal for a wide<br />
variety of skin-tones.<br />
The pieces are also designed to mix-andmatch,<br />
and feature freshwater pearls, natural<br />
gemstones and cubic zirconia. Bronzallure is<br />
priced from $59 to $399 at retail.<br />
Pandora announces global relaunch<br />
International jewellery company Pandora<br />
is set to hold a ‘brand relaunch’ event in Los<br />
Angeles on 28 August, kicking off its global<br />
roll-out of new store designs, online platforms<br />
and product collections over the second half<br />
of <strong>2019</strong> and into 2020.<br />
The autumn <strong>2019</strong> collection will debut<br />
at the event in front of 400 guests and<br />
media representatives.<br />
Pandora’s new CEO, Alexander Lacik, said the<br />
occasion would mark the company’s shift to<br />
a more consumer-driven model, following<br />
several years of disappointing sales results.<br />
“The event in Los Angeles marks the<br />
beginning of our journey to become more<br />
relevant for consumers. We have received<br />
very positive feedback to the marketing<br />
pilots we have conducted earlier this year,<br />
so we are eager to take this to consumers<br />
around the world and show a fresher<br />
and more contemporary Pandora,” he said<br />
in a statement.<br />
The first rebranded stores will open in<br />
the UK, China and Italy. In particular, the<br />
brand’s Christmas campaign will include<br />
DGA WILL DISTRIBUTE ITALY’S BRONZALLURE.<br />
design collaborations and partnerships with<br />
celebrities and social media influencers.<br />
As part of its broader restructuring plan,<br />
called ProgrammeNOW, Pandora has<br />
announced that it will cut costs by<br />
DKK1.2 billion ($AU266 million) by the end<br />
of 2020 in order to fund new marketing<br />
campaigns, bricks-and-mortar upgrades<br />
and e-commerce.<br />
Meanwhile, a new human resources<br />
executive has joined the company’s<br />
management team. Erik Schmidt, who<br />
previously worked alongside Lacik at child<br />
safety product manufacturer Britax, took the<br />
position of chief HR officer on 12 August.<br />
His predecessor, Mads Kamp, will leave<br />
Pandora in <strong>September</strong>.<br />
In announcing the new appointment,<br />
Lacik said Schmidt had been chosen for<br />
his “extensive global transformation<br />
experience as well as operational experience<br />
in some of our key markets”, adding that<br />
the company would be focusing on the<br />
“need to support and develop our global<br />
workplace and our employees”.<br />
12 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
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Unit 37, 34-36 Ralph St<br />
Alexandria, NSW 2015<br />
sales@chemgold.com<br />
www.chemgold.com<br />
Follow us:
NEWS<br />
IN BRIEF<br />
*<br />
SUSTAINABLE SWAROVSKI<br />
Crystal company Swarovski has released its<br />
<strong>2019</strong> Sustainability Report, which highlights<br />
the company’s commitment to “women’s<br />
empowerment, water stewardship, fair<br />
partnerships, conscious design and<br />
sustainable innovation”. The company<br />
reported it has reduced its total energy<br />
consumption by 29 per cent, with 35 per<br />
cent of power coming from renewable<br />
sources. It has also launched training<br />
programs in ‘unconscious bias’ for employees<br />
in order to create a more diverse and<br />
inclusive workplace.<br />
*<br />
ISRAEL-CHINA PARTNERSHIP<br />
The first Israel Diamond Week in Shanghai<br />
has taken place, marking the first time Israeli<br />
diamantaires have been officially invited<br />
to exhibit to members of the Shanghai<br />
Diamond Exchange. The president of the<br />
Israel Diamond Exchange, Yoram Dvash,<br />
led the delegation of 16 companies. The<br />
event marks the start of a new period of<br />
co-operation between the two bourses.<br />
*<br />
BRANDO’S WATCH UP FOR SALE<br />
A 1972 Rolex GMT Master belonging to<br />
Marlon Brando will be auctioned later<br />
this year. Brando wore the timepiece<br />
while playing Colonel Kurtz in 1979’s<br />
Apocalypse Now, and modified it to<br />
remove the bezel after being told it was<br />
‘too flashy’ for his character. The watch<br />
was thought to be lost for decades, but was<br />
in fact given as a gift to his daughter Petra<br />
in 1995. It is expected to fetch a six-figure<br />
price, with a portion of proceeds donated<br />
to a US children’s charity.<br />
ELDERLY BURGLAR JAILED AGAIN<br />
*<br />
One of the infamous Hatton Garden burglars<br />
has been given a second jail term after<br />
refusing to pay back the value of some of the<br />
stolen jewellery. The heist made headlines<br />
around the world back in 2015 when four<br />
men – all aged over 55 – robbed a secure<br />
vault in London’s diamond district using an<br />
industrial drill. John Collin, now 78, was one<br />
of those convicted and was ordered to pay<br />
back £7.6 million ($AU13.6 million) to cover<br />
part of the losses. He will now serve another<br />
seven years on top of his seven-year term<br />
after declining to make the repayment.<br />
+ MORE BREAKING NEWS<br />
JEWELLERMAGAZINE.COM<br />
Aussie diamond production to plummet<br />
The Argyle Mine, in Western Australia, is set<br />
to cease operation in 2020 – drastically<br />
reducing Australia’s diamond production to<br />
less than 1 per cent of its current output.<br />
The Rio Tinto-owned site – which produces<br />
90 to 95 per cent of the world’s rare pink<br />
diamonds, as well as yellow, champagne,<br />
brown and colourless diamonds – is<br />
responsible for the majority of Australia’s<br />
diamond volume, which in 2018 totalled<br />
more than 14 million carats.<br />
According to the Kimberley Process, Australia<br />
currently ranks as the fifth-highest diamond<br />
producing country by volume.<br />
However, when Argyle closes next year, the<br />
country will be left with just one producing<br />
diamond mine: Merlin in the Northern<br />
Territory, which is reported to have already<br />
reached its peak capacity.<br />
Industry analysts have noted that if<br />
no alternatives are found, Australia’s<br />
diamond volume will total just 137,000<br />
carats from 2021.<br />
Meanwhile, this year’s Argyle Tender – Rio<br />
Tinto’s annual private display and auction of<br />
its most impressive stones – took place in<br />
July and was the first Tender to be held at the<br />
outback mine site itself.<br />
Titled ‘The Quest For The Absolute’, the<br />
collection featured 64 natural fancy colour<br />
diamonds. The standout was the 1.75-carat<br />
Argyle Enigma, one of just three fancy reds<br />
weighing more than 1.5 carats that has been<br />
produced over the mine’s 40-year history.<br />
The <strong>2019</strong> Argyle Tender diamonds will go on<br />
tour to Perth, Sydney, Hong Kong and New<br />
York before being sold. There are believed to<br />
be just 150 Tender-quality diamonds left in<br />
Rio Tinto’s collection. After the Argyle Mine’s<br />
closure, Rio Tinto has indicated the site will be<br />
rehabilitated and likely returned to traditional<br />
owners under Native Title.<br />
Rough diamond sales fall at De Beers<br />
One of the world’s leading diamond<br />
producers, De Beers, has released its halfyearly<br />
financial report, confirming its sales<br />
and revenue have slipped significantly when<br />
compared with the same period last year.<br />
Rough diamond sales declined 21 per cent,<br />
while revenue was down 17 per cent,<br />
to $US2.6 billion ($AU3.8 billion). The<br />
results were attributed to “cyclical<br />
factors, changing industry dynamics<br />
and macroeconomic challenges”.<br />
Industry commentators have pointed to<br />
slowing consumer demand as a key concern,<br />
as well as high inventories in the retail sector<br />
and a contraction in the US retail market.<br />
“The lower rough-diamond sales reflected<br />
higher-than-expected polished stocks at<br />
retailers and the midstream at the beginning<br />
of <strong>2019</strong>, with overall midstream inventory<br />
DIAMONDS FROM THE <strong>2019</strong> ARGYLE TENDER.<br />
IMAGE CREDIT: RIO TINTO<br />
DE BEERS’ DIAMOND MINING IS UNDER PRESSURE.<br />
levels continuing to be high throughout the<br />
first half,” the report noted.<br />
The US-China trade war has also had an<br />
impact, with tariffs, the Hong Kong protests<br />
and the US dollar contributing to a decline in<br />
international sales.<br />
As a result, De Beers has lowered its full-year<br />
production target – a move that will tighten<br />
the supply of diamonds, in an effort to shore<br />
up prices.<br />
14 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
INTERNATIONAL JEWELLERY FAIR<br />
ALL THE FUN OF THE FAIR<br />
FIND OUT WHAT’S ON THE AGENDA FOR THIS <strong>2019</strong> INTERNATIONAL JEWELLERY & WATCH FAIR – INCLUDING TALKS, WORKSHOPS<br />
AND THE JEWELLERY DESIGN AWARDS – AS THE INDUSTRY COMES TOGETHER FOR THE BIGGEST EVENT OF THE YEAR.<br />
WHAT’S NEW?<br />
For the first time, this year’s International <strong>Jeweller</strong>y & Watch Fair will host<br />
educational, hands-on learning workshops on the Fair floor. Those lucky<br />
enough to secure a spot will get the opportunity to develop marketable skills<br />
for their businesses in time for the Christmas season. .<br />
LEARN TO SKETCH LIKE A PROFESSIONAL: Samantha Kelly will<br />
share her techniques to make sketching beautiful designs for your customers<br />
quicker and easier in this draw-along workshop. When: Saturday 24 August<br />
and Sunday 25 August, 1:00pm, 180 mins<br />
APPRECIATING GEMSTONES: George Palos will help attendees<br />
gain experience identifying, appreciating and selling natural gems. When:<br />
Saturday 24 August and Monday 26 August, 11:00am, 120 mins<br />
WATCHMAKING BASICS – THE MUST-HAVE SKILLS: Discover the<br />
technical aspects of a basic watchmaking service with Grant Menzies and<br />
Jason Valinotti. When: Sunday 25 August, 11:00am, 90 to 120 mins<br />
MUST-SEE SEMINARS<br />
HOW TO LEVERAGE YOUR ONLINE REPUTATION<br />
Consumers who live in the digital world are much more savvy.<br />
So how can you ensure your jewellery store is found online and<br />
has a positive reputation? Taylor Cutler and Steve Garcia from<br />
Podium will share their key strategies for success, including<br />
claiming business listings, search optimisation, and collecting<br />
more reviews. When: Saturday 24 August, 11:00am<br />
CONNECTING WITH YOUR CUSTOMERS<br />
THROUGH RETAIL DESIGN<br />
What is the jewellery retail sector going to look like tomorrow?<br />
How is your business going to survive and thrive? Quite<br />
simply, by design. In this seminar, international brand and<br />
communication strategist Ian Cunningham from ID Solutions will discuss how<br />
to create retail environments and experiences that encourage your customers<br />
to discover, connect, interact and purchase. When: Saturday 24 August,<br />
2:00pm and Monday 26 August, 2:00pm<br />
DRIVING SALES BY UNDERSTANDING<br />
THE NUMBERS<br />
If you’re serious about improving your bottom line, it’s time to<br />
get back to the fundamentals. This feature session is presented<br />
by the ‘Number Guys’, Joshua Zarb, general manager Expertise<br />
Events, and Colin Pocklington, managing director Nationwide<br />
<strong>Jeweller</strong>s. When: Sunday 25 August, 2:00pm<br />
NEED TO KNOW DETAILS<br />
Venue: Hall 3 & 4, ICC Sydney, Exhibition Centre. 14 Darling Drive, Sydney<br />
Opening times:<br />
Saturday 24 & Sunday 25 August – 9:30am to 6:00pm<br />
Monday 26 August – 9:30am to 3:00pm<br />
FAIR FAVOURITES ARE BACK<br />
JEWELLERY DESIGN AWARDS <strong>2019</strong><br />
The biennial JDAs return to the Fair in <strong>2019</strong>, with 44 finalists<br />
represented across 10 categories. Visitors will have the opportunity to<br />
view all the pieces vying for the $20,000 prize pool, with the winners<br />
announced at a canapé reception on the show floor on Sunday 25 August<br />
at 4:30pm. Turn to page 45 to preview this year’s stunning pieces showcasing the<br />
best of Australian jewellery talent.<br />
MELBOURNE CUP<br />
The <strong>2019</strong> Lexus Melbourne Cup, arguably the nation’s most iconic<br />
trophy, will be on show at the Pallion stand. Produced by Pallion<br />
subsidiary ABC Bullion, the trophy weighs 1.65kg and is crafted from<br />
18-carat gold mined, refined and crafted wholly within Australia. It<br />
is valued at $250,000. This year marks the 100th anniversary of the<br />
‘Loving Cup‘ design and of the trophy being given as the race prize.<br />
NETWORKING<br />
One of the Fair’s most popular events, Happy Hour is back once again. Join<br />
your fellow industry members at 5:00pm on Saturday 24 August to raise a<br />
glass and celebrate. Supported by the three buying groups, Happy Hour is a<br />
chance to network, connect and catch up with old friends.<br />
TRAVEL DETAILS<br />
Here are some tips for getting to and from the ICC Sydney venue.<br />
1. Ferry: Cruise into Darling Harbour on a ferry with direct services from<br />
Circular Quay, alighting at Barangaroo Wharf or Pyrmont Bay Wharf.<br />
2. Sydney Light Rail: The Light Rail, which starts at Central station in the CBD,<br />
stops at both the Convention Centre and Exhibition Centre.<br />
3. Train: Town Hall station is a 10-minute walk. Central is a 15-minute walk.<br />
4. Bus: Bus stop Harris Street at Allen Street is a 10-minute walk from ICC Sydney.<br />
It is serviced by bus routes 389 and pre-pay only 501.<br />
5. Parking: ICC Sydney operates two 24-hour paid on-site car parks with 826<br />
spaces, including disabled, motorcycle and electric car charging. There are<br />
also several other secure car parks in the Darling Harbour precinct.<br />
6. Taxi: Iron Wharf Place and Zollner Circuit, both accessed via Darling Drive.<br />
The IJWF will take place from Saturday 24 August to Monday 26 August.<br />
16 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
ADIDAS ORIGINALS WATCHES<br />
STAND K28<br />
Process SP1 utilises unexpected materials<br />
to create an array of purified colours born<br />
from iconic Adidas DNA. With a classic<br />
design enhanced by tactile details, Process<br />
SP1 delivers a forward-leaning attitude that<br />
remains grounded for daily wear.<br />
AGRINGA JEWELLERY<br />
STAND K36<br />
Agringa <strong>Jeweller</strong>y is passionate about<br />
fashion and the desire to dress the<br />
modern, sophisticated and empowered<br />
woman. Agringa has selected the best and<br />
most beautiful pieces to import from Brazil.<br />
ALTR CREATED DIAMONDS<br />
– SHOWCASE JEWELLERS<br />
STAND F09<br />
Both mined and ALTR Created Diamonds are identical in chemical,<br />
optical and physical composition. Showcase <strong>Jeweller</strong>s are thrilled<br />
to be offering ALTR Created Diamonds as an additional choice for<br />
consumers when selecting their perfect diamond.<br />
SHOW<br />
AND TELL<br />
INTERNATIONAL JEWELLERY & WATCH FAIR<br />
JEWELLER BRINGS YOU THIS SNEAK PEEK<br />
OF ALL THE LATEST PRODUCTS ON<br />
SHOW AT THIS YEAR’S TRADE FAIR<br />
ANIA HAIE – DURAFLEX<br />
GROUP AUSTRALIA<br />
STAND A12<br />
Ania Haie has introduced a new collection<br />
this season, Metal Crush. The crushed,<br />
precious metal pieces are contemporary<br />
in design and finished with daring<br />
textures. This on-trend Crush Disc chain<br />
necklace can be worn alone or as the<br />
perfect complement to a layered look.<br />
AMBER CENTRE<br />
STAND A19<br />
The antique and cherry amber necklace with gold detail is handmade using the best quality<br />
Baltic amber. Each piece uses natural colours to best effect, giving it unique character. After<br />
20 years of business, the new range is the finest The Amber Centre has ever had.<br />
AQUARIAN PEARLS<br />
STAND G11<br />
“The Queen of Gems” will be featured by Aquarian Pearls at the IJWF <strong>2019</strong>. This pearl strand features<br />
Philippine natural golden colour, semi-baroque South Sea cultured pearls in size 10-15mm.<br />
* Exhibitor stand numbers were correct at the time of publication, but may alter closer to the fair<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 17
SHOW & TELL<br />
ASTRA JEWELLERY<br />
STAND D39<br />
Behind each piece of personalised ASTRA<br />
jewellery is a life story, which the wearer<br />
can use to tell their own story. ASTRA<br />
<strong>Jeweller</strong>y becomes the perfect gift for all<br />
occasions, from anniversaries to birthdays<br />
and weddings.<br />
AYRES PACKAGING & DISPLAY<br />
STAND E15<br />
Beautiful, practical, functional and environmentally friendly,<br />
introducing the BoHo range of jewellery boxes designed by Ayres<br />
Packaging. Ayres Packaging are the packaging and display specialists.<br />
BRAMBLE BAY CO.<br />
STAND C38<br />
Bramble Bay Co. is the home of the Artisan<br />
and Crystal Carvings Australia brands.<br />
Crystal Carvings’ new collection of natural<br />
semi-precious gemstone jewellery has<br />
just been introduced into the market. This<br />
range features bracelets, necklaces and<br />
earrings, all beautifully gift-boxed. Joining<br />
this exciting range is the Artisan collection,<br />
which features bracelets and earrings made<br />
from natural stones and cultured pearls.<br />
BEAD THEM UP<br />
STAND F31<br />
Bead Them Up stocks a broad variety of quality beading products: findings in<br />
sterling silver, vermeil, 14-carat gold filled, gold, rhodium and 16-carat gold<br />
plate; gemstone beads both loose and strands, South Sea and freshwater<br />
pearls; and Griffin silk threads, jewellery wire and stringing tools. Bead Them<br />
Up also offers repairs and a re-stringing service.<br />
18 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong><br />
BLUSH PINK<br />
– SAMS GROUP AUSTRALIA<br />
STAND F17<br />
Blush Pink will introduce more playful<br />
designs this year, as shown in the Ariel<br />
earrings and Taya pendant. Star and<br />
floral-inspired designs abound. Blush Pink<br />
jewellery featuring Argyle Pink diamonds<br />
is accessible to everyone.<br />
CHEMGOLD<br />
STAND D20<br />
Visit Stand D20 to view Chemgold’s high quality laser<br />
engraving – text, symbols, logos, images, thumbprints and<br />
more. Our laser has a spot size of 20 micron, which enables us<br />
to achieve the highest level of detail in the market. Whether it<br />
is castings from waxes, new models or CAD/CAM, Chemgold<br />
can assist with all custom or mass production projects.
