BeatRoute Magazine AB Edition September 2019
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
BeatRoute Magazine is a monthly arts and entertainment paper with a predominant focus on music – local, independent or otherwise. The paper started in June 2004 and continues to provide a healthy dose of perversity while exercising rock ‘n’ roll ethics. Currently BeatRoute’s AB edition is distributed in Calgary, Edmonton (by S*A*R*G*E), Banff and Canmore. The BC edition is distributed in Vancouver, Victoria and Nanaimo. BeatRoute (AB) Mission PO 23045 Calgary, AB T2S 3A8 E. editor@beatroute.ca BeatRoute (BC) #202 – 2405 E Hastings Vancouver, BC V5K 1Y8 P. 778-888-1120
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BLACK<br />
MOUNTAIN<br />
Psychrock masterminds break barriers and burn rubber on high octane<br />
space age highway chase By CHRISTINE LEONARD<br />
OLIVIA JAFFE<br />
H<br />
overing over your metropolis<br />
like a sleek black<br />
leviathan, Destroyer is but<br />
the latest vehicle of deliverance<br />
for Vancouver space<br />
rockers Black Mountain.<br />
Armed with digitized pop<br />
tentacles and pulsating<br />
with vintage video game<br />
vibes, the time-travelling album harvests<br />
riffs and rhythms from across decades<br />
and devices. Customarily nonchalant<br />
about their earth-quaking creations,<br />
founding guitarist/lead vocalist Stephen<br />
McBean and lynchpin/keyboardist<br />
Jeremy Schmidt, have always gravitated<br />
towards generating deadly sonic vortexes<br />
that defy chronological classification.<br />
“We’re definitely in tune with our<br />
aesthetic pasts. I guess that’s pretty evident,<br />
just from what our preoccupations<br />
are,” says Schmidt of the new album’s<br />
retro-tronic soundscape. “I feel like the<br />
past is something that’s always revealing<br />
itself. Even though it seems like it’s<br />
all behind us, variations of it seem to<br />
be revealing themselves in the present<br />
and continuing to do so in the future all<br />
the time. So, to me it’s like the past is an<br />
ongoing project.”<br />
Crashing into mid-life with phasing<br />
synths set to stun, Schmidt and McBean<br />
hit the virtual reset button following<br />
the appearance of the band’s previous<br />
full-length release, IV (2016), leaving<br />
them alone in the cockpit for the first<br />
time in years. Approaching an age when<br />
a man’s thoughts might run to HRT and<br />
hot rods, the duo fixed upon the title<br />
Destroyer, a nod to the discontinued<br />
single-run 1985 Dodge testosterone<br />
factory on wheels.<br />
“Steve is actually a new driver. He<br />
recently learned how to drive, so that<br />
kind of informed a couple of the ideas in<br />
an off-handed, casual way.”<br />
The “Boogie Lover” persona that<br />
flows from McBean’s newfound sense of<br />
freedom comes through loud and clear<br />
on new tracks such as the easy ridin’<br />
“Future Shade,” the power mongering<br />
“Horns Arising” and the Manson-child<br />
recruitment anthem “Pretty Little<br />
Lazies.” Pieced together between their<br />
coastal outposts in LA and Vancouver,<br />
the resulting production carries the<br />
weight of Black Mountain’s ample experience<br />
and a burning thirst for untested<br />
waters.<br />
“To me the results sound like a progression,”<br />
Schmidt says. “The record fits<br />
well within the canon of everything else<br />
we’ve done. It seems similar enough to<br />
what we’ve done in the past to sound<br />
like a Black<br />
Mountain record<br />
and different<br />
enough that it<br />
sounds new.”<br />
Determined<br />
to repopulate<br />
their psychedelic<br />
utopia with<br />
a fresh crew<br />
of supporting<br />
players,<br />
the long-time<br />
friends opened<br />
the studio pod<br />
BLACK MOUNTAIN<br />
Saturday, Sept. 14<br />
Vogue Theatre (Vancouver)<br />
Sunday, Sept. 15<br />
Distrikt (Victoria))<br />
Tix: $25, eventbrite.ca<br />
Tuesday, Sept. 17<br />
The Starlite Room<br />
(Edmonton)<br />
Tix: $18, ticketweb.ca<br />
Wednesday, Sept. 18<br />
Commonwealth (Calgary)<br />
Tix:$25, ticketweb.ca<br />
bay doors to a brave new world of artistic<br />
possibilities on Destroyer.<br />
“We’ve always liked the balance of<br />
female and male vocals. It adds a different<br />
kind of narrative and it creates a<br />
dynamic which I think is very appealing<br />
and very much a part of the band,” he<br />
continues. “One could say our ‘happy<br />
place’ is where the organic meets the<br />
electronic. It’s kind of like this yin and<br />
yang thing where the two sort of egg<br />
each other on. Blending artifice and<br />
things that people regard as being more<br />
organic has always been something of<br />
interest to me and the band. In a lot of<br />
ways, it’s the nucleus of our sound.”<br />
Atomic poet/vocalist/keyboardist<br />
18 BEATROUTE SEPTEMBER <strong>2019</strong>