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Bob Chilcott - Samba Mass SSA

Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The work is framed by the gentle bossa nova style of the warm Kyrie and relaxed Agnus Dei, which is prefaced by a funky Benedictus. The compelling rhythms of samba come to the fore in the second movement, a vivacious Gloria, which is followed by a beautiful Sanctus that offsets a steady flow of quavers with rhythmic syncopations. The stylistic piano part can be played as written or serve as a guide, and an optional guitar, bass, and drum kit part is available separately for band accompaniment. Performers will enjoy exploring the interplay between voices and the rich, warm colours of the samba and bossa nova styles.

Samba Mass is a joyous and colourful setting of the Latin Missa brevis. The work is framed by the gentle bossa nova style of the warm Kyrie and relaxed Agnus Dei, which is prefaced by a funky Benedictus. The compelling rhythms of samba come to the fore in the second movement, a vivacious Gloria, which is followed by a beautiful Sanctus that offsets a steady flow of quavers with rhythmic syncopations. The stylistic piano part can be played as written or serve as a guide, and an optional guitar, bass, and drum kit part is available separately for band accompaniment. Performers will enjoy exploring the interplay between voices and the rich, warm colours of the samba and bossa nova styles.

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Composer’s note<br />

In the autumn of 2001 I had a wonderful week working with a group of choral conductors in Rio de Janeiro<br />

in Brazil. On three consecutive nights I went with a few of them to a club with a live samba band and they<br />

tried in vain to teach me to dance. My Northern European heritage really came to the fore at this point and<br />

despite my inability to move in any idiomatic way, from that moment on, the joyous and infectious music of<br />

samba and bossa nova captivated me. In this mass setting I have tried to colour the piece with a sense of this<br />

music, music that is sometimes gentle, sometimes high energy, that reflects the warmth and the smile that is<br />

so characteristic of the people and the country of Brazil.<br />

As with my other jazz mass settings, I have written out an instrumental accompaniment that is intended<br />

to be either played as written or used as a guide. A separate part is available with chord symbols and a<br />

percussion guide, and I would encourage performers to be as creative as they wish to be with the band part.<br />

Guitars with string bass or electric bass would work beautifully in place of the piano part, and any number<br />

of percussion instruments could be added. Please use what you can to give wings to the colour of the samba<br />

and bossa nova.<br />

for online perusal only<br />

Duration: c.13 minutes<br />

Also available:<br />

<strong>Samba</strong> <strong>Mass</strong> Guitar, Bass, and Drum Kit Part (978–0–19–352912–0)<br />

1<br />

Great Clarendon Street, Oxford OX2 6DP, United Kingdom<br />

Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries<br />

© Oxford University Press 2019<br />

<strong>Bob</strong> <strong>Chilcott</strong> has asserted his right under the Copyright, Designs and Patents Act, 1988,<br />

to be identified as the Composer of this Work<br />

Database right Oxford University Press (maker)<br />

First published 2019<br />

All rights reserved. No part of this publication may be reproduced,<br />

stored in a retrieval system, or transmitted, in any form or by any means,<br />

without the prior permission in writing of Oxford University Press,<br />

or as expressly permitted by law. Permission to perform in public and/or<br />

to exploit a recording of this work should be sought from a local<br />

performing right or mechanical copyright licensing organization, as appropriate,<br />

or by contacting Oxford University Press. Enquiries concerning reproduction outside<br />

the scope of the above should be directed to the Music Rights Department,<br />

Oxford University Press, at music.permissions.uk@oup.com or at the address above<br />

ISBN 978–0–19–352462–0<br />

Music and text origination by Katie Johnston<br />

Printed in Great Britain on acid-free paper by Halstan & Co. Ltd, Amersham, Bucks.

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