CLAUDE BERNARD<br />
– WEST END COLLECTION<br />
STAND B03<br />
A Claude Bernard creation is more than a mere watch, it<br />
is a miniature ‘time machine’ of engineering and design<br />
excellence forged from 500 years of Swiss watchmaking<br />
tradition. Precision, quality, reliability and attention<br />
to the finest detail are hallmarks of Claude Bernard<br />
watches. Pictured is the Classic Chronograph 01002 3<br />
BUIN featuring a stunning blue chrono dial, silver case<br />
and black leather strap.<br />
INCREASE<br />
Y UR<br />
SALES<br />
WITH LA COURONNE’S<br />
COMPLETE MARKETING PACKAGE<br />
Interest Free Finance Available<br />
Christmas Catalogue OUT NOW<br />
COEUR DE LION – TIMESUPPLY<br />
STAND E01<br />
Colour, colour and more colour! The awardwinning<br />
Coeur de Lion continues to be<br />
renowned for it’s innovative use of every<br />
hue. New designs featuring natural stones,<br />
Swarovski crystals and fashion forward<br />
combinations build upon the award<br />
winning Geocube, which continues to be<br />
the worldwide best seller and is celebrating<br />
its 20-year anniversary in <strong>2019</strong>.<br />
THE<br />
Gift<br />
OF JOY<br />
CUDWORTH ENTERPRISES<br />
STAND D22<br />
Cudworth Enterprises is Australia’s largest<br />
wholesaler of men’s jewellery. Designed<br />
in Italy exclusively for Cudworth 1918, this<br />
ID Bracelet features ion-plated stainless<br />
steel in gunmetal with Italian blue leather.<br />
Also available in black, brown and red<br />
leather with polished and ion-plating. New<br />
collections will be launched at the Fair.<br />
• Colour catalogues, printed<br />
with your name, logo & address,<br />
exclusive to your area.<br />
• Digital marketing package<br />
• Double sided posters, self adhesive<br />
window banners & price tickets.<br />
• Quality jewellery.<br />
YOUR LOGO PRINTS HERE<br />
• Quick turnaround stock.<br />
• Interest free finance available<br />
for approved customers.<br />
CATALOGUE<br />
3/7/19 2:18 pm<br />
DANSK SMYKKEKUNST<br />
– TIMESUPPLY<br />
STAND E01<br />
Fluid shapes inspired by the beauty of<br />
nature feature in the unique and dynamic<br />
new Dansk spring/summer collection. Bold<br />
urban designs in a variety of colours are on<br />
offer from this affordable, unconventional<br />
and unique Danish brand.<br />
COME AND SEE US AT THE<br />
INTERNATIONAL JEWELLERY FAIR<br />
STAND C21<br />
CONVENTION CENTRE, SYDNEY<br />
TO SECURE YOUR TERRITORY,<br />
CALL US TODAY 03 9764 2165<br />
TO VIEW OUR RANGE & ORDER STOCK<br />
VISIT US ONLINE AT<br />
www.lacouronnejewellery.com.au<br />
EMAIL: sales@lacouronnejwl.com.au
SHOW & TELL<br />
ELLANI COLLECTIONS<br />
STAND D40<br />
Ellani Collections jewellery is designed for the modern woman,<br />
leading trends that complete any outfit to inspire your best times<br />
and capture unforgettable memories. Discover the vibrant colours<br />
in the new spring/summer <strong>2019</strong> release – beautiful crafted<br />
sterling silver with cubic zirconias on display at Stand D40.<br />
ELLENDALE DIAMONDS AUSTRALIA<br />
STAND B27<br />
Ellendale Diamonds Australia will be showcasing certified coloured diamonds<br />
including Argyle Pinks and Argyle and Ellendale Yellows, together with a unique<br />
handmade jewellery range showcasing these amazing stones.<br />
FABULEUX VOUS<br />
STAND F13<br />
The elegant, handcrafted My<br />
Colourful Life collection sees<br />
sterling silver accentuate the<br />
beauty of colour and preciousness<br />
of gemstones. With the vividness<br />
of blue topaz and the soft<br />
sophistication of a freshwater<br />
pearl, each stone, each colour<br />
resonates with a life journey.<br />
GEMS TO JEWELS<br />
STAND K34<br />
Experience the beauty of Lightning Ridge<br />
opal in exclusive jewellery designs from<br />
international award-winning designer<br />
John Ford, imported from the USA by<br />
Gems To Jewels. Other Gems To Jewels<br />
services include coloured gemstones and<br />
3D CAD modelling.<br />
GEORGINI – WEST END COLLECTION<br />
STAND B03<br />
This season, Georgini introduces the first of the series of designs called<br />
“Love, Faith and Devotion”. The collection focuses on the spirituality<br />
of our lives, our connections as humans and our belief in the higher<br />
power of the universe. Each piece has been designed to embrace what<br />
we hold dear to our hearts and souls, our special moments, our past,<br />
our present and our future. Pictured is the Forever Infinity Pendant.<br />
GERRIM INTERNATIONAL<br />
STAND B10<br />
Featuring our 9-carat green amethyst, pink sapphire and<br />
diamond ring set in yellow gold. One lucky winner will receive<br />
$25,000 worth of Gerrim product! For your chance to win, visit<br />
stand B10 and for every $1,000 spent you’ll be in the draw.<br />
Winner announced at the IJWF at 2:00pm on 26 August <strong>2019</strong>.<br />
20 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
SEE THE NEW SPRING SUMMER COLLECTIONS IJF STAND E01<br />
Timesupply<br />
jewellery + watches<br />
p +61 (0)8 8221 5580<br />
sales@timesupply.com.au | timesupply.com.au<br />
exclusive distributor AU & NZ
SHOW & TELL<br />
GISELE COLLECTION<br />
STAND K22<br />
This beautiful 14-carat rose gold plated Angel Wings necklace from Gisele<br />
Collection is delicately crafted with the finest cubic zirconia crystals for that<br />
sparkle and shine. This protective piece is also available in 925 sterling silver<br />
and 16-carat gold plating.<br />
GOLDEN MILE<br />
STAND C33<br />
Golden Mile has gone back to their roots, re-introducing top quality<br />
hollow chains and bangles, and producing more styles in solid<br />
9-carat and 18-carat gold than ever before. With all our existing<br />
products, plus these two huge ranges coming back, you’re sure to<br />
find your gold needs with Golden Mile.<br />
INTERNATIONAL JEWELLERY & WATCH FAIR<br />
ICC Sydney August 24-26, <strong>2019</strong> Stand # D22<br />
HEART & GRACE<br />
STAND F14<br />
Heart & Grace specialises in the<br />
exclusive distribution of leading<br />
European watch brands Cluse, Pierre<br />
Lannier, Arne Jacobsen and Picto<br />
throughout Australia, New Zealand<br />
and South Pacific Islands.
HIMALAYAN TREASURES<br />
STAND A02<br />
The stunning Valley of Flowers Necklace features<br />
high-grade citrine, amethyst, peridot, rhodolite<br />
garnet, prasiolite and lemon quartz.<br />
ICE-WATCH<br />
– WEST END COLLECTION<br />
STAND B03<br />
Ice-Watch’s stroke of daring –<br />
transforming a watch into a fashion<br />
accessory, and a chic one at that –<br />
could have melted like ice in the sun.<br />
Yet, on the contrary, it has become<br />
one of the coolest successes on the<br />
planet. Featured is the all-new Ice<br />
Chic Duo California.<br />
IKECHO AUSTRALIA<br />
STAND E10<br />
This handcrafted ring features a 13mm<br />
Broome South Sea button pearl with pink<br />
sapphires, set in 18-carat white gold. The<br />
matching enhancer features a 13mm South<br />
Sea drop pearl, also with pink sapphires.<br />
NEW<br />
Made in Italy<br />
Now proudly distributed by<br />
02 9417 0177 | www.dgau.com.au
SHOW & TELL<br />
INSPIRING PEARLS<br />
Superior Quality<br />
<strong>Jeweller</strong>y Findings<br />
STAND H25<br />
A black leather cord hangs with a<br />
sterling silver and 15mm white baroque<br />
freshwater pearl charm.<br />
JC JEWELS & REINE JEWELS<br />
STAND B09<br />
The Optimum ring is available in 9-carat, 14-carat or<br />
18-carat white, yellow and rose gold diamond ring. Made<br />
to order with any size center diamond and set with 16<br />
diamonds totaling 0.30-carat on the shoulder.<br />
J S LANDAU DIAMONDS<br />
STAND A17<br />
J S Landau Diamonds was founded in 1938 and is amongst<br />
the oldest companies exhibiting at the IJWF. John Wertheim<br />
has worked here since 1967, and has owned the business<br />
since 1992. Today, the emphasis is on exclusive Europeaninspired<br />
designer diamond and coloured stone jewellery,<br />
including this stunning turquoise pendant, which is set in<br />
9-carat white gold.<br />
A reliable company with<br />
products you can trust<br />
Enquire Now<br />
1800 811 116<br />
sales@peekays.com.au<br />
www.peekays.com.au<br />
facebook.com/peekaysfindings<br />
KENNETH COLE – WEST END COLLECTION<br />
STAND B03<br />
New York City is Kenneth Cole’s influencer, lifestyle, and<br />
home. The brand is fuelled by its energy, inspired by<br />
its dynamic, and moved by the momentum of the City<br />
That Never Sleeps. We admire its tenacity, look up to its<br />
architecture, and feed off its creations, with watches like<br />
the Skeleton Automatic inspired by the look and feel of<br />
the iconic concrete jungle.
IJF <strong>Jeweller</strong>y<br />
Fair Booth<br />
B03<br />
New to the West End Collection<br />
portfolio; Georgini<br />
<strong>Jeweller</strong>y will be exhibiting 3<br />
new collections that will<br />
excite and enliven the<br />
jewellery industry. Pictured is<br />
the new Forever Infinity<br />
Collection part of the new<br />
Love, Faith and Devotion<br />
release.<br />
Swiss made -<br />
Renowned for its<br />
high-quality<br />
designs and its<br />
innovation, watch<br />
brand Maurice<br />
Lacroix has worked<br />
the AIKON to give<br />
it finishings of<br />
unparalleled<br />
perceived value.<br />
The Ted Baker watch<br />
collection features classic<br />
designs with a twist.<br />
The Kate watch is a must<br />
have for all seasons and<br />
defines modern glamour.<br />
The stylish Kate is fastened<br />
with a rose gold stainless<br />
steel mesh bracelet and<br />
features rose gold and<br />
floral black case/face.<br />
A Claude Bernard creation is more than a mere watch; it is<br />
miniature ‘Time machine’ of engineering and design excellence<br />
forged from 500 years of Swiss watchmaking tradition. Precision,<br />
quality, reliability and attention to the finest detail are hallmarks<br />
of Claude Bernard watches.<br />
Its stroke of daring –<br />
transforming a watch<br />
into a fashion accessory,<br />
but a chic one at that –<br />
could have melted like ice<br />
in the sun. On the contrary,<br />
it has become one of the<br />
coolest successes on the planet.<br />
Featured is the Glam collection.<br />
Influenced by New<br />
York City. Boldly styled<br />
numerals and an<br />
exposed skeleton dial<br />
give this watch gravity<br />
and character. Pictured<br />
is the Skeleton Automatic;<br />
KC50776001<br />
RRP $249<br />
Christian Paul<br />
SYDNEY
SHOW & TELL<br />
I know a girl,<br />
LA COURONNE<br />
STAND C21<br />
Discover and indulge in this 9-carat white gold diamond set, new to La<br />
Couronne’s bridal collection. Its intricate craftsmanship and refined detail<br />
exudes eminence and lavish design, yet remains modestly affordable. It<br />
can be found in the upcoming Christmas catalogue.<br />
she puts the colour<br />
inside my world...<br />
new collection<br />
LES GEORGETTES BY ALTESSE<br />
STAND F27<br />
Les Georgettes offers jewellery and accessories<br />
with endless possibilities for personalisation<br />
and collectable customisation! The Les<br />
Essentielles collection Ruban design features a<br />
gold finish with reversible leather insert.<br />
... coming soon<br />
with a passion and commitment to<br />
creating jewellery pieces that are<br />
infused with meaning and soul<br />
fabuleux vous is bringing colour<br />
FVJEWELLERY.COM<br />
sales@fabuleuxvous.com | Helen +64 274 203 137<br />
LOONA JEWELLERY<br />
STAND E08<br />
The Swarovski Marcasite Cat Ring is a design from Loona not to<br />
be ignored. Sterling silver and Swarovski marcasite combine in a<br />
powerful combination. Feel the call of the jungle.
LUMINOX<br />
– DURAFLEX GROUP<br />
AUSTRALIA<br />
STAND A12<br />
Luminox was born 30 years ago with<br />
a simple mission – build the toughest<br />
and most durable Swiss timepieces<br />
using their unique Light Technology.<br />
To celebrate this anniversary, Luminox<br />
has created an incredible vintage-yetmodern<br />
timepiece that re-imagines one<br />
of its first watches ever, the Luminox<br />
Sport Timer 1540 Series from 1990.<br />
MALERAS<br />
STAND J18<br />
Welcome to the Swedish crystal<br />
kingdom! This exquisite blue-tipped<br />
bird is part of the extensive handmade<br />
range produced by Maleras<br />
(formerly known as Mats Jonasson).<br />
The Maleras glassworks have been in<br />
production for more than 126 years<br />
and are internationally recognised.<br />
Synonymous with contemporary,<br />
creative design, the brand also reflects<br />
the artisan traditions of glass making.<br />
SHOW & TELL<br />
LUXURY SHOWCASE HIRE<br />
STAND C24<br />
These luxurious showcases are designed to display high-end collections in an<br />
elegant yet functional manner. Seven unique styles and sizes are available for<br />
purchase or long and short-term hire, and can be customised to suit client’s<br />
needs. Featuring LED lighting, rotating bases, concealed security locks and<br />
stainless steel frames.<br />
FIND US ON INSTAGRAM<br />
MILLENNIUM_CHAIN<br />
Australian leading wholesaler, specialising in manufacturing<br />
9ct and 18ct yellow gold, rose gold and white gold.<br />
Machine made and hand made, any kind, chains and bracelets,<br />
bangles and findings. Suppliers to retailers and wholesalers.<br />
MILLENNIUM CHAIN<br />
P: 03 9650 5955 | E: sales@millenniumchain.com.au<br />
www.millenniumchain.com.au
SHOW & TELL<br />
MARK MCASKILL JEWELLERY<br />
STAND C09<br />
Featuring a superbly cut marquise<br />
aquamarine with a brilliant SI GH diamond<br />
halo and black diamond surround, this<br />
18-carat while gold dress ring is just one<br />
of many stunning new additions to Mark<br />
McAskill <strong>Jeweller</strong>y’s Estelle collection.<br />
MAURICE LACROIX<br />
– WEST END COLLECTION<br />
STAND B03<br />
For more than 40 years, Maurice Lacroix watches<br />
have been manufactured in the company’s<br />
own state-of the-art workshops in Saignelégier,<br />
Switzerland. Two years after the launch of the<br />
Aikon quartz, this historical model has been given<br />
a new, sharper look with an automatic movement.<br />
Renowned for its high-quality designs and its<br />
innovation, Maurice Lacroix has given the Aikon<br />
Automatic unparalleled finishings.<br />
FEATURING THE<br />
DELICATE PINK TONE OF<br />
ARGYLE PINK DIAMONDS<br />
MESHCA JEWELLERY<br />
STAND G32<br />
Meshca <strong>Jeweller</strong>y specialises in hand-made<br />
artisanal pieces. Meshca originals are custom-made in<br />
brass and silver and studded with semi-precious stones. From<br />
showstoppers to everyday pieces in stunning colour palettes,<br />
our collection is versatile and constantly innovating.<br />
SAMS GROUP<br />
AUSTRALIA<br />
E pink@samsgroup.com.au<br />
W samsgroup.com.au<br />
P 02 9290 2199<br />
MONDAINE<br />
– DURAFLEX<br />
GROUP AUSTRALIA<br />
STAND A12<br />
To celebrate the railway clock’s 75th<br />
anniversary, Mondaine has created a special<br />
anniversary timepiece to honour its classic<br />
1986 watch. The anniversary watch and<br />
additional quick-change wristband use<br />
the signature colours of the original Swiss<br />
Railway clock – red, white and black – and<br />
combine independent, timeless Swiss design<br />
with excellent craftsmanship.
Capture<br />
the<br />
Heart<br />
LEADING WEDDING RING<br />
MANUFACTURER FOR OVER 60 YEARS<br />
SEE US AT THE SYDNEY IJF STAND E09<br />
WORTH & DOUGLAS<br />
PO Box 866, Tullamarine, VIC 3043<br />
Ph: (03) 9338 0091 Fax: (03) 9331 4001 Email: sales@worthdouglas.com.au<br />
www.worthdouglas.com
SHOW & TELL<br />
NIXON<br />
STAND K30<br />
The Sentry Chrono is anything<br />
but standard. This custom-built<br />
chronograph helps strike a<br />
rugged balance of technical<br />
functionality and elevated style.<br />
A timeless 42mm design with a<br />
modern Nixon twist, it features<br />
a 6-hand chronograph, 24-hour<br />
subdial, faceted applied hour<br />
indices and printed seconds track<br />
and date window at 4 o’clock.<br />
OPALS AUSTRALIA<br />
STAND G12<br />
Opals Australia supplies beautiful<br />
and unique opal jewellery. This P777<br />
piece features an Australian light<br />
opal from the Coober Pedy region<br />
of South Australia, set in 18-carat<br />
yellow gold with diamonds.<br />
NOMINATION – TIMESUPPLY<br />
STAND D05<br />
Nomination’s innovative new composable<br />
links features a range of matching friendship<br />
links – Best Friends, You and Me, Yin and<br />
Yang, Sisters Forever and Girl Power – offering<br />
double (or triple) the opportunity to sell links<br />
and is a great drawcard for the youth market.<br />
Also being released at the IJWF are stylish new<br />
collections of fashion jewellery.<br />
MANUFACTURING<br />
QUALITY GOLD JEWELLERY<br />
SINCE 1990<br />
Specialising in<br />
HOLLOW, SOLID<br />
& SILVER FILLED<br />
WWW.GOLDENMILE.COM.AU<br />
Golden Mile <strong>Jeweller</strong>y Manufacturers<br />
24 Kingsley Close, Rowville, Vic 3178<br />
sales@goldenmile.com.au 03 9753 3977
Take the colours home with you,<br />
in your own piece of Australia<br />
From this...<br />
...to this<br />
BECOME AN EXCLUSIVE STOCKIST<br />
Free display and point-of-sale material<br />
Top quality packaging and<br />
customised warranty/care cards<br />
VISIT US AT THE<br />
AUSTRALIAN JEWELLERY FAIR<br />
BOOTH A07<br />
paterson fine jewellery www.pfj.com.au | 03 9555 9344
SHOW & TELL<br />
ORIGIN GEMS & JEWELS<br />
STAND H38<br />
Origin Gems & Jewels strives to make their client’s<br />
jewellery dreams come true at the best price. Our classic<br />
rings, earrings and pendants are simple, elegant and<br />
affordable. This rose gold, heat-shape pendant is classic<br />
forever, and an ideal gift for a girlfriend or wife. Rose gold is<br />
new and trendy, and can be worn for cocktail parties or at<br />
work, making you feel confident and smart.<br />
OSIA INTERNATIONAL<br />
STAND B23<br />
Two stylish looks in one, this ewellery is popularly<br />
known as a convertible piece that can be worn as<br />
ring or pendant, thus adding to the occasions when<br />
you can don your finery. The fine jewellery piece<br />
features an exceptionally cut 36.39-carat morganite,<br />
framed in the ring mounting by a halo of brilliant<br />
white diamonds.<br />
OSJAG<br />
STAND J20<br />
Breuning is the epitome of pure elegance, as shown<br />
in this ring featuring white gold, diamonds and a<br />
South Sea pearl. The styling and quality finish, from<br />
Europe’s largest manufacturing house, is the best there<br />
is. Meanwhile, Bastian features quality silver from some<br />
of the top German designers and is always on trend.<br />
Stow Lockets allows women to<br />
express their memories, dreams and<br />
accomplishments. Each locket can be<br />
stylised by adding meaningful charms,<br />
creating a personalised jewellery piece.<br />
sales@stowlockets.co.nz<br />
+64 7 281 1509<br />
stowlockets<br />
#preciousstories<br />
stowlockets.com<br />
PALLOYS<br />
STAND C01<br />
Palloys – part of the Pallion group<br />
of companies – is known for<br />
coloured stone suites. Visit us at<br />
stand C01 to review the range.<br />
Exclusive to fine jewellery stores in<br />
Australia and New Zealand.
PATERSON FINE JEWELLERY<br />
STAND A07<br />
These 9-carat gold and sterling silver<br />
men’s signet rings feature protective<br />
and healing natural stones, including<br />
blue howlite, red jasper, red agate<br />
and tiger’s eye. These stones are said<br />
to promote wellbeing, bring good luck,<br />
and enhance healing and recovery from<br />
emotional stress.<br />
PETER W BECK<br />
STAND F01<br />
Peter W Beck have put together the most unique selection of<br />
49 classic wedding rings. Covering the most popular profiles<br />
and finger sizes from I to Z, plus seven in half finger sizes and<br />
seven widths. All finger sizes are guaranteed to comply with<br />
the Peter W Beck ‘Original & Accurate’ finger size standards.<br />
PINK KIMBERLEY<br />
– SAMS GROUP AUSTRALIA<br />
STAND F17<br />
Pink Kimberley is renewing the focus on<br />
stunning pink diamond engagement<br />
rings with a bespoke feel. The<br />
new collection emphasises<br />
pink diamond centre stones<br />
accompanied by white<br />
accents and halos, as seen<br />
on the Gigi Ring. Meanwhile,<br />
the latest Pink Kimberley<br />
pendants are inspired by Art<br />
Deco and floral designs, as in<br />
the Everdeen Pendant.<br />
LIFEGUARD<br />
Timing partner for<br />
the Bondi Lifeguards<br />
Proudly distributed by<br />
02 9417 0177 | www.dgau.com.au
S&S<br />
& <br />
<br />
QUDO – TIMESUPPLY<br />
STAND E01<br />
Qudo Interchangeable is a highly<br />
collectable range that taps into<br />
the current global trend for<br />
interchangeable jewellery. Swarovski<br />
crystals and crystal pearls feature on<br />
beautiful interchangeable tops for rings,<br />
earrings, bangles and more. A vast array of<br />
colours and styles have just been released,<br />
plus simple and elegant “spacer” rings to<br />
enhance and enrich the Qudo designs.<br />
RAPID CASTING<br />
STAND E40<br />
The MAX X 3D printer from Asiga is the jewellery<br />
industry’s global benchmark for part precision and<br />
surface smoothness. The Asiga line of 3D printers are<br />
manufactured in Australia and are globally recognised<br />
as offering the highest quality output of any 3D printer<br />
on the market. They offer simple features and an open<br />
material system for the ultimate in user flexibility.<br />
ROAMER OF SWITZERLAND<br />
– MODA GROUP<br />
STAND A16<br />
Roamer of Switzerland has been synonymous<br />
with high-quality Swiss watches in combination<br />
with classically elegant designs since 1888. The<br />
brand steadily continues its success story with<br />
ongoing innovations, excellent materials, exquisite<br />
craftsmanship and precise Swiss movements.<br />
Pictured is a piece from the New Automatic<br />
Competence Skeleton collection.<br />
SANDALS FOR YOUR NECK<br />
Ph: +61 3 9587 1215<br />
Email: info@stonesandsilver.com.au<br />
stonesandsilver.com.au<br />
<br />
STAND K10<br />
Sandals For Your Neck is returning to the Sydney Fair<br />
all the way from St Thomas, US Virgin Islands, after a<br />
few years’ hiatus to launch the 14-carat gold sandal<br />
with diamond pendant collection, as well as the<br />
sterling silver and Larimar Island-inspired jewellery<br />
collection. Opal, mother of pearl and semi-precious<br />
sandal pendants are also available.
Born out of<br />
Beauty<br />
VISIT US AT THE FAIR, STAND C28
SHOW & TELL<br />
SHWE SE GEMS & JEWELLERY<br />
STAND K24<br />
These stunning cluster-style earrings<br />
combine 18-carat gold with rare<br />
and vibrant Burmese natural rubies<br />
totalling 1.5-carats and white<br />
diamonds totalling 1-carat.<br />
STONES & SILVER<br />
STAND B02<br />
Showcasing our extensive range of .925<br />
sterling silver and semi-precious stone<br />
jewellery as well as our .935 sterling silver<br />
chains exclusive to Stones & Silver.<br />
We will also be launching some exciting<br />
new ranges and lines at the Fair.<br />
SUKTSYNIT – TRUE AMBER<br />
STAND J16<br />
SOVEREIGN GEMS<br />
STAND G45<br />
SUKTSYNIT showcases exquisite amber<br />
creations that set the standard in<br />
craftsmanship and quality. This necklace<br />
is handcrafted from the highest quality<br />
Ukrainian amber that did not undergo<br />
reconstitution, thermal and/or pressure<br />
treatment processes. SUKTSYNIT’s aim<br />
is always to safeguard the natural and<br />
authentic qualities of true amber.<br />
One of the most popular coloured gemstones<br />
in Sovereign’s beautiful range at the moment is<br />
morganite, and this sparkling 7.88-carat oval is no<br />
exception. It is paired with an amazingly faceted<br />
14.07-carat round light blue topaz.<br />
TESSA MORRISON<br />
DESIGNS<br />
STAND A46<br />
Tessa Morrison Designs specialises in enamel<br />
jewellery. Each piece is unique and completely<br />
handcrafted. This necklace is transparent<br />
cloisonné enamel on embossed fine silver<br />
and set in sterling silver, with connecting<br />
sterling silver half-dome beads.<br />
THOMAS SABO<br />
– DURAFLEX GROUP AUSTRALIA<br />
STAND A12<br />
Thomas Sabo continues to delight with<br />
their new autumn/winter <strong>2019</strong> collection.<br />
The bold, extra-large cross – as seen on<br />
the new face of Thomas Sabo, Rita Ora<br />
– is a handcrafted statement piece with<br />
colourful stones, decorated with miniature<br />
star motifs that contribute to creating a<br />
magical touch to this stunning creation.<br />
36 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
TJD SILVER<br />
STAND B25<br />
TJD Silver has one of the<br />
largest ranges of sterling silver<br />
in Australia. They specialise in<br />
Italian chains, religious and men’s<br />
jewellery. Best of all, everything is rhodium<br />
plated, so no more polishing tarnished silver<br />
to keep your stock looking new.<br />
20 th<br />
ANNIVERSARY<br />
SINCE 1999<br />
TW STEEL – DURAFLEX<br />
GROUP AUSTRALIA<br />
STAND A12<br />
TW Steel: Dutch by design, big in<br />
attitude! The new CEO Tech watch<br />
makes a strong statement. Powered<br />
by a Swiss-made chronograph<br />
movement, it features anti-reflection<br />
sapphire crystal and a comfortable<br />
black silicon rubber strap. The CEO<br />
Tech is a powerhouse of confidence<br />
wrapped up in a sleek design.<br />
UNION STREET<br />
– MODA GROUP<br />
STAND A16<br />
Australian brand Union Street<br />
is derived from the road in the<br />
historic Sydney suburb of Pyrmont.<br />
The brand’s simple and clean case<br />
designs work perfectly with their<br />
striking interchangeable wax leather straps and<br />
beautifully crafted mesh bracelets. Pictured is a<br />
model from the Callum collection.<br />
+61 2 9266 0636 +61 2 9266 0969<br />
enquiries@ikecho.com.au<br />
www.ikecho.com.au
SHOW & TELL<br />
VIDA PTY LTD<br />
STAND C36<br />
Vida produces fine jewellery and watch packaging<br />
made in plastic, paper, wood and more.<br />
WORTH & DOUGLAS<br />
VINA JEWELLERY<br />
STAND G38<br />
Vina <strong>Jeweller</strong>y will showcase its Sweetie Disc charm<br />
bracelet, as well as this Vina Signature Spinning eternity<br />
ring in 925 sterling silver, featuring cubic zirconia in a<br />
pavé setting.<br />
STAND E09<br />
See our new collection of delicate diamond rings,<br />
featuring a 0.05-carat diamond, either claw, flush, or<br />
bezel set into 9-carat white or yellow gold. Offering<br />
the perfect promise or engagement ring, as well as an<br />
elegant look when worn on their own or as multiple<br />
rings layered in a stack.<br />
KIDS FASHION +<br />
the worlds best time teaching system<br />
THE BATTERY MAN<br />
YOUR ONE-STOP<br />
BATTERY SHOP<br />
Fast delivery Australia wide<br />
Seiko and energizer watch batteries<br />
All Seiko, Pulsar & Lorus watch parts<br />
German made Beco Technic watchmaker<br />
supplies & Heli watch care<br />
Family owned & operated for nearly 40 years<br />
We value your business & support<br />
Preferred supplier to all three buying groups<br />
Alarm clocks<br />
Wall clocks<br />
The simplest time-teaching system for children<br />
info@easyreadtimeteacher.com 0418 970 214<br />
www.easyreadtimeteacher.com<br />
1800 244 354<br />
orders@thebatteryman.com.au<br />
thebatteryman.com.au
GLOBAL JEWELLERY THIEVES<br />
Pink Panthers:<br />
Europe’s mysterious<br />
gang of thieves<br />
A SHADOWY NETWORK OF BRAZEN<br />
ROBBERS HAS TARGETED SOME<br />
OF WORLD’S MOST LUXURIOUS<br />
JEWELLERY STORES, COMMITTING<br />
OUTRAGEOUS CRIMES FITTING OF<br />
A HOLLYWOOD MOVIE SCRIPT. YET<br />
WHILE MANY MEMBERS REMAIN<br />
AT LARGE, JUSTICE MAY SOON<br />
BE SERVED ONCE AND FOR ALL,<br />
WRITES RICHARD CHIU<br />
eleased in 1963, The Pink Panther is a classic, comedy-crime adventure<br />
film that catapulted the late British actor Peter Sellers into stardom<br />
and spawned a popular franchise that lasted nearly 40 years;<br />
however, in recent times, this fictional fantasy has lent its name to<br />
an international criminal nightmare spanning two decades.<br />
After hundreds of heists with losses amounting close to $US1 billion, the<br />
elusive gang known as the Pink Panthers continues to terrorise the global<br />
jewellery industry. The gang has mounted well-planned and elaborate<br />
robberies around the world, most notably in Europe, the Middle East and Asia;<br />
however, the gang members didn’t choose their moniker. Rather, it was given<br />
by Interpol due to the audacious manner of their crimes.<br />
The Pink Panthers’ legendary trademark is the ability to carry out robberies with<br />
carefully planned and precise attacks lasting just minutes. But while the gang’s<br />
activities continue to this day, they might finally be running out of time.<br />
WHO ARE THE PINK PANTHERS?<br />
The gang’s members are believed to be ex-soldiers with extensive military<br />
and paramilitary backgrounds. They come from Serbia, Montenegro and<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 39
GLOBAL JEWELLERY THIEVES<br />
other former Yugoslavian states – remnants of the Bosnian War who have sought<br />
unconventional ways to make use of their hardened skills.<br />
There’s no official information as to the exact number of members but Interpol<br />
believes that the criminal network is made up of around 800 core participants with<br />
an undetermined number comprising their extended international network.<br />
The secretive Pink Panthers are not like any ordinary criminal syndicate. Rather,<br />
they are an elaborate network of thieves strewn across the globe. The gang is<br />
likened to a terrorist organisation, maintaining ‘cells’ that can be activated to<br />
participate in a planned heist at a moment’s notice.<br />
Although the Pink Panthers often carry firearms during their raids, they claim<br />
neither to shoot nor kill people but employ weapons as a shock-and-awe tactic to<br />
coerce victims into submission. The gang has also been known to use attractive<br />
women in many of their operations, mostly during reconnaissance operations and<br />
as lookouts during raids.<br />
In 2013, a documentary film about the notorious gang was produced entitled<br />
Smash & Grab: The Story of the Pink Panthers. It featured interviews with several<br />
of the alleged leaders of the gang who discussed their history and exposed<br />
some of their well-laid plans and robberies.<br />
THE BIGGEST HEISTS IN RECENT HISTORY<br />
The Pink Panthers have been credited for some of the most expensive jewellery<br />
thefts in the last century, including the series of attacks on the Graff chain of luxury<br />
jewellery boutiques. This involved an alarming pattern of robberies which were<br />
carried out every two years.<br />
The syndicate made international headlines in May 2003 after two gang members<br />
pulled off what was then the largest diamond heist in British history. They struck at<br />
New Bond Street’s Graff ‘<strong>Jeweller</strong>y Salon’, carting away jewellery valued at around<br />
£23 million ($AU42.74 million).<br />
The suspects, who were smartly dressed when they entered the premises, drew<br />
their weapons and began seizing jewels. Staff were caught off-guard, believing<br />
at first that the men were celebrities wearing ludicrous disguises to hide their<br />
identities while shopping for expensive items.<br />
It was during Interpol’s investigation of this robbery that the name ‘Pink Panthers’<br />
was coined. In the course of conducting searches and making arrests, authorities<br />
found a stolen blue-diamond ring worth £500,000 ($AU928,000) hidden in a tub of<br />
face cream, a method that was used in the first of the Pink Panther movies!<br />
More than 80 per cent of the Graff jewellery stolen in 2003 has not been recovered<br />
and the investigation resulted in the arrest of two suspects, Nebojsa Denic and<br />
Milan Jovetic<br />
Two years later, the Graff store on London’s Sloane Street was hit by three Pink<br />
Panthers. This time, they stole items valued at £2 million ($AU3.71 million). Again,<br />
exactly two years that previous robbery, two gang members arrived at Sloane<br />
Street once more, this time in a chauffeur-driven Bentley Continental Flying Spur.<br />
At gunpoint, they took items worth £10 million ($AU18.55 million).<br />
Sure enough, two years later again in August 2009, the Graff New Bond Street<br />
store was robbed once more of 43 items of jewellery worth a whopping £40<br />
million ($AU74.4 million). The stolen items were later recovered and the two<br />
suspects arrested. They denied that they were members of the Pink Panthers but<br />
the timing and method of the robbery strongly suggested it was the work of the<br />
criminal syndicate.<br />
NEBOJSA DENIC (LEFT) AND MILAN JOVETIC (RIGHT) WERE ARRESTED IN CONNECTION WITH<br />
THE RECORD-BREAKING 2003 GRAFF ROBBERY IN LONDON. IMAGE CREDIT: INTERPOL<br />
GOING GLOBAL<br />
The London Graff stores weren’t the only ones to be targeted by the Pink Panthers.<br />
Undaunted by the authorities, thieves struck the Graff store inside the Wafi City<br />
mall in Dubai in 2007, using Audi A8 cars to ram their way inside.<br />
The same cars were used to flee the scene with jewellery worth £2.4 million<br />
($AU4.5 million). Thankfully, those items were also recovered and two Serbian gang<br />
members arrested.<br />
Indeed, the Panthers perpetrated their trademark robberies all across the globe<br />
in the early 2000s, targeting jewellery stores in such diverse locations as Belgium,<br />
Croatia, the French Riviera, Copenhangen, Las Vegas, Paris and Vienna.<br />
One of the most daring thefts was snatching the Comtesse de Vendôme from<br />
Tokyo’s Le Supre Diamant Couture De Maki boutique where the 125-carat<br />
diamond necklace, valued at $US31.6 million, had been on display for 23 years.<br />
Over the years, the Pink Panthers’ tactics have gone beyond armed robbery –<br />
they’ve been known to cover public benches near their crime scenes with fresh<br />
paint, deterring potential witnesses from sitting there, and have also resorted to<br />
using bizarre masks, tourist disguises, cross-dressing and even teargas.<br />
In 2005, an armed gang of seven men dressed as airport workers broke through<br />
the tight airport security of Amsterdam’s Schiphol, where they transferred €75<br />
million ($AU122 million) to a waiting plane. It took the authorities 12 years before<br />
the Dutch robbers were arrested and two of them were believed to be members<br />
of the Pink Panthers.<br />
The Panthers haven’t restricted themselves to jewellery. By 2008, their ambitions<br />
had grown. Targeting a museum in Zürich, Switzerland, gang members pulled<br />
off the largest art robbery in European history, hauling off a Monet, a Van Gogh, a<br />
Cézanne and a Degas with a combined value of more than $AU200 million.<br />
IN RETREAT?<br />
After that, the Pink Panthers disappeared for nearly five years. Perhaps the retreat<br />
was due to several members of the gang being caught and charged by police<br />
between 2005 and 2009, including two men and a woman who were arrested<br />
over the Comtesse de Vendôme theft.<br />
An alleged gang ringleader, Mitar Marjanović, was captured in Rome in 2012<br />
after accomplices dropped stolen items with his fingerprints on them. It wasn’t<br />
until 2013 when a man wearing a baseball cap and a scarf broke into the Carlton<br />
Hotel in Cannes that the Pink Panthers were again connected with a crime. That<br />
man made off with $US136 million ($AU197.89 million) in diamonds, gems, and<br />
jewellery that were being stored by the Leviev Diamond House.<br />
40 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
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FAIR DETAILS
GLOBAL JEWELLERY THIEVES<br />
Immediately after, a second five-year hiatus ensued and the Pink Panthers<br />
disappeared from the headlines until just last year when the gang was connected<br />
to four high-profile raids.<br />
The most daring raids<br />
of the Pink Panthers<br />
n2002 A five-person team steals the Millennium necklace – a<br />
platinum, black coral and diamond necklace valued at $US1 million<br />
– from the Bernard K Passman Gallery jeweller inside the Venetian<br />
Casino in Las Vegas. They use a distraction technique to avoid<br />
detection by staff. Law enforcement believe the thieves to be part of<br />
the Pink Panther network.<br />
n2003 Thieves break into a vault in Belgium and steal precious<br />
jewels valued at €100 million ($AU163 million). The crime is linked<br />
to the Pink Panthers due to the similar modus operandi the gang<br />
is known for. The same year, two gang members pull off the<br />
then-largest diamond heist in British history at New Bond Street’s<br />
Graff ‘<strong>Jeweller</strong>y Salon’, stealing jewellery valued at £23 million<br />
($AU42.74 million).<br />
n2004 The Pink Panthers carry out the most expensive jewel<br />
heist in Japanese history, targeting Tokyo’s Le Supre Diamant<br />
Couture De Maki boutique and stealing $AU37.2 million in jewellery,<br />
including the Comtesse de Vendôme necklace. They also target<br />
jewellers in the city’s Ginza district in two daring robberies, stealing<br />
jewellery valued at $AU3.81 million.<br />
n2005 Pink Panther members blend in with wealthy holidaymakers<br />
in St Tropez by disguising themselves with wigs and Hawaiian shirts.<br />
After donning masks to avoid recognition, they storm a jewellery<br />
store and steal jewellery and watches before escaping via a highpowered<br />
speedboat waiting nearby. The same year, in Amsterdam,<br />
an armed gang of seven men – dressed as airport workers – transfer<br />
jewellery worth €75 million ($AU122 million) to a waiting plane at<br />
Schiphol Airport. It takes authorities 12 years to make an arrest.<br />
n2008 Four Pink Panthers dressed as women steal jewellery<br />
from the Harry Winston boutique in Paris, a year after robbing it<br />
at gunpoint. The loss from both events is valued at £76 million<br />
($AU141.4 million). They also target a gallery in Zürich, Switzerland,<br />
pulling off the largest art robbery in European history by hauling off<br />
a Monet, a Van Gogh, a Cezanne, and a Degas with a combined value<br />
of more than $AU200 million.<br />
n2009 The Pink Panthers break their previous British record,<br />
stealing 43 items of jewellery worth a whopping £40 million<br />
($AU74.4 million) from Graff New Bond Street.<br />
n2018 Gang members steal $AU3.2 million of jewellery owned<br />
by a member of the Qatari royal family on the final day of Christie’s<br />
‘Treasures of the Mughals and the Maharajahs’ exhibition at the<br />
Doge’s Palace in Venice, Italy. Later in the year, they steal treasures of<br />
the Swedish monarchy from a cathedral and a priceless tiara from a<br />
British manor house.<br />
In January, five Pink Panthers armed with axes and guns forced their way into a<br />
jewellery store inside the five-star Paris Ritz, taking with them a smash-and-grab<br />
haul valued at €4.5 million ($AU7.3 million).<br />
While escaping, three of the thieves were stuck inside the premises after triggering<br />
a security system that automatically locked the doors. Nevertheless, one managed<br />
to throw the bag of jewels out the window to an accomplice waiting on a scooter.<br />
In the same month, five men were arrested in Croatia for stealing $AU3.2 million<br />
of jewellery owned by a member of the Qatari royal family. The heist took place<br />
on the final day of the Christie’s ‘Treasures of the Mughals and the Maharajahs’<br />
exhibition at the Doge’s Palace in Venice, Italy. Then, in August, thieves stole royal<br />
artefacts of the Swedish monarchy, including two crowns and a golden orb dating<br />
back to the early 17th Century, from a display case in the Strängnäs Cathedral. The<br />
suspects escaped in a speedboat and remain at large.<br />
Finally in November, suspected Pink Panther thieves stole the diamond-encrusted<br />
Portland Tiara crafted for Winifred, Duchess of Portland, and worn at the 1902<br />
coronation of King Edward VII of England. Security personnel guarding the Portland<br />
Collection, in rural England, missed the robbers by a mere 90 seconds and the<br />
whereabouts of the thieves and the tiara remain unknown.<br />
LOSING THEIR TOUCH<br />
The gang has been mostly successful in eluding authorities but the number<br />
of cases attributed to the gang has declined over the years. Sloppy mistakes<br />
and DNA evidence have led to several arrests of fellow Pink Panthers. In 2008,<br />
three Pink Panthers from Serbia were found guilty of robberies carried out in<br />
Biarritz, Cannes, Courchevel and Saint-Tropez by a court in Chambéry.<br />
The following year, a suspect in the 2007 Ginza heist – a Montenegrin-national<br />
named Rifat Hadžiahmetović – was arrested in Cyprus and extradited to Japan<br />
where he was sentenced to 10 years in prison. His accomplice, Radovan Jelušić, was<br />
arrested in Italy in 2010 on a separate crime and was extradited to Montenegro.<br />
In 2009, French police in Monte Carlo arrested three members of the gang after<br />
they were seen loitering near jewellery shops and a casino. One of the three<br />
arrested was Serbian Dragan Mikić, an alleged ringleader of the syndicate who had<br />
broken out of jail in 2005 in a daring ladder escape.<br />
Three more members of the gang were caught in Athens, Greece in 2012<br />
while conducting reconnaissance in an upmarket district. Police on patrol were<br />
prompted to question two men after noticing they were wearing wigs and<br />
carrying firearms and axes. A chase ensued in which a police officer was shot and<br />
injured before both men were arrested.<br />
With Interpol hot on their heels and nations across Europe and the Balkans forging<br />
extradition treaties, the gang’s safe havens are disappearing. Technology has also<br />
played a major role in the arrest of the Pink Panthers, according to Interpol. The<br />
biggest challenge that could spell their downfall is blockchain, which is used to<br />
ensure the absolute traceability of each element in the jewellery supply chain.<br />
Artificial intelligence (AI) and advanced biometrics could also make it more difficult<br />
– even impossible – for the Panthers to carry out their plans.<br />
While they have succeeded in committing record-breaking heists in the past, the<br />
jewellery industry is preparing itself with ever-more complex security measures –<br />
and the Pink Panthers might soon find themselves out of time. i<br />
42 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
RETAILING FEATURE<br />
The only question retailers<br />
must ANSWER<br />
IN A MARKET SATURATED WITH IMPERSONAL<br />
DIGITAL TRANSACTIONS AND THE NOISE OF DATA,<br />
PETER RYAN EXPLORES WHAT CUSTOMERS REALLY<br />
VALUE AND WHY IT MATTERS TO RETAILERS<br />
verything that moves in the world of retail is measured. Data rushes<br />
over the retail landscape 24 hours a day, seven days a week, 365 days<br />
a year. Opinions are everywhere, most of them from people who<br />
have no retail credibility, little retail experience outside their narrow<br />
viewpoint, and often an axe to grind.<br />
Technology continues its unstoppable invasion into every crevice of retail and<br />
social media creates impacts and reverberations that have little to do with the<br />
levers that create profit.<br />
The net result is that retailers are drowning in noise. Most of it is irrelevant<br />
but nonetheless distracting – if not damaging – to clear, concise and<br />
productive decision-making.<br />
In reality, a retailer only needs to answer one question: “How do I make the<br />
customer’s life better as a direct result of their experience with me today?”<br />
If they can’t answer that simply and succinctly, then all the information in the<br />
world isn’t helping them; it’s blinding them. Success in retail is not about being<br />
busy; it’s about spending time, energy and capital where it is most productive.<br />
Retail productivity is only about mutually-profitable relationships – the socalled<br />
‘win-win’ scenario. In the customer’s eyes, retailers must deliver a win<br />
to them. By being the best at something that matters to shoppers, a retailer<br />
can improve the lives of their customers more than the next business. This<br />
strategic advantage leads to more sales – a win for the retailer.<br />
Everything else in the mix is an enabler, an enhancer or an inescapable cost<br />
of doing business. Most people operating in the world of traditional bricksand-mortar<br />
retailing are caught in a process maze that has little to do with<br />
energising the correct levers to answer that essential question in a manner<br />
that will help them create sustainable profit.<br />
Any business that can’t deliver an experience that makes their customers’ lives<br />
better needs to re-imagine their offer.<br />
Physical retail is not about unadulterated efficiency – online stores and<br />
technology-enabled delivery systems will win that battle. Customers seek<br />
more from stores. In this hyper-transactional world, where life is increasingly<br />
de-personalised and de-sensitised by technology, shoppers crave the opposite<br />
of efficiency; however, they need a powerful payoff for their sub-conscious<br />
investment beyond ease.<br />
Contemporary success stories in retail all share one common theme: they<br />
make the shopping experience more human, more sensory, more enjoyable<br />
and ultimately more rewarding and they reorganise their businesses around<br />
those key deliverables.<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 43
SAMS GROUP<br />
AUSTRALIA<br />
PinkKimberley.com.au<br />
E pink@samsgroup.com.au<br />
W samsgroup.com.au<br />
P 02 9290 2199<br />
THE ANALOGUE APPROACH<br />
According to Nielsen data released in the<br />
US at the end of 2017, vinyl record stores<br />
have achieved more than 1,000 per cent<br />
growth in the past decade. Furthermore,<br />
where digital music downloads peaked in<br />
2012, sales of the physical formats of music<br />
are continuing to increase.<br />
The same thing has occurred with sales of<br />
books, where downloads peaked in 2014<br />
and yet sales from bookshops are growing.<br />
In the US, physical media is now outselling<br />
digital downloads.<br />
While articles point to a new trend that<br />
romanticises nostalgia as an antidote to<br />
digital overload, the truth is that the return<br />
of physical media may be far simpler<br />
and have much more to do with human<br />
psychology and physiology.<br />
As with all things to do with retail, there are<br />
two sides to the coin.<br />
The consumer side is that, while new<br />
technology has many benefits that<br />
consumers desire, across-the-board change<br />
is not what shoppers ever want.<br />
While they adopt the convenience of<br />
carrying record collections in their pockets,<br />
fans also like collecting the artwork that<br />
comes with albums and the tactile and<br />
audio richness that analogue provides.<br />
On the store side, retailers lurch far too<br />
easily and too far. When something like<br />
digital emerges, practitioners are often<br />
their own worst enemies, hastening the<br />
demise of traditional products and services<br />
through the actions they take to ‘adapt’ to<br />
the trend – radically altering what and how<br />
they do things.<br />
A blanket move to digital and scaling<br />
back analogue effectively robs shoppers<br />
of the alternative, ensuring that the trend<br />
becomes the only reality until shoppers<br />
and entrepreneurs lead a renaissance.<br />
Mark Mebalds from record retailer Vinyl<br />
Destinations was quoted in an Australian<br />
Financial Review article titled, “Analogue<br />
vs digital: everything old is new” as saying,<br />
“Our sales trebled in 2017.”<br />
In a retail market that is growing annually<br />
at close to 3 per cent year-on-year, high<br />
growth does not come from following<br />
the crowd, particularly a crowd that is hell<br />
bent on cost-cutting strategies rather than<br />
customer experience.<br />
The unavoidable fact is this: retail<br />
opportunity has and always will be about<br />
the differences between shoppers, not<br />
the sameness.<br />
Sameness is a mass-merchant strategy<br />
that works for the 20-tonne gorilla that<br />
dominates a category.<br />
Even then, the smart businesses provide<br />
differentiation around the edges so that<br />
they don’t become just about cheap<br />
price and convenience – attributes that<br />
dictate commoditisation, little loyalty and<br />
negligible margin elasticity.<br />
The human condition has always sought<br />
balance – when work is high-stress, people<br />
seek revitalisation; when life seems boring,<br />
they seek stimulation.<br />
When shopping on convenience and prices<br />
is over-saturated, shoppers seek valueadded<br />
experiences.<br />
The great record stores and bookshops<br />
that are prospering in times where other<br />
categories are complaining are evidence of<br />
where to look for future retail prosperity.<br />
Find the opportunities to connect<br />
customers that are willing to pay more<br />
for what gives them more, and then give<br />
it to them.<br />
There is no shortage of opportunities to<br />
make a difference to the lives of retail<br />
shoppers today. Arguably – in this frantic,<br />
stressed out, angst-ridden world – there<br />
have never been more opportunities to<br />
deliver something powerful.<br />
Retailers must take the time to step back,<br />
take a deep breath and find their mojo by<br />
answering how they can improve the lives<br />
of their customers as a direct result of the<br />
shopping experience. i<br />
PETER RYAN is the director<br />
of Red Communication, one<br />
of Australia’s leading retail<br />
strategy consulting businesses.<br />
redcommunication.com
JEWELLERY DESIGN AWARDS<br />
Back with a<br />
Bang!<br />
RUM UT he <strong>Jeweller</strong>y Design Awards are returning to the International<br />
<strong>Jeweller</strong>y & Watch Fair (IJWF) for <strong>2019</strong>, following on from the<br />
hugely successful inaugural event in 2017. This year’s edition saw<br />
an incredible number of entrants submit pieces across 10 categories,<br />
with 44 standout finalists selected. Due to demand, the entry deadline<br />
was extended from 30 June to 21 July.<br />
Joshua Zarb, general manager Expertise Events, which organises both the<br />
<strong>Jeweller</strong>y Design Awards (JDA) and the IJWF, said his team had been “blown away<br />
by the calibre of entries”.<br />
“First and foremost, the purpose of the <strong>Jeweller</strong>y Design Awards is to celebrate<br />
the amazing skills within the industry in Australia and New Zealand,” Zarb said. “It’s<br />
a way to recognise the talent that’s out there, and identify new, up and coming<br />
designers and jewellers [with the Student/Apprentice categories]. That’s what<br />
keeps our whole industry strong over all.”<br />
He added that the most well supported categories this year, in terms of number of<br />
entrants, were the Diamond Award, Coloured Gemstone Award and Bridal Award,<br />
with Coloured Gemstone being the most popular.<br />
Finalists were announced on 23 July. The most recognised jeweller is Mindika<br />
Haddagoda, who is a finalist in four categories for his pieces ‘Aphrodite’, ‘Venus’,<br />
‘Tulips’ and ‘Rococo’. Matthew Ely is nominated in three categories for ‘Principessa’,<br />
‘Ballare’ and ‘Chinese Fan South Sea Pearl Ring’.<br />
Meanwhile, Matt Sime’s ‘The Cathedral of Vasily the Blessed’, Sophia Peacock’s<br />
‘Rainbow Serpent Cuff Bangle’ and Ben Tracy’s ‘Diamond Fantasie’ are the most<br />
recognised pieces, being named finalists across multiple categories.<br />
There are some familiar faces in this year’s Award contenders. Haddagoda<br />
– who won his category in 2017 – has made it to the finals again, as have<br />
Jason Ree, Sonja Scharmann, Greg Holland, Amrith Dharmawardane and<br />
Sameer Aneez.<br />
On Monday 5 August, Brett Low flew into Sydney to join the other members of<br />
the judging panel, Lester Brand and David Ole, to choose the winners in person.<br />
Judging was based on weighted criteria, with four key considerations: originality<br />
and creativity of the design, technical difficulty of construction, craftsmanship and<br />
finish of the piece, and wearability.<br />
All the finalist pieces will be on display at the Fair, which will be held at the ICC<br />
Sydney Exhibition Centre from Saturday 24 August to Monday 26 August, with<br />
the winners announced at a canapé reception on the show floor at 4:30pm on<br />
Sunday 25 August.<br />
“It’s great that the Awards will be held on the show floor this year, as it’s a way<br />
to bring the industry together, draw new visitors to the show, and celebrate the<br />
winners and finalists. It enhances the strength of the industry,” Zarb said.<br />
In order to protect the integrity of the judging process, no details of the<br />
nominated pieces have been released to the public – until now.<br />
Turn the page to see <strong>Jeweller</strong>’s sneak preview of this year’s JDA finalists.<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 45
1ST & 2ND YEAR<br />
APPRENTICE/STUDENT AWARD<br />
Sponsored by:<br />
BELINDA LUBKOLL<br />
Item: Ring<br />
Name of piece: Bauhaus Inspired<br />
Inspiration: This piece was inspired by the<br />
simplicity of modern architecture. It also features<br />
a slightly angled setting to be a bit provocative<br />
and contemporary.<br />
Materials: Sterling silver, topaz<br />
EVANTHEA PENGELLY<br />
Item: Earrings<br />
Name of piece: Shield-Maiden<br />
Inspiration: I saw a similar design made from brass<br />
in a trinkets market overseas, and thought it would<br />
turn out nicely in precious materials. Once I started to<br />
make the earrings and the final design emerged, they<br />
reminded me of Viking shields. Completion of this piece<br />
has inspired me to make a Shield-Maiden Collection of<br />
earrings that echo the aesthetic of Viking shield designs.<br />
Materials: Sterling silver, 14-carat yellow gold, Welo<br />
(Ethiopian) opal<br />
BRADLEY PIKE<br />
Item: Pendant<br />
Name of piece: Griffin<br />
Inspiration: The materials shaped the final look<br />
of the piece. It’s a sterling silver pendant with a<br />
petrified wood ‘shield’ and central fancy cut ‘arrow’<br />
shaped citrine<br />
Materials: Sterling silver, petrified wood, citrine<br />
3RD & 4TH YEAR<br />
APPRENTICE/STUDENT AWARD<br />
Sponsored by:<br />
SAMEER ANEEZ<br />
Item: Pendant<br />
Name of piece: The Autumn Vines<br />
Inspiration: I have always been an Art Deco<br />
person, and so in doing Art Nouveau I was outside<br />
my comfort zone. I wanted to create something<br />
that looked and felt soft. I also wanted it to have<br />
complexity, but not to detract from the movement<br />
of the piece. The silver flows wonderfully and<br />
feels alive in its movement. The stones are well<br />
incorporated into the piece despite a modern<br />
setting process. To further add to the life of the<br />
piece, the tourmalines are set from dark to light<br />
going up, and the bale is incorporated into the<br />
design as one unified piece.<br />
Materials: Sterling silver, citrine, green tourmaline<br />
MILLY BELL<br />
Item: Bangle<br />
Name of piece: Fluid<br />
Inspiration: This bangle’s fluid shapes that nestle<br />
beside each other are inspired by nature’s organised<br />
chaos: alike patterns found in the environment. I<br />
strove to create a sense of balance by incorporating an<br />
array of shapes and sizes that, when used repetitively,<br />
become ordered and uniform. Sculpting the outer<br />
panel using the technique of lost-wax casting really<br />
allowed me freedom to create a piece that was truly<br />
three dimensional and tactile, bridging my passion of<br />
jewellery and art together.<br />
Materials: Rhodium-plated sterling silver<br />
EILEEN LEAHY<br />
Item: Figurine<br />
Name of piece: Transformation of a Moth<br />
Inspiration: The inspiration for this piece is the<br />
New Zealand Puriri moth, a creature whose<br />
lifecycle resonates with my journey. The moth<br />
spends seven years in caterpillar form, which<br />
represents the growth stage of learning and<br />
development. After transformation, it is a<br />
moth for a mere two days. This speaks to me<br />
of breaking free – displaying my new creation<br />
with confidence. The crafting of the piece brings<br />
life through the movement of the wings. Its<br />
adaptability to be worn as a whole hair pin, or as a<br />
pendant, reiterates the transformational stages.<br />
Materials: 9-carat yellow gold, sterling silver,<br />
titanium, cabochon onyx<br />
46 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
AUSTRALIAN<br />
OPAL AWARD<br />
Sponsored by:<br />
JEANETTE BROSSARD<br />
Item: Bangle<br />
Name of piece: Boulder Opal and Silver Bracelet<br />
Inspiration: The bracelet is inspired by Earth, our planet.<br />
Materials: Boulder opal, sterling silver<br />
JASON REE<br />
Item: Earrings<br />
Name of piece: Sandstorm<br />
Inspiration: Inspiration for these earrings comes from the<br />
undulating hills of the desert, windswept and unbroken by time,<br />
and the pure blue Outback sky, dropping to a starlit dreamscape<br />
under the Milky Way.<br />
Materials: Black Australian opal, platinum, 18-carat white gold,<br />
22-carat yellow gold, diamond<br />
CINDY XU<br />
Item: Brooch<br />
Name of piece: Icy Conversation<br />
Inspiration: The work expresses two opposing species having<br />
undergone ecological changes due to global warming: a polar bear<br />
and a fish on the last glacial islands. The opal depicts the ocean, while<br />
mother-of-pearl and diamonds represent glaciers.<br />
Materials: 18-carat yellow gold, solid boulder opal,<br />
mother-of-pearl, diamond<br />
Proudly distributed by<br />
02 9417 0177 | www.dgau.com.au
BRIDAL AWARD<br />
Sponsored by:<br />
MATTHEW ELY<br />
Item: Tiara<br />
Name of piece: Principessa<br />
Inspiration: The piece is<br />
inspired by the bridal tiaras of<br />
European royalty, a reference<br />
to the historical traditions of<br />
courtship and marriage. It is<br />
handmade in platinum and<br />
features pear, Asscher and<br />
round brilliant diamonds.<br />
Materials: Diamond,<br />
platinum<br />
MINDIKA HADDAGODA<br />
Item: Necklace<br />
Name of piece: Aphrodite<br />
Inspiration: This design has<br />
been developed and created<br />
with the influences of modern<br />
and traditional decorative<br />
elements. A fantasy-cut blue<br />
topaz is set within a heart<br />
shape and four claws in an<br />
ultimate representation of<br />
love. I used the blue topaz<br />
because it is often associated<br />
with loyalty and love and<br />
represents eternal romance<br />
and friendship. Blue topaz also<br />
symbolises honesty, clarity of<br />
feelings, and deep emotional<br />
attachment. Decorative<br />
elements on the top of the<br />
pearl will flawlessly blend<br />
with any bridal dress. The blue<br />
topaz, multi-colour sapphire<br />
and diamonds lift the bride to<br />
show her at her brightest on<br />
her wedding day.<br />
Materials: Blue topaz, South<br />
Sea pearl, 18-carat yellow<br />
and white gold, diamond,<br />
Ceylon sapphire<br />
MATTHEW JOHNSON<br />
Item: Ring set<br />
Name of piece: Harmony<br />
Inspiration: This piece is a<br />
combination of everything<br />
I love: the unconventional,<br />
the challenge, contrast and<br />
detail; the pleasure of creating<br />
from the heart, giving surprise<br />
and joy to others; and the<br />
vulnerability of putting<br />
yourself on the line, the risk of<br />
offering your heart and life to<br />
another person. It represents<br />
two pieces coming together<br />
as one, in harmony.<br />
Materials: Diamond,<br />
platinum, rose gold<br />
BEN TRACY<br />
Item: Ring set<br />
Name of piece: Diamond<br />
Fantasie<br />
Inspiration: This piece was<br />
inspired by the many fancy<br />
shapes that diamonds can be<br />
fashioned into, and I wanted<br />
to showcase these special<br />
cuts in this “two into one”<br />
multi-faceted ring. Using<br />
the eternally classic form<br />
of a cluster-style ring, this<br />
particular design combines<br />
some of those random fancy<br />
shaped diamonds into a<br />
unified piece of jewellery.<br />
It evokes the emotions of<br />
classical jewellery from past<br />
eras with a present twist,<br />
taking the wearer into a<br />
timeless future.<br />
Materials: Diamond, platinum<br />
GREGORIE VENDE<br />
Item: Ring<br />
Name of piece: Encaptured<br />
Inspiration: I captured the<br />
eternity of a diamond with<br />
the purity of the platinum.<br />
The diamond is suspending<br />
from the top and bottom,<br />
letting all the colours and<br />
reflections free.<br />
Materials: Australian<br />
champagne diamond,<br />
platinum, 18-carat yellow gold<br />
48 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
CAD / CAM / CAST AWARD<br />
Sponsored by:<br />
AMRITH<br />
DHARMAWARDANE<br />
Item: Pendant<br />
Name of piece: Moments<br />
In Time<br />
Inspiration: I wanted to<br />
create a tribute to time and<br />
space. More specifically, the<br />
movement of our lives as<br />
viewed through our closest<br />
star, the Sun. In a nod to our<br />
fleeting existence on this<br />
planet, my goal was to give<br />
the pendant an ethereal<br />
quality with each of the<br />
diamond-set bezels appearing<br />
as if they are floating in a void.<br />
The 12 tiny pieces indicate not<br />
only the passing of the hours<br />
within the day, but also the<br />
stars within the cosmos whose<br />
light can only be seen as tiny<br />
pinpoints in the night sky.<br />
Materials: 18-carat white and<br />
rose gold, diamond<br />
MINDIKA HADDAGODA<br />
Item: Ring<br />
Name of piece: Venus<br />
Inspiration: This design<br />
has been created with<br />
the influences of ancient<br />
curve roof architecture and<br />
its associated decorative<br />
elements. Venus was<br />
a goddess of love and<br />
beauty. The centrally placed<br />
Ceylon blue sapphire, set<br />
with beautiful lip shaped<br />
claws, represent love. The<br />
combination of modern<br />
and traditional decorative<br />
elements represents beauty.<br />
The ring is a beautiful creation<br />
combining 18-carat white<br />
gold with yellow gold using<br />
CAD technology. A highly<br />
engineered look, fine edges,<br />
creativity, functionality and<br />
delicacy are the key features of<br />
this design.<br />
Materials: Ceylon blue and<br />
pink sapphire, 18-carat yellow<br />
and white gold, diamond<br />
CASSANDRA NITSCHKE<br />
Item: Brooch<br />
Name of piece: Emerald<br />
Glider<br />
Inspiration: Cassandra<br />
Nitschke, of Andrew Mazzone<br />
Design <strong>Jeweller</strong>s, was<br />
introduced to the incredible<br />
artistic world of Art Nouveau<br />
jewellery by images of French<br />
designer René Lalique’s<br />
famous dragonfly ornament.<br />
This then inspired her passion<br />
for jewellery design. The<br />
Art Nouveau movement<br />
embraced organic forms and<br />
mystical imagery, including<br />
creatures like the dragonfly.<br />
The dragonfly represents<br />
change, adaptability and<br />
transformation.<br />
Materials: Emerald, sapphire,<br />
diamond, ruby, rose, yellow<br />
and white gold<br />
ROBERT SAWTELL<br />
Item: Ring<br />
Name of piece: Templum<br />
Inspiration: This ring is<br />
custom designed for a<br />
client’s unique style – a large<br />
statement ring able to be<br />
worn often, without the use<br />
of diamonds. It reflects her<br />
classic personality but with a<br />
hint of a romantic. The design<br />
theme is the contemplation of<br />
two slightly domed traversing<br />
crosses. The intent is to draw<br />
the eye outwards from the<br />
central keystone and evoke<br />
curiosity for what is within.<br />
The colourway is a soothing<br />
combination of deep blue,<br />
green and teal in the form of<br />
bright, sparkling Australian<br />
sapphires sourced directly<br />
from the mine in Sapphire,<br />
central Queensland. Each<br />
gem is set to maximise<br />
performance with the entire<br />
surface area visible against<br />
the white background. The<br />
setting allows maximum<br />
light to flush through the<br />
gemstone. The rose gold band<br />
brings warmth to the design<br />
with minimum volume.<br />
Materials: Australian sapphire,<br />
platinum, 18-carat rose gold<br />
MATT SIME<br />
Item: Ring<br />
Name of piece: The Cathedral<br />
of Vasily The Blessed<br />
Inspiration: My design<br />
has been inspired by the<br />
Cathedral of Vasily the<br />
Blessed, a masterpiece that<br />
has stood tall in the Red<br />
Square in Moscow for more<br />
than 450 years. The eccentric<br />
architecture showcases<br />
nine domed towers that<br />
point up to the heavens,<br />
finished with an abundance<br />
of detail and texture. The<br />
unexpected patterning and<br />
unique use of symmetry<br />
inspired my piece, and I was<br />
captivated by the playful<br />
façade of this exceptional<br />
building. The interior of my<br />
design showcases a gallery<br />
of windows and pillars that<br />
join at the centerpoint of the<br />
domed ceiling, creating a<br />
central hierarchy. The use of<br />
gold has been intentional to<br />
reference the colour of the<br />
heavens and the windows<br />
corresponds to the Neo-<br />
Platonist idea of light as a<br />
symbol of wisdom.<br />
Materials: Blackened 9-carat<br />
yellow gold<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 49
COLOURED GEMSTONE AWARD<br />
Sponsored by:<br />
DANIEL CAP<br />
Item: Ring<br />
Name of piece: Celina<br />
Inspiration: This beautiful<br />
piece is designed to reveal<br />
new surprises with every turn.<br />
It was inspired by the notion<br />
of poetry, by which many<br />
meanings can come from the<br />
same beautiful words.<br />
Materials: 18-carat rose and<br />
yellow gold, silver, amatrine,<br />
ruby, diamond, zircon<br />
MINDIKA HADDAGODA<br />
Item: Pendant<br />
Name of piece: Tulips<br />
Inspiration: This design<br />
was inspired by the tulip<br />
flower’s elegant form and<br />
brilliant range of colours. My<br />
appreciation of the aesthetic<br />
beauty of tulips is the key<br />
element. The tulip is a symbol<br />
of feminine beauty and<br />
perfection. The combination<br />
of rubies and multi-coloured<br />
sapphires and diamonds<br />
bring a sense of contrast to<br />
the pendant. It is double<br />
sided and can be worn in four<br />
different ways. A precisely<br />
engineered look, unusual<br />
settings and high functionality<br />
are the hallmark of this design.<br />
Materials: Ceylon blue, yellow<br />
and pink sapphire, ruby,<br />
diamond, 18-carat yellow<br />
and white gold<br />
YUNA KIM<br />
Item: Ring<br />
Name of piece: Gradus<br />
Inspiration: Gradus means<br />
‘step’ in latin. This piece<br />
reminds you to take each<br />
step as it comes and reach<br />
your highest goals. Celebrate<br />
your success with this step by<br />
step ring – it’s the stairway to<br />
heaven. I use blue sapphires<br />
like a beautiful blue sky.<br />
Materials: 18-carat white<br />
gold, Australian blue<br />
sapphire, diamond<br />
MICHAEL MURATORE<br />
Item: Ring<br />
Name of piece: Stella Del<br />
Mare (Star of the Sea)<br />
Inspiration: The Stella del<br />
Mare ring is inspired by the<br />
beautiful and captivating<br />
elements of marine life. The<br />
bright tones of this piece<br />
celebrate the mesmerising<br />
and colourful hues found<br />
in the ocean. Stunning<br />
tourmalines, tanzanites<br />
and sapphires are<br />
complemented by the bold<br />
and flowing curves of the<br />
design; a reflection of the<br />
unique features of marine<br />
species. Aptly named,<br />
this piece is a symbol of<br />
outstanding brilliance.<br />
Materials: 18-carat white<br />
and rose gold, tourmaline,<br />
tanzanite, pink sapphire,<br />
diamond<br />
BEN TRACY<br />
Item: Ring<br />
Name of piece: Vert-Eagle<br />
Inspiration: The piece is<br />
inspired by the skyscrapers<br />
that soar high in the sky,<br />
competing for space with<br />
the eagles that look down<br />
upon them.<br />
Materials: Mint quartz,<br />
diamond, 9-carat white gold<br />
50 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
conferences<br />
Designed to inspire,<br />
motivate, educate and<br />
build relationships.<br />
The lessons learned<br />
from our expert team<br />
and fellow members<br />
are some of the<br />
greatest benefits you<br />
can receive.<br />
stock<br />
ranging /<br />
merchandising<br />
Access to our<br />
best selling stock<br />
analysis reports plus<br />
defined category<br />
management, purchase<br />
& replenishment<br />
planning information.<br />
management<br />
training<br />
Business Mentoring,<br />
KPI Benchmarking &<br />
Business Analysis &<br />
Store Consultancy as<br />
well as extensive tailored<br />
management training<br />
programs & special HR<br />
/ Policies & Procedures<br />
packages available to<br />
every member.<br />
marketing<br />
Choose and pay for<br />
the marketing that<br />
you want to suit your<br />
business. Your choice of<br />
Catalogues, Brochures,<br />
Instore, Customer<br />
Loyalty, Direct Marketing<br />
and more.<br />
staff<br />
training<br />
Comprehensive industry<br />
specific staff training at<br />
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which is also accessible<br />
24/7 via our exclusive<br />
member extranet.<br />
online<br />
solutions<br />
Access a suite of<br />
extremely cost effective<br />
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Direct Marketing / Loyalty<br />
Program, Social Media<br />
platform, Ecommerce<br />
gateway & more.<br />
DREAM BIG<br />
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with a young & dynamic head office team, with over<br />
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You’ve worked hard to build your own brand in your<br />
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Find out more. Talk to Charles Nord, Retail Operations Manager<br />
building valuable business communities<br />
P E @leadingedgegroup.com.au<br />
www.leadingedgegroup.com.au
DIAMOND AWARD<br />
Sponsored by:<br />
S AMS G R O U P<br />
AUSTR A L I A<br />
SOUKATA BASU<br />
MALHOTRA<br />
Item: Ring set<br />
Name of piece: Amoresque<br />
Inspiration: These love/<br />
wedding rings are inspired<br />
by from the imperial beauty<br />
and continuity of Arabesque<br />
patterns – interlaced designs<br />
seen in Middle Eastern art<br />
– and convey the harmony<br />
of everlasting love. The<br />
title is derived from the<br />
combination of two words:<br />
amore, meaning ‘love’ and<br />
Arabesque. The combination<br />
is metaphorical, poetic and<br />
meaningful. The rings are an<br />
artistic representation of the<br />
eternal order and union in a<br />
relationship. Meanwhile, the<br />
diamonds depict forever love.<br />
Materials: 18-carat yellow<br />
gold, 9-carat yellow gold,<br />
diamond<br />
MATTHEW ELY<br />
Item: Ring<br />
Name of piece: Ballare<br />
Inspiration: Ballare means<br />
‘to dance’ and this exquisite<br />
handmade ring is inspired by<br />
the tutu of a dancing ballerina.<br />
The name also references the<br />
dance of light present in the<br />
white and pink diamonds in<br />
the cluster of the ring. The<br />
hand-pierced basket balances<br />
the delicate detail of the top<br />
setting, and takes its influence<br />
from European stained glass<br />
church windows.<br />
Materials: 18-carat white<br />
and rose gold, pink diamond,<br />
diamond<br />
GREG HOLLAND<br />
Item: Ring<br />
Name of piece: Diamond<br />
Moon Cocktail<br />
Inspiration: This ring pays<br />
homage to the incredible New<br />
Zealand night sky. From the<br />
inspired collection Moon, this<br />
dress ring is a one of a kind. It<br />
features 178 diamonds and a<br />
secret pink sapphire heart.<br />
Materials: Diamond, pink<br />
sapphire, recycled platinum,<br />
18-carat yellow gold<br />
GERARD MCCABE<br />
Item: Ring<br />
Name of piece: Wildflower<br />
Diamond Ring<br />
Inspiration: Inspired<br />
by the beauty of native<br />
Australian flora, Gerard<br />
McCabe’s Wildflower ring<br />
captures the essence of the<br />
iconic Sturt’s Desert Pea<br />
flower. The use of varying<br />
golds, accented by vibrant<br />
diamonds, are delicately and<br />
artfully arranged to recall the<br />
distinctive nature of this South<br />
Australian floral emblem. The<br />
glistening diamond acts as<br />
the centrepiece to the flower<br />
which is surrounded by satin<br />
branches and leaves.<br />
Materials: Diamond, 18-carat<br />
rose and yellow gold<br />
BEN TRACY<br />
Item: Ring set<br />
Name of piece: Diamond<br />
Fantasie<br />
Inspiration: This piece was<br />
inspired by the many fancy<br />
shapes that diamonds can be<br />
fashioned into, and I wanted<br />
to showcase these special<br />
cuts in this “two into one”<br />
multi-faceted ring. Using<br />
the eternally classic form<br />
of a cluster-style ring, this<br />
particular design combines<br />
some of those random fancy<br />
shaped diamonds into a<br />
unified piece of jewellery.<br />
It evokes the emotions of<br />
classical jewellery from past<br />
eras with a present twist,<br />
taking the wearer into a<br />
timeless future.<br />
Materials: Diamond, platinum<br />
52 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
Here at Showcase <strong>Jeweller</strong>s, we are ALL about members; we’re a member owned organisation, and it’s been that way for over 38 years now!<br />
We have a long established, comprehensive management structure in place with some of the most experienced heads in the industry,<br />
all working together as a support office for members. We are proud to provide our members support and the tools to navigate their way<br />
through retail, sales, product knowledge, policies, operations, marketing and of course the wide digital arena.<br />
Contact us today<br />
We’re ready when you are. So if you think it’s time to get serious about where you’re going, email us today.<br />
Our team will be happy to show you how we can grow your business together.<br />
enquiries@showcasejewellers.com.au<br />
www.showcasejewellers.com.au<br />
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- The most recent member to join our Showcase <strong>Jeweller</strong>s family
MEN’S ACCESSORIES & JEWELLERY<br />
Sponsored by:<br />
JAKE COUGHLAN<br />
Item: Ring<br />
Name of piece: The Beast<br />
Inspiration: This piece was<br />
made for a client of ours who<br />
came to us with the idea of<br />
a gent’s wedding ring that<br />
would be unlike any other.<br />
After explaining a massive<br />
signet ring would be a good<br />
starting point, the design<br />
process started. With very little<br />
restriction in design we had<br />
the opportunity to use shapes<br />
and colours to make the<br />
highlights pop. Throughout<br />
the 150-hour make, the<br />
design changed multiple<br />
times resulting in this<br />
one-of-a-kind masterpiece.<br />
Materials: Platinum, 18-carat<br />
yellow gold, Australian yellow<br />
sapphire, diamond<br />
PETA HEYS<br />
Item: Ring and cuff Set<br />
Name of piece: Men’s<br />
Elements Ring & Cuff Set<br />
Inspiration: Throughout<br />
ancient history it has been<br />
said across various cultures<br />
and spiritual avenues that<br />
air, fire, earth and water were<br />
the four aspects of human<br />
nature. The Elements Mens<br />
Cuff & Ring Set, designed by<br />
Peta Heys, bears a continuous<br />
interconnecting wire pattern<br />
featuring these four elemental<br />
symbols. The matching<br />
oxidised sterling silver set is<br />
visual affirmation for modern<br />
times – to represent inner<br />
harmony through balancing<br />
the elements within.<br />
Materials: Oxidised<br />
sterling silver<br />
PETER KEEP<br />
Item: Ring<br />
Name of piece: Ocean Wave<br />
Inspiration: The row of<br />
diamonds across the top of<br />
the ring represents a boat’s<br />
propellers cutting through the<br />
water. The wearer can insert<br />
the titanium wave pattern<br />
of choice depending on the<br />
occasion or mood. There are<br />
many design and material<br />
options that could be made to<br />
fit under the row of diamonds.<br />
In this case, the choices<br />
presented are ‘dead calm’ (no<br />
wave pattern) and ‘gentle<br />
swell’ (rounded sections).<br />
Materials: 18-carat gold,<br />
diamonds, titanium<br />
SOFIA PEACOCK<br />
Item: Bangle<br />
Name of piece: Rainbow<br />
Serpent Cuff Bangle<br />
Inspiration: The Rainbow<br />
Serpent Cuff Bangle is a<br />
commissioned piece and the<br />
result of inspiration received<br />
from a combination of<br />
sources. The idea to use the<br />
Aboriginal symbol of creation<br />
– the Rainbow Serpent – came<br />
during the consultation with<br />
my customer when I intuitively<br />
sensed his very strong<br />
connection with the spirits<br />
of the land. The delicious<br />
colour combination of pink<br />
and white is serendipitous:<br />
the pink represents the ochre<br />
hues of the earth, while the<br />
white gold hints of our<br />
cosmic connections.<br />
Materials: 9-carat pink gold,<br />
18-carat white gold<br />
JASON REE<br />
Item: Ring<br />
Name of piece: Kikkou<br />
Inspiration: The inspiration<br />
behind this piece was the<br />
wildlife of the Galapagos<br />
Islands: the armoured<br />
tortoises, their sea dwelling<br />
counterparts, the movement<br />
and colours of the water,<br />
and the flora. Being able<br />
to combine this natural<br />
geometry with flowing<br />
organic shapes was rewarding<br />
in a way that can be hard to<br />
put into words.<br />
Materials: Australian bicolour<br />
sapphire, platinum, 18-carat<br />
green and yellow gold,<br />
14-carat red gold<br />
54 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
PEARL AWARD<br />
Sponsored by:<br />
IAN DOUGLAS<br />
Item: Pendant<br />
Name of piece: Tāne<br />
Inspiration: The Tāne pendant<br />
was inspired by the Māori<br />
legend of Tāne. Tāne, god<br />
of man and forests, decided<br />
to separate his parents,<br />
Papatuanuku, the earth<br />
mother, and Ranginui, the sky<br />
father, who were in a tight<br />
embrace causing nothing but<br />
darkness. The pendant and its<br />
elongated design represent<br />
Tāne and his siblings’ journey<br />
of separating their parents to<br />
reveal the light, thus creating<br />
Earth. The rough pink sapphire<br />
represents his sibling Tawhiri<br />
Matea, who left for the sky to<br />
be with his father. The purple<br />
sapphire represents Tāne’s<br />
brothers, who stayed on earth,<br />
between both of their parents.<br />
The arrow that stretches<br />
between the paua and presses<br />
into the pearl represents Tāne<br />
amid the act of pushing his<br />
parents apart. The woven flax<br />
leaf feature further ties the<br />
pendant to Māori legend and<br />
culture.<br />
Materials: Pink and purple<br />
sapphire, paua, South Sea<br />
pearl, 18-carat yellow gold<br />
MATTHEW ELY<br />
Item: Ring<br />
Name of piece: Chinese Fan<br />
South Sea Pearl Ring<br />
Inspiration: Featuring a<br />
flawless 17mm round South<br />
Sea Autore pearl, the ring has<br />
been created to showcase the<br />
natural beauty of the pearl,<br />
which has been taken from<br />
a million-dollar strand. The<br />
tapered baguette diamond<br />
fan that cups the pearl was<br />
inspired by the design<br />
of traditional Chinese<br />
wooden fans.<br />
Materials: 18-carat white<br />
gold, South Sea pearl,<br />
diamond<br />
MINDIKA HADDAGODA<br />
Item: Necklace<br />
Name of piece: Rococo<br />
Inspiration: Influences of<br />
modern and traditional<br />
decorative elements are key<br />
features of my design style.<br />
A fantasy cut amethyst is<br />
set with innovative setting<br />
methods, demonstrating<br />
modern creative awareness.<br />
Scrolling curves and chains<br />
enchant and dazzle the pearl<br />
with the sparkliest of merrygo-rounds.<br />
The combination<br />
of sapphires and pearls in<br />
two different planes is an<br />
innovative design, which at<br />
the same time increases the<br />
functionality of the necklace.<br />
Materials: Amethyst,<br />
South Sea pearl, diamond,<br />
Ceylon pink and blue<br />
sapphire, 18-carat yellow<br />
and white gold<br />
STEVE RICE<br />
Item: Ring<br />
Name of piece: Billy “T”<br />
the Bee<br />
Inspiration: I was watching<br />
bees and talking about them<br />
with my partner. I looked<br />
at this pearl and it looked<br />
like a good start for a beethemed<br />
ring!<br />
Materials: 9-carat rose and<br />
white gold, 18-carat yellow<br />
gold, blue diamond, black<br />
diamond, coral, amber<br />
GEORGINA STALEY<br />
Item: Pendant<br />
Name of piece: Ostralis<br />
Inspiration: I wanted to<br />
bring together the beauty of<br />
Paspaley Australian South Sea<br />
pearls, natural pink diamonds<br />
and Akoya cultured pearls. I<br />
am always on the look out for<br />
pearls that are not the normal<br />
shape and then I like the<br />
challenge of creating a piece<br />
of jewellery that will enhance<br />
them as they are.<br />
Materials: 18-carat rose<br />
gold, Australian South Sea<br />
pearl, Akoya cultured pearl,<br />
Australian pink diamond<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 55
PRECIOUS METAL AWARD<br />
Sponsored by:<br />
PAUL AMEY<br />
Item: Pen<br />
Name of piece: Pink Mist<br />
Inspiration: The Pink Mist pen<br />
was inspired after seeing some<br />
enhanced Montblanc pens<br />
a friend had, and by a desire<br />
to see if I could manufacture<br />
a sophisticated and elegant<br />
writing implement for<br />
discerning women, as most<br />
pens are aimed at the male<br />
market. I’ve always loved<br />
challenging myself to make<br />
new and innovative items<br />
and the pen is my latest art<br />
piece in discovering the<br />
unexpected! With a love of<br />
skeleton clocks forming the<br />
structural basis, the idea for<br />
the colours and name came<br />
one morning watching an<br />
amazing sunrise that held<br />
pink mist.<br />
Materials: 18-carat yellow<br />
gold, platinum, natural Keshi<br />
pearl, diamond, pink diamond<br />
SOFIA PEACOCK<br />
Item: Bangle<br />
Name of piece: Rainbow<br />
Serpent Cuff Bangle<br />
Inspiration: The Rainbow<br />
Serpent Cuff Bangle is a<br />
commissioned piece and the<br />
result of inspiration received<br />
from a combination of<br />
sources. The idea to use the<br />
Aboriginal symbol of creation<br />
– the Rainbow Serpent – came<br />
during the consultation with<br />
my customer when I intuitively<br />
sensed his very strong<br />
connection with the spirits<br />
of the land. The delicious<br />
colour combination of pink<br />
and white is serendipitous:<br />
the pink represents the ochre<br />
hues of the earth, while the<br />
white gold hints of our<br />
cosmic connections.<br />
Materials: 9-carat pink gold,<br />
18-carat white gold<br />
SONJA SCHARMANN<br />
Item: Necklace<br />
Name of piece: My Hidden<br />
Treasures<br />
Inspiration: The aim was<br />
to create a contemporary<br />
and bold locket that is made<br />
of precious materials and<br />
unique gemstones, that<br />
invites dialogue through its<br />
unusual design and gemstone<br />
choices. It offers the wearer<br />
two optional chains: one a<br />
more industrial wire chain,<br />
and one a more esoteric<br />
tourmalinated quartz chain,<br />
with its properties combining<br />
black and white, dark and<br />
light. The latter is also believed<br />
to protect its wearer from<br />
aggression and negative<br />
vibes. The locket can contain<br />
a large volume of keepsakes<br />
and the contents are hidden<br />
from the outside. They can<br />
only be accessed by lifting the<br />
centre stone and releasing<br />
the spring to open the locket.<br />
This necklace is designed for<br />
women who know who they<br />
are, know their strengths and<br />
protect their weaknesses.<br />
Materials: Platinum, 18-carat<br />
yellow gold, stainless steel<br />
wire, tourmalinated quartz<br />
MATT SIME<br />
Item: Ring<br />
Name of piece: The Cathedral<br />
of Vasily The Blessed<br />
Inspiration: My design<br />
has been inspired by the<br />
Cathedral of Vasily the<br />
Blessed, a masterpiece that<br />
has stood tall in the Red<br />
Square in Moscow for more<br />
than 450 years. The eccentric<br />
architecture showcases<br />
nine domed towers that<br />
point up to the heavens,<br />
finished with an abundance<br />
of detail and texture. The<br />
unexpected patterning and<br />
unique use of symmetry<br />
inspired my piece, and I was<br />
captivated by the playful<br />
façade of this exceptional<br />
building. The interior of my<br />
design showcases a gallery<br />
of windows and pillars that<br />
join at the centrepoint of the<br />
domed ceiling, creating a<br />
central hierarchy. The use of<br />
gold has been intentional to<br />
reference the colour of the<br />
heavens and the windows<br />
corresponds to the Neo-<br />
Platonist idea of light as a<br />
symbol of wisdom.<br />
Materials: Blackened 9-carat<br />
yellow gold<br />
KRISTIE VERMANDE<br />
Item: Earrings<br />
Name of piece: Lumière<br />
Inspiration: The Lumière<br />
earrings are inspired by<br />
the illumination cast by a<br />
chandelier and the luminous<br />
radiating reflections it<br />
disperses. Graduated colours<br />
of yellow, peach, and rose<br />
gold stack upon one another<br />
to create rich lustre, multiple<br />
dimensions, and movement.<br />
The use of both new and<br />
old techniques creates a<br />
modern but timeless piece<br />
of wearable art.<br />
Materials: 18-carat yellow,<br />
peach, white and rose<br />
gold, diamond<br />
56 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
THAI TRADE CENTRE, SYDNEY OFFICE<br />
02 - 9241 - 1075<br />
THAITRADESYDNEY@GMAIL.COM
DIAMOND FEATURE<br />
LANGERMAN DIAMONDS<br />
Investment diamonds:<br />
worth the risk?<br />
CONSUMERS ARE INCREASINGLY CONSIDERING DIAMONDS<br />
FOR INVESTMENT PURPOSES. ARABELLA RODEN EXPLORES<br />
THE PROS AND CONS AS WELL AS ANY POTENTIAL PITFALLS.<br />
hy buy a diamond? It’s a question most would answer<br />
quite simply: as a symbol of love, either to a special person<br />
in one’s life or as a beautiful reward to oneself. In the pursuit<br />
for a purchase that encapsulates the emotion of love, a<br />
diamond is one tangible way to express intangible qualities, such as<br />
beauty, rarity and eternity.<br />
That’s the way the diamond industry has operated for generations and also why<br />
diamonds have captured the imagination of consumers and their chequebooks.<br />
Yet increasingly, diamond is being marketed as an ‘investment’, particularly the<br />
rarest varieties in terms of size and colour. Diamond’s attractiveness to investors<br />
is based on the relative buoyancy and consistency of the diamond market<br />
compared to other investment channels such as shares and property.<br />
As headlines abound about record-breaking jewellery auctions, breathtakingly<br />
large bids at the Argyle Pink Diamond Tender and, more recently, panic about<br />
diminishing supply, it can be easy to lose sight of the unique risks of diamond as<br />
an investment.<br />
A QUESTION OF COLOUR<br />
When considering investing, it’s important to distinguish between the<br />
colourless (‘white’) diamond market and that of natural fancy colour diamonds.<br />
Unlike other gemstones, white diamonds can be likened to, and tracked as, a<br />
commodity; they are prone to fluctuations in supply, demand and price, and<br />
therefore prime for speculation. Exemplifying this, white diamonds have seen<br />
prices collapse across all sizes and grades over the past year.<br />
Alan Bronstein, president of the Natural Color Diamond Association, believes this<br />
does not make white diamonds an appealing investment option.<br />
“A private individual has very limited options for selling or achieving liquidity<br />
on a downward cycle, which we are in now and that the trade is experiencing<br />
for the last two years,” he says. “No one can predict if and when this trend will<br />
change so how can you prepare for the moment of liquidation? And if traders,<br />
who make their living in this volatile market of fluctuations, get trapped in the<br />
unpredictable cycle, what chance does a private individual have?”<br />
In order to halt the current downturn of the market, Bronstein believes the<br />
industry will tighten supply in order to stabilise prices. Indeed, this trend that has<br />
already begun with De Beers.<br />
The diamond behemoth recently slashed its production targets for the second<br />
half of <strong>2019</strong> following a 50 per cent drop in rough diamond sales for its sixth<br />
cycle compared to the same period last year. Russian mining giant Alrosa,<br />
which is the world’s largest diamond producer by volume, has also begun<br />
reducing supply.<br />
Bronstein also points out that certain extremely large diamonds have not been<br />
absorbed into the market as quickly as in previous years.<br />
58 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
“There is, relatively, more<br />
availability and the demand at<br />
this moment cannot keep up<br />
with the supply,” he explains.<br />
Australia’s leading RTO run by jewellers for<br />
jewellers!<br />
Indeed, as technology has<br />
improved – both in diamond<br />
discovery and excavation – increasing<br />
numbers of large diamonds have flowed<br />
into the market.<br />
LANGERMAN DIAMONDS<br />
Canadian company Lucara Diamonds has unearthed two diamonds<br />
of more than 1,000 carats in just the past four years at the Karowe<br />
mine in Botswana, while Australian miner Lucapa has unearthed 13<br />
diamonds of more than 100 carats since 2015 at its Lulo alluvial mine<br />
in Angola. Both miners used Tomra XRT optical sorting technology.<br />
Despite the uncertainty in the market, pricing authority Rapaport<br />
includes an Investment Diamond Certificate as one of its<br />
advertised services.<br />
The company claims the certificate “provides absolute confidence<br />
and assurance of quality and added value” and that “Rapaport<br />
certified diamonds maintain their market value, making them ideal<br />
for investors, looking for portfolio diversification.”<br />
Portfolio diversification is a trend noted by Ari Taibel, gemmologist<br />
and director of Australia’s leading fine jewellery and gemstone<br />
auction house First State Auctions.<br />
“Many auction buyers have an investment angle when buying<br />
diamonds as well as fine gemstone jewellery. I believe they see<br />
diamonds as a very compact and tangible store of wealth,” Taibel<br />
explains. “One big diamond investor told me he has become a big<br />
investor in diamonds and coloured gemstone jewellery since the<br />
GFC [global financial crisis of 2008].<br />
“Over the last 10 years, we have seen fancy colour diamonds as<br />
the best-performing class of diamond,” he adds. “Diamonds with a<br />
reputable laboratory report like GIA or GSL are always preferable as<br />
these are very highly regarded by investors.”<br />
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NATURAL FANCY COLOUR DIAMOND PRICES COMPARED TO WHITE<br />
DIAMONDS. SOURCE: THE FANCY COLOR RESEARCH FOUNDATION<br />
1800 MINRES<br />
www.minres.com.au
DIAMOND FEATURE<br />
Yseult de Crombrugghe, project manager Langerman Diamonds, which deals<br />
in natural, fancy-colour diamonds of all hues, says that colour diamonds are<br />
appealing due to the low volatility in the market.<br />
“High-quality diamonds are more and more considered by savvy investors as a<br />
strong and wise long-term investment. Scarred by the Financial Crisis and fearful<br />
about volatility, Millennials are looking for unique and alternative sustainable<br />
investments. Fancy colour diamonds are one of those – they are amongst the<br />
least volatile investments possible. Additionally, we have noticed a new trend for<br />
fancy colour diamond collections.”<br />
The incredible price rise of pink diamonds is impossible to ignore. According<br />
to the Fancy Color Research Foundation, which tracks pricing and auction<br />
results for natural fancy colour diamonds, pinks have averaged price-per-carat<br />
growth of 12.1 per cent per year from 2005 to <strong>2019</strong>; however, this figure is<br />
an average and includes outlier auction pieces that have fetched up to<br />
$US2 million per carat.<br />
Arnaud Soirat is chief executive of copper and diamonds at Rio Tinto, which<br />
owns Argyle in West Australia, the world’s largest pink-diamond mine. Soirat told<br />
The Age, “If you look at the evolution of the price over the past 20 years the price<br />
has increased by 500 per cent. Every year the price increases by a double digit<br />
number; if you compare that to the stock market that’s significantly higher.”<br />
Those prices are predicted to rise even further with the imminent closure<br />
of the Argyle mine in 2020, which is reported to account for 90–95 per cent<br />
of the world’s pink diamonds, as well as a significant portion of yellows and<br />
ultra-rare reds.<br />
Less than 1 per cent of all diamonds mined globally have colour.<br />
As a result, it’s no surprise that specialist companies such as the Sydney-based<br />
Australian Diamond Portfolio have emerged to assist prospective buyers in<br />
acquiring pink diamonds “like any other traditional asset”. The service provides<br />
“sourcing, buying, storage, and later selling” of pinks, while claiming the<br />
diamonds offer “insulation from traditional financial markets”.<br />
The business’ website also prominently features Mark Bouris – CEO of the ASXlisted<br />
Yellow Brick Road Group and star of reality TV shows The Apprentice and<br />
The Mentor – explaining the benefits of pink-diamond investment.<br />
Yet, while industry experts acknowledge the historically high prices of pink<br />
diamonds, they caution against viewing them as a tool to increase personal<br />
wealth – especially since the concept of value is not intrinsic, but relative, and<br />
driven by trends.<br />
“Even as they are getting more fashionable, most people know very little about<br />
colour diamonds and will only refer to ‘headline’ diamonds, namely blue, pink<br />
and yellow,” de Crombrugghe says, “but there is a myriad of natural, fancy<br />
colours. Langerman Diamonds’ inventory includes over 300 colours! Some,<br />
such as orange and green, are largely undervalued and will certainly rise in<br />
value in coming years.”<br />
Bronstein goes further: “Just like artwork, the value [of natural fancy-colour<br />
diamonds] is totally subjective – you can have three people offering $10 million,<br />
$12 million or $15 million, but the seller wants $20 million. The fact is, they are all<br />
correct. The ‘value’ is what somebody’s willing to pay.”<br />
He also cautions against buying on certification alone: “I have heard dozens of<br />
horror stories about individuals who were baited into investing and were sold<br />
the worst stones with highly-praising lab reports. Even holding for five to 10<br />
years as an investment, they had no place<br />
to get liquidity but an auction house and<br />
only recouped 10 to 20 per cent of their<br />
initial investment.<br />
“The best one can offer as a statement<br />
on fine gems and jewellery is that the<br />
past has shown that certain fancy colour<br />
stones have a faster liquidity and potential<br />
rise in value,” Bronstein adds.<br />
Meanwhile, Taibel differentiates diamonds from<br />
other asset classes.<br />
LANGERMAN DIAMONDS<br />
“Diamonds are an excellent long-term investment but not in the same<br />
way as property and shares. The main differences being that no income is<br />
earned from holding a diamond, there are higher commissions in trading<br />
diamonds compared to shares and property, and pleasure is derived from<br />
wearing the diamond.”<br />
Taibel emphasises that diamond holds its value over time better than some<br />
other luxury purchases: “Diamonds purchased at retail have an instant<br />
depreciation in value like a new car being driven out of the dealer’s lot; however,<br />
unlike a car, they will not continue to depreciate – depending on the diamond<br />
market. In summary, a diamond is a ‘good investment’ when purchased astutely<br />
and when pleasure is derived from it.”<br />
George Cochrane, a certified financial advisor with more than 35 years<br />
experience and a prominent financial journalist, says long-term investing should<br />
start with a ‘widespread portfolio’.<br />
“Place your eggs in different baskets – for the not so rich, I would stick to the<br />
basics of shares, property and bank deposits until you feel your current rainy-day<br />
needs and your future retirement needs are covered,” he says. “Once you feel you<br />
have these bases covered, you can expand your horizons into collectibles such<br />
as art and gems and coins.”<br />
He adds: “The value of each [art, gems and coins] arguably has as much relation<br />
to marketing as to any inherent value. Further, these sectors probably have<br />
greater retail selling costs than any other asset so any ‘market value’ must be<br />
reduced by whatever premium the dealer or auctioneer demands.”<br />
When considering a diamond purchase, particularly of natural, fancy-colour<br />
diamonds, the most important thing is to consider the beauty of the stone and<br />
one’s personal connection to it.<br />
“Unlike for colourless diamonds, the baseline for pricing is not only a ‘4 Cs’<br />
grading report linked to a benchmark but mainly the rarity and the beauty of<br />
the stone,” de Crombrugghe explains. “It’s all about the unique colour viewed<br />
face-up – the scarcity of the hue, the tone and undertones, the saturation, the<br />
cut, the weight, the provenance and the demand will determine the value.<br />
Moreover, as it is for investments in unique paintings or artworks, it must be love<br />
at first sight.”<br />
For Bronstein, it’s a simple equation: “Purchase of a natural colour diamond<br />
should be based on three things only: affordability, beauty and desire.”<br />
Even as the market is gripped by pink fever, it remains true that the only valuable<br />
quality in a diamond is what the owner sees in it. And when that quality is<br />
beauty, love and emotion, it has something more than value: it has meaning. i<br />
60 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
GEMS<br />
ORGANIC GEMS PART VI: CORAL<br />
including pink, blue, black and gold. It is the<br />
deep red colour that has been prized for<br />
thousands of years. Sought for its rich hue and<br />
glass-like shine when polished, coral has been<br />
used in decorative items and as adornment<br />
for millennia.<br />
During the Victorian era (1837-1901) coral<br />
was a popular gem, with jewellers fashioning<br />
flowers, butterflies and cameos. In the early<br />
decades of the 20th century, coral remained<br />
popular, adding a vibrant splash of colour to<br />
all manner of jewellery and hair ornaments.<br />
Over-harvesting across the world has<br />
depleted natural sources of many varieties<br />
of coral, including red coral. A number of<br />
countries, including Australia, restrict the<br />
importation and sale of various species of<br />
coral for this reason.<br />
Coral has a long history of use in jewellery.<br />
Many cultures across the world have<br />
valued coral for adornment, and also for<br />
its reputed mystical features. As well as<br />
being prized for jewellery, red coral was<br />
valued as a charm to ward off evil and to<br />
increase fertility. It was held to protect<br />
against snakebite and reduce fevers.<br />
Warriors in central Europe adorned their<br />
shields and helmets with coral to protect<br />
them in battle. Throughout medieval Europe,<br />
coral was worn as a protective charm. In Italy<br />
and Spain today, coral remains treasured for<br />
(3.5 on the Mohs scale), coral is typically<br />
fashioned into beads and cabochons.<br />
The red coral used in jewellery comes from<br />
the Mediterranean Sea and the depths of<br />
the Atlantic and western Pacific Oceans. It is<br />
distinguished from reef building coral, which<br />
grows in relatively shallow seas, by its colour<br />
and growth habits. Relying on deep waters<br />
and currents to thrive, red coral grows very<br />
slowly – approximately a millimetre per year<br />
– with its million of polyps sifting the currents<br />
for nutrients. Unlike reef coral, red coral has a<br />
shrub-like form.<br />
RELYING ON<br />
DEEP WATERS<br />
AND CURRENTS<br />
TO THRIVE, RED<br />
CORAL GROWS<br />
VERY SLOWLY –<br />
APPROXIMATELY<br />
A MILLIMETRE<br />
PER YEAR – WITH<br />
ITS MILLION OF<br />
POLYPS SIFTING<br />
THE CURRENTS<br />
FOR NUTRIENTS<br />
Consequently, much of the coral seen today<br />
in newer jewellery is not natural red coral, but<br />
dyed bamboo coral, a more widely available<br />
material. More porous than red coral and<br />
lacking the rich red colour, bamboo coral is<br />
hardened by filling with resin. It is then dyed<br />
red in imitation of red coral and polished.<br />
A porous material, coral absorbs lotions<br />
and make-up when it is worn against the<br />
skin. Over time, exposure to chemicals and<br />
perfumes may damage the gem’s relatively<br />
soft surface.<br />
To clean it, wipe with a soft damp cloth. Coral<br />
should never be soaked in a cleaning solution<br />
or placed in an ultrasonic cleaner. It should<br />
also be stored away from other jewellery that<br />
may scratch the coral’s surface. i<br />
its protective properties.<br />
Known by a range of names including<br />
red coral, deep-sea coral, and precious<br />
coral, Corallium rubrum is the skeleton of<br />
communities of marine creatures called<br />
polyps. Comprised of calcium carbonate,<br />
unpolished coral has a matte appearance<br />
with a dimpled surface. A relatively soft gem<br />
In the ancient world, the primary source of<br />
red coral was the Mediterranean Sea. Coral<br />
was traded widely between civilisations<br />
around the region and as far away as India,<br />
where it was believed to have mystical and<br />
medicinal properties.<br />
The word coral denotes the colour red,<br />
however coral comes in a range of colours<br />
SUSAN HARTWIG FGAA came late to the world<br />
of gemmology after a long career in corporate<br />
training and project management. She<br />
combines her love for writing with a passion<br />
for gems and jewellery. Susan writes regularly<br />
for her gemmology blog ellysiagems.com. For<br />
more information on gemmology courses and<br />
gemstones, visit: gem.org.au<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 61
Behind every gemstone,<br />
there is a fascinating story<br />
waiting to delight clients<br />
around the world. Studying<br />
with GAA brings the<br />
expertise, networking and<br />
confidence to build a solid<br />
career in a multimilliondollar<br />
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one of the most supportive<br />
and passionate professional<br />
communities of gemmologists<br />
in Australia was one of the<br />
best decision I ever made.<br />
Gina Barreto FGAA DipDT<br />
Gemmologist and Diamond Technologist<br />
Diamond<br />
Courses<br />
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Enrolments now open<br />
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Be<br />
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Passionately educating the industry, gem enthusiasts<br />
and consumers about gemstones
BUSINESS<br />
THE FUTURE OF SALES LEADERSHIP<br />
RYAN ESTIS shares the key factors in<br />
creating a high-growth sales strategy and<br />
keeping up momentum from two leading<br />
lights of progressive management.<br />
Tom Pfeifer runs US sales and customer<br />
service for multinational media and<br />
information company Thomson Reuters.<br />
He is a sales leader who is progressive,<br />
forward-thinking and has embraced a solid<br />
blend of traditional and emerging tools to<br />
set up his sales team for continued success<br />
both today and beyond.<br />
Recently, as everyone headed home after<br />
a conference, Pfeifer and his team chose to<br />
stick around. They headed into a strategicplanning<br />
meeting to brainstorm how to<br />
elevate next year’s sales kick-off meeting.<br />
That’s right – they wanted to begin improving<br />
upon the experience while it was still fresh in<br />
everyone’s mind.<br />
This is exactly the kind of growth mindset<br />
required to win in the new economy.<br />
Pfeifer knows continuous reinvention and a<br />
relentless commitment to improvement is<br />
the only option.<br />
Elizabeth Hurley is vice president of<br />
residential sales at Tarkett, one of the<br />
world’s leading flooring manufacturers.<br />
She has built a winning sales culture on a<br />
bedrock of accountability, as well as a deep<br />
understanding of the customer.<br />
Here, Hurley and Pfeifer share their strategies<br />
for world-class sales, team management and<br />
customer service.<br />
WIELDING DATA AS SWORD<br />
Given Thomson Reuters’ core business, it’s<br />
not surprising that Pfeifer loves to talk about<br />
data. Leading organisations throughout the<br />
world are leveraging the insights from data<br />
into action.<br />
This has been a game changer for switchedon<br />
sales leaders, where access to quantifiable<br />
metrics provides a go-to market advantage,<br />
but collecting data is the easy part. The<br />
difficult part, according to Pfeifer, is putting<br />
that plan into action.<br />
“You have to be careful that those metrics<br />
don’t become weapons,” he explains. “Are they<br />
the sword or the shield?”<br />
ACCESS TO<br />
QUANTIFIABLE<br />
METRICS<br />
PROVIDES A<br />
GO-TO MARKET<br />
ADVANTAGE, BUT<br />
COLLECTING DATA<br />
IS THE EASY PART.<br />
THE DIFFICULT<br />
PART, ACCORDING<br />
TO PFEIFER, IS<br />
PUTTING THAT<br />
PLAN INTO ACTION<br />
Navigating the human factor is where true<br />
leadership comes in. Data may point toward<br />
difficult, unpopular decisions, which means<br />
sales leaders can be left with the most<br />
challenging task – in Pfeifer’s words: “You have<br />
to try to convince the group.”<br />
He cites a reorganisation of his sales team as<br />
an example. A formerly poorly-selling product<br />
was now filling a niche in an emerging sector<br />
and it had become one of Thomson Reuters’<br />
hottest-selling products.<br />
After some time spent poring over the data,<br />
Pfeifer realised his sales team wasn’t being<br />
used as effectively as they could be. In<br />
actuality, their ‘bag’ was filled with products<br />
for two different markets.<br />
“It [was] a different sales motion,” he explains.<br />
Pfeifer made the decision to reorganise<br />
his team, shifting some members away<br />
from the popular product. It was not<br />
universally-supported but Pfeifer navigated<br />
his way through the challenge by being<br />
transparent with the teams about his<br />
reasoning: “You’ve got to say, ‘This is why<br />
we’re making these moves.’”<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 63
BUSINESS<br />
People want line of sight into the rationale<br />
behind decisions; transparency helps build<br />
the trust needed to drive results.<br />
Similarly, Hurley hasn’t sought to create a<br />
winning sales culture just by imposing her<br />
will from the top down. Core to her sales<br />
leadership philosophy is an emphasis on<br />
creating a culture of accountability, and she<br />
says leaders have to model the behaviour<br />
they expect from their employees.<br />
“I think that when you work, you show up and<br />
get the job done – and when you leave, you<br />
have to show your team that’s what you are<br />
willing to do every day,” she says.<br />
But accountability in sales is about more than<br />
just going first, Hurley says. In fact, it’s about<br />
even more than owning your mistakes and<br />
getting your work done on time. It’s also<br />
about owning your successes and building<br />
upon them.<br />
GET CLOSER TO THE CUSTOMER<br />
The habits of consumers have shifted. They<br />
can do almost anything they want at any<br />
time they want, with just their phones –<br />
order dinner; get a ride; watch a favourite<br />
TV show. This is the era of customisation,<br />
personalisation and instant gratification.<br />
A recent survey by global research and<br />
advisory firm Gartner on the role of marketing<br />
in customer experience found that 89 per<br />
cent of companies now expect to compete<br />
mostly on the basis of customer experience.<br />
Four years ago, this figure was 36 per cent.<br />
Shifts in consumption habits have also<br />
elevated professional expectations – B2B<br />
customers increasingly have the same<br />
expectations at the office as they do when<br />
they’re off the clock. “They want immediacy;<br />
they want real time; they want it on their<br />
terms,” Pfeifer says.<br />
In this context, the best salespeople<br />
don’t view a sales relationship through a<br />
transactional lens, Hurley explains. Instead,<br />
they view their relationship with a customer<br />
as exactly that: a relationship.<br />
These winning salespeople are consultants<br />
who get closer to the customer and strive<br />
to understand their needs first. “The better<br />
salespeople have empathy,” she says. “They<br />
care and want to know more about what’s<br />
happening in your business so that they can<br />
bring the right product and ultimately more<br />
value to you.”<br />
This ability to own customer outcomes as<br />
your own is a powerful differentiator for<br />
salespeople who are competing with the<br />
demands of the 2025 economy. It’s easy for<br />
customers to go online and comparison shop<br />
and research. With more businesses moving<br />
online to make the buy, it’s more important<br />
than ever for salespeople to demonstrate that<br />
they have the expertise to guide customers<br />
through a purchase decision.<br />
“We have to show ourselves, what is the<br />
value of coming to me as opposed to a<br />
website?” Hurley says. “And the difference is<br />
that human factor.”<br />
That is how you add value that is worth even<br />
more than the convenience of buying online.<br />
People crave human interaction, but you<br />
have to earn it by adding value.<br />
At the same time, sales organisations must<br />
become more flexible in meeting customer<br />
expectations and embrace new technology<br />
as a tool to do so. For Thomson Reuters, this<br />
has meant utilising mobile as a means for<br />
delivering products and services. For other<br />
organisations, it may mean something as<br />
simple as making it easier to pay a bill.<br />
Either way, Pfeifer says one principle is<br />
paramount: “We have to meet the customer<br />
wherever he or she is.”<br />
This doesn’t only go for the customer; sales<br />
leaders need to understand their sales teams<br />
will have the same expectations as well and<br />
use technology to connect, communicate<br />
and influence the culture they are creating.<br />
Pfeifer suggests ensuring that leaders are<br />
in daily communication with their teams,<br />
sending messages to each member –<br />
perhaps a compliment or an explanation of a<br />
new tactic. The best sales leaders understand<br />
they are working in the service of others.<br />
NEW SKILLS FOR A NEW MARKETPLACE<br />
There are some skills that will always be<br />
foundational for salespeople – product<br />
expertise, communication, timemanagement<br />
– but Pfeifer has noticed that<br />
the rapidly-transforming economy demands<br />
new skills. He has begun asking candidates<br />
a new question: “Have you overseen an<br />
evolution or transformation of any type?”<br />
THE BEST<br />
SALESPEOPLE<br />
DON’T VIEW<br />
A SALES<br />
RELATIONSHIP<br />
THROUGH A<br />
TRANSACTIONAL<br />
LENS, HURLEY<br />
EXPLAINS –<br />
INSTEAD, THEY<br />
VIEW THEIR<br />
RELATIONSHIP<br />
WITH A<br />
CUSTOMER AS<br />
EXACTLY THAT:<br />
A RELATIONSHIP<br />
Pfeifer isn’t just concerned about whether<br />
someone has seen disruption in the<br />
workplace; he’s also trying to gauge the hire’s<br />
fit in the transparent, responsive sales culture<br />
he has created. His follow-up question is the<br />
real test: “With the benefit of hindsight, what<br />
would you have done differently?”<br />
Finding people who can communicate this<br />
self-awareness is key to building a team that<br />
is resilient enough to respond to the pressure<br />
of constant change. Also important is the<br />
ability to take ownership of the outcome. It’s<br />
a sign of growth and the hunger to embrace<br />
the continuous improvement required to win.<br />
These traits drive sales transformation.<br />
Hurley has also brought her emphasis on<br />
a culture of accountability to her hiring<br />
practices. But how do you screen for<br />
accountability? By looking for self-confidence.<br />
That’s why, when Hurley evaluates candidates<br />
to join her sales team, she asks herself whether<br />
a particular candidate is ‘leading themselves in<br />
what they do’.<br />
In other words, she’s looking for people who<br />
are intelligent, reliable and self-confident —<br />
but not arrogant. Yes, they perform and take<br />
pride in those accomplishments, but they’re<br />
also playing for the overall benefit of the team.<br />
Most importantly, they are self-aware. They<br />
know themselves, Great salespeople have to<br />
be able to answer two questions, Hurley says:<br />
“Do I know who I am? Do I know what I do?”<br />
These aren’t always easy questions to<br />
answer. Having self-awareness means not<br />
just knowing our strengths, but also our<br />
weaknesses. It means doing the inner<br />
work needed to be your best self – and bring<br />
the best value you can to your organisation.<br />
“You can’t rest on your laurels,” Pfeifer says, “<br />
but if you’re listening and you’re trying to be<br />
open about what it is you’re trying to solve<br />
and you can show some progress, I think it<br />
goes a long way.”<br />
It’s this focus on openness, clarity of goals and<br />
awareness of progress that makes Pfeifer and<br />
Hurley such effective sales forces. i<br />
RYAN ESTIS helps companies<br />
to embrace change, attack<br />
opportunity and achieve<br />
breakthrough performance.<br />
ryanestis.com<br />
64 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
SELLING<br />
RETAILERS MUST BEWARE OF THE NIBBLER<br />
SOME CUSTOMERS WILL CHIP AWAY AT YOUR PROFITS WHILE YOU UNWITTINGLY CHASE THE SALE. BRIAN JEFFREY OFFERS<br />
A SIMPLE WAY TO STOP THE NIBBLERS IN THEIR TRACKS, PROTECT YOUR BOTTOM LINE AND RETAIN YOUR PRODUCT’S VALUE.<br />
If you’ve been in sales for any length of time,<br />
it’s highly likely that you’ve experienced at<br />
least one ‘nibbler’.<br />
No, a nibbler isn’t a person who nibbles on<br />
your ear – it’s someone who nibbles at the<br />
deal you’ve just made.<br />
Nibblers are different than hagglers.<br />
Hagglers want to haggle over cost and<br />
enjoy the sport lowering a price. Some<br />
people haggle because it’s part of their<br />
culture and they are trained from birth to<br />
never pay the list price for anything.<br />
Others feel that they’ve got nothing to<br />
lose by asking for a better price – and<br />
often they’re right! Foolish as it may be,<br />
salespeople will often cut five or 10 per cent<br />
off a price just because they are asked.<br />
Not only is this a bad habit to get into<br />
because you’re giving away your profits<br />
but you’re also training customers to haggle<br />
the next time.<br />
Whenever a salesperson gives away a dollar,<br />
they’re giving away a dollar of profit, not<br />
a dollar of cost. Give away too many dollars<br />
of profit and eventually you no longer have<br />
a business.<br />
LET’S MAKE A DEAL<br />
Salespeople can sometimes feel that<br />
they won’t get the sale if they don’t give<br />
the customer something. While this is<br />
sometimes true, selling on price is never<br />
a good way to build a long-term<br />
relationship with a customer. Instead,<br />
convince the customer that the product<br />
is worth the price.<br />
Nibblers are those who don’t quibble<br />
about price and appear ready to buy<br />
but they start to nibble just before they<br />
finalise the purchase. It usually begins<br />
with a request for a sweetener, like a gift<br />
with purchase: “Would it be possible to<br />
throw in...?”<br />
It’s so easy to say yes. After all, the sale has<br />
been made and all you have to do is give<br />
IT’S LIKE THAT<br />
OLD JOKE: HOW<br />
DO YOU EAT AN<br />
ELEPHANT? ONE<br />
MOUTHFUL AT A<br />
TIME! WELL, HOW<br />
DO YOU GET THE<br />
BEST OUT OF A<br />
SALESPERSON?<br />
ONE NIBBLE AT<br />
A TIME<br />
CERTAIN TACTICS NIBBLE AWAY AT PROFITS<br />
this little concession; however, beware<br />
because that first nibble was just that<br />
– the first.<br />
Next comes, “Oh, one more thing. Do you<br />
think you could also...”, and another nibble<br />
has just been taken out of your margin.<br />
Once the nibbling process has begun, it is<br />
difficult to stop because each bite doesn’t<br />
really hurt.<br />
It’s only when the nibbler has finished<br />
that you realise you’ve been attacked by<br />
a human piranha and there is very little left<br />
of your profits in the sale.<br />
It’s like that old joke: How do you eat<br />
an elephant? One mouthful at a time!<br />
Well, how do you get the best out of a<br />
salesperson? One nibble at a time.<br />
NIP THE NIBBLER<br />
There is no doubt that the nibbler is worse<br />
than the haggler. With the haggler, the<br />
haggling comes to an end as soon as you<br />
either put a stop to it or negotiate the price<br />
reduction; however, with the nibbler, you<br />
never know when it will stop. Just when<br />
you think the sale is in the bag, the nibbler<br />
pops up with “Just one more thing...” and the<br />
games continue.<br />
Luckily, salespeople can stop both the<br />
hagglers and the nibblers quickly and<br />
effectively with one simple technique. If<br />
the price of a product is fair and honest and<br />
if you are comfortable that you have shown<br />
the value of your offering, then all you have<br />
to say is, “I really wish I could. Unfortunately<br />
I can’t.”<br />
That’s it!<br />
Say this sincerely and with a smile on your<br />
face and you’ll find most customers respond<br />
with, “Well, I had to ask” or “Hey, there’s no<br />
harm in asking, right?”<br />
If you feel compelled to bow to the pressure<br />
and offer a discount, remember the general<br />
rule for price reductions: Don’t give any<br />
money away without getting something<br />
in return. Get a concession from the<br />
customer first before you start discounting.<br />
If they want something from you, they<br />
should give something back. It’s called the<br />
Law of Reciprocity.<br />
What can they give? Perhaps a larger<br />
purchase order of whatever you’re selling<br />
would be appropriate, or maybe early<br />
payment? Even getting a solid referral,<br />
online promotion or testimonial might be<br />
acceptable, depending upon the size of the<br />
discount the customer wants.<br />
Selling is a game where the rule for success<br />
is that the salesperson “plays well with<br />
others”. Nibblers and hagglers are just two<br />
of the players. Understanding them and<br />
how to deal with their strategies is a sign of<br />
a sales professional.<br />
The best part of the game is that the more<br />
you play, the more you learn and the more<br />
you learn, the better you’ll play.<br />
Happy playing. i<br />
BRIAN JEFFREY has more<br />
than 40 years’ experience in<br />
sales management, training<br />
and business consulting.<br />
quintarra.com<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 65
MANAGEMENT<br />
RETHINKING YOUR LEADERSHIP STRATEGY<br />
IN AN EVER-CHANGING WORLD, QUESTIONING ONE’S EXISTING BELIEFS AND BIASES IS CRITICALLY IMPORTANT. PAUL SLOANE<br />
EXPLAINS WHY LEADERS WHO CAN CHANGE THEIR MINDS CAN BE AN EFFECTIVE ASSET TO THE BUSINESSES THEY SERVE.<br />
Why do we find it so hard to change our<br />
minds and why are we so critical of people<br />
who do it? Leadership expert John Adair<br />
says that the most important – and often<br />
most difficult – sentence for a leader to<br />
utter is, “I admit that I was wrong.”<br />
Perhaps this is because political leaders who<br />
do change their minds are accused in the<br />
media of flip-flopping, doing a ‘U-turn’ or<br />
lacking conviction.<br />
Yet there is no value in having convictions<br />
if they are heading in the wrong direction.<br />
Joseph Stalin and Robert Mugabe are two<br />
leaders who just kept pressing on with the<br />
wrong precepts and their obstinate and<br />
single-minded approaches were responsible<br />
for the impoverishment and death of many<br />
of their people.<br />
We need leaders who are open to new<br />
evidence and who are prepared to change<br />
direction. Part of the problem is that we all<br />
suffer from confirmation bias, which is the<br />
tendency to search for, recall and prefer<br />
information that confirms our pre-existing<br />
beliefs or hypotheses.<br />
The effect is stronger for emotionallycharged<br />
issues and for deeply-held<br />
positions. It leads us to interpret ambiguous<br />
evidence as supporting our beliefs. For<br />
example, when a mass shooting occurs<br />
in the USA, proponents of gun control<br />
see it as proof of the need for restrictions<br />
on gun ownership.<br />
On the other side, opponents of gun control<br />
see the same incident as evidence for the<br />
need for more people to carry guns so as to<br />
defend themselves. Similarly, when there is<br />
a savage snowstorm, some people see it as<br />
clear evidence of climate change and others<br />
as proof that global warming is a myth.<br />
Confirmation bias leads to overconfidence<br />
in personal beliefs, despite contrary<br />
evidence. In 1992, Rachel Nickell was<br />
brutally murdered on Wimbledon Common<br />
in London. The police brought in an expert<br />
WE CLING TO OUR<br />
BELIEFS BECAUSE<br />
IT IS EASY AND<br />
COMFORTABLE TO<br />
DO SO – BUT THE<br />
WORLD IS MOVING<br />
FAST AND SOME<br />
OF OUR BELIEFS<br />
MIGHT BECOME<br />
OUTDATED OR JUST<br />
BE PLAIN WRONG<br />
LEADERS SHOULD BE OPEN TO NEW EVIDENCE<br />
who constructed what he claimed was a<br />
psychological profile of the killer.<br />
The police found a suspect, Colin Stagg,<br />
who walked his dog on the Common and<br />
who fit this profile. There was very little<br />
evidence that he had had anything to do<br />
with the crime but the police became<br />
convinced that he was the murderer and<br />
they laid an elaborate ‘honey pot’ plan to<br />
encourage him to confess.<br />
Once the police became convinced<br />
of Stagg’s guilt, they ignored contrary<br />
evidence and confirmation bias set in;<br />
they redoubled their efforts to build a case<br />
against him. Unsurprisingly, this did not<br />
work. Stagg was brought to trial, where the<br />
judge threw the case out.<br />
More than 15 years later, in 2008, Robert<br />
Knapper was convicted of the killing<br />
of Rachel Nickell; Knapper had been<br />
questioned in 1992 but wrongly eliminated.<br />
Stagg, who had spent 13 months in<br />
custody, was given a public apology<br />
and over £700,000 (AU$1.2 million) in<br />
compensation.<br />
Now, let’s consider some people who had<br />
the courage to change their minds and<br />
thus changed the course of history. Saul of<br />
Tarsus persecuted the early Christians until<br />
he had his famous revelation on the road<br />
to Damascus. He then became a powerful<br />
proponent of Christianity and helped build<br />
the nascent religion.<br />
As St Paul, he is revered today as one of the<br />
greatest saints.<br />
Mikhail Gorbachev was a dedicated<br />
Communist Party officer who rose to<br />
be leader of the USSR. He saw the many<br />
problems of the Russian system and<br />
introduced the radical policies of perestroika<br />
(‘restructuring’) and glasnost (‘openness’).<br />
This led to independence for the former<br />
Soviet satellite states and the fall of the<br />
Berlin Wall, effectively ending the Cold War.<br />
F.W. De Klerk was the last president of<br />
Apartheid South Africa. He had been a<br />
strong advocate of apartheid but changed<br />
his view and took the courageous decision<br />
to release Nelson Mandela from prison and<br />
start the transition to a multi-racial society.<br />
We cling to our beliefs because it is easy<br />
and comfortable to do so. We conform<br />
to the norms of our chosen tribes and<br />
subscribe to the beliefs and principles of<br />
those groups.<br />
We can see this as being strong-minded<br />
and purposeful but the world is moving<br />
fast and some of our beliefs might become<br />
outdated or just be plain wrong.<br />
We need to be open to different viewpoints<br />
and courageous enough to change our<br />
minds on important issues.<br />
When considering your own leadership<br />
style, perhaps take Gorbachev and<br />
De Klerk as your role models, not Stalin<br />
and Mugabe! i<br />
PAUL SLOANE is an author<br />
and founder of Destination<br />
Innovation, which offers<br />
innovation workshops.<br />
destination-innovation.com<br />
66 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
MARKETING & PR<br />
ARE ALL CUSTOMERS TRULY CREATED EQUAL?<br />
WHEN IT COMES TO DEALING WITH DIFFERENT TYPES OF CUSTOMERS, DAVID BROWN REVEALS THE SURPRISING SHOPPER<br />
CATEGORY WHERE RETAILERS SHOULD BE EXPENDING MOST OF THEIR ENERGY, IN ORDER TO GET THE BEST RETURNS.<br />
No, I haven’t been reading George Orwell’s<br />
Animal Farm – from which we get the<br />
famous quote, “All animals are equal, but<br />
some are more equal than others”. And yes,<br />
you should treat every customer as if they<br />
are worth gold to you.<br />
But you haven’t got enough hours in the<br />
day for everybody and everything you<br />
have to do.<br />
Retailers who can recognise their most<br />
important customers will be able to<br />
concentrate on this minority, who in reality<br />
give them the majority of sales.<br />
IDENTIFY YOUR SHOPPERS<br />
The first type of customer is the one who<br />
frequents your store only occasionally, and<br />
perhaps even only once. You don’t know<br />
them and they don’t know you.<br />
They are presumably not lovers of jewellery<br />
and may be visiting for one of a few reasons:<br />
they could be making a once-in-a-lifetime<br />
purchase such as an engagement ring<br />
or they might be dropping in to take<br />
advantage of a promotion like an annual<br />
sale or discount offer.<br />
These customers have no loyalty or desire<br />
for a relationship with you and sometimes<br />
can cost you more than they generate in<br />
revenue. They may represent half of all<br />
jewellery customers who come into your<br />
store and yet they only contribute 30 per<br />
cent of your revenue – and even less of your<br />
profit due to the lower margins and the cost<br />
of acquiring them.<br />
Another type of customer is the ‘client’.<br />
These people are reasonably regular<br />
shoppers. They know you and you know<br />
them. They may represent about 40 per<br />
cent of the people who visit your store and<br />
they contribute around 40 per cent of your<br />
store’s sales.<br />
The client can sometimes be hard work,<br />
particularly when it comes to discounts, but<br />
they are repeat visitors. Although they are<br />
ENTHUSIASTS LOVE<br />
YOU BECAUSE YOU<br />
LOVE THEM BACK,<br />
OFTEN WITHOUT<br />
KNOWING IT; IT<br />
IS A MUTUAL-<br />
ADMIRATION<br />
SOCIETY – IF YOU<br />
WANT TO GROW<br />
YOUR SALES,<br />
LOOK AFTER THE<br />
ENTHUSIASTS<br />
PUT YOUR RESOURCES INTO LOYAL SHOPPERS<br />
not restricting their spending to just your<br />
store, they are accustomed to shopping<br />
with you.<br />
The third and most important type of<br />
customer is the ‘enthusiast’. These people<br />
make regular visits to your store and love<br />
jewellery immensely. You are often on<br />
a first-name basis with them and they<br />
generate lots of revenue and profit for you.<br />
They’ve probably written reviews for your<br />
website – if they haven’t, it’s time you asked<br />
them – and they’re almost certainly fans of<br />
your social-media pages.<br />
Enthusiasts will represent under 10 per<br />
cent of your customer base but contribute<br />
more than 30 per cent of your sales and<br />
even more of your profit, as you don’t need<br />
expensive marketing to get them through<br />
the door.<br />
They love to see what new items you are<br />
offering and they love to tell their friends<br />
about their purchases. These people are<br />
a walking endorsement for what you have<br />
to offer.<br />
GETTING IT RIGHT<br />
Handling each of the shoppers listed above<br />
can take some finesse. Firstly, let’s focus<br />
on the enthusiasts, those who are your<br />
lifeblood. What is the real reason they buy<br />
from you? There may be all sorts of reasons<br />
but the predominant two will be that they<br />
are passionate about jewellery and your<br />
store – and staff – makes them feel special.<br />
If there is one human trait that motivates<br />
everybody, it is the desire to be recognised<br />
and valued.<br />
These customers may say they shop with<br />
you because of your competitive pricing or<br />
unique product lines, but you and I know<br />
the same product can usually be found<br />
elsewhere, often at better prices.<br />
Enthusiasts love you because you love<br />
them back, often without knowing it; it is<br />
a mutual-admiration society. This means if<br />
you want to grow your sales, look after the<br />
enthusiasts as if your life depends on it.<br />
In addition, concentrate on finding more<br />
of those clients who are passionate about<br />
jewellery and who want to feel special<br />
when they shop.<br />
The more care you put into enthusiast, the<br />
more often they’ll visit and the more they’ll<br />
spend. Even growing your best clients by<br />
one to two per cent could be adding as<br />
much as five to 10 per cent to your sales<br />
and at least the same to your bottom line.<br />
Remember, marketing to them is easier and<br />
cheaper and they are often less likely to ask<br />
for discounts.<br />
There are so many retail businesses that<br />
treat their customers with indifference.<br />
Adopt this simple philosophy and you’ll<br />
be surprised at the impact it can make on<br />
your sales. i<br />
DAVID BROWN is<br />
co-founder and<br />
business mentor of<br />
Retail Edge Consultants.<br />
retailedgeconsultants.com<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 67
LOGGED ON<br />
ATTRACTING CUSTOMERS WITH SOCIAL MEDIA<br />
CRAFTING CREATIVE, REGULAR POSTS ISN’T ENOUGH WHEN IT COMES TO SOCIAL-MEDIA MARKETING. DAVID COEN ADVISES<br />
HOW TO USE CONTENT TO CONVERT FANS INTO CUSTOMERS AND GENERATE WORTHWHILE LEADS FOR YOUR BUSINESS.<br />
Lead generation is probably the most<br />
challenging part of marketing. Yes, most of us<br />
can start a creative campaign, produce highquality<br />
content and write articles that will<br />
shake the ground. Unfortunately, the effort<br />
doesn’t always translate to leads.<br />
There are plenty of reasons why one post<br />
can go viral while others only get minimal<br />
attention but, to be honest, conversion is all<br />
that matters –we cannot justify our marketing<br />
expenses without results!<br />
Here are some tips to help your posts get<br />
plenty of traction and become more likely to<br />
generate interest and sales:<br />
Focus on interactivity – In order for a person<br />
to click in the first place, it is necessary to<br />
either create a great image or a video. You<br />
have to be aware of your strengths and<br />
shortcomings and play to them. If you’re<br />
unable to produce a high-quality video, it<br />
is much better to post a nice image with<br />
a caption that will lead people to written<br />
content on your site.<br />
No matter what, you have to be aware<br />
of the fact that time is limited and you need<br />
to capture and keep your audience’s attention<br />
within the first few seconds. Visuals are<br />
important for distinguishing yourself<br />
and making sure that a potential client<br />
checks you out instead of all other posts on<br />
their news feed.<br />
Make sure you got the right audience –<br />
When it comes to marketing, we are slaves<br />
to numbers; we tend to over-analyse the<br />
performance of posts based on numerical<br />
values instead of figuring out whether these<br />
numbers hold any merit.<br />
One of the worst things that can happen<br />
to you is ‘empty traffic’. Your post might<br />
have gotten a lot of clicks, or perhaps you’re<br />
managing a Facebook group with lots of<br />
members; however, it seems that your posts<br />
are never converting and you’re unable to<br />
make money out of them. This is likely due to<br />
your perception of the public.<br />
Sharing a post relentlessly will do you<br />
no favours if readers are not interested<br />
in what you’re posting. Some messages<br />
will never succeed if presented to certain<br />
demographics, so it’s best to figure out<br />
who your ideal customers are and start<br />
pitching to them.<br />
Don‘t be overly promotional – Due to<br />
excessive promotional content on the web<br />
and especially social media, people have<br />
grown tired of everything ‘sales-y’. This might<br />
be a big problem for your company if you’re<br />
sticking to traditional marketing strategies.<br />
Instead of selling your product directly, try<br />
to make content that shows off the great<br />
features of your product or service instead<br />
of hard selling. Create content that will show<br />
product in an awesome light without ever<br />
mentioning the possibility of a purchase.<br />
If people are interested in it, they will find<br />
it anyway.<br />
Stick to one theme – Brand loyalty is the main<br />
reason why certain products are purchased<br />
again and again but it takes a while for brands<br />
to establish themselves.<br />
Even if visitors to your page haven’t made<br />
any purchases from you, it is very important<br />
to exude trust and confidence as these might<br />
be the reasons customers give your product<br />
a chance.<br />
Probably the best way of building this trust<br />
and the brand itself is by employing a theme.<br />
Make sure all your posts are similar and follow<br />
this underlying theme. Even if a person<br />
doesn’t interact with it upon first viewing,<br />
related posts will eventually garner clicks<br />
through curiosity. After that, it is much<br />
easier to sell.<br />
Insert call-to-action – If you do decide to go<br />
with a straight message, add calls-to-action.<br />
When it comes to Internet marketing and<br />
online shopping, a lot of people still don’t<br />
know how to buy certain products. This is due<br />
to the fact that people, and especially older<br />
generations, are still adapting to the concept.<br />
TURNING LIKES AND SHARES INTO SALES CAN BE A CHALLENGE<br />
THERE ARE PLENTY<br />
OF REASONS WHY<br />
ONE POST CAN<br />
GO VIRAL WHILE<br />
OTHERS ONLY<br />
GET MINIMAL<br />
ATTENTION, BUT<br />
CONVERSION<br />
IS ALL THAT<br />
MATTERS – WE<br />
CANNOT JUSTIFY<br />
OUR MARKETING<br />
EXPENSES<br />
WITHOUT RESULTS<br />
As such, they have to be guided sometimes.<br />
Even if you don’t have to guide your potential<br />
clients, pointing them towards certain pages<br />
always reduces the trouble. That alone is the<br />
reason why people might prefer one ad<br />
over another.<br />
CLOSING THOUGHTS<br />
You don’t have to be told that you need to be<br />
creative in order to attract prospects; however,<br />
in doing so, there are a few things that can<br />
go wrong with your posts. These often occur<br />
because of negligence or being too hasty.<br />
No matter what, make sure to create a good<br />
long-term plan that will allow you to get the<br />
right results – one of the worst things that can<br />
happen to you is if you start posting like crazy<br />
to no avail.<br />
Always remember that sales don’t come easily<br />
online even though social media can help you<br />
more easily promote products and services.<br />
Like everything else, online conversions take<br />
hard work and preparation. Hopefully with<br />
these tips, you will be able to do just that! i<br />
DAVID COEN is digital marketing<br />
associate at Design Wizard in Ireland.<br />
His focus is social media and blogging.<br />
designwizard.com<br />
68 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
MY STORE<br />
MY JEWELLERY<br />
SHOP<br />
LOCATION: Gold Coast, Queensland<br />
NAME: Catherine Pevy-Trewartha<br />
POSITION: Owner<br />
When was the space completed?<br />
In 2012 we relocated from a shopping<br />
centre to a strip shop in Nobby Beach on<br />
the Gold Coast.<br />
Who is the target market and how did<br />
they influence the store design? Our<br />
target market is predominantly women<br />
over 25 so we chose a position near the<br />
beach, surrounded by restaurants and<br />
cafés as well as yoga and Pilates studios.<br />
We often get groups of ladies who are out<br />
for a coffee or lunch. We designed a space<br />
where our clients would enjoy staying<br />
longer and being able to touch and feel<br />
the stock, as well as try on pieces in a very<br />
relaxed atmosphere. It is normal for our<br />
clients to stay for at least half an hour.<br />
With the relationship between store<br />
ambience and consumer purchasing<br />
in mind, which features in the store<br />
encourage sales? We have a very open,<br />
spacious showroom to ensure that our<br />
clients have the freedom to view all<br />
the stock. As a lot of the jewellery and<br />
watches are displayed on open tables<br />
rather than cabinets, the clients can pick<br />
pieces up and view them in full-length<br />
mirrors without needing assistance. We<br />
have a designated design area where<br />
our clients can sit down with our design<br />
specialists in privacy. We have soft,<br />
calming music playing and a nice candle<br />
burning to play on our clients’ sense of<br />
sound and smell.<br />
What is the store design’s ‘wow factor’?<br />
As soon as the clients open the front<br />
door, they are impressed with the<br />
beautiful crystal chandeliers. The large<br />
glass windows let a lot of natural light in<br />
which works well with the white cabinets<br />
and ensures the store is always bright. The<br />
front door is locked so the clients buzz<br />
to come in, and once they enter it’s like<br />
Aladdin’s cave! The overall design gives<br />
a feeling of elegance without being too<br />
upmarket, attracting a variety of clients.<br />
We have our own private parking for<br />
customers right outside our store too. i<br />
<strong>September</strong> <strong>2019</strong> <strong>Jeweller</strong> 69
10 YEARS AGO<br />
WHAT WAS MAKING NEWS 10 YEARS AGO?<br />
A SNAPSHOT OF THE INDUSTRY EVENTS THAT MADE NEWS HEADLINES IN THE SEPTEMBER 2009 ISSUE OF JEWELLER.<br />
IJF events set to<br />
entertain and<br />
inform<br />
Flagship opening to reveal new Cerrone look<br />
The story: High-end Cerrone <strong>Jeweller</strong>s has<br />
announced the opening of its new flagship store at<br />
14 Martin Place, Sydney.<br />
The retail space is positioned in the old Colonial<br />
Mutual Life building, which is heritage-listed, and<br />
directly opposite the GPO and Macquarie Bank.<br />
“This is a very special occasion and an important<br />
chapter of our business and lives,” said managing<br />
director Nicola Cerrone. “My wife Carmela and I are<br />
proud to reveal the opening of our fourth store.<br />
The heritage of the beautiful piazza [Martin Place]<br />
reminds me of Milano and its Piazza Duomo.”<br />
The story: Visitors to the 2009 International<br />
<strong>Jeweller</strong>y Fair (IJF) will have access to an<br />
unprecedented number of special events.<br />
Opening proceedings will be a cake-cutting<br />
ceremony in the fair hall to celebrate the 150th<br />
anniversary of Brinks.<br />
Pieces from the Balgara Miniature Carousel<br />
Company will be on show in the foyer, while<br />
entries in the Diamond Guild Australia – Harpers’<br />
Bazaar Design Awards 2009 will be displayed.<br />
At the Citizen Watches stand, V8 supercar driver<br />
Shane van Gisberge will be appearing.<br />
The grand opening event is scheduled to take<br />
place at the beginning of <strong>September</strong> and<br />
will coincide with the release of the<br />
company’s re-branding.<br />
“It is a very exciting time for us –<br />
the new store opening will mark<br />
a fresh new start and another<br />
chapter of the Cerrone story, where<br />
our brand (established<br />
for over 40 years)<br />
comes out refreshed and<br />
reinvigorated,” Cerrone said.<br />
DANISH WATCH BRAND<br />
FOUNDER TO VISIT IJF<br />
The story: Watch distributor Jarass will<br />
welcome the Danish founder of the<br />
Skagen watch brand as a special guest<br />
at the International <strong>Jeweller</strong>y Fair.<br />
US-based Charlotte Jorst has never<br />
been to Australia, despite her brand<br />
having been here for over 10 years.<br />
“I cannot wait,” she said. “I am really<br />
looking forward to meeting all the<br />
loyal supporters of our brand – the<br />
wonderful Australian people, who<br />
just understand the value of the<br />
brand and love it.”<br />
Jorst will be at the Jarass stand to<br />
celebrate the launch of the newseason<br />
Skagen collections and S<br />
kagen’s 20th anniversary.<br />
Charlotte and her husband Henrik<br />
launched the business in 1989. The<br />
brand is now sold in over 60 countries,<br />
in more than 5,000 stores worldwide.<br />
Gem and <strong>Jeweller</strong>y Institute starts retail program<br />
GRADUATES AND TEACHERS AT THE GJI<br />
GRADUATION CEREMONY IN BRISBANE<br />
The story: The Gem and <strong>Jeweller</strong>y Institute recently<br />
launched Australia’s first accredited Certificate IV in Retail<br />
Management that is available online.<br />
The nationally-registered course was launched at the<br />
Tattersall’s Club in Brisbane on 8 July. GJI spokesperson<br />
Hylda Bracewell said the course was perfect for<br />
prospective managers of small-medium store groups,<br />
independent retailers, department and section<br />
managers, or those interested in human resources or<br />
merchandise management.<br />
In other news from GJI, the Institute recently graduated<br />
its first batch of students for the Diploma in Gemmology<br />
(a Gem-A course). GJI graduates received the Londonbased<br />
diploma at a ceremony in Brisbane on 8 June.<br />
70 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
INTERNATIONAL<br />
J E W ELLERY & WATCH FAIR<br />
In 2020 we<br />
will have even<br />
more surprises<br />
for you.<br />
ICC Sydney > Exhibition Centre<br />
WWW.JEWELLERYFAIR.COM.AU<br />
Organised by
MY BENCH<br />
Gary Thyregod<br />
WORKS AT: Gary<br />
Thyregod <strong>Jeweller</strong>y<br />
AGE: 57<br />
YEARS IN TRADE: 40<br />
TRAINING: Sydney<br />
Technical College, four-year<br />
apprenticeship<br />
FIRST JOB: Henning<br />
Molgaard, 1979<br />
OTHER QUALIFICATIONS:<br />
Certificate IV Training &<br />
Assessment; I have been a<br />
part-time teacher at TAFE for<br />
the last 10 years<br />
Favourite gemstone:<br />
Diamond. It’s intriguing and<br />
the more you work with<br />
diamonds, the more you<br />
appreciate them – especially<br />
when they have a colour.<br />
Favourite metal: Platinum,<br />
because it’s so malleable with<br />
a beautiful whiteness, and<br />
doesn’t oxidise!<br />
Favourite tool: Hammer,<br />
because it feels good to use.<br />
Best new tool discovery:<br />
A laser welder! It makes the<br />
impossible repairs possible.<br />
Best part of job: Most of<br />
the work I do is for private<br />
clientele, which includes<br />
one-off designs, remodelling<br />
of old jewellery and repairs, so<br />
it would be when you finally<br />
finish a piece of jewellery,<br />
and you are satisfied, and the<br />
client is extremely satisfied<br />
with the piece. Also, sharing<br />
your knowledge with others.<br />
Best tip to a jeweller:<br />
Experiment as much as you<br />
can with different techniques<br />
to develop your own design.<br />
What frustrates me<br />
most about the industry<br />
is… There is not enough<br />
appreciation for jewellery in<br />
this country.A lot of jewellery<br />
retailed here is imported. We<br />
have some of the world’s most<br />
talented jewellers, who are<br />
not recognised because of<br />
lack of exposure and public<br />
awareness. There needs to be<br />
a lot more promotion done. i
SOAPBOX<br />
SNAPSHOT OF THE MODERN JEWELLER<br />
We have all heard the saying, ‘Things<br />
aren’t the same as they were 20 years ago.’<br />
That’s largely because of the Internet; not<br />
only is there competition between local<br />
jewellers, businesses are also competing<br />
with the rest of the world. Yet it’s essential<br />
for jewellers to embrace the technology<br />
available to them or be left behind.<br />
The way people shop for their jewellery has<br />
changed. Frequently, customers – especially<br />
those in the 20- to 40-year-old bracket – will<br />
look online prior to making a purchase. Their<br />
online research can prompt them to look<br />
for savings by either purchasing online or<br />
using their research to request discounts or<br />
matched prices from their local jeweller.<br />
While you can’t blame them from trying to<br />
save a buck, there are a couple of problems<br />
that do arise. The first is quality: purchasing<br />
online poses a great gamble to the customer.<br />
When shopping online, they assume because<br />
the diamond has certification (sometimes GIA,<br />
other times from an obscure laboratory) that<br />
it’s a better deal than what is offered locally.<br />
However, often it’s a quality that is easily<br />
price-matched from a reputable Australian<br />
dealer – or the customer finds it’s a lowerquality<br />
diamond than stated.<br />
Customers need to be aware that there’s risk<br />
and reward – if you get a great stone online,<br />
that’s fantastic, but it’s not a guarantee. In<br />
my opinion there tends to be a reason why<br />
a stone is being sold online and not by a<br />
local wholesaler. This leads into the second<br />
problem – jewellers can’t survive on labour<br />
alone; they have to ensure a mark up on<br />
materials to stay profitable.<br />
That’s not to say the digital marketplace<br />
doesn’t have advantages for jewellers.<br />
The Internet has brought the world closer.<br />
Australians have been travelling to overseas<br />
jewellery fairs for decades and now it’s easier<br />
than ever to continue to do business once<br />
you’ve made contact. Whether it is email,<br />
WhatsApp, or Instagram, it’s a piece of cake<br />
to order from different countries and build<br />
strong connections across the globe.<br />
In the modern industry, a jeweller also has<br />
to have their finger on the pulse of what the<br />
Australian Dollar is doing and how much<br />
gems and gold cost that day – particularly if<br />
buying offshore and quoting to a customer<br />
on the spot.<br />
Social media is another element of the<br />
modern jewellery industry. It’s a fantastic tool<br />
for gaining and retaining customers. People<br />
still want to get caught up in the romance<br />
of creating jewellery, and a great way to help<br />
them do that is to show the manufacturing<br />
process through apps like Instagram.<br />
Customers want to know you and they<br />
respond well when jewellers make<br />
themselves part of the ‘brand’. They will watch<br />
Instagram Stories and read Facebook posts<br />
about what a jeweller is doing each day. They<br />
are keeping jewellery in the forefront of their<br />
mind until the time comes to buy a gift for<br />
their loved one or to spoil themselves. The<br />
anticipation builds, waiting to see their piece<br />
being created online for all to see and share.<br />
However, social media can feel like a fulltime<br />
job on its own. Remembering to keep<br />
updating and posting every few hours or<br />
every day, especially in peak times, is one of<br />
THE INTERNET<br />
HAS BROUGHT<br />
THE WORLD<br />
CLOSER –<br />
WHETHER<br />
IT IS EMAIL,<br />
WHATSAPP, OR<br />
INSTAGRAM,<br />
IT’S A PIECE OF<br />
CAKE TO ORDER<br />
FROM DIFFERENT<br />
COUNTRIES AND<br />
BUILD STRONG<br />
CONNECTIONS<br />
ACROSS THE<br />
GLOBE<br />
the challenges of being a modern jeweller.<br />
Getting shares and likes and taking highquality<br />
photos and video takes real effort.<br />
It can be exhausting staying relevant with<br />
interesting content, particularly if you are not<br />
seeing the return on investment of your time.<br />
Another downside is that it is harder to<br />
protect original designs. Other jewellers<br />
can follow your social media accounts and<br />
then reproduce a piece that is identical or<br />
at least very similar to yours. It is again a<br />
case of risk and reward. Hiding away in the<br />
shadows means there’s less chance of copycat<br />
designers – but sharing on social media<br />
means more customers and more sales. Also,<br />
you have thousands of other jewellers to<br />
follow and draw inspiration from!<br />
Finally, there’s education. The trade, locally<br />
and internationally, has been fragmented<br />
and become quite niche over many years. If<br />
jewellers want to add value to their customers,<br />
continuous education is extremely important.<br />
With the recent closures of organisations<br />
such as the <strong>Jeweller</strong>y Institute of Australia<br />
there is now a need to look further afield.<br />
Online resources, including online networks,<br />
mentoring and formalised education and<br />
courses, both paid and free, are useful to<br />
expand knowledge and learn new techniques.<br />
Being a modern jeweller is full of complexities<br />
but those in the industry have to invest<br />
in themselves. i<br />
Name: Brett Low<br />
Business: Deer Honey <strong>Jeweller</strong>y<br />
Position: Owner-operator<br />
Location: Burleigh, Gold Coast<br />
Years in the industry: 15<br />
74 <strong>Jeweller</strong> <strong>September</strong> <strong>2019</strong>
